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晕染，凝着三千年光阴的厚重包浆。纹饰分两层铺陈，上层兽面与圆涡纹相间排布，朱砂残迹隐现，依稀可见当年朱彩鎏金的煊赫神采；下层垂列蕉叶纹，线条棱厉挺拔，勾勒出特有的狞厉威严。古拙的器型里沉凝着上古祭祀的庄重，斑驳锈色是岁月蚀刻的勋章，将先民对天地的敬畏熔铸其中，尽显东方青铜文明的磅礴底色，狞厉美学藏于朴茂形制之间，静诉着遥远商代的礼器风华。",[23,29,218,7,24],"饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d522211770e1f9aba660f1bf5825ba5.jpg",[32],59,{"id":223,"slug":224,"title":225,"dynasty":66,"author":19,"museum":20,"description":226,"tags":227,"thumbUrl":228,"material":31,"size":31,"collection":32,"collections":229,"showCount":230,"zanCount":11,"manualWeight":11,"mainColor":185},242605,"shi-ding-yi-ming-242605","史鼎","立耳挺拔，圆腹敦实，柱足沉稳撑起古拙器形。腹身环绕分解式兽面纹，一对夔龙拱托中心兽面，线条弯折流转，狞厉纹饰带着上古祭祀的肃穆威严。铜色沉郁斑驳，周身包浆凝着岁月的厚重质感，仿佛还残存着宗庙的烟火余温。\n\n它将神权信仰熔铸于青铜之中，简约形制里藏着先民对天地先祖的敬畏。刚劲规整的纹饰排布，尽显青铜工艺的成熟造诣，把那个时代的狞美感与庄重感融为一体，静静诉说着上古文明的精神内核。",[23,7,24,218,29,28,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc753b0b48785108dbfd8edb5f87644eb.jpg",[32],57,{"id":232,"slug":233,"title":234,"dynasty":66,"author":19,"museum":20,"description":235,"tags":236,"thumbUrl":237,"material":31,"size":31,"collection":32,"collections":238,"showCount":239,"zanCount":11,"manualWeight":11,"mainColor":36},242614,"fu-jia-fang-ding-yi-ming-242614","父甲方鼎","方正器身搭配直立双耳，四足挺拔稳重，尽显端正肃穆的上古威仪。器身纹饰排布严整，主体兽面纹线条刚劲冷峻，纹样狞厉神秘，带着独有的祭祀神性，仿佛能窥见古巫祝沟通天地时的庄严氛围。铜色凝润古朴，绿锈斑驳间，是岁月蚀刻下的厚重质感，将三千年前的礼制精神与匠造技艺凝于一身，沉默诉说着青铜文明的狞厉之美，以及古人对天地先祖的敬畏信仰。",[23,29,7,24,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05fed05eaa48b5acd466f378c80ecfaa.jpg",[32],56,{"id":241,"slug":242,"title":243,"dynasty":66,"author":19,"museum":20,"description":244,"tags":245,"thumbUrl":247,"material":70,"size":71,"collection":31,"collections":248,"showCount":249,"zanCount":11,"manualWeight":11,"mainColor":36},226735,"ya-mu-fu-xin-fang-ding-yi-ming-226735","亚牧父辛方鼎","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[23,7,29,218,24,28,66,246],"古代器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d488bc59abff2807dc7d206e50744f7.jpg",[],53,{"id":251,"slug":252,"title":253,"dynasty":107,"author":19,"museum":20,"description":108,"tags":254,"thumbUrl":256,"material":70,"size":71,"collection":31,"collections":257,"showCount":258,"zanCount":11,"manualWeight":11,"mainColor":185},223705,"liu-chao-liu-shi-jing-1-yi-ming-223705","六朝 刘氏镜-1",[110,107,7,24,255],"器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feee993e682df48027df60feb2aab2a13.jpg",[],52,{"id":260,"slug":261,"title":262,"dynasty":137,"author":19,"museum":20,"description":263,"tags":264,"thumbUrl":267,"material":31,"size":31,"collection":32,"collections":268,"showCount":269,"zanCount":145,"manualWeight":11,"mainColor":74},243435,"bo-shan-lu-yi-ming-243435","博山炉","裸身童子踞坐瑞兽脊背，昂首咧嘴神情憨稚生动，右臂奋力擎举，指尖托举振翅飞鸟，仿佛正欲伴禽凌空。瑞兽颔首伏地，吻部前探，鬃毛虬曲尽显驯顺姿态。铜色沉凝晕着朱砂锈色，古意盎然。整体构思奇巧，将人、兽、禽融为一体，朴拙古雅的线条间藏着浪漫飞扬的古意，把升仙祈愿寄于灵动造像之中，兼具陈设意趣与精神寄寓，是青铜小件里极具巧思的精品。",[265,23,7,24,85,28,266],"汉代","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f842f12a803884870127dbea6902f10.jpg",[32],49,{"id":271,"slug":272,"title":273,"dynasty":150,"author":19,"museum":20,"description":274,"tags":275,"thumbUrl":278,"material":31,"size":31,"collection":32,"collections":279,"showCount":280,"zanCount":145,"manualWeight":11,"mainColor":74},243019,"li-ma-yi-ming-243019","立马","此马昂首卓立，劲挺的颈项带着桀骜风骨，躯体以涡旋状写意纹饰勾勒肌肉轮廓，将骏马的雄健筋肉化为流畅柔美的卷云线条，写实与浪漫相融。古铜肌理间晕开斑驳铜绿与朱砂锈色，带着岁月浸淫的厚重古意。\n\n静立姿态下暗含奔腾张力，蹄足稳稳踏地，尾梢利落上翘，将昂扬风气凝于方寸，浑朴又精巧，静穆中藏着灵动生机，仿佛只待一声长嘶，便将绝尘驰骋。",[276,23,7,24,28,277],"唐代","马","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7b325495a39d13301c26fe637b52c9f.jpg",[32],48,{"id":282,"slug":283,"title":284,"dynasty":137,"author":19,"museum":20,"description":285,"tags":286,"thumbUrl":290,"material":70,"size":71,"collection":31,"collections":291,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":74},223965,"zhao-ming-lian-hu-wen-jing-yi-ming-223965","昭明连弧纹镜","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[137,7,24,287,288,289,45],"连弧纹","桃花","鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ae6c95bfa6406dc5ee19e54c4bbc580.jpg",[],46,{"id":294,"slug":295,"title":296,"dynasty":107,"author":19,"museum":20,"description":297,"tags":298,"thumbUrl":300,"material":70,"size":71,"collection":31,"collections":301,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":74},223706,"yun-long-wen-jing-yi-ming-223706","云龙纹镜","八出葵花形，内切圆形，圆钮。一龙盘曲，龙头面向镜钮作戏珠状，双角后翘，张口吐舌， 背鳍、腹甲、鳞片、刻画细密，前肢伸张，后肢曲伸，四肢露出三尖爪，身体矫健，神志轩昂。龙身四周环绕如意云头纹，线条飘逸。边缘八瓣内， 有长尾鸟、短尾鸟、 蜂蝶、蜻蜓分别飞向折枝花，花均为两叶两苞，设计精巧细致。",[107,7,24,27,299],"云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4165f6bf70a49531d448e9403c93ce68.jpg",[],{"id":303,"slug":304,"title":262,"dynasty":137,"author":19,"museum":20,"description":305,"tags":306,"thumbUrl":309,"material":70,"size":71,"collection":31,"collections":310,"showCount":311,"zanCount":312,"manualWeight":11,"mainColor":74},226911,"bo-shan-lu-yi-ming-226911","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[265,23,7,24,307,45,308],"镂空","山形纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc09dd3d1f4cd7fd27e6bce37e3282e80.jpg",[],44,2,{"id":314,"slug":315,"title":316,"dynasty":107,"author":19,"museum":20,"description":317,"tags":318,"thumbUrl":319,"material":70,"size":71,"collection":31,"collections":320,"showCount":321,"zanCount":11,"manualWeight":11,"mainColor":36},253292,"tong-mi-le-fo-zuo-xiang-yi-ming-253292","铜弥勒佛坐像","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[107,7,23,81,85,24,86],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bbdab89a628ce29e8227f6c5937f7b9.jpg",[],43,{"id":323,"slug":324,"title":325,"dynasty":137,"author":19,"museum":20,"description":285,"tags":326,"thumbUrl":333,"material":70,"size":71,"collection":31,"collections":334,"showCount":321,"zanCount":11,"manualWeight":11,"mainColor":74},223962,"si-ru-si-hui-wen-jing-2-yi-ming-223962","四乳四虺纹镜-2",[23,7,327,328,24,329,330,57,331,332],"铜镜","铸造","四乳纹","四虺纹","虺纹","汉代纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0746bf344e11ca28318f5bfa45a0bacf.jpg",[],{"id":336,"slug":337,"title":338,"dynasty":137,"author":19,"museum":20,"description":339,"tags":340,"thumbUrl":344,"material":31,"size":31,"collection":32,"collections":345,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":74},243243,"shi-er-chen-wen-jing-yi-ming-243243","十二辰纹镜","博局纹规整分割镜背，四方八区错落排布，乳钉如星斗列布其间，暗合古人天地星宿的浪漫遐想。环绕的十二辰纹饰，带着古拙的线条，复刻着上古对时序天道的敬畏与描摹。\n\n铜身被岁月晕开斑驳绿锈，却仍留存沉润的金属冷光，镜钮悬系的黄绳，似牵系起古今的时光脉络。细密劲挺的线条将古人的宇宙观凝铸在圆镜之中，兼具日用的温度与天文哲思的厚重，静静铺展千年前的精神图景。",[23,7,24,341,342,343],"十二辰纹","几何纹","纹饰繁复","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cfef649728d250cf36689f41065fbc1.jpg",[32],42,{"id":348,"slug":349,"title":350,"dynasty":66,"author":19,"museum":20,"description":351,"tags":352,"thumbUrl":354,"material":31,"size":31,"collection":32,"collections":355,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":74},242837,"wei-jue-yi-ming-242837","囗爵","它敞口前伸为流，收束成尖尾，口沿立柱亭亭卓立，高挑三足稳稳托起器身，刚劲挺拔又不失平衡之美。器身遍饰兽面纹，线条古拙虬结，带着上古祭祀礼器独有的狞厉威严。青绿铜锈层层覆裹，晕开岁月浸蚀的斑驳肌理，将商代青铜工艺的厚重质感尽显无余。作为礼宴重器，它凝缩着神权时代的肃穆礼制，藏着古人对天地先祖的敬畏，静静沉淀着三千年的时光余韵。",[23,7,353,29,24,98,56],"饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4fc748c55cc3865b25ee23e764fa2721.jpg",[32],{"id":357,"slug":358,"title":359,"dynasty":66,"author":19,"museum":20,"description":360,"tags":361,"thumbUrl":362,"material":31,"size":31,"collection":32,"collections":363,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":74},242608,"wei-fu-yi-ding-yi-ming-242608","囗父乙鼎","立耳微张踞于口沿，束颈鼓腹下承三足，线条刚劲沉稳，尽显庄重古拙。腹身满饰兽面纹，纹样对称规整，浮雕线条狞厉威严，饕餮双目圆睁、犄角翻卷，将上古祭祀礼器的狞美感拉至极致，流转着神秘肃穆的巫祝氛围。