[{"data":1,"prerenderedAt":415},["ShallowReactive",2],{"subject-tuo-yuan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4456,"tuo-yuan","椭圆","椭圆画高清赏析","精选中国历代椭圆题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F355bbb50d9ff3e779e6d13b041c104b1.jpg",0,41,[14,36,45,58,71,84,93,106,118,125,136,149,159,167,176,183,191,198,206,214,222,230,239,248,254,262,271,281,291,298,305,313,324,336,347,358,367,377,387,395,405],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},249195,"yong-zheng-kuan-hua-fa-lang-hua-hui-wen-tuo-yuan-pan-yi-ming-249195","雍正款画珐琅花卉纹椭圆盘","清","佚名","藏地不详","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,24,25,26,27,28,7],"清代","画珐琅","设色","工笔","花卉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F929f17e4f7417586337b242ef7a03afb.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":35},224094,"hua-fa-lang-hua-hui-tuo-yuan-he-yi-ming-224094","画珐瑯花卉椭圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[18,42,24,25,27,7,28],"珐琅器",[],2,{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":49,"tags":50,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},272592,"she-shi-diao-gua-tuo-yuan-yan-yi-ming-272592","歙石雕瓜椭圆砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[51,52,53,7,54],"砚","石雕","瓜形","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31f0f69bbe3bb55e84b790a3be538f7e.jpg",[],1,{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":69,"material":30,"size":31,"collection":32,"collections":70,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},267225,"hong-qing-se-duan-kou-pu-rong-qi-kuai-duo-hua-wen-tuo-yuan-he-bao-yi-ming-267225","红青色缎口铺绒棋块朵花纹椭圆荷包","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[64,65,66,67,7,68],"饰品","荷包","布料","朵花纹","珠串","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4b096a59e0136a0e236d9f25e77dfe2.jpg",[],{"id":72,"slug":73,"title":74,"dynasty":18,"author":19,"museum":20,"description":62,"tags":75,"thumbUrl":81,"material":30,"size":31,"collection":32,"collections":82,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":83},267211,"hong-qing-se-duan-kou-pu-rong-liu-jiao-gou-lian-shou-wen-tuo-yuan-he-bao-yi-ming-267211","红青色缎口铺绒六角勾莲寿纹椭圆荷包",[64,65,66,76,77,78,7,79,80],"铺绒绣","勾莲纹","寿纹","流苏","珠饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dcb9074458f036756b1e808510efeb0.jpg",[],"BDBDBD",{"id":85,"slug":86,"title":87,"dynasty":18,"author":19,"museum":20,"description":62,"tags":88,"thumbUrl":91,"material":30,"size":31,"collection":32,"collections":92,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},267116,"qing-se-duan-kou-man-na-di-jing-wen-tuo-yuan-he-bao-yi-ming-267116","青色缎口满纳地景纹椭圆荷包",[64,89,66,65,90,7],"日用具","地景纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F206464de58e3c13142e830e389e44a1e.jpg",[],{"id":94,"slug":95,"title":96,"dynasty":18,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":104,"material":30,"size":31,"collection":32,"collections":105,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},258958,"kang-xi-kuan-wu-cai-hai-shui-yi-shou-tu-tuo-yuan-hua-pen-yi-ming-258958","康熙款五彩海水异兽图椭圆花盆","此器椭圆敞口、收腹下承如意足，造型舒展端庄。纹饰排布层次分明，口沿点缀细碎缠枝花，腹壁主纹以五彩铺陈：瑞兽踏浪穿云，绿彩晕染肌理尽显雄健之姿，矾红流云如火似霞，蓝绿勾勒的海水江崖层叠翻涌。\n\n整器设色浓艳鲜亮，釉面莹润清透，构图繁而不乱，瑞兽灵动矫健，云气卷舒张弛有度，将祥瑞意趣融于瓷绘之间，尽显古雅富丽的装饰意韵，尽显当时彩瓷工艺的精湛造诣。",[18,99,100,25,101,102,7,103],"陶瓷","五彩","海水","异兽","花盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb46b015175398d4342c1d158548b963c.jpg",[],{"id":107,"slug":108,"title":109,"dynasty":18,"author":19,"museum":20,"description":110,"tags":111,"thumbUrl":115,"material":30,"size":31,"collection":32,"collections":116,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":117},258919,"kang-xi-kuan-qing-hua-yun-fu-ling-zhi-wen-tuo-yuan-hua-pen-yi-ming-258919","康熙款青花云蝠灵芝纹椭圆花盆","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,99,112,113,114,7,103],"青花","云蝠","灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F495cc84036efea485fd3175927262ffc.jpg",[],"F48FB1",{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":40,"tags":122,"thumbUrl":123,"material":30,"size":31,"collection":32,"collections":124,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},250214,"qian-long-kuan-hua-fa-lang-hua-hui-wen-tuo-yuan-he-yi-ming-250214","乾隆款画珐琅花卉纹椭圆盒",[18,24,42,27,7,25,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b9f5932d84c5c30d7e061b2f5b3973a.