[{"data":1,"prerenderedAt":122},["ShallowReactive",2],{"subject-tuan-long":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6210,"tuan-long","团龙","团龙画高清赏析","精选中国历代团龙题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d23b175d546f7de7006ee2f5536b692.jpg",0,9,[14,34,46,58,68,79,90,102,113],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},258633,"qian-long-kuan-you-li-hong-tuan-long-tu-hu-lu-ping-yi-ming-258633","乾隆款釉里红团龙图葫芦瓶","清","佚名","藏地不详","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[18,23,24,25,26,7],"陶瓷","釉里红","龙","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44c1a7d2053cf8877dc3047a780da999.jpg","未知","Xcm*Xcm","",[],5,"795548",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":44,"material":28,"size":29,"collection":30,"collections":45,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},267831,"e-huang-se-er-ze-tuan-long-wen-jiang-chou-yi-ming-267831","鹅黄色二则团龙纹江绸","鹅黄底色莹润柔和，自带华贵沉静的气韵。暗织的团龙纹隐于江绸肌理之中，对称排布，规整庄重。江绸质地紧密细腻，柔光顺着布料褶皱缓缓晕开，将纱线交织的肌理之美尽数铺展。团龙纹辗转腾挪的身姿藏于织纹之下，含蓄间流露礼制威仪，把织造匠心与旧时等级礼制相融，暗花工艺尽显精妙，让威仪气度敛于雅致面料之中，静述传统织造工艺的独到风华。",[40,41,42,7,43],"布料","鹅黄色","龙纹","江绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78bf1ac63edabf87aa87981188112d90.jpg",[],{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":55,"material":28,"size":29,"collection":30,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},266014,"ming-huang-an-tuan-long-li-shuang-xi-pi-ma-gua-yi-ming-266014","明黄暗团龙里双喜皮马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[52,40,25,53,7,54],"衣帽","皮马褂","双喜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97d1da19f1c010893860bb64e703ea9a.jpg",[],"FDD835",{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":65,"material":28,"size":29,"collection":30,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},266005,"jin-huang-se-an-tuan-long-duan-sao-xue-diao-pi-xing-gua-yi-ming-266005","金黄色暗团龙缎扫雪貂皮行褂","暖金色缎面明丽温润，暗织团龙纹隐于面料之间，低调铺陈显贵气。扫雪貂毛沿领口、门襟、衣摆及袖缘镶边，绒毛细密蓬松，柔化了缎面的挺括，添上冬日暖意。\n\n素净的金属盘扣沿门襟垂落，与亮色缎面形成冷暖质感反差，平衡了整体视觉。将礼制审美融于日常御寒，既保留了制式服饰的矜贵雅致，又兼顾出行穿着的实用性，尽显秋冬出行的体面从容，是清代服饰中华贵与实用兼具的精巧之作。",[52,40,64,7],"貂皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F606c16817a06e109716f96930e38b073.jpg",[],"F48FB1",{"id":69,"slug":70,"title":71,"dynasty":18,"author":19,"museum":20,"description":72,"tags":73,"thumbUrl":76,"material":28,"size":29,"collection":30,"collections":77,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},265718,"shi-qing-se-duan-zhi-jin-tuan-long-chao-qun-yi-ming-265718","石青色缎织金团龙朝裙","整体形制端庄规整，上部红缎织就团金暗纹，朱红底色衬得金纹明丽华贵，暗合礼制的庄重肃穆。