\n\n青黑铜身晕开幽绿锈色，是岁月沉淀的斑驳印记，每一寸肌理都凝缩着先民的造物匠心，将祭祀重器的威仪与狞厉美学融为一体，静静诉说着那个时代的信仰与工艺巅峰。",[23,7,29,24,28,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ed71767b93979aa9d113a5c57407723.jpg",[32],{"id":365,"slug":366,"title":367,"dynasty":167,"author":19,"museum":20,"description":368,"tags":369,"thumbUrl":372,"material":31,"size":31,"collection":32,"collections":373,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":36},243051,"feng-wen-fang-zun-yi-ming-243051","凤纹方尊","方口外撇，颈、腹、足层层出戟，形制规整端庄，线条刚柔相济。器身以凤纹为主体，身姿舒展灵动，翎羽细密精致，搭配兽面纹辅衬，庄重间透着婉转生机。青铜绿锈凝着岁月痕迹，古意盎然。\n它承袭上古青铜礼器的肃穆大气，暗合复古审美意趣，将古礼器的厚重质感与造器的精细工艺相融，静立间尽显古朴庄重的器物之美，沉潜着传统工艺的传承脉络。",[23,7,24,370,29,371],"凤纹","明代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4d3e8664a4fa5213d397d91d595abbe.jpg",[32],41,{"id":376,"slug":377,"title":378,"dynasty":66,"author":19,"museum":20,"description":379,"tags":380,"thumbUrl":381,"material":31,"size":31,"collection":32,"collections":382,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":36},242679,"ya-fu-yi-ding-yi-ming-242679","亚父乙鼎","立耳微张，三足沉稳敦实，器型周正古雅，自带上古祭祀礼器的厚重威仪。腹部铺陈兽面纹饰，卷云纹勾勒出兽面轮廓，凸鼓圆目凌厉有神，线条狞厉又不失精巧，将神异威严凝铸于青铜肌理。\n\n器身乌亮包浆凝着悠悠岁月，边角斑驳锈迹是时光烙下的印记，静静诉说着庙堂祭典的庄重肃穆。它将先祖对天地神祇的敬畏熔铸其中，尽显青铜礼器独有的狞厉之美，把千年前的信仰与礼制定格在这一方铜鼎之上，带着跨越时空的厚重底蕴。",[23,7,29,218,24,99,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe12b91ad285945d15e076cfb86f7fef.jpg",[32],{"id":384,"slug":385,"title":386,"dynasty":66,"author":19,"museum":20,"description":387,"tags":388,"thumbUrl":389,"material":31,"size":31,"collection":32,"collections":390,"showCount":391,"zanCount":11,"manualWeight":11,"mainColor":74},242607,"ge-ding-yi-ming-242607","戈鼎","立耳高挑挺括，三足敦实沉稳，器腹圆腴舒展，造型凝练庄重。颈间纹饰带排布规整，兽面纹与涡旋纹相间排布，狞厉古拙的兽面搭配圆柔涡纹，刚柔相济，将上古重神尚巫的审美意韵凝于铜身。幽绿铜色裹着温润包浆，斑驳锈迹刻录千年风尘，沉稳器型暗合礼制的庄重肃穆，狞丽纹饰诉说着先民对天地神祇的敬畏，是青铜时代狞厉之美的绝佳缩影。",[23,7,45,218,29,24,99,98],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40686117cb4ebf720c28ddef9725408c.jpg",[32],40,{"id":393,"slug":394,"title":395,"dynasty":396,"author":397,"museum":20,"description":398,"tags":399,"thumbUrl":405,"material":70,"size":71,"collection":406,"collections":407,"showCount":408,"zanCount":11,"manualWeight":11,"mainColor":74},225766,"imperial-fritillaries-in-a-copper-vase-1887-fan-gao-225766","Imperial 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。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[656,206,657,658,659,660,661,662,45,112,7],"掐丝珐琅器","开光","四季花鸟","桃耳","荷花","花鸟","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357ba6b15b2ac6b46fa8745f7aa107d5.jpg",[],24,{"id":667,"slug":668,"title":669,"dynasty":190,"author":19,"museum":20,"description":670,"tags":671,"thumbUrl":673,"material":31,"size":31,"collection":32,"collections":674,"showCount":665,"zanCount":11,"manualWeight":11,"mainColor":36},243026,"cuo-jin-yin-xi-zun-yi-ming-243026","错金银牺尊","此器作昂首瑞牺之形，竖耳挺颈，身姿浑厚矫健，昂首抬颌尽显昂扬威仪。周身以错金银工艺饰满缠卷涡旋纹，金银细线在苍古铜色间盘转萦回，流畅婉转的纹路让瑞兽躯体兼具装饰美感与力量感。腹部开敞，既承续上古牺尊的礼器功用，又消解了造型的壅滞笨重。\n\n它复刻先秦牺尊古雅气韵，又融入时代摹古审美，苍润铜色与金银亮泽交织碰撞，将瑞兽威仪与装饰美学精妙糅合，尽显古朴雅致的匠造巧思。",[190,23,672,28,484,7,24],"错金银","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F650b780727f792db9bb31d30c940c1fb.jpg",[32],{"id":676,"slug":677,"title":678,"dynasty":588,"author":19,"museum":20,"description":679,"tags":680,"thumbUrl":682,"material":70,"size":71,"collection":31,"collections":683,"showCount":665,"zanCount":11,"manualWeight":11,"mainColor":74},224091,"yu-xia-jing-yi-ming-224091","玉匣镜","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 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雅致。方形台座沉稳厚重，与造像主体呼应，让整体利落又不失宗教造像的肃穆感。这件小造像带着民间造像的质朴虔诚，是唐代佛教造像世俗化的精巧缩影，岁月留下的痕迹为其更添醇厚古韵。",[276,81,7,140,24,154,84],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb40bae98bac12ef41357dc716a5ff27.jpg",[],{"id":5541,"slug":5542,"title":1046,"dynasty":150,"author":19,"museum":20,"description":317,"tags":5543,"thumbUrl":5544,"material":70,"size":71,"collection":31,"collections":5545,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":74},253965,"tong-liu-jin-fu-zuo-xiang-yi-ming-253965",[150,7,140,81,85,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86d46ebcf8776768d28ee24a02b14c61.jpg",[],{"id":5547,"slug":5548,"title":2418,"dynasty":150,"author":19,"museum":20,"description":5549,"tags":5550,"thumbUrl":5551,"material":70,"size":71,"collection":31,"collections":5552,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":74},253772,"tong-liu-jin-di-zang-pu-sa-xiang-yi-ming-253772","此像跏趺端坐，右手施无畏印，神态沉静端凝，尽显安然出尘的气度。昔日鎏金大多斑驳脱落，仅余星点残痕，依稀可见往日金辉粲然的模样。\n\n身后背光尤为精巧，轮辐状镂空衬以外围焰纹，将神圣光明具象化，火焰棱脊古拙苍劲，带着岁月剥蚀的斑驳锈色，为造像添就厚重沧桑。整体造型洗练古朴，线条敦实柔和，将悲悯沉静的神性融于青铜躯体，唐风古韵凝于寸尺之间。每一处锈蚀鎏金的痕迹，都叙说着时光沉淀下的信仰温度。",[276,7,140,24,81,85,2753],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e0debe9b7b0315500217d20949a8ae2.jpg",[],{"id":5554,"slug":5555,"title":149,"dynasty":150,"author":19,"museum":20,"description":5556,"tags":5557,"thumbUrl":5558,"material":70,"size":71,"collection":31,"collections":5559,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":74},253725,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-253725","虽鎏金多有斑驳锈蚀，仍难掩造像精巧风骨。菩萨宝冠高束，面容沉静端严，天衣璎珞垂覆身侧，右手持杨柳枝卓然挺立，莲台承托圣躯，尖顶背光舒展环绕，勾勒出清绝尘俗的慈悲气韵。\n\n整像形制虽小，却将唐代造像的丰腴典雅与观音的圆融神性糅合一体，锈色与余存金辉交织，凝住千年前的虔敬匠心，尽显中古佛教造像的隽永之美。",[276,7,140,81,85,154,24,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F412b3e9445fc60a7165d638eadcc4f03.jpg",[],{"id":5561,"slug":5562,"title":3115,"dynasty":614,"author":19,"museum":20,"description":5563,"tags":5564,"thumbUrl":5565,"material":70,"size":71,"collection":31,"collections":5566,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":36},253671,"tong-liu-jin-shui-yue-guan-yin-pu-sa-xiang-yi-ming-253671","此尊造像自在斜坐，肩臂舒展随性，尽显悠然松弛的神韵。面庞圆和，眉眼含着浅淡笑意，褪去神性的疏离，满是温婉亲和的慈悲气韵。衣褶流转自然，垂坠褶皱勾勒出躯体柔和线条，写实生动。虽鎏金已然褪去，古朴铜色晕开岁月沉韵，璎珞配饰历经摩挲仍可见精巧规制，暗显典雅端庄。整体气韵静谧松弛，将观音静观世事的清宁心境诠释尽致，带着独有的世俗化温情，凝缩了彼时的审美意趣，藏着乱世之中人们对安宁慈悲的深切向往。",[614,2761,81,85,24,7,4001],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0109b8dd764c7603339de29acb524974.jpg",[],{"id":5568,"slug":5569,"title":149,"dynasty":150,"author":19,"museum":20,"description":5570,"tags":5571,"thumbUrl":5572,"material":70,"size":71,"collection":31,"collections":5573,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":36},253625,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-253625","此像虽历经岁时，鎏金斑驳仍掩不住华贵底色。造像秀目高冠，身姿挺拔端严，持杨柳、托净瓶，将观音的慈悲柔婉凝于一身。背光层叠向上，带着独有的舒展雍容，线条简练却神韵具足。双足轻踏莲台，搭配古朴方座，整体形制虽小巧，却将菩萨的沉静慈悲尽显无余，藏着典雅风骨，静静诉说着旧时佛韵禅意，见之便觉心安神宁。",[276,7,140,24,81,153,156],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F976fdbbf3c0304a4d332cea7bb494811.jpg",[],{"id":5575,"slug":5576,"title":5577,"dynasty":107,"author":19,"museum":20,"description":5578,"tags":5579,"thumbUrl":5581,"material":70,"size":71,"collection":31,"collections":5582,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":74},253608,"tong-wu-shi-li-xiang-yi-ming-253608","铜武士立像","此像身姿灵动舒展，抬臂扬手间带着昂扬张力。宽袖长裙垂坠褶皱犀利洗练，利落勾勒出劲挺身形。古铜包浆凝敛厚重，带着岁月浸磨的沉哑质感，细节虽历经销蚀，依旧能窥见造像特有的飘逸与雄健相融的气韵。打破武士一味刚猛粗粝的刻板印象，将时代清隽风骨融入武人形象，刚柔并济，把乱世之中的浪漫意趣凝练进青铜之中，尽显古朴雅致的独特魅力。",[107,7,24,85,5580,23,154],"武士","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff05caf6cee1ee54077d8a0bcb7106b88.jpg",[],{"id":5584,"slug":5585,"title":5586,"dynasty":167,"author":19,"museum":20,"description":5587,"tags":5588,"thumbUrl":5589,"material":70,"size":71,"collection":31,"collections":5590,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":74},253399,"shen-xiang-tong-ban-yi-ming-253399","神像铜板","此件浅浮雕青铜造像，主体神将踞坐威严，甲胄层叠纹饰分明，怒目圆睁虬髯横张，帔帛环绕周身，气势凛凛尽显护法神祇慑人神威。\n\n竖列铭文“太上勅命”与“赤心忠良”点明神将敕封身份与品性，底部“正直無私”锚定精神内核，将宗教神性与世俗道德期许相融。