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":18,"author":19,"museum":20,"description":40,"tags":129,"thumbUrl":134,"material":30,"size":31,"collection":32,"collections":135,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":83},248791,"ti-hong-sheng-wen-tuo-yuan-he-yi-ming-248791","剔红绳纹椭圆盒",[23,130,131,132,133,7,28],"漆器","剔红","雕刻","绳纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43137f2b10455ca05aee81c3716c595b.jpg",[],{"id":137,"slug":138,"title":139,"dynasty":18,"author":19,"museum":20,"description":140,"tags":141,"thumbUrl":147,"material":30,"size":31,"collection":32,"collections":148,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},274489,"tong-du-jin-qian-bo-li-hua-tuo-yuan-gua-biao-yi-ming-274489","铜镀金嵌玻璃花椭圆挂表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[142,143,144,145,7,146,64,89,132],"挂表","铜制","镀金","玻璃花","小天使","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd827f8d878e195d7d2fe7e7abe26b196.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":49,"tags":153,"thumbUrl":157,"material":30,"size":31,"collection":32,"collections":158,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},272598,"duan-shi-diao-yun-fu-tuo-yuan-yan-yi-ming-272598","端石雕云蝠椭圆砚",[51,154,132,113,7,155,156],"端石","木质","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5a984f9457e98895d7b6739f6844826.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":49,"tags":163,"thumbUrl":165,"material":30,"size":31,"collection":32,"collections":166,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},272281,"duan-shi-hui-wen-bian-tuo-yuan-yan-yi-ming-272281","端石回纹边椭圆砚",[51,154,54,7,164,28],"回纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc295791d606c39594584e0bc39edf97.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":18,"author":19,"museum":20,"description":49,"tags":171,"thumbUrl":174,"material":30,"size":31,"collection":32,"collections":175,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},272280,"duan-shi-kui-feng-wen-bian-tuo-yuan-yan-yi-ming-272280","端石夔凤纹边椭圆砚",[51,154,172,132,7,173],"夔凤纹","文房器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6e1c114b372bc8494faa1ba81c6de31.jpg",[],{"id":177,"slug":178,"title":179,"dynasty":18,"author":19,"museum":20,"description":49,"tags":180,"thumbUrl":181,"material":30,"size":31,"collection":32,"collections":182,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},272232,"duan-shi-tuo-yuan-yan-yi-ming-272232","端石椭圆砚",[51,154,155,7,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb02d06868826c7fdf81851b8d94be876.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":19,"museum":20,"description":187,"tags":188,"thumbUrl":189,"material":30,"size":31,"collection":32,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},272186,"duan-shi-tuo-yuan-yan-cai-yi-ming-272186","端石椭圆砚材","它取端石随形而就，紫褐石色沉静内敛，天然石纹顺着肌理舒展晕染，不见多余雕琢，尽显素朴雅致的文房意趣。石体质地温润厚重，带着原石独有的细腻质感，作为未经开池制砚的上好璞材，静静沉淀着旧时文房的雅致余韵，将文人返璞归真的审美藏在一方椭圆之中，内敛不彰，自带着时光浸润过后的沉静美感。",[51,154,54,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F695e6ba62ab3f10af92e004b4f08b057.jpg",[],{"id":192,"slug":193,"title":186,"dynasty":18,"author":19,"museum":20,"description":194,"tags":195,"thumbUrl":196,"material":30,"size":31,"collection":32,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},272185,"duan-shi-tuo-yuan-yan-cai-yi-ming-272185","此砚材随形作椭圆制式，弃绝繁复雕饰，尽显浑朴雅致之态。端石质地细腻坚实，石色沉郁内敛，周身包浆醇厚温润，晕染着时光浸润的痕迹，暗合尚简素、重本真的审美意趣。以素面凸显端石本身的温润质感，不施一刀而就天然之美，静静流露着沉静古朴的文房雅韵，是案头清供的绝佳之选，尽显文玩返璞归真的美学追求。",[51,154,54,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d3c5d08be5793a4b369532d95adc7cb.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":19,"museum":20,"description":49,"tags":202,"thumbUrl":204,"material":30,"size":31,"collection":32,"collections":205,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},272160,"duan-shi-yun-chi-tuo-yuan-yan-yi-ming-272160","端石云池椭圆砚",[51,154,54,203,7],"云池","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c713e6528d5578e83126268306dc44.jpg",[],{"id":207,"slug":208,"title":209,"dynasty":18,"author":19,"museum":20,"description":49,"tags":210,"thumbUrl":212,"material":30,"size":31,"collection":32,"collections":213,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},271925,"duan-shi-hai-shui-yun-chi-tuo-yuan-yan-yi-ming-271925","端石海水云池椭圆砚",[51,154,155,54,211,7],"海水云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4be0c3f997fafb3180d1d542daef7053.