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and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[248,99,249,77,250,251,7,252],"明代","青花","龙","凤","洗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e5c6b4199afc9f6c01548e5a3290363.jpg",[],{"id":256,"slug":257,"title":258,"dynasty":70,"author":19,"museum":71,"description":259,"tags":260,"thumbUrl":261,"material":29,"size":30,"collection":31,"collections":262,"showCount":212,"zanCount":11,"manualWeight":11,"mainColor":34},229091,"fa-lang-cai-zi-di-tuan-hua-qian-wan-yi-ming-229091","珐瑯彩紫地团花浅碗","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[99,148,97,24,7,102],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1881b40b4a44a830a2a9f21c0232577.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":70,"author":19,"museum":71,"description":267,"tags":268,"thumbUrl":274,"material":29,"size":30,"collection":31,"collections":275,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":130},272934,"mu-hong-qi-miao-jin-wan-fu-tuan-hua-qu-shui-shuang-xi-zi-wen-yi-zi-yi-ming-272934","木红漆描金万蝠团花曲水双喜字纹椅子","敦煌285窟壁画就有两人分坐在椅子上的图像；257窟壁画中有坐方凳和交叉腿长凳的妇女；龙门莲花洞石雕中有坐圆凳妇女。这些图像生动地再现了南北朝时期椅、凳在仕宦贵族家庭中的使用情况。尽管当时的坐具已具备了椅子、凳子的形状，但因其时没有椅、凳的称谓，人们还习惯称之为“胡床”，在寺庙内，常用于坐禅，故又称禅床。唐代以后，椅子的使用逐渐增多，椅子的名称也被广泛使用，才从床的品类中分离出来。因此，论及椅、凳的起源，必须从汉魏时经印度传入的胡床谈起。\n唐代以前的“椅”字还有一种解释，作“车旁”讲，即车的围栏。其作用是人乘车时有所依靠。后来的椅子，其形式是在四足支撑的平台上安装围栏，其制当是受车旁围栏的启发，并沿用其名而称这种坐具为“椅子”了。从现存资料看，唐代已有相当讲究的椅子了。\n五代至宋，高型坐具空前普及，椅子的形式也多了起来，出现靠背椅、扶手椅、圈椅等。同时根据尊卑等级的不同，椅子的形制、质料和功能也有所区别。\n五代至两宋时期的家具大体保留着唐代遗风，只是高型家具较前更加普及了。\n椅子非常古老和简单，虽然许多世纪以来，是一个普通使用状态。在早王朝时期，他们用布或皮革、木雕覆盖椅背和椅面，但是覆盖面积均远低于21世纪的椅子，椅面有时仅离地25厘米。在古埃及时代的椅子似乎已经被极大的丰富，老式乌木、象牙雕刻、镀金的木材等都会被使用。它们被覆盖着昂贵的材料，华丽的图案和猎杀的野兽或雕刻着的俘虏数字。一般来说，地位越高的个人，他的椅子就越高越华丽，这是种荣誉的象征。",[159,269,270,271,272,273,7,138,124],"木质","家具","描金","红漆","蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32c80445902556b3b3f30c9dad923dc6.jpg",[],2,{"id":278,"slug":279,"title":280,"dynasty":70,"author":19,"museum":71,"description":281,"tags":282,"thumbUrl":287,"material":29,"size":30,"collection":31,"collections":288,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":130},267686,"fen-se-di-tuan-hua-gui-bei-wen-tian-hua-jin-yi-ming-267686","粉色地团花龟背纹天华锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[75,283,7,284,285,286],"织锦","龟背纹","天华锦","纹样装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf7a32056e0031ae2aeeeb5bd90c72bd.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":70,"author":19,"museum":71,"description":72,"tags":293,"thumbUrl":296,"material":29,"size":30,"collection":31,"collections":297,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":130},267379,"hong-se-duan-xiu-tuan-mu-dan-fu-gou-lian-wen-jia-zhuo-wei-yi-ming-267379","红色缎绣团牡丹蝠勾莲纹夹桌围",[74,124,75,76,83,219,294,7,295],"勾莲纹","红缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe692544cee4e46d36c25bef7c2675d3c.