\n\n铸刻线条刚劲朴拙，青铜肌理厚重古雅，尽显凝练厚重之风，是民间道教造像与金属冶铸工艺结合的典型之作，暗合民间崇奉护法神祇的风尚，方寸间凝缩神威与教化深意。",[81,85,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb03ca43a559f59be767cffccdfdf21e.jpg",[],{"id":5592,"slug":5593,"title":5594,"dynasty":167,"author":19,"museum":20,"description":5595,"tags":5596,"thumbUrl":5597,"material":70,"size":71,"collection":31,"collections":5598,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":36},253245,"tong-wei-tuo-li-xiang-yi-ming-253245","铜韦驮立像","此造像身姿挺拔英武，铠甲层叠细密，纹饰錾刻精工细致，将护法神将的威仪尽显无余。宝冠华饰精美，面目光明沉静，抬手按胯之间自带凛然气势。古铜色泽凝沉厚重，晕染岁月沉淀的古朴质感，衣袂飘垂灵动舒展，刚劲的甲胄与柔婉的衣纹相互映衬，刚柔并济，把神将的护法风骨塑造得淋漓尽致，尽显古代造像工艺的精妙匠心。",[1579,81,85,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F950e8adfcf1346b470abe619a0fe37f0.jpg",[],{"id":5600,"slug":5601,"title":623,"dynasty":107,"author":19,"museum":20,"description":5602,"tags":5603,"thumbUrl":5604,"material":70,"size":71,"collection":31,"colle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重传神。两晋南北朝制作多样，南方承中原传统并有了瓷俑；北方出了少数民族形象的陶俑。隋唐俑型大而精美，三彩俑为盛唐时的制作高峰。现在能见到的，是保存在陕西省历史博物馆的唐三彩杰作，有陕西省乾县懿德太子李重润墓出土的、三彩纹胎骑马狩猎俑，和西安市中堡村唐墓出土的唐三彩骆驼戴乐舞俑。这些俑的特点，普遍是形象高大雄健，神态生动富有传神，可谓形神俱佳的作品。并反映了盛唐时期，中华民族富有创造性和豪迈自信的民族性格。五代以后，以俑殉葬的风气开始低落，金元墓葬中出现了陶塑、砖雕表演杂剧的俑，往往成组塑造，还有舞台背景，较为生动，是制作俑的最后一个高潮，以山西出土为多。明清墓葬中俑的出现渐少。在高官王侯墓中出土有木俑和石俑，多以成群人物或辅以仪仗、侍从的庞大场面，用来炫耀死者地位为主，但作为雕塑制品已失去了艺术感染力。秦兵马俑的历史文化价值是独具魅力的。它打开了观察它所产生的那个时代的窗口，大大地改变了人们对那个时代的看法。\n秦兵马俑震撼世人的首推其卓越的艺术成就。几千件魁伟英武的大型陶塑艺术作品，以整体形象排列在将近两万平方米的空间里，其磅礴的气势几乎使所有不同肤色的参观者都从心灵深处产生强烈震颤，体现出艺术家驾驭宏大艺术题材、追求整体气韵和艺术创造的卓越才能。秦俑千人千面、呼之欲出的人物塑造则从形体把握、神韵处理、色彩运用、细部刻画等方面表现出作者的艺术素养和艺术成就。作品写实主义的风格不仅给我们留下了一个高超的古代艺术范本，同时也留下了许多关于那个时代的极富价值的历史记录。严肃划一的军旅题材能够处理得如此生动，产生如此震撼人心的艺术魅力，使人们不得不换一副眼光来审视中国古代艺术发展历程中的特殊规律，重新探索和构架中国古代造型艺术发展的历史。\n秦兵马俑坑文物的出土也较大幅度地改写了人们对秦代的科技水平的认识，以大量的实证材料形象地展现了秦代生产力的发展水平。就科技史而言，秦俑坑发现的许多资料都是令世人震惊的。譬如：1、秦俑坑出土文物所展现的秦代冶金和金属加工技术比我们以往的估计要高出很多，其中青铜涂铬防锈技术的大量应用是最具代表性的一例，它在当时已是一种很成熟的技术，秦俑出土的绝大多数兵器表面都涂有这种保护层。这种绝技似乎从汉代以后就失传了，与之形成鲜明对比的是，两千多年后的1937年，现代镀铬技术才在德国产生，并以专利发明载入了史册。2、秦俑坑出土兵器明确印证了秦简中关于“为器同物者，其小大、短长”是一种标准化概念，秦人在标准化实践方面取得了惊人的成就。这种标准化既是秦人管理艺术发展的代表，也是秦代科技水平的标志。秦人加工的青铜弩机器件精密、形体标准，相同规格的器件完全可以互换。许多特殊的加工工艺，如青铜铍脊上的纹饰生成，纤如毫发的金属小孔钻刻技艺，也都令人叹为观止，一些工艺至今还是不解之谜。由于古代统治者们有重政治、重伦理、崇人事而轻科技的倾向，史书关于科技的记载往往简略残缺，秦代科技资料更是凤毛麟角。正因为如此，秦俑考古的历史文化价值也就更加重要。\n俑坑数千兵马俑所展示的军事内容无疑是军事史研究的最重要的、最形象的资料之一，许多资料使人们对古代军事领域的认识更进一步。譬如，关于当时的兵种构成、组合搭配和结阵形式，兵器、兵器配置形式以及甲具防护装备，军伍组织结构和指挥系统，甚至军伍士卒的来源等，都有珍贵的资料价值。二号坑弩兵的单独结阵，骑兵、轻车兵的编队和配合，是以前有所不知或知之不详的重要资料，以之对照《孙膑兵法》中关于车、步、骑配合原则的论述，给人留下的印象是极其深刻的。古代军事著述中关于兵器配置中长短相杂、相救的原则在秦俑坑兵器配置中也有直观表现，同样有其军事科学上的研究价值。难怪有人将秦俑三坑称为一座内容丰厚的秦代军事博物馆。\n历史本身赋予了秦俑多种历史文化价值。秦俑所折射的历史层面既多又广，在建筑史、服饰史、制度史尤其是王陵制度史等方面，具有独特的认识价值。即使秦俑的身高、体魄、服饰发髻、刻记文字以及秦人在俑坑留下的生产工具和劳作痕迹，都能从不同侧面反映出秦代社会生活的真实影像，反映出一个时代的文化特质，反映出秦兴亡的历史真谛。\n秦俑坑出土文物的精美和丰富，是文物所代表的那个时代物质成就的直接见证。它让人们重新认识和评价那个时代，也提出了许多值得探讨的历史课题，譬如关于帝王权力的重新认识、秦代文化的特质、秦在中国历史发展中的地位等。与之相联系的是，秦始皇的历史评价又一次成为人们关注的话题，秦俑坑出土文物所反映的科技水平和生产能力，在一定程度上反映出秦始皇所起的某种积极作用，同时也从一个侧面证实史书中提到的秦代好大喜功、横征暴敛的统治问题。秦俑考古还在继续，相信对这些问题的研究将会随着考古的进展而不断深入。",[23,7,12827,85,12828,265,24],"俑","跪坐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c32015ad8103ad10b837839f759cc1c.jpg",[],{"id":12832,"slug":12833,"title":12834,"dynasty":150,"author":19,"museum":20,"description":12835,"tags":12836,"thumbUrl":12837,"material":70,"size":71,"collection":31,"collections":12838,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":74},254858,"liu-jin-shi-yi-ming-254858","鎏金狮","铜绿覆身，鎏金残存，这只瑞狮仍不减悍勇姿容。抬爪昂首，双目圆睁，鬃毛虬曲怒张，似正将欲腾跃嘶吼，把猛兽的雄健凝于方寸之间。\n\n粗粝的锈蚀掩不住当年鎏金的华贵，斑驳金箔在铜色肌理的映衬下，晕开盛唐工艺的雍容底色。作为瑞兽化身，它承载着古人对勇武守护的寄望，朴拙中见精巧，粗狂里藏灵韵，将大唐尚雄的审美意趣融于造物之中，尽显匠者铸形传神的巧思。",[150,140,7,24,28,12136],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe85b237810a0c2dd1e19c426f5e1d5d.jpg",[],{"id":12840,"slug":12841,"title":12842,"dynasty":107,"author":19,"museum":20,"description":12843,"tags":12844,"thumbUrl":12845,"material":70,"size":71,"collection":31,"collections":12846,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},254856,"tong-zao-xiang-yi-ming-254856","铜造像","此像沉静端严，面容圆和温婉，眉宇间带着淡远慈悲之意。右手抬升施无畏印，左手垂搭膝头，安坐于莲台之上。垂覆衣褶线条凝练洗练，层叠间将织物柔垂质感尽显，带着六朝造像独有的朴拙古韵。\n\n历经岁月流转，周身包浆厚重古雅，莲台纹饰虽有磨损，却更添沉静肃穆的岁月质感。整体造型浑朴庄重，褪去繁饰，以极简的造型传递出千年前的信仰温度，尽显早期佛教造像本土化之初的虔诚与古朴之美。",[107,81,7,24,85],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F846f72cb5884e2efeb3e2a7946e4c89a.jpg",[],{"id":12848,"slug":12849,"title":149,"dynasty":588,"author":19,"museum":20,"description":12850,"tags":12851,"thumbUrl":12852,"material":70,"size":71,"collection":31,"collections":12853,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},254850,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-254850","鎏金已然褪去大半，铜身凝着苍绿锈色与暗红斑驳，尽显岁月浸蚀的厚重痕迹。观音身姿秀挺修长，宝冠高耸，左手轻执杨柳枝，身形温婉慈悲，高挑的背光灵动舒展，承袭了清隽典雅的造像气韵。纵使细节已随年月漫漶，依旧能窥见旧时造像工艺的精妙，沉郁的锈色晕染出古朴佛韵，静立间带着跨越时光的庄严宁静，将千年前的慈悲意绪悄然留存。",[81,85,535,7,82,24,154,156],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1780f01bbcbb7a7c70604eb1e17ada9d.jpg",[],{"id":12855,"slug":12856,"title":12857,"dynasty":167,"author":19,"museum":20,"description":12858,"tags":12859,"thumbUrl":12860,"material":70,"size":71,"collection":31,"collections":12861,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},254790,"tong-liu-jin-shi-yi-ming-254790","铜鎏金狮","此瑞兽匍匐于地，筋骨劲健却敛去凶悍之气，尽显沉静温婉。卷曲层叠的鬃毛纹理錾刻细密流畅，将雄狮的威仪暗藏其间。眉骨高凸，圆目圆睁，阔口微张，仍留存瑞兽的威严底色。\n\n鎏金历经岁月晕染褪去鲜亮，凝出沉厚古雅的包浆晕开时光的痕迹。它不再是镇宅的猛锐瑞兽，而是案头相伴的文房清玩，将狞厉消融于案牍闲情，在静谧里沉淀着旧时造物的雅致匠心，悄然将威仪与文趣相融。",[1579,7,140,24,28,12136,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1901940b8f35e1e2e12a705249e8a48f.jpg",[],{"id":12863,"slug":12864,"title":12865,"dynasty":150,"author":19,"museum":20,"description":12866,"tags":12867,"thumbUrl":12868,"material":70,"size":71,"collection":31,"collections":12869,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":74},254772,"tong-liu-jin-guan-yin-pu-sa-xiang-yi-ming-254772","铜鎏金观音菩萨像","身姿挺拔舒展，宝冠束发，面容温婉含着浅淡笑意，带着独有的柔和舒展。躯体比例匀停，璎珞环身，衣纹贴体简约利落，尽显丰腴端雅的审美意趣。\n\n鎏金历经千年仍残留华贵光泽，斑驳锈痕里沉淀着时光厚重。整体造型精巧灵动，身像与背光一体铸就，线条婉转流畅，将菩萨的慈悲静雅与雍容气韵相融，是小型造像里的精妙之作，凝缩了那个时代的造像美学，静静诉说着千年前的虔敬匠心。",[150,81,85,7,140,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端雅凝缩于方寸之间，尽显大唐造像刚柔并济的审美意趣，是小件佛造像里别具匠心的精巧之作。",[150,7,24,81,85,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf1fde48b0ed5bb1b70f1f76e80f6707.jpg",[],{"id":13067,"slug":13068,"title":149,"dynasty":150,"author":19,"museum":20,"description":13069,"tags":13070,"thumbUrl":13071,"material":70,"size":71,"collection":31,"collections":13072,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},253604,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-253604","此像鎏金虽斑驳褪蚀，却沉淀出岁月厚重质感。菩萨身姿修长婉约，宝冠高束，双目垂敛，神态慈悲肃穆，尽显清净悲悯的神性气质。右手持杨柳枝，左手提挈净瓶，是杨柳观音的经典造像范式。\n\n衣袂轻薄贴体，婉转流畅的线条勾勒出柔美体态，尽显唐代造像丰腴灵动的审美意趣。方凳式台座是晚唐造像典型制式，尖顶背光将菩萨身形衬得分外庄严神圣，残损鎏金下依旧能窥见当年精丽工艺，融合宗教神性与世俗审美，尽显晚唐佛造像的典雅气韵。",[276,81,85,7,24,140,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ff23faa304e11f3bf4e83ba97c5a142.jpg",[],{"id":13074,"slug":13075,"title":13076,"dynasty":1336,"author":19,"museum":20,"description":13077,"tags":13078,"thumbUrl":13079,"material":70,"size":71,"collection":31,"collections":13080,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},253402,"tong-guan-yin-li-xiang-yi-ming-253402","铜观音立像","此像丰颐阔面，自带胡地神韵，神情沉静安然，褪去柔婉，尽显拙朴厚重。右手施无畏印，予人安稳力量，左手托举净瓶，暗含慈悲渡世之意。衣褶垂坠流转，兼具犍陀罗造像的写实质感与晋代造物的浑朴张力。虽有残损，却更添岁月摩挲的沧桑况味。它带着佛教初传汉地的交融印记，褪去后世造像的纤柔雕琢，以古拙憨朴的形制，见证着外来艺术扎根汉地的初始风貌，是早期佛造像本土化历程的珍贵缩影。",[23,7,24,81,85,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff33bf90676de2b0010ec01c7a9915c3c.jpg",[],{"id":13082,"slug":13083,"title":3099,"dynasty":150,"author":19,"museum":20,"description":317,"tags":13084,"thumbUrl":13085,"material":70,"size":71,"collection":31,"collections":13086,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":74},253391,"tong-liu-jin-pu-sa-zuo-xiang-yi-ming-253391",[81,7,140,24,85,276,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafa91751f049342a4d4698628409ff53.jpg",[],{"id":13088,"slug":13089,"title":578,"dynasty":107,"author":19,"museum":20,"description":13090,"tags":13091,"thumbUrl":13092,"material":70,"size":71,"collection":31,"collections":13093,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":74},253389,"tong-liu-jin-pu-sa-li-xiang-yi-ming-253389","此像鎏金虽斑驳褪损，仍残存旧时华贵意韵，尽显六朝秀骨清像的典型气韵。