[{"data":1,"prerenderedAt":129},["ShallowReactive",2],{"subject-tou-shi-3029":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3029,"tou-shi-3029","透视","透视画高清赏析","精选中国历代透视题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20ddc7e338ce325db6b67f77e9d71c3c.jpg",0,6,[14,47,70,80,99,112],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":40,"material":41,"size":42,"collection":43,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},222790,"hua-niao-ce-ye-10-lang-shi-ning-222790","花鸟册页10","清","郎世宁","北京故宫博物院","此图册分别描绘了牡丹、兰花、罂粟、萱草、荷花、梅花等艳丽多姿的花卉和体态生动的蝶、鸟。构图上取法中国传统花鸟画的格局，以虚托实，注重对所绘物象的突出。在表现技法上，则充分发挥了欧洲绘画注重明暗及透视的特点，以工致细腻的笔触，刻画出花瓣、叶片以及鸟雀的羽毛质感和体积感，呈现出与传统的中国花鸟画迥然不同的艺术风貌。这种“中西合璧”的画风成为清代宫廷绘画艺术的一大特色，受到了清皇室的青睐。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7,39],"高清","名画","国画","书画","册页","工笔","设色","中西合璧","写实","花鸟","鸢尾花","花朵","叶子","石头","植物","光影","重彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26cf8023c1a700d7d63d7c95b0ee1172.jpg","绢本，设色","纵32.6厘米，横28.6厘米","",[],17,"BDBDBD",{"id":48,"slug":49,"title":50,"dynasty":18,"author":51,"museum":20,"description":52,"tags":53,"thumbUrl":66,"material":43,"size":67,"collection":43,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":46},223195,"geng-zhi-tu-ce-jiao-bing-zhen-223195","耕织图册","焦秉贞","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[25,28,29,54,27,30,7,55,56,57,58,59,37,60,61,62,63,64,65],"界画","人物","房屋","树木","栅栏","庭院","农耕","劳作场景","建筑","自然景物","细致线条","色彩晕染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a7e62abef33f1a50cee03a9181381d0.jpg","34.7cm×27.7cm",[],4,{"id":71,"slug":72,"title":50,"dynasty":18,"author":51,"museum":20,"description":52,"tags":73,"thumbUrl":77,"material":43,"size":67,"collection":43,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":46},223209,"geng-zhi-tu-ce-jiao-bing-zhen-223209",[24,25,26,27,28,29,55,59,56,57,74,75,31,7,62,76],"器物","清代","场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5871b86da79b7dcb608ca3634f3a7382.jpg",[],3,{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":84,"description":85,"tags":86,"thumbUrl":96,"material":97,"size":43,"collection":43,"collections":98,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":46},216812,"zhan-zheng-tong-ban-hua-31-lang-shi-ning-216812","战争铜版画-31","藏地不详","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[87,31,88,7,75,55,89,90,59,91,92,93,94,95],"铜版画","线刻","楼阁","宫殿","队列","士兵","官员","兵器","开阔场地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1af19126368070b42cdcf68f6f36bf6.jpg","水墨",[],{"id":100,"slug":101,"title":50,"dynasty":18,"author":51,"museum":20,"description":52,"tags":102,"thumbUrl":109,"material":43,"size":67,"collection":43,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":46},223176,"geng-zhi-tu-ce-jiao-bing-zhen-223176",[25,28,29,27,55,103,57,104,105,31,30,7,106,107,108],"稻田","田埂","劳作","农耕场景","小路","水田","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89d193c601c0a77b94a26610b704d807.jpg",[],1,{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":84,"description":85,"tags":116,"thumbUrl":10,"material":97,"size":43,"collection":43,"collections":128,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":46},216823,"zhan-zheng-tong-ban-hua-28-lang-shi-ning-216823","战争铜版画-28",[24,75,87,31,7,117,118,119,120,121,122,55,123,124,125,126,127],"战争题材","山峦","城墙","军队","战马","旗帜","山石","云雾","战场","防御工事","题字",[],1777535747746]