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":70,"author":19,"museum":71,"description":302,"tags":303,"thumbUrl":306,"material":29,"size":30,"collection":31,"collections":307,"showCount":276,"zanCount":47,"manualWeight":11,"mainColor":34},266357,"lan-se-ke-jin-yin-tuan-san-yuan-hua-hui-wen-jia-chen-yi-yi-ming-266357","蓝色缂金银团三元花卉纹夹衬衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[111,75,304,305,7],"缂金银","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cc9ad6eef9e84868680eaa747132ca9.jpg",[],{"id":309,"slug":310,"title":311,"dynasty":70,"author":19,"museum":71,"description":312,"tags":313,"thumbUrl":316,"material":29,"size":30,"collection":31,"collections":317,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":65},264444,"lan-se-chou-xiu-ba-tuan-you-shui-ru-yi-gou-lian-wen-pao-liao-yi-ming-264444","蓝色绸绣八团有水如意勾莲纹袍料","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[75,111,76,7,314,315],"如意勾莲纹","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83cadc29f90e8f14a119ba8478c4fb6f.jpg",[],{"id":319,"slug":320,"title":321,"dynasty":70,"author":19,"museum":71,"description":72,"tags":322,"thumbUrl":325,"material":29,"size":30,"collection":31,"collections":326,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":130},264358,"xue-hui-se-duan-xiu-ba-tuan-you-shui-ba-bao-hua-hui-wen-liao-yi-ming-264358","雪灰色缎绣八团有水八宝花卉纹料",[75,76,323,305,324,7,170],"八宝纹","海水江崖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e06c7a6dcc62739f248b1f3c6a7f8f8.jpg",[],{"id":328,"slug":329,"title":94,"dynasty":70,"author":19,"museum":71,"description":95,"tags":330,"thumbUrl":332,"material":29,"size":30,"collection":31,"collections":333,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":130},256680,"qian-long-kuan-fa-lang-cai-jin-di-tuan-hua-ba-ji-xiang-wen-wan-yi-ming-256680",[70,97,24,99,7,101,100,331,102],"吉祥纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6c1ea2bc02fb397dbcc3c76e1811660.jpg",[],{"id":335,"slug":336,"title":337,"dynasty":245,"author":19,"museum":71,"description":338,"tags":339,"thumbUrl":343,"material":29,"size":30,"collection":31,"collections":344,"showCount":276,"zanCount":47,"manualWeight":11,"mainColor":34},256477,"dou-cai-tuan-hua-ju-die-wen-guan-yi-ming-256477","斗彩团花菊蝶纹罐","此器造型圆浑饱满，盖身一体线条柔润舒展。釉下青花勾勒轮廓，釉上填施红绿彩料，发色妍丽明快，蓝彩幽靓沉静，红绿鲜亮浓艳，釉面莹润光亮。\n\n纹饰层层铺陈排布，盖面、颈肩、腹身与圈足各成景致，腹身团花菊蝶错落分布，团纹精巧灵动，花叶婉转柔丽，构图疏朗雅致，既带着端庄隽秀的气韵，又尽显斗彩釉色交融的雅致韵致，将雅致清新的古意藏于寸缣之间，尽显古瓷审美意趣。",[245,340,99,102,24,77,7,341,342],"斗彩","菊","蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6f484eef162cc2890b91dbf937919c2.jpg",[],{"id":346,"slug":347,"title":348,"dynasty":70,"author":19,"museum":71,"description":349,"tags":350,"thumbUrl":355,"material":29,"size":30,"collection":31,"collections":356,"showCount":276,"zanCount":47,"manualWeight":11,"mainColor":65},249780,"qia-si-fa-lang-tuan-hua-kui-feng-wen-ling-hua-bian-xi-shi-pen-yi-ming-249780","掐丝珐琅团花夔凤纹菱花边洗式盆","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 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