莲瓣形背光錾刻古雅纹饰，烘托出沉静庄严的宗教氛围。\n\n菩萨身姿温婉内敛，衣褶简练流畅，线条利落洗练，将神性的慈悲静穆融于古朴造型之中。面相清隽恬静，神情柔和悲悯，手结法印跏趺端坐，方寸之间尽显早期佛教造像的含蓄雅致，带着南北朝特有的空灵出尘之美，是小件佛造像里的精巧之作。",[107,23,7,140,24,81,85,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e16e137787d2f97a50bbbd96625301c.jpg",[],{"id":13095,"slug":13096,"title":149,"dynasty":150,"author":19,"museum":20,"description":13097,"tags":13098,"thumbUrl":13099,"material":70,"size":71,"collection":31,"collections":13100,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},253382,"tong-liu-jin-yang-liu-zhi-guan-yin-pu-sa-li-xiang-yi-ming-253382","此造像虽体量小巧，却尽显典雅气韵。鎏金褪去大半，仍掩不住旧日华光。观音宝冠高挺，面容沉静慈悲，杨柳枝隐于手中，衣袂线条婉转灵动，带着舒展柔和的韵律感，将菩萨端雅温婉的气质尽显无余。\n古朴台座稳稳承托造像，与造像柔美形成刚柔相济的呼应，整体带着沉静的宗教氛围感，凝缩了那个时代对造像的审美意趣，残损鎏金晕开岁月痕迹，静静诉说着跨越千年的信仰温度。",[276,81,7,140,24,85,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ec57e7e3d5ddd91a1f7fd67d77cee6c.jpg",[],{"id":13102,"slug":13103,"title":13104,"dynasty":150,"author":19,"museum":20,"description":8526,"tags":13105,"thumbUrl":13108,"material":70,"size":71,"collection":31,"collections":13109,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},253367,"tong-liu-jin-chang-fang-xing-kun-men-zao-xiang-zuo-yi-ming-253367","铜鎏金长方形壸门造像座",[7,140,24,81,85,28,45,13106,13107],"长方形","壸门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce8dc2448638c7f38e11d694bc3db8da.jpg",[],{"id":13111,"slug":13112,"title":13113,"dynasty":150,"author":19,"museum":20,"description":13114,"tags":13115,"thumbUrl":13116,"material":70,"size":71,"collection":31,"collections":13117,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":74},253291,"tong-liu-jin-wu-shi-xiang-yi-ming-253291","铜鎏金武士像","这尊造像虽鎏金大半剥落、铜胎锈蚀蒙尘，却丝毫无损其雄健气势。武士昂首怒目，左臂斜掣兵刃，右臂高抬攥拳，肌肉虬结的躯体迸发着饱满张力，似正厉声叱咤，震慑四方邪魔。下身战衣贴体，衣褶劲利落飒，与遒劲身形相得益彰，将尚武豪壮凝于方寸铜躯之间。岁月在铜胎上晕开斑驳锈迹，恰似沙场上的风霜旧痕，为造像晕染出沉郁厚重的历史质感，尽显雄浑大气与昂扬风骨。",[276,7,140,24,5580,85,81,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefb6fd0a0ae76385fc5699107a2baae8.jpg",[],{"id":13119,"slug":13120,"title":578,"dynasty":107,"author":19,"museum":20,"description":13121,"tags":13122,"thumbUrl":13123,"material":70,"size":71,"collection":31,"collections":13124,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":36},253065,"tong-liu-jin-pu-sa-li-xiang-yi-ming-253065","鎏金虽大多斑驳剥落，却仍留存着旧时华光。菩萨发髻高绾，面容温婉含笑，神态沉静柔和。宽袖长衫垂坠有型，衣褶朴拙厚重，带着拙朴古雅的气韵。它褪去了神性的疏离感，将温婉亲和的世俗意趣融入造像之中，尽显独特的时代气质。身姿端立安稳，双手轻拢于前，眉目间带着沉静的暖意，纵使历经岁月磋磨，依旧传递出平和安宁的力量，残存鎏金似岁月遗落的碎金，静静诉说着旧日的精工匠心。",[107,81,85,7,140,24,154],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89c70fe17c2161732f15b1daf0e84d62.jpg",[],{"id":13126,"slug":13127,"title":149,"dynasty":150,"author":19,"museum":20,"description":13128,"tags":13129,"thumbUrl":13130,"material":70,"size":71,"collection":31,"collections":13131,"showCount":145,"zanCount":11,"manualWeight"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庄严感融于细节之中。\n\n它既承载着宗教仪轨的肃穆功用，又尽显清代金作的高超工艺，是一件兼顾仪式实用性与装饰美学的法器佳作。",[82,7,24,81,5299,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bab59465f8f3a4bf6b927d294c53511.jpg",[],{"id":35329,"slug":35330,"title":35331,"dynasty":41,"author":19,"museum":20,"description":3170,"tags":35332,"thumbUrl":35333,"material":70,"size":71,"collection":31,"collections":35334,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},275002,"tong-fang-zun-yi-ming-275002","铜方尊",[23,7,29,353,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d1502a796d21bb158b5c29cf00e7528.jpg",[],{"id":35336,"slug":35337,"title":11893,"dynasty":41,"author":19,"museum":20,"description":3170,"tags":35338,"thumbUrl":35339,"material":70,"size":71,"collection":31,"collections":35340,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},275000,"tong-hu-zun-yi-ming-275000",[45,7,23,29,353],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F522b4b1b0a325d934e89e77cbb7c344d.jpg",[],{"id":35342,"slug":35343,"title":35344,"dynasty":41,"author":19,"museum":20,"description":35345,"tags":35346,"thumbUrl":35347,"material":70,"size":71,"collection":31,"collections":35348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274999,"tong-du-jin-yuan-ta-yi-ming-274999","铜镀金圆塔","此塔循藏式佛塔经典形制，造型收放合宜，层次分明。莲苞宝顶饱满鲜活，承托于覆盘之上，旋纹相轮层叠规整，线条利落雅致，将挺拔感尽数铺展。敦实的覆钵塔身朴拙厚重，与基座衔接处饰以佛龛纹样，基座环饰浮雕细节，精巧入微。\n\n鎏金历经岁月晕染，局部斑驳露铜，晕开沉朴古雅的质感。整体将精巧工法与静穆庄严融为一体，凝萃藏传佛教的审美意趣，静立间自带清净肃穆的宗教气韵，作为匠心凝练的礼佛重器，静静沉淀着过往的信仰温度。",[81,7,11903,24,45,12354],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94102fd47e638df7a66755ed9178d6ba.jpg",[],{"id":35350,"slug":35351,"title":35076,"dynasty":41,"author":19,"museum":20,"description":3170,"tags":35352,"thumbUrl":35353,"material":70,"size":71,"collection":31,"collections":35354,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274998,"tong-zhu-zun-yi-ming-274998",[23,7,29,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93fc0e46e9e53f33bd1837e17b2c6789.jpg",[],{"id":35356,"slug":35357,"title":35358,"dynasty":41,"author":19,"museum":20,"description":35359,"tags":35360,"thumbUrl":35361,"material":70,"size":71,"collection":31,"collections":35362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274997,"tong-yuan-ta-yi-ming-274997","铜圆塔","它以沉凝的铜色晕开岁月包浆，是藏式佛塔的经典形制。基座饱满敦实，浅刻莲瓣环绕，稳稳承载起塔身威仪。相轮层层收拢，排布齐整利落，将宗教建筑的肃穆感藏于线条起伏间，尽显对称秩序之美。顶部塔刹最为精巧，宝冠、法轮与摩羯角次第铺展，垂挂的小铃虽静立无声，却仿若能唤起旧时殿宇间的梵音清越。\n\n整器工艺细致入微，每一处錾刻都凝着虔诚匠心，将藏地造像的庄严意趣融于一体，静静铺陈着过往的信仰图景，肃穆雅致兼具，尽显古朴厚重的宗教美学意蕴。",[7,24,11903,81,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53dc564b1497e428649359070a7f55d0.jpg",[],{"id":35364,"slug":35365,"title":35366,"dynasty":41,"author":19,"museum":20,"description":35367,"tags":35368,"thumbUrl":35369,"material":70,"size":71,"collection":31,"collections":35370,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274996,"qian-long-kuan-tong-du-jin-qian-song-shi-ta-yi-ming-274996","乾隆款铜镀金嵌松石塔","此塔通体鎏金，金辉璀璨华贵。周身錾刻缠枝卷草纹饰，间嵌松石，翠色与金泽交相辉映，宝气盎然。塔身佛龛内置坐佛，法相端严沉静，慈悲尽显。\n\n塔刹高耸，日月宝珠顶戴其上，下悬璎珞流苏，两侧龙形耳饰遒劲灵动，兼具威仪与精巧。台座层叠而起，饰以莲瓣纹样，松石点缀其间，沉稳厚重的底座承托起塔身的华丽精巧，刚柔并济。\n\n整器集铸造、錾刻、镶嵌工艺于一体，工法极致精妙，尽显不凡匠心，是藏传佛塔工艺之上佳代表，肃穆华贵间承载着清净庄严的宗教意涵。",[82,7,24,81,11903,3356,84,3818],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F093c5c0362705cdcab3a8f36635fa08c.jpg",[],{"id":35372,"slug":35373,"title":35374,"dynasty":41,"author":19,"museum":20,"description":35375,"tags":35376,"thumbUrl":35377,"material":70,"size":71,"collection":31,"collections":35378,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274995,"tong-ling-yi-ming-274995","铜铃","此铃以五股金刚杵为柄首，嵌饰红珊瑚、绿松石与青金石，宝色点缀于古铜之上，沉静内敛。杵下忿怒佛首威严传神，周遭卷草纹饰层叠环绕，衔接精妙自然。钟身分层錾刻缠枝花卉与法轮纹样，排布规整，线条细腻流畅，尽显雕工精湛。通体包浆厚重莹润，古意盎然，凝敛着虔敬的信仰之力，将藏地金工艺与宗教意涵相融，肃穆沉静的气韵暗合禅修之境，是匠心淬炼的传世佳器。",[7,55,81,24,5299,208],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a34adcb54e03de07e0c52dc9970dce9.jpg",[],{"id":35380,"slug":35381,"title":35382,"dynasty":41,"author":19,"museum":20,"description":35383,"tags":35384,"thumbUrl":35385,"material":70,"size":71,"collection":31,"collections":35386,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274994,"tong-fa-ling-yi-ming-274994","铜法铃","此器以五股金刚杵为柄，嵌饰珊瑚、松石，宝色在古铜底色里暗生光华。杵身佛首眉目沉静慈悲，兼具肃穆法相。铃身錾刻莲瓣与宝相花纹饰，层叠排布，线条柔婉又不失规整，古旧包浆凝敛厚重，晕染出经年岁月的沉静质感。