[{"data":1,"prerenderedAt":107},["ShallowReactive",2],{"subject-tong-xi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1398,"tong-xi","童戏","童戏画高清赏析","精选中国历代童戏题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e088f168b45c22f7031b2d125dc9812.jpg",0,6,[14,41,54,64,77,96],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":36,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},231033,"ting-yuan-tong-xi-tu-zhou-wen-ju-231033","庭院童戏图","五代十国","周文矩","藏地不详","画面里，玲珑湖石错落而立，旁侧蜀葵抽茎绽红，晕开雅致清幽的庭中底色。三个稚童于廊下嬉玩，或俯地、或跪坐，手持玩具专注投入，憨态天真尽显笔端。\n\n作者以精细笔触勾勒出衣纹的软柔灵动，设色古雅温润，将孩童嬉闹的鲜活日常描摹得生动自然。静谧庭苑与稚子烂漫相映，把细碎童趣晕化成悠然平和的古典意趣，藏着旧时世家庭院里的温柔烟火气。",[23,24,25,26,27,28,29,7,30,31,32,33,34],"高清","名画","国画","书画","工笔","设色","人物","孤石","小桥","庭院","植物","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c8bf418623c3f4f8d9458352c316f86.jpg","",[],46,1,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":50,"material":36,"size":36,"collection":36,"collections":51,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},228391,"tong-xi-tu-ce-ye-zhao-ji-228391","童戏图册页","宋","赵佶","淡墨轻勾，敷色浅淡清雅，将四名稚童嬉闹的日常定格。或持杆佯作玩耍，或俯身效仿逗趣，旁立的小童歪头注视，憨态毕现。线条简练灵动，不着浓艳，却将孩童的娇憨鲜活尽数勾勒，没有繁复铺陈，仅以极简笔触便把稚童的无忧稚气描摹尽致，藏着巷陌里最鲜活的日常意趣，尽显平淡天真的烟火温情，仿佛能听见画里的嬉笑声，将人拉回松弛鲜活的旧时光，静赏这份纯粹无忧的童真。",[24,25,26,49,28,27,29,7],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F946c4ef1365e7720af305739ee57fb94.jpg",[],21,"BDBDBD",{"id":55,"slug":56,"title":57,"dynasty":45,"author":58,"museum":20,"description":59,"tags":60,"thumbUrl":10,"material":36,"size":36,"collection":36,"collections":62,"showCount":63,"zanCount":39,"manualWeight":11,"mainColor":40},227512,"tong-xi-tu-ye-su-han-chen-227512","童戏图页","苏汉臣","“婴戏”是中国画的一个重要的题材，从唐宋到元明清时期，孩童们的可爱淘气、天真烂漫无不是画家笔端的灵感。“婴戏图”既体现了人们自古至今对孩童的无限关爱与期望，又表达了人们对美好幸福生活的无限憧憬和祝愿。\n\n儿童生性活泼好奇，在他们的眼里，每样事物都新奇有趣，都想要探索、尝试。而游戏、玩具不仅能启发心智，也能锻练强健的体魄，是他们用以探索世界的工具。",[23,25,26,49,27,28,29,30,61,7],"枯树",[],19,{"id":65,"slug":66,"title":67,"dynasty":18,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":72,"material":73,"size":74,"collection":36,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":53},287394,"ting-yuan-tong-xi-tu-er-zhou-wen-ju-287394","庭院童戏图二","周文矩（约907年－975年），五代十国时南唐的宫廷画家，句容（今江苏句容县）人。南唐李昪异元年间（937—943），已在宫中作画。后主李煜（961—975年）朝任翰林待诏，擅人物仕女，多以宫廷贵族或文士生活为题材，兼画山水、屋木、佛道。绘画风格接近唐代画家周昉而更纤丽，多用颤动的“颤笔”画衣纹，线条挺健又略带抖动和顿挫。宋人称其“用笔深远，于繁富则尤工”。",[23,25,24,70,27,28,29,71,32,7],"扇面","孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d3af930ece2a3561175dbba38af443f.jpg","未知","Xcm*Xcm",[],18,{"id":78,"slug":79,"title":80,"dynasty":81,"author":82,"museum":20,"description":83,"tags":84,"thumbUrl":93,"material":73,"size":74,"collection":36,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":53},290984,"liu-yin-tong-xi-zhou-jin-ting-biao-290984","柳阴童戏轴","清","金廷标","金廷标，清代画家。字士揆，乌程（今浙江湖州）人。鸿子。能绍父艺，亦工写真，并能妙绘人物仕女及花卉。善取影，白描尤工。亦能界画。清朝乾隆二十五年（1760）南巡进白描罗汉册，称旨。命入内廷供奉。所绘写意秋果及人物，皆得高宗题咏。入直数载，卒於京寓。《石渠宝芨》著录了他81幅作品。",[25,85,28,27,29,86,87,88,89,90,91,92,7],"立轴","儿童","柳树","山水","流水","草地","童趣","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef9efb9d08aafc3fa05ecf0b670c66e2.jpg",[],16,{"id":97,"slug":98,"title":99,"dynasty":100,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":104,"material":73,"size":74,"collection":36,"collections":105,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":40},290160,"tong-xi-tu-yi-ming-290160","童戏图","元","佚名","元代绘画中，文人画占据画坛主流。因元代未设画院，除少数专业画家直接服务于宫廷外，大都是身居高位的士大夫画家和在野的文人画家。他们的创作比较自由，多表现自身的生活环境、情趣和理想。山水、枯木、竹石、梅兰等题材大量出现，直接反映社会生活的人物画减少。作品强调文学性和笔墨韵味，重视以书法用笔入画和诗、书、画的三结合。",[25,27,28,29,7,91],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc92f5bf0e5cb76ac4f0ab9bc52c4042d.jpg",[],8,1777535746981]