[{"data":1,"prerenderedAt":40},["ShallowReactive",2],{"subject-tu-hao-you":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10580,"tu-hao-you","兔毫釉","兔毫釉画高清赏析","精选中国历代兔毫釉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b7f3c374736a96b08b680f4ed01bba3.jpg",0,2,[14,33],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":32},259687,"jian-yao-hei-you-xiao-wan-yi-ming-259687","建窑黑釉小碗","宋","佚名","藏地不详","建窑，是宋代福建烧造黑釉茶盏的著名窑场。窑址有芦花坪、牛皮仑、大路后山、营长乾等处，遗物分布面积约12万平方米。建窑创烧于晚唐五代， 历宋、元、明、清四代，烧瓷历史长达千年，而且对福建地区和江南广大地区都有很大影响。\n主要产品以盏、碗、盘、碟为主，兼烧盒、罐、壶、灯、炉、钵、梅瓶、冥器等，在宋代盛产黑釉瓷而闻名于世。足底有“供御”、“进盏”字铭的，应是为宋代宫廷烧制的贡品。黑釉盏的特征：胎含铁量高，一向有“铁胎”之称，胎体厚重，呈黑灰色、紫黑色，胎质粗糙坚硬，露胎处色沉而无光。造型多样，有大小敛口、敞口等不同形式，圈足小而浅，修胎草率有力，刀法自然，釉质刚润，釉色乌黑，器物内外施釉，外釉近底足，足底无釉而露胎。釉面有明显的垂流和窑变现象，有“兔毫”、“油滴”和“曜变”及“鹧鸪斑”等有名的品种。\n宋代是建窑的发展时期，以烧黑釉器而著称。兔毫斑、鹧鸪斑、曜变等釉色的名品就出在这里，以茶盏为多\n建窑的黑釉属于结晶釉的范畴，含铁量高达8% 以上。在1300多度的高温熔烧过程中，窑温的变化，使釉面产生奇特的花纹。\n由于宋代斗茶风尚盛行，而主烧适宜为斗茶的黑釉茶盏，亦称建盏，以水吉镇窑制品为最，北宋后期曾为宫廷烧制斗茶使用的黑釉盏，并于器底刻"进盏"、"供御"字样。建阳窑产品使用含铁高的原料做胎，因而胎色深黑坚硬，有"铁胎"之俗称，或名乌泥窑、黑建、乌泥建等。盏内外均施黑釉，外壁釉不到底，露黑色胎。",[23,24,25,26,7],"陶瓷","日用具","黑釉","小碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f91fe581dd8def930080d624103ce21.jpg","未知","Xcm*Xcm","瓷器精选",[30],"BDBDBD",{"id":34,"slug":35,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":36,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":38,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":39},259686,"jian-yao-hei-you-xiao-wan-yi-ming-259686",[23,24,25,7,37],"茶碗",[30],"795548",1777535796659]