它既是密宗修法的庄严法器，亦是藏地金工的精巧之作，将宗教的神圣意涵与手工技艺的匠心相融，每一处錾刻都暗含仪轨深意，静静沉淀着信仰的温度，尽显藏传器物独有的美学风骨。",[7,45,81,55,24,208,5299],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd60e2b1bec0cb2319579458b91e7539a.jpg",[],{"id":35388,"slug":35389,"title":35390,"dynasty":41,"author":19,"museum":20,"description":35391,"tags":35392,"thumbUrl":35393,"material":70,"size":71,"collection":31,"collections":35394,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274993,"tong-chu-yi-ming-274993","铜杵","此件法器造型对称规整，五股杵身舒展刚健，两端与中部以莲瓣纹饰衔接过渡，线条刚柔并济。通体鎏金厚重饱满，历经岁月浸润，包浆温润古雅。中部錾刻款识彰显其制式正统，整体做工精细入微，尽显清代手工造物的考究匠心。作为藏传佛教的重要法器，它既承载着宗教仪轨的庄严意蕴，又以精湛的金属锻造与鎏金工艺，成为融汇藏汉审美意趣的工艺精品，静穆间自有震慑心神的肃穆力量，凝练着彼时手工技艺的不俗水准。",[81,7,24,5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垂璎珞流苏，灵动雅致。\n\n整体层次分明，自上而下层层抬升，既有葫芦宝瓶、祥云、宝莲的祥瑞寓意，又以莹润金质凸显华贵质感。细节处纹路饱满生动，尽显匠心工巧，将藏传佛供的神圣意蕴与清代金作的雍容审美融为一体，是一件精巧雅致的礼佛佳器。",[82,7,24,81,3848,255],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa606fc6b843deded2b43dd6eee1a1efe.jpg",[],{"id":35596,"slug":35597,"title":35306,"dynasty":41,"author":19,"museum":20,"description":35598,"tags":35599,"thumbUrl":35601,"material":70,"size":71,"collection":31,"collections":35602,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274932,"tong-du-jin-ba-bao-san-yi-ming-274932","此件器物鎏金莹亮饱满，宝伞静伫层叠莲台之上，轮廓端方威仪。莲瓣舒展灵动，承托起神圣宝伞，下衔祥云束腰柄身，云纹卷绕缱绻，似携佛界祥瑞缓缓流转。底座葫芦造型沉稳敦实，缠枝纹饰錾刻细腻，环台雕饰繁复精妙，将藏传礼器的神圣意蕴与精湛造办工艺相融。整体线条辗转流畅，细节处一丝不苟，鎏金历经岁月依旧光泽不减，尽显华贵庄严。器物将宗教礼器的肃穆神性与宫廷美学精巧完美糅合，静静诠释着吉祥八宝的清净寓意，是清代金铜造作工艺的精巧代表之作。",[82,7,24,81,29,35563,35600],"莲花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82fd791af4e67990afb399572e3e7e1e.jpg",[],{"id":35604,"slug":35605,"title":35606,"dynasty":41,"author":19,"museum":20,"description":35607,"tags":35608,"thumbUrl":35610,"material":70,"size":71,"collection":31,"collections":35611,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274931,"tong-du-jin-ba-bao-luo-yi-ming-274931","铜镀金八宝-螺","整体鎏金莹润华贵，形制精巧严整。顶部法螺饱满立体，缠枝宝相纹饰环绕周身，尽显清净庄严的法相。法螺下承仰莲台，束腰处祥云卷舒灵动，将上下器身自然衔接，祥云錾刻层次分明，流转着柔婉韵致。下接葫芦形立柱，周身錾刻细密纹饰，两侧宝珰舒展灵动，与整体纹饰呼应协调。足底铺展莲瓣与缠枝纹，纹饰繁而不紊。整器铸造与錾刻工艺精湛，将藏传佛教的神圣感融于寸厘之间，尽显华贵肃穆的宗教美学。",[82,7,24,81,5299,35609],"法螺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bb23b863af83771c99877867e93edf4.jpg",[],{"id":35613,"slug":35614,"title":35290,"dynasty":41,"author":19,"museum":20,"description":35615,"tags":35616,"thumbUrl":35618,"material":70,"size":71,"collection":31,"collections":35619,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274930,"tong-du-jin-ba-bao-lun-yi-ming-274930","通体鎏金，宝气粲然。顶部法轮錾刻精妙，辐条舒展规整，尽显佛法辗转不息、摧破无明的寓意。法轮下承开合莲台，卷草祥云错落衔接，柔婉灵动的纹饰勾勒出祥瑞之气。下接葫芦形基座，配饰缠枝莲瓣与护法瑞饰，沉稳端庄。整器工艺卓绝，将宫廷金工的精细与藏传佛教的神圣意涵相融，每一处细节皆见匠心，宝光熠熠间尽显佛门清净庄严的肃穆气象。",[82,7,24,81,34119,35617],"佛教器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c8902597147aa5864fc0725767022aa.jpg",[],{"id":35621,"slug":35622,"title":35623,"dynasty":41,"author":19,"museum":20,"description":35624,"tags":35625,"thumbUrl":35626,"material":70,"size":71,"collection":31,"collections":35627,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274929,"tong-ba-bao-chang-yi-ming-274929","铜八宝-肠","此件造像以盘长结为顶饰，回环盘绕的线条勾勒出圆满无尽的禅意。下方莲台饱满莹润，稳稳承托主体。中部透雕缠枝卷草间点缀兽首，柔婉枝蔓与威严兽面相映，将肃穆与灵动感相融。通体鎏金匀净厚重，历经时光仍光泽温婉莹润。整体雕刻极尽精工，将吉祥意涵与雕刻技艺相合，既不失宗教器物的庄重静雅，又尽显金属造作的细腻工巧，是兼具精神寓意与审美价值的精工之作。",[7,24,81,2100,35268,5299],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d858c8c49be233fd9364684decbcf37.jpg",[],{"id":35629,"slug":35630,"title":35095,"dynasty":41,"author":19,"museum":20,"description":35631,"tags":35632,"thumbUrl":35633,"material":70,"size":71,"collection":31,"collections":35634,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274928,"tong-ba-bao-yu-yi-ming-274928","这件供器鎏金莹润，包浆凝厚，尽显华贵质感。顶端双鱼昂首摆尾，鳍须灵动舒展，仿佛正破水而出，将吉庆生机藏于造型之中。\n\n上下莲瓣台座呼应，承托起瑞兽般的轮廓。主体透雕缠枝卷草，线条婉转回环，镂空工艺让整体轻盈通透，柔化了金属的冷硬，与双鱼的鲜活相映成趣。\n\n工艺精巧细腻，把祈福寓意融于每一处纹路，肃穆中带着灵动雅致，尽显手造匠心，是兼具精神意涵与审美价值的精工之作。",[7,24,289,81,2100,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03e75b4896f3c0444c56c3f7f2488d45.jpg",[],{"id":35636,"slug":35637,"title":35638,"dynasty":41,"author":19,"museum":20,"description":35639,"tags":35640,"thumbUrl":35641,"material":70,"size":71,"collection":31,"collections":35642,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274927,"tong-ba-bao-guan-yi-ming-274927","铜八宝-罐","此件供器宝罐饱满庄重，以覆莲座承托，下接透雕缠枝卷草支架，涡旋纹婉转灵动，仿若枝蔓舒展，柔化了礼器的肃穆。周身鎏金历经时光晕染，褪去初时亮泽，晕开沉静古意。整体形制将藏传造像的庄严法度与装饰美学相融，细节处刀工利落，线条舒展流畅，把供器的宗教性与工艺巧思合二为一，静静沉淀着旧时佛堂的清净梵韵，尽显精巧匠心。",[7,24,81,45,3848],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ab54e49f82ac9040f875b21c5003323.jpg",[],{"id":35644,"slug":35645,"title":35103,"dynasty":41,"author":19,"museum":20,"description":35646,"tags":35647,"thumbUrl":35648,"material":70,"size":71,"collection":31,"collections":35649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274926,"tong-ba-bao-hua-yi-ming-274926","这件造像通体鎏金，华贵雍雅。宝顶莲蕊盛放，缠枝卷叶萦绕周遭，舒展灵动，宛若将盛放莲姿定格于金辉之中。覆莲宝瓶饱满圆融，稳坐于仰莲台座之上，自带清净雅致的圣洁气韵。下方主体支架透雕如神树舒展，卷草缠枝涡旋往复，层叠交错的纹样极尽錾刻工艺之精巧，线条婉转柔美，将繁复细节拿捏得恰到好处。底足仰莲环抱，沉稳端庄，托举起整器玲珑身形。\n\n整器自上而下层次分明，纤巧华丽与厚重沉稳相映成趣，藏地吉祥器物的圣洁意蕴融于每一处细腻雕纹里，金辉流转间尽显工致妍丽，静穆中晕开灵动雅致，满溢吉祥瑞意。",[7,24,81,29,2752,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a89cb2257e5418d20b80a75c955c4df.jpg",[],{"id":35651,"slug":35652,"title":35111,"dynasty":41,"author":19,"museum":20,"description":35653,"tags":35654,"thumbUrl":35655,"material":70,"size":71,"collection":31,"collections":35656,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274925,"tong-ba-bao-gai-yi-ming-274925","此器鎏金莹亮饱满，宝盖端坐仰莲之上，瑞饰层叠环绕，尽显庄严神性。器身以透雕卷草缠枝为架，枝蔓婉转灵动，疏密错落间尽显匠造巧思，上下皆以覆仰莲瓣承托，形制规整雅致。整体线条流畅柔婉，将藏传法器的神圣意涵与清代金属细作的精湛工艺相融，历久仍熠熠生辉，是藏式礼器中兼具宗教价值与审美价值的精巧佳作。",[7,24,81,2100,5299,35114],"https:\u002F\u002Foss.chu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lection":31,"collections":35729,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274902,"tong-du-jin-ba-bao-yu-yi-ming-274902","此件造像层次错落有致，桃形背光錾刻缠枝纹为底，中心双鱼相互环绕，身形舒展灵动，周身纹路细致华美，尽显自在生机。鎏金包浆厚重柔润，古韵氤氲。下方莲台花瓣饱满立体，卷草立柱与仰莲底座雕琢精巧繁复，细节处尽显匠心。\n\n金鱼寓意解脱自在，这件造像将这份吉祥意涵与金属錾刻鎏金工艺相融，尽显清代藏传造像的精巧工法，诠释出虔诚雅致的宗教美学韵味。",[7,83,24,81,289,660,255],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30fdca947b1ab85b947f371c6636b3f4.jpg",[],{"id":35731,"slug":35732,"title":35274,"dynasty":41,"author":19,"museum":20,"description":35733,"tags":35734,"thumbUrl":35735,"material":70,"size":71,"collection":31,"collections":35736,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274901,"tong-du-jin-ba-bao-guan-yi-ming-274901","宝冠形背光錾刻缠枝莲纹，环托丰肩敛腹的宝罐，璎珞垂饰错落点缀，尽显华贵庄严。饱满舒展的仰莲台承起主体，花瓣肌理鲜活如生，下接镂空卷草缠枝立柱，灵动卷叶蜿蜒环绕，与覆莲底座的沉稳厚重形成虚实呼应。鎏金覆裹铜胎，历经时光晕出温润柔光，金属冷硬质感糅合静穆佛韵。细金工艺将藏地美学凝于方寸，把清净圆满的祈愿熔铸在錾刻纹路之中，是工艺与信仰相融的精巧之作。",[81,7,83,24,2752,3848,34433,1653],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e0fd92f3d4ac0c0ecf51f3cee87d96c.jpg",[],{"id":35738,"slug":35739,"title":35282,"dynasty":41,"author":19,"museum":20,"description":35740,"tags":35741,"thumbUrl":35742,"material":70,"size":71,"collection":31,"collections":35743,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274900,"tong-du-jin-ba-bao-hua-yi-ming-274900","这件造像以莲台承托主体，桃形背光内高浮雕缠枝托举宝花，鎏金晕染下，宝纹饱满灵动，仿佛凝住盛放瞬间。仰莲层叠舒展，瓣脉清晰细腻，尽显柔润生机。支架錾刻缠枝瑞兽，卷草虬劲盘绕，瑞兽昂首灵动，刚健与柔美相融无间。仰覆莲纹底座沉稳厚重，层层纹饰环匝，尽显极致匠心。\n鎏金带着岁月浸蚀的斑驳痕迹，将造像的庄严感与精巧工艺结合，把八宝的圣洁意蕴具象化，静穆间流淌着虔诚的信仰温度，是清代金铜造艺的精巧之作。",[7,83,24,255,2752,626,3848],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52351f4a0d2da190788717f6dc6ff049.jpg",[],{"id":35745,"slug":35746,"title":35298,"dynasty":41,"author":19,"museum":20,"description":35747,"tags":35748,"thumbUrl":35749,"material":70,"size":71,"collection":31,"collections":35750,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274899,"tong-du-jin-ba-bao-gai-yi-ming-274899","这件供器层次分明，顶部浮雕摩羯宝首，怒目圆睁、鬃毛翻卷，威严狞厉，环绕的火焰背光錾刻细密，烘托出神圣肃穆的宗教气场。