[{"data":1,"prerenderedAt":101},["ShallowReactive",2],{"subject-tou-fa":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2813,"tou-fa","头发","头发画高清赏析","精选中国历代头发题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02deb123afc97b375649b1929f0450ed.jpg",0,3,[14,39,68],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},225809,"self-portrait-1889-fan-gao-225809","Self-Portrait 1889","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,7,30,31,32],"油画","后印象派","厚涂","笔触强烈","人物","男性肖像","胡须","服装","蓝绿色调","面部表情","未知","Xcm*Xcm","油画精选",[35],26,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":18,"author":43,"museum":20,"description":44,"tags":45,"thumbUrl":65,"material":33,"size":34,"collection":66,"collections":67,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":38},232487,"he-er-bai-yin-146-he-er-bai-yin-232487","荷尔拜因146","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[46,47,48,27,49,50,51,29,7,52,53,54,55,56,57,58,59,60,61,62,63,64],"写实","素描","肖像","男性","侧脸","帽子","头部","线条","人物画","写实主义","肖像画","头部肖像","面部刻画","毛发细节","服饰局部","侧脸肖像","线条勾勒","写实刻画","人物肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a888ad01f3baf0f14b2bdaa03de13a.jpg","",[],{"id":69,"slug":70,"title":71,"dynasty":72,"author":73,"museum":20,"description":74,"tags":75,"thumbUrl":96,"material":97,"size":66,"collection":66,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":100},215655,"bei-jing-dian-pu-zhao-huang-hua-ce-17-zhou-pei-chun-215655","北京店舖招幌画册-17","清","周培春","笔墨轻铺老北京市井的招幌图景，各式幌子鲜活如生：串珠垂绦的包头铺标识、弓状缀饰的弹子房幌、鬃毛悬垂的马尾与头发铺幌，红黑相间的饰物在素纸间摇曳。子龙剑级品的标牌相映成趣，似能听见旧时街市的吆喝声。每款招幌皆是行业的符号密码，承载传统商业的烟火气与智慧。线条拙朴却精准，色彩淡雅却点睛，让消逝的市井图景复现纸上，唤起对老北京商脉文脉的悠远怀想。",[72,76,77,78,79,80,81,82,83,84,7,85,86,87,88,89,90,91,92,93,94,95],"册","设色","工笔","幌子","店铺招幌","器","文字","珠子","马尾","红色穗饰","布料","线条细致","商业招幌","民俗器物","传统装饰","手写文字","串珠装饰","黑色马尾","黑色头发","红色装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F731e92e9b127155b13e37084ddec70c4.jpg","纸本,设色",[],2,"FFFFFF",1777535769661]