下幅石青地满铺彩花，缠枝花卉疏密有致，姹紫嫣红簇簇而生，与上部形成冷暖撞色，层次鲜活分明。\n\n裙摆镶饰织金缎边与深色绒毛，柔润绒感配亮眼金饰，将织造工艺的精巧与服饰威仪相融。提花匀整细腻，配色浓淡相宜，把宫廷服饰的仪制要求与织绣美学合二为一，尽显旧时织造工艺的顶尖水准。",[52,40,74,7,75],"织金","朝裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b0e560e086a6930930955e2efa18f6a.jpg",[],"37474F",{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":83,"tags":84,"thumbUrl":87,"material":28,"size":29,"collection":30,"collections":88,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},265709,"xiang-huang-duan-an-yun-long-zhi-jin-tuan-long-long-pao-chai-pian-yi-ming-265709","香黄缎暗云龙织金团龙龙袍（拆片）","香黄缎底暗隐游龙云纹，晕开低调华贵的气韵。四团织金正龙居于衣身，金线盘绕出龙首威严肃穆，龙爪张扬矫健，将皇权威仪具象于方寸之间。\n\n领口肩袖配异色绣纹，柔雅配色中和了明黄的张扬，织绣走线细密匀整，尽显匠造的极致匠心。作为拆片残件，衣身经纬脉络清晰可见，仍能感知旧时宫廷服饰的制式规整与工艺精妙，将礼制庄重与女红细腻揉织一体，静述着旧日宫廷的织造风华。",[52,40,25,74,7,85,86],"暗云龙","龙袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3e95e8e06f1e56533560cd6fea2a88d.jpg",[],"BDBDBD",{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":100,"material":28,"size":29,"collection":30,"collections":101,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},264508,"tao-hong-se-xiao-tuan-long-za-bao-wen-zhi-jin-duan-yi-ming-264508","桃红色小团龙杂宝纹织金缎","明艳柔润的缎地之上，小团龙与杂宝纹样循规排布。团龙身姿凝练威严，杂宝错落点缀其间，织金暗纹隐现于缎面，光线下漾出细腻金辉，华贵雅致尽显。\n\n面料莹润挺括，下摆晕出浅柔的色彩过渡，温婉动人。边缘流苏微蜷，带着时光摩挲的温润质感，将礼制纹饰的端庄气度，与织锦工艺的精妙工巧相融，尽显不俗织造造诣，静静诉说着旧时匠人的精工匠心。",[40,96,97,7,25,98,74,99],"织锦","缎","杂宝纹","桃红色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adb208984f18fc3a24154b98696cbd1.jpg",[],{"id":103,"slug":104,"title":105,"dynasty":18,"author":19,"museum":20,"description":106,"tags":107,"thumbUrl":110,"material":28,"size":29,"collection":30,"collections":111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":112},263896,"ming-huang-se-tuan-long-man-wen-zi-wen-zhi-jin-duan-yi-ming-263896","明黄色团龙滿文字纹织金缎","明黄底色自带皇家华贵气场，团龙纹盘踞于规整圆窠之中，龙形威严凝练，尽显皇权尊崇。满文织纹错落点缀，将游牧文化符号融于锦缎，与团龙形成别致呼应。织金工艺让纹样晕开内敛光泽，缎面莹润挺括，经纬之间尽显精湛匠艺，礼制规制与顶级织造水准相融，静展百年前织造工坊的极致工巧，沉敛着旧时宫廷御用织物的威仪与华贵。",[108,40,74,7,109],"明黄","满文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4510645ee273d28a7158bdf5fb757f7e.jpg",[],"FF9800",{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":117,"tags":118,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":121,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},229274,"kang-xi-bai-di-miao-hong-tuan-long-wen-zhong-3-yi-ming-229274","康熙 白地描红团龙纹盅-3","此器釉色莹润素白，如凝脂美玉。釉里红发色沉稳古雅，团龙蜷曲成圆，龙爪张劲有力，鬃须灵动飘逸，将瑞龙的威严内敛于规整圆纹之中。纹饰排布匀停疏朗，红彩妍丽与白釉素净相映成趣，既带着制式器物的端庄规整，又藏有匠造的细腻生动。\n\n器型秀巧温婉，唇口微敞，圈足利落雅致，线条柔和流畅，陈设把玩皆相宜。以极简底色衬重工纹饰，把瑞兽威仪和釉色美学相融尽显清瓷典雅秀润的气韵，是釉里红工艺臻熟的代表之作。",[18,23,119,7,25,26,120],"描红","日用具",[],1777535737240]