下方莲台饱满舒展，莲瓣脉络清晰鲜活，稳稳承托宝盖，尽显庄重雅致。\n\n底座以缠枝卷草与莲纹交叠装饰，錾刻工艺细腻入微，通体镀金莹润厚重，华贵质感扑面而来。整体将藏传佛教的宗教肃穆与清代金作的精巧工艺相融，细节处皆见匠心，凝练出庄严神圣的信仰美学。",[7,83,24,81,255,2752,3848],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbb3dc010376fcda97e5a50ec726c142.jpg",[],{"id":35752,"slug":35753,"title":35306,"dynasty":41,"author":19,"museum":20,"description":35754,"tags":35755,"thumbUrl":35756,"material":70,"size":71,"collection":31,"collections":35757,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274898,"tong-du-jin-ba-bao-san-yi-ming-274898","这件宝伞嵌于桃形佛龛之中，伞主法相威严，持法器安坐，周身纹饰錾刻细密繁复，华贵庄重。\n\n下承仰莲座，莲瓣饱满鲜活，脉理分毫毕现。莲茎缠绕翻卷的瑞草纹，与底座覆莲纹遥遥呼应，鎏金随着时光晕染出深浅层次，古铜底色晕开温润包浆，将藏地法器的庄严气度与工艺美学相融。它把护佑祈福的意涵凝于造像，静穆间尽显清代造像的精工巧思，藏着厚重的宗教意蕴。",[7,83,24,81,3848,35309,3101,1653],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df6bb0e1d65a34bddac7a121b82a980.jpg",[],{"id":35759,"slug":35760,"title":35606,"dynasty":41,"author":19,"museum":20,"description":35761,"tags":35762,"thumbUrl":35763,"material":70,"size":71,"collection":31,"collections":35764,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274897,"tong-du-jin-ba-bao-luo-yi-ming-274897","宝螺背光饰缠枝莲纹，内錾刻法螺本尊，法相肃穆灵动，气韵庄严。饱满层叠的莲台承托宝器，花瓣肌理写实舒展，尽显圣洁之态。透雕卷草纹的支架柔婉灵动，中和器物厚重感，与莲台、底托形成虚实错落的韵律。通体镀金凝润亮泽，局部露铜色衬出纹饰层次，藏地手工冶铸的精细虔诚尽显无余。整器将宗教祈福意象与金属工艺精妙相融，静穆间带着精致华丽，是藏传法器中的匠心之作，尽显清代造像的典雅美学，凝聚着信仰与匠造的双重温度。",[7,82,203,24,81,35609,3101,45,3848],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff03127824c19be1b39237410956f1f2e.jpg",[],{"id":35766,"slug":35767,"title":35290,"dynasty":41,"author":19,"museum":20,"description":35768,"tags":35769,"thumbUrl":35770,"material":70,"size":71,"collection":31,"collections":35771,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274896,"tong-du-jin-ba-bao-lun-yi-ming-274896","此器自上而下层次分明，桃形背光錾刻缠枝莲纹拱卫法轮，轮心纹饰庄严尽显圆满禅意。莲台层层绽露饱满莲苞，稳稳承托圣物。支架透雕卷草纹灵动舒展，与莲台静穆形成动静相宜的反差。底足覆莲环绕，鎏金历经岁月晕染，古旧包浆更衬器物雍容华贵。整器庄重精巧，将藏传佛教清净意蕴与精湛造办工艺相融，是佛前供器中的佳品，尽显信仰与工艺交织的大美。",[7,83,24,81,34119,2752,5299],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332c5c6ab0006cda5b1c7dc212698bc4.jpg",[],{"id":35773,"slug":35774,"title":35775,"dynasty":41,"author":19,"museum":20,"description":35776,"tags":35777,"thumbUrl":35778,"material":70,"size":71,"collection":31,"collections":35779,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274891,"tong-xiang-yin-qi-zhen-mo-ni-bao-yi-ming-274891","铜镶银七珍-摩尼宝","这件造像以莲台承托鎏金背光，主尊仪态端严，双手托举法珠，绶带宝纹随形环绕，灵动舒展。铜银错镶的工艺让明暗层次尽显分明，鎏金的华贵与银质的清冽相互映衬。下接卷草缠枝束腰支架，仰覆莲底座錾刻禅纹，线条辗转间尽显藏地造像的精工巧思。\n\n整体静穆中带着富丽质感，既承载着护持祥瑞的宗教神性，又尽显清时造像的审美意趣，将摩尼宝的圣洁华贵凝练其中，是匠心与信仰融合的精妙之作。",[81,626,7,8601,24,84,3101,5299,35158,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc23103e57a8ecf769b87a54426341d51.jpg",[],{"id":35781,"slug":35782,"title":35783,"dynasty":41,"author":19,"museum":20,"description":35784,"tags":35785,"thumbUrl":35786,"material":70,"size":71,"collection":31,"collections":35787,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274890,"tong-xiang-yin-qi-zhen-jiang-jun-bao-yi-ming-274890","铜镶银七珍-将军宝","整体造型庄重雅致，铜银错金的工艺让器物明暗交映，鎏金褪去的痕迹晕开岁月包浆。宝顶主尊安坐于缠枝纹环绕的背光之内，錾刻细腻，法相端严祥和，纹饰灵动舒展。下方莲台瓣层叠饱满，舒展而富有生机。下接卷草镂空底座，缠枝纹婉转流畅，将藏地手工的极致巧思凝于一身。\n作为供器，它承载着祈福护佑的信仰重量，佛仪规整，细节处尽显匠心，静穆之间尽显华贵庄严的宗教气韵。",[7,8601,24,81,626,255,2752,84],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc9c99eb0c25621a7a2a4909ef1ce18e.jpg",[],{"id":35789,"slug":35790,"title":35791,"dynasty":41,"author":19,"museum":20,"description":35792,"tags":35793,"thumbUrl":35794,"material":70,"size":71,"collection":31,"collections":35795,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274889,"tong-xiang-yin-qi-zhen-lun-bao-yi-ming-274889","铜镶银七珍-轮宝","此件以铜银错镶为工，宝顶錾刻驮宝瑞象，背负摩尼宝，缠枝莲纹环伺周遭，瑞象温驯端凝，纹饰灵动细腻，尽显吉庆圣洁的意蕴。\n\n上下层莲座瓣棱明洁，银质莲晕沉古雅，与鎏金铜色交相辉映。束腰处镂空卷草柔婉舒展，承托莲台更显秀挺雅致。底足覆裹莲瓣，鎏金凝厚莹润，层层递进间将庄严与雅致融为一体，尽显雪域信仰美学，是清时藏传造像工艺的精巧之作。",[81,7,8601,24,45,484,11871],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81cc0f8d6ea5b68a279a29c6e9192057.jpg",[],{"id":35797,"slug":35798,"title":35799,"dynasty":41,"author":19,"museum":20,"description":35800,"tags":35801,"thumbUrl":35802,"material":70,"size":71,"collection":31,"collections":35803,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274888,"tong-xiang-yin-qi-zhen-xiang-bao-yi-ming-274888","铜镶银七珍-象宝","此供器以莲台高擎主饰，宝象身躯敦实厚重，背负宝幢鞍鞯，周身纹饰錾刻细腻入微，尽显祥瑞威仪。外缘缠枝纹盘绕环护，鎏金与素银错色分明，勾勒出饱满华丽的视觉层次。\n\n底座镂空卷草舒展灵动，仰覆莲瓣与莲台上下呼应，下承浮雕莲纹基座，整体庄雅典重。手工錾刻的肌理尽显匠心，将宗教器物的神圣感与金属细作的精妙融合一体，静穆间流露庄重质感，尽显传统工艺的凝练巧思。",[81,7,8601,24,45,2660,2752],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6a6403e3778be29a4aa707404fcfca.jpg",[],{"id":35805,"slug":35806,"title":35807,"dynasty":41,"author":19,"museum":20,"description":35808,"tags":35809,"thumbUrl":35810,"material":70,"size":71,"collection":31,"collections":35811,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274887,"tong-xiang-yin-qi-zhen-ma-bao-yi-ming-274887","铜镶银七珍-马宝","桃形牌身錾刻缠枝卷草，柔婉舒展的线条框定神异造像，驭天神人安坐昂首神驹之上，周身祥纹环绕，鬃毛飞扬的神驹雄健挺拔，细节饱满生动，尽显庄严神异。\n\n莲台瓣叶分明饱满，鎏金包浆凝厚沉郁，暗哑金调晕开经年岁月的温润。下部卷草立柱虚实相生，与覆莲底座呼应，整体线条流转圆润，将厚重质朴与精工錾刻的细腻相融，把供养祈福的至诚心意凝于每一处刀痕，是兼具审美与信仰价值的供器佳作。",[7,8601,24,81,626,277,11871,3101,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4790a3f8518a09c0cda00cf7e2f26f7a.jpg",[],{"id":35813,"slug":35814,"title":35815,"dynasty":41,"author":19,"museum":20,"description":35816,"tags":35817,"thumbUrl":35819,"material":70,"size":71,"collection":31,"collections":35820,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274886,"tong-xiang-yin-qi-zhen-nv-bao-yi-ming-274886","铜镶银七珍-女宝","此作分层塑造，莲台稳稳承托起宝镜，镜心高浮雕女宝法相，面容庄严祥和，环绕缠枝卷草纹，錾刻细密灵动，尽显工艺精妙。莲瓣晕染深浅釉色，蓝褐相间，雅致沉稳。柱身错银打造缠枝卷草，银白莹润与鎏金铜色交相辉映，古雅华贵。底座满饰仰莲纹饰，周身鎏金厚重莹润，历经岁月仍光泽不减。整体造型规整肃穆，藏地造像的厚重质感与精细装饰相融，将供器的神圣感与装饰性完美结合，尽显信仰器物的庄严华贵之美。",[81,626,11871,35818,7,8601,24,29,2752,45],"女宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4887d0a4973b1439418e429c096bfab3.jpg",[],{"id":35822,"slug":35823,"title":35824,"dynasty":41,"author":19,"museum":20,"description":35825,"tags":35826,"thumbUrl":35828,"material":70,"size":71,"collection":31,"collections":35829,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274848,"tong-zi-long-feng-cheng-xiang-rong-qiu-hua-yi-ming-274848","铜字龙凤呈祥绒球花","硬朗铜铸大字利落挺括，冷冽金属质感衬得顶间绒团愈发柔艳鲜活。朱红绒球敦实饱满、湖绿绒团清灵软萌、水桃红绒团娇俏小巧，缠花细茎错落舒展，让沉凝的金属底色晕开鲜活暖意。\n\n这支旧饰将刚柔揉为一体，把吉庆祈愿藏在精巧方寸间，金属的冷硬与绒绒的软嫩撞出别致韵味，带着旧岁时的鲜活喜气，把美好的心意凝在这支小钗之上，雅致又热烈，尽是民俗巧思里藏着的温柔浪漫。",[207,7,27,7979,35827],"花饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3219dc90c96779d52b65815b9a590d5d.jpg",[],{"id":35831,"slug":35832,"title":35833,"dynasty":41,"author":19,"museum":20,"description":35834,"tags":35835,"thumbUrl":35836,"material":70,"size":71,"collection":31,"collections":35837,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274839,"tong-du-jin-qian-song-shi-yun-ding-ba-bao-chang-yi-ming-274839","铜镀金嵌松石云顶八宝-肠","此器以铜镀金为骨镶嵌松石，华贵里兼具清润灵气。顶部金佛首下，鎏金圆环环绕松石盘肠，回环往复的纹样寓意福寿连绵无尽。莲台承托主体，鎏金勾勒莲瓣棱线，松石莹润色泽与金彩明丽交相辉映，层次分明舒展。下部卷草纹与莲座呼应藏地造像制式，和整体庄严气质相融。整器将松石的澄澈隽秀与金饰的华贵辉煌完美结合，藏式佛供制式与清代造办工艺相融，尽显祈福器物的典雅大气，暗藏福寿绵长的美好祈愿。",[81,82,7,208,5406,3848,29,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9aa901b569eb440db028f86c9b1ebdff.jpg",[],{"id":35839,"slug":35840,"title":35841,"dynasty":41,"author":19,"museum":20,"description":35842,"tags":35843,"thumbUrl":35844,"material":70,"size":71,"collection":31,"collections":35845,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274838,"tong-du-jin-qian-song-shi-yun-ding-ba-bao-yu-yi-ming-274838","铜镀金嵌松石云顶八宝-鱼","这件供器以铜镀金为骨，嵌松石为饰，色调清贵交融。双鱼造型饱满灵动，偎依于莲台之上，暗含吉庆有余的美好祈愿。环周饰钉仿若星子缀绕，将双鱼衬得愈发醒目。