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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[408,1415,739,7,753,217,433],"粉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36cecf12a4907f82bc4dcd7bf5f32706.jpg",[],{"id":1419,"slug":1420,"title":1421,"dynasty":18,"author":19,"museum":20,"description":431,"tags":1422,"thumbUrl":1424,"material":31,"size":32,"collection":33,"collections":1425,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":327},259464,"guang-xu-kuan-huang-di-fen-cai-miao-jin-wan-fu-wen-tuan-shou-zi-wan-yi-ming-259464","光绪款黄地粉彩描金卍蝠纹团“寿”字碗",[408,1415,739,1423,47,7,651,217],"卍纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9cf1c7c531e701b93029c4343af6392.jpg",[],{"id":1427,"slug":1428,"title":1429,"dynasty":18,"author":19,"museum":20,"description":431,"tags":1430,"thumbUrl":1433,"material":31,"size":32,"collection":33,"collections":1434,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":202},259382,"hong-lan-liao-cai-jin-di-tuan-shou-zi-wan-yi-ming-259382","红蓝料彩锦地团寿字碗",[408,217,651,1431,7,1432],"红蓝料彩","锦地纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68efcf9a7b6353f10618580cb7a959e6.jpg",[],{"id":1436,"slug":1437,"title":1438,"dynasty":18,"author":19,"museum":20,"description":1439,"tags":1440,"thumbUrl":1443,"material":31,"size":32,"collection":33,"collections":1444,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":327},259138,"kang-xi-kuan-huang-you-an-long-wen-tuan-shou-zi-wan-yi-ming-259138","康熙款黄釉暗龙纹团寿字碗","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[408,217,651,198,1441,1442,7],"暗刻","黄釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3deb6d80b5d15e15b4c943fabf1a8ff.jpg",[],{"id":1446,"slug":1447,"title":1448,"dynasty":18,"author":19,"museum":20,"description":406,"tags":1449,"thumbUrl":1452,"material":31,"size":32,"collection":33,"collections":1453,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":327},258383,"yong-zheng-kuan-qing-hua-tuan-shou-wen-wan-yi-ming-258383","雍正款青花团寿纹碗",[18,408,1450,7,1451,217],"青花","釉下彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73cab4a0d27292bd14afa69896857fd8.jpg",[],{"id":1455,"slug":1456,"title":1457,"dynasty":18,"author":19,"museum":20,"description":1458,"tags":1459,"thumbUrl":1463,"material":31,"size":32,"collection":33,"collections":1464,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":202},257946,"kang-xi-kuan-qing-hua-li-tuan-shou-wai-yun-he-wen-pan-yi-ming-257946","康熙款青花里团寿外云鹤纹盘","青花瓷（blue 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