器身分层雕饰层层递进，莲瓣舒展柔润，鎏金缠枝线条婉转华丽，松石的澄澈冷润中和了金饰的雍容灼目，尽显细作的华贵精巧，在庄严的器物形制里，融着极致的匠人巧思，静穆中透着祥瑞之气，是神性与匠心交织的精美之作。",[81,3848,82,7,208,24,289,2752,5406,207],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a7dbf1f6501162594309ca78639b75f.jpg",[],{"id":35847,"slug":35848,"title":35849,"dynasty":41,"author":19,"museum":20,"description":35850,"tags":35851,"thumbUrl":35854,"material":70,"size":71,"collection":31,"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领着方位与光阴的脉络。悬垂的题字小签晕开旧时光的温度，默默诉说着它曾丈量过无数晨昏。\n\n它绝非冰冷的仪器，而是古人观象授时的智慧凝萃，把天文测算融于匠心造物中，方寸之间收纳日升月落，将无形光阴定格为可触碰的精巧艺术。",[7,83,8068,8080,24,45,8015],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F467fc3afdfb8414b44110f98e156a4e9.jpg",[],{"id":38861,"slug":38862,"title":38863,"dynasty":41,"author":19,"museum":20,"description":38864,"tags":38865,"thumbUrl":38867,"material":70,"size":71,"collection":31,"collections":38868,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274174,"tong-du-jin-chi-dao-gui-biao-he-bi-yi-yi-ming-274174","铜镀金赤道圭表合璧仪","铜镀金材质凝着厚重温润的金属光泽，台座可旋可调节，双表错落排布，纤细刻度规整铺陈，悬垂指针精准落于盘面之上。它将传统测影与观星功能合二为一，中式云纹柔化构件棱角，糅合欧式机械的精密构造，是中西科技交融的精巧载体。既承续古人观象授时的实用内核，又吸纳西洋仪器的匠造巧思，以金属为纸、刻度为文，藏着古人丈量天地、探索星轨的求索热忱，静静诉说着东西汇通的科技往事。",[7,83,38866,5369,24,1653],"圭表","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85b7b3742b9f7153acfb4f4735718390.jpg",[],{"id":38870,"slug":38871,"title":38872,"dynasty":41,"author":19,"museum":20,"description":38873,"tags":38874,"thumbUrl":38876,"material":70,"size":71,"collection":31,"collections":38877,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274173,"tong-du-jin-ding-nan-zhen-zhi-shi-ke-ri-gui-yi-yi-ming-274173","铜镀金定南针指时刻日晷仪","铜镀金面板素净雅致，开槽嵌下定南针，外圈錾刻细密时刻分度，将罗盘与日晷巧妙合一，借日光投影、磁针定向，便可精准测算时辰，是古人观天计时的精巧造物。\n下方红木支架髹光莹润，三弯足线条婉转流畅，既稳稳承托仪器，又凭雅致器形增添陈设美感。\n这件器物将天文测算的实用功能，融于中西合璧的工艺之中，是清代科技与匠心交织的缩影，静静诉说着古人探索天文、丈量时光的巧思智慧。",[7,1935,8068,38068,8069,5369,1653,38875],"木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16eb4f6af27d067034ade9dc82b3d932.jpg",[],{"id":38879,"slug":38880,"title":38881,"dynasty":41,"author":19,"museum":20,"description":38882,"tags":38883,"thumbUrl":38884,"material":70,"size":71,"collection":31,"collections":38885,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274172,"tong-du-jin-yao-guo-xing-chi-dao-gong-gui-yi-yi-ming-274172","铜镀金腰果形赤道公晷仪","此器将计时仪器与定向罗盘合二为一，鎏金铜质温润厚重，腰果形底座錾刻缠枝纹饰，四足匀撑，端庄雅致。可开合的赤道公晷盘面篆刻十二时辰刻度，随日光投射影针即可读取时刻，下方罗盘校准南北方位，将古人对天体运行的认知融入实用造物中。整器兼具天文观测与计时功能，工艺考究，既体现了清代天文仪器制作的精湛水准，也展现了传统匠人将科学原理与美学设计的精妙结合，是科学实用性与古典美学兼备的匠心之作。",[7,8068,8080,24,83,1653],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a6b0d51535cc9794957529bb264c98c.jpg",[],{"id":38887,"slug":38888,"title":12311,"dynasty":41,"author":19,"museum":20,"description":38889,"tags":38890,"thumbUrl":38891,"material":70,"size":71,"collection":31,"collections":38892,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274171,"tong-du-jin-qian-fa-lang-ri-gui-yi-ming-274171","此器集实用与美学于一身，铜胎鎏金搭配珐琅嵌饰，华贵雅致。底座内置罗盘，晷盘刻度精密规整，鎏金花饰灵动雅致，珐琅点缀提亮色调，尽显巧思。它融合中西计时技艺，将传统罗盘与西式日晷精妙结合，垂针配重尽显匠人巧思，既可依靠日影测算时刻，也能借助罗盘校准方位。\n\n整体造型精巧华丽，将天文观测的严谨与装饰美学相融，是清代中西科技交融的具象缩影，细节处尽显匠心工巧，兼具宫廷器具的华贵质感与实用功能，是一件匠心独运的工艺珍品。",[7,801,8068,8080,24,1653],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb1dc0a45bd3ed84d164d41fad159a90.jpg",[],{"id":38894,"slug":38895,"title":38896,"dynasty":41,"author":19,"museum":20,"description":38897,"tags":38898,"thumbUrl":38899,"material":70,"size":71,"collection":31,"collections":38900,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274169,"tong-du-jin-ping-ban-yi-yi-ming-274169","铜镀金平板仪","这件仪器融中西工艺所长，红木立柱温润沉稳，铜镀金构件精致亮眼，二者相得益彰。三角支架弧度柔婉，稳稳托举住台面，细节处的五金扣件严丝合缝，尽显细致做工。可调节的立柱与台面，适配不同的测绘需求，将实用性与雅致美感融为一体。铜质构件历经时光晕染出柔润包浆，沉淀下岁月厚重质感，静静诉说着旧时测绘技艺的匠心巧思，是近代中西科技交融的精巧造物，尽显科学器物的独特魅力。",[7,83,8080,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e6382972d0d02fdd2e6d1933fa2e6c.jpg",[],{"id":38902,"slug":38903,"title":38904,"dynasty":41,"author":19,"museum":20,"description":38905,"tags":38906,"thumbUrl":38907,"material":70,"size":71,"collection":31,"collections":38908,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274168,"kan-shuo-wang-ru-jiao-yi-yi-ming-274168","看朔望入交仪","它以黄铜为骨，木座承托，双杆牵系呼应，形制洗练却藏着古人观天的深邃智思。\n\n没有冗余装饰，金属构件舒展平直，暗合天象运转的沉缓节律，将探究苍穹节律的天学巧思凝缩于一方装置之中。朴素的外观下，是古人叩问天地的执着，把遥不可及的星象规律，具象为可触可感的精巧造物，静静承载着古人数代观测天地的心血与浪漫。",[45,7,5369],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94964fc23496449234807a03e45dfd40.jpg",[],{"id":38910,"slug":38911,"title":38912,"dynasty":41,"author":19,"museum":20,"description":38913,"tags":38914,"thumbUrl":38915,"material":70,"size":71,"collection":31,"collections":38916,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274167,"tong-du-jin-yuan-pan-ri-yue-xing-gui-yi-yi-ming-274167","铜镀金圆盘日月星晷仪","它是天文巧思与手工匠心的凝练之作，铜质胎身晕染岁月浸出的沉厚包浆，盘面环层排布刻度，游转指针错落有致，可凭日影测算时辰，亦可推演星象月相，将浩渺天地的运行节律收束于掌心方寸间。手柄取葫芦与折角造型，兼顾握持实用性与装饰意趣，细密规整的刻度里藏着古人观天察地的缜密心思，朴素金属肌理间，承载着古人探索宇宙时序的浪漫追求，是一件将实用测算与工艺审美相融的精巧器物。",[7,45,8068,5369,8069],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1687b045e1d63c36a8afe6bcde99a5a1.jpg",[],{"id":38918,"slug":38919,"title":38920,"dynasty":41,"author":19,"museum":20,"description":38921,"tags":38922,"thumbUrl":38924,"material":70,"size":71,"collection":31,"collections":38925,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274165,"tong-du-jin-yue-xiang-yan-shi-yi-yi-ming-274165","铜镀金月象演示仪","铜金圆环交叠缠绕，构筑出通透的穹宇轮廓，将象牙色球体稳稳托于中心。细轴穿引月核，让遥不可及的月象运转化为可感的精巧装置。鎏金环身晕开沉旧光泽，带着时光摩挲的温润，球面浅淡纹路似藏着岁月轮转的印记。\n\n它将天文观测的理性融于雅致工艺，把星月运行的浩渺奥秘凝缩于掌中。以极简造型承载宇宙遐思，是科学求索与匠心美学的精妙契合，于方寸之间尽显巧思，静静诉说着古人对苍穹星月的好奇与探知。",[7,3817,45,5369,38923],"月象演示","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a476f480d2b3700539430e444f966f0.jpg",[],{"id":38927,"slug":38928,"title":38929,"dynasty":41,"author":19,"museum":20,"description":38930,"tags":38931,"thumbUrl":38933,"material":70,"size":71,"collection":31,"collections":38934,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274163,"di-ping-jing-wei-chi-dao-ri-gui-yi-yi-ming-274163","地平经纬赤道日晷仪","此件以黄铜铸就，周身凝敛沉润金属光泽。环形盘体錾刻精密刻度，内嵌可调节晷针，兼容多种测时功能，将天文测算与计时技艺精妙糅合。支架取卷草兽足造型，线条柔婉灵动，顶部提钮便于携行，底座罗盘校准方位，细节处尽显巧思。整器既承载天文观测的实用功能，又以细腻雕花、规整形制彰显不俗匠心，是中西科技交融之下的精工造物，将仪器精度与审美意趣合而为一。",[7,24,38932,8080,8015],"日晷仪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fd2d06de3d0b409a080e310bc4698d6.jpg",[],{"id":38936,"slug":38937,"title":8065,"dynasty":41,"author":19,"museum":20,"description":38938,"tags":38939,"thumbUrl":38940,"material":70,"size":71,"collection":31,"collections":38941,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274162,"tong-du-jin-ti-huan-chi-dao-ri-gui-yi-ming-274162","铜镀金质地凝润古朴，提环小巧灵动，可悬垂以校准方位。环身刻度匀整排布，暗合天文测算的精密逻辑，中心滑尺携铭文刻度，可随日影偏移测定时刻、推算纬度。\n\n它将观天授时的深邃智慧，凝缩为可持握的方寸造物，是实用仪器与手工匠心的绝佳融合。褪去匠作的生硬火气，带着时光沉淀的厚重质感，尽显古代天文器物的雅致精妙，静诉往昔观象授时的严谨与浪漫，把浩瀚星象的规律化作掌心可感的精巧诗意。",[7,83,8068,8080,1653],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbb1c36a569d1da557bfa393f10cf0ee.jpg",[],{"id":38943,"slug":38944,"title":38945,"dynasty":41,"author":19,"museum":20,"description":38946,"tags":38947,"thumbUrl":38948,"material":70,"size":71,"collection":31,"collections":38949,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},274161,"ti-huan-shi-ri-gui-yi-ming-274161","提环式日晷","这台黄铜日晷带着沉敛的复古铜色，以提环悬垂，双环嵌套勾勒出精巧构型。它依托地心投影的天文原理，游尺可沿着环身滑移，对准日光即可读取时刻，无论悬垂角度如何偏移，都能始终保持晷面水平，将古人观象授时的智慧融于其间。\n\n錾刻的刻度工整利落，线条洗练规整，手工打造的细节处处流露着匠人的用心，把天文计时的精密逻辑藏进这一方铜环之中，既是实用的计时仪器，也是凝结古代天文巧思的工艺珍品，铜色晕染着旧时光的厚重质感，静静诉说着古人探索日影的求知脉络。",[8068,7,45,24,8080],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dbac071cec791f3ed32afd347ff9b38.jpg",[],{"id":38951,"slug":38952,"title":38953,"dynasty":41,"author":19,"museum":20,"description":38954,"tags":38955,"thumbUrl":38956,"material":70,"size":71,"collection":31,"collections":38957,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274159,"tong-du-jin-ping-chi-dao-yi-yi-ming-274159","铜镀金平赤道仪","此器铜质鎏金，包浆温润雅致。环形仪盘錾刻细密精准的星象刻度，纤细指针随环体游移，可测算赤道星度与时刻，底座附带罗盘，兼顾定向之用。造型兼具天文仪器的严整科学感与金属工艺的装饰美感，是中西天文技艺交融的精巧之作，尽显彼时手工制器的精湛水准，承载着古人仰观星象、探知寰宇的求知热忱。",[7,82,5369,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f8a8f9a2bcb43356d7fc1607d5fcbbb.jpg",[],{"id":38959,"slug":38960,"title":38961,"dynasty":41,"author":19,"museum":20,"description":38962,"tags":38963,"thumbUrl":38965,"material":70,"size":71,"collection":31,"collections":38966,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274158,"tong-du-jin-yue-gui-yi-ming-274158","铜镀金月晷","此器铜质凝润，包浆沉厚，尽显时光晕染的温润质感。晷盘开槽走线，借月影投射以校量时刻，将天文测算的精妙藏于形制之中。支架雕刻灵动婉转，瑞兽昂首、卷草萦回，把天文仪器的理性与传统工艺的柔美相融，既承载着观象授时的实用效能，又兼具雅室陈设的装饰意趣，是古人将造物巧思与审美意趣相合的绝佳体现，尽显旧时匠人不凡的匠心与天文观测的独到智慧。",[7,24,8069,1653,38964,5369],"月晷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd80646c7939ecbaebd3813fc4cbbdd2e.jpg",[],{"id":38968,"slug":38969,"title":38691,"dynasty":41,"author":19,"museum":20,"description":38970,"tags":38971,"thumbUrl":38973,"material":70,"size":71,"collection":31,"collections":38974,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":74},274157,"tong-du-jin-liang-jiao-qi-yi-ming-274157","黄铜鎏金的胎体带着沉敛温润的光泽，半圆刻度盘搭配可旋动直臂，形制洗练却暗含巧思。作为旧时测量器具，它依托可开合的臂杆，能够精准测算角度差值，兼顾观测与绘图的双重功用。哑光金面历经岁月晕染出浅淡包浆，褪去初时的鲜亮，晕开质朴沉静的质感。整体无过多繁复纹饰，以功能性为内核，尽显旧时测量工艺的严谨工巧，将实用与极简审美相融，是古代科学仪器中兼顾工造水准与使用价值的精巧之作。",[7,82,38694,38972,45],"测量器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaeea172c6be0e83f2c5b6d897b95edd.jpg",[],{"id":38976,"slug":38977,"title":38978,"dynasty":41,"author":19,"museum":20,"description":38979,"tags":38980,"thumbUrl":38981,"material":70,"size":71,"collection":31,"collections":38982,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274156,"you-zi-yi-ming-274156","悠子","这款器物以素棕实木为主体柜体，辅以铜质构件加固点缀，冷硬金属与温润木纹相映成趣。顶部高挑纤细的支杆托着铜球，为方正挺拔的造型添了几分灵动。层叠线条的底座沉实稳重，撑起整体简约克制的形制。没有繁杂雕饰，只以材质碰撞与比例拿捏，尽显内敛沉静的审美意趣，在日常器具的实用性里，藏着中式极简的匠心之美，带着旧时光里的质朴温润质感。",[1935,45,7,507],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e81242a92f0473554725008a97db5d3.jpg",[],{"id":38984,"slug":38985,"title":38978,"dynasty":41,"author":19,"museum":20,"description":38986,"tags":38987,"thumbUrl":38988,"material":70,"size":71,"collection":31,"collections":38989,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},274155,"you-zi-yi-ming-274155","主体为素净木构立匣，温润木质肌理尽显沉静质感，线条挺括利落，无过多雕饰，暗合中式造物的克制美学。侧出抽匣简约朴素，点明收纳之用，顶部铜球配弯提构件，冷硬金属中和了实木的温软，刚柔相映。整体形制精巧内敛，将实用功能融于极简造型中，藏着旧时匠师对日常器物雅化的巧思，静穆古雅，是兼具工巧与意趣的生活小品，静静诉说着旧时光里的雅致日常。",[1935,45,507,7],"https:\u002F\u002Foss.chuangqi.store\u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动舒展，柔婉的藏式风韵藏于线条之间，松石色与宝蓝玻璃错落镶嵌，为明丽金晕晕开清润底色。\n\n造型层层递进，从基座仰莲到顶饰背光，庄重中裹挟精巧雅致，每一处錾刻都细腻入微，将吉祥八宝的寓意融于精工之中，尽显庄严华贵的庙堂气象，静静诉说着藏传佛教器物独有的静穆美感，是清代宗教造像工艺的绝佳缩影。",[7,82,2761,208,12126,81,45,3848,34433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe55413e7e9631d7263f8c9cad8a4b2ba.jpg",[],{"id":44176,"slug":44177,"title":44178,"dynasty":41,"author":19,"museum":20,"description":44179,"tags":44180,"thumbUrl":44182,"material":70,"size":71,"collection":31,"collections":44183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249498,"tong-liu-jin-qian-bo-li-ba-bao-lun-yi-ming-249498","铜鎏金嵌玻璃八宝-轮","此件法器通体鎏金，宝光莹润华贵。中心法轮饰以蓝料，与火焰背光上嵌饰的宝石相映，纹样规整严整，尽显转轮圣王的庄严寓意。下承双层仰莲台，嵌满玻璃饰件，色调沉静雅致。支架以缠枝卷草为形，灵动舒展，与台座的沉稳方正呼应，整体层次分明，繁简相宜。\n它糅合精细累丝与嵌饰工艺，将藏传佛教的神圣性与清代造办处的极致工巧结合，既饱含宗教的肃穆气韵，又尽显宫廷手作的富丽精巧，是清中期宗教造像工艺的上乘之作。",[44,2761,208,12126,81,45,3848,7,44181],"鎏金工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63afb7849d0700dbe8a07725991be173.jpg",[],{"id":44185,"slug":44186,"title":44187,"dynasty":41,"author":19,"museum":20,"description":44188,"tags":44189,"thumbUrl":44190,"material":70,"size":71,"collection":31,"collections":44191,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249496,"tong-liu-jin-qian-bo-li-ba-bao-san-yi-ming-249496","铜鎏金嵌玻璃八宝-伞","通体鎏金，华贵雍容。宝伞法相居于缠枝莲瓣背光之中，朱红嵌石点明佛性赤诚。莲台座身满嵌蓝绿玻璃，澄澈明丽，摹拟宝石光华，衬得金底愈见耀目。支架以卷草纹勾勒灵动枝蔓，舒展如菩提垂荫，稳稳承托这清净法物。\n\n整体造型层层递进，兼具庄严法相之肃穆与金细工艺的精巧，将藏传佛教的神圣意涵与极致匠心相融，静穆间尽显佛门清贵雅韵，是佛供造像里兼具审美与宗教价值的上乘之作。",[44,7,140,13366,81,45,82],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F636f17aaf91943809b1333dc67363d5d.jpg",[],{"id":44193,"slug":44194,"title":44195,"dynasty":41,"author":19,"museum":20,"description":44196,"tags":44197,"thumbUrl":44198,"material":70,"size":71,"collection":31,"collections":44199,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249495,"tong-liu-jin-qian-bo-li-wu-gong-zhu-tai-yi-ming-249495","铜鎏金嵌玻璃五供-烛台","鎏金通体明灿华贵，造型端庄层叠有序，烛针高挑承托浅盘，方柱挺拔衔接葵口深盘，下承八角须弥底座。\n\n周身錾刻缠枝宝相花，嵌饰彩玻以宝蓝为主，间杂朱红亮白，冷暖光泽交织，将錾刻纹饰的立体感尽数烘托，纹样饱满生动，处处彰显花丝镶嵌工艺的精湛造诣。\n\n整体庄重富丽，静穆间尽显造办极致匠心，是礼佛供器里的上乘之作，华贵之中藏着雅致巧思。",[7,140,13311,29,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e0a589504ddc82d5a37b3bcb1fe3e83.jpg",[],{"id":44201,"slug":44202,"title":44203,"dynasty":41,"author":19,"museum":20,"description":5648,"tags":44204,"thumbUrl":44205,"material":70,"size":71,"collection":31,"collections":44206,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249494,"tong-liu-jin-qian-bo-li-wu-gong-hua-gu-yi-ming-249494","铜鎏金嵌玻璃五供-花觚",[44,7,140,13311,29,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5408a815af557c1b80d26e635bd83d70.jpg",[],{"id":44208,"slug":44209,"title":44203,"dynasty":41,"author":19,"museum":20,"description":5648,"tags":44210,"thumbUrl":44211,"material":70,"size":71,"collection":31,"collections":44212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249493,"tong-liu-jin-qian-bo-li-wu-gong-hua-gu-yi-ming-249493",[44,7,140,13311,29,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33293543361769eabfd3349f2e2c55ff.jpg",[],{"id":44214,"slug":44215,"title":44195,"dynasty":41,"author":19,"museum":20,"description":44216,"tags":44217,"thumbUrl":44218,"material":70,"size":71,"collection":31,"collections":44219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249490,"tong-liu-jin-qian-bo-li-wu-gong-zhu-tai-yi-ming-249490","整体造型端庄舒展，灯针利落高挑，塔柱挺拔纤秀，与宽沿烛盘、层叠底座上下呼应，刚柔相济。铜胎鎏金遍身生辉，暖金色调衬得器物堂皇大气，通体錾刻缠枝宝相花为地，以彩玻璃填嵌花心与开光饰纹，宝蓝、翠绿、朱红交织碰撞，玻璃的莹亮与鎏金的温润相映成趣。纹饰排布疏密相宜，塔柱开光内饰几何纹样，随形起棱的底座更添稳重，将清代重工细作的审美展现得淋漓尽致，尽显礼佛重器的华贵庄严。",[41,7,82,140,13311,13319,29,44132,44181],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed6eb327012c64e8c7d3cd4791e7959e.jpg",[],{"id":44221,"slug":44222,"title":44223,"dynasty":41,"author":19,"museum":20,"description":654,"tags":44224,"thumbUrl":44225,"material":70,"size":71,"collection":31,"collections":44226,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249487,"qia-si-fa-lang-gou-lian-wen-shou-er-zun-yi-ming-249487","掐丝珐琅勾莲纹兽耳尊",[44,206,888,7,112,462,4034,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04bba56b6c728881e3b26a149d211a30.jpg",[],{"id":44228,"slug":44229,"title":44230,"dynasty":41,"author":19,"museum":20,"description":654,"tags":44231,"thumbUrl":44232,"material":70,"size":71,"collection":31,"collections":44233,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249485,"qia-si-fa-lang-gou-lian-jiao-ye-wen-xi-er-zun-yi-ming-249485","掐丝珐琅勾莲蕉叶纹牺耳尊",[206,888,45,4034,3262,28,112,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e123219d5f6a105af77bf637886f79b.jpg",[],{"id":44235,"slug":44236,"title":44237,"dynasty":41,"author":19,"museum":20,"description":654,"tags":44238,"thumbUrl":44239,"material":70,"size":71,"collection":31,"collections":44240,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":185},249484,"qia-si-fa-lang-shou-er-shuang-huan-zun-yi-ming-249484","掐丝珐琅兽耳双环尊",[206,888,45,28,112,7],"https:\u002F\u002Foss.chuangq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