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":19,"museum":20,"description":49,"tags":218,"thumbUrl":220,"material":30,"size":31,"collection":32,"collections":221,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},271615,"duan-shi-diao-feng-wen-tuo-yuan-yan-yi-ming-271615","端石雕凤纹椭圆砚",[51,154,219,132,7],"凤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95c6a1066ed761e26c9abe922623a78d.jpg",[],{"id":223,"slug":224,"title":225,"dynasty":18,"author":19,"museum":20,"description":49,"tags":226,"thumbUrl":228,"material":30,"size":31,"collection":32,"collections":229,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},271597,"duan-shi-yun-chi-wen-bian-tuo-yuan-yan-yi-ming-271597","端石云螭纹边椭圆砚",[51,154,227,7,173,132],"云螭纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4652387d3af6ae560d927c77986a4e71.jpg",[],{"id":231,"slug":232,"title":233,"dynasty":18,"author":19,"museum":20,"description":49,"tags":234,"thumbUrl":237,"material":30,"size":31,"collection":32,"collections":238,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},271573,"duan-shi-diao-shuang-feng-tuo-yuan-yan-yi-ming-271573","端石雕双凤椭圆砚",[51,154,132,7,235,236],"凤","文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf2aad21f430c02c3a50c695cc497f5b.jpg",[],{"id":240,"slug":241,"title":242,"dynasty":18,"author":19,"museum":20,"description":49,"tags":243,"thumbUrl":246,"material":30,"size":31,"collection":32,"collections":247,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},271536,"duan-shi-yun-wen-bian-tuo-yuan-yan-yi-ming-271536","端石云纹边椭圆砚",[51,244,154,245,132,7],"文房用品","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F374456867573b048cc13fd84567035b1.jpg",[],{"id":249,"slug":250,"title":179,"dynasty":18,"author":19,"museum":20,"description":49,"tags":251,"thumbUrl":252,"material":30,"size":31,"collection":32,"collections":253,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},271246,"duan-shi-tuo-yuan-yan-yi-ming-271246",[51,154,7,54,155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0aef576cd5fecac2b322b92e8b1782b2.jpg",[],{"id":255,"slug":256,"title":257,"dynasty":18,"author":19,"museum":20,"description":49,"tags":258,"thumbUrl":260,"material":30,"size":31,"collection":32,"collections":261,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270866,"duan-shi-chi-wen-chi-tuo-yuan-yan-yi-ming-270866","端石螭纹池椭圆砚",[51,154,155,132,259,7,54],"螭纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf68ed390dafa7cee67fb40bc86ea801.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":19,"museum":20,"description":49,"tags":266,"thumbUrl":269,"material":30,"size":31,"collection":32,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270851,"yu-ming-duan-shi-yan-bai-hua-shi-wu-fu-chi-tuo-yuan-yan-yi-ming-270851","御铭端石砚-百花诗五福池椭圆砚",[51,154,54,155,132,7,267,268],"五福池","铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3b43f162ee07b7229956b721e780ba8.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":275,"author":19,"museum":20,"description":276,"tags":277,"thumbUrl":279,"material":30,"size":31,"collection":32,"collections":280,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},270794,"dong-tang-ming-cheng-ni-tuo-yuan-yan-yi-ming-270794","东塘铭澄泥椭圆砚","宋","此砚取澄泥淬炼修制，椭圆器型温婉雅致，砚面素净无饰，包浆凝厚古拙，带着经年摩挲的温润质感，尽显宋人极简的审美意趣。原配木盒包浆莹润，与砚身相得益彰，暗含着旧时文人案头相伴的悠悠岁月。虽无繁复雕饰，却将文房清供的内敛沉静诠释尽致，藏着宋人慢煮时光的风雅意韵，案头小物，晕开了千年前的笔墨清欢。",[51,278,54,155,7],"澄泥砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bb5930f0e985d12d7137f382b4abddd.jpg",[],{"id":282,"slug":283,"title":284,"dynasty":18,"author":19,"museum":20,"description":62,"tags":285,"thumbUrl":289,"material":30,"size":31,"collection":32,"collections":290,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},267236,"xiang-se-duan-kou-pu-rong-duo-hua-liu-jiao-wen-tuo-yuan-he-bao-yi-ming-267236","香色缎口铺绒朵花六角纹椭圆荷包",[64,89,65,66,7,286,287,288],"朵花","六角纹","串珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b693d71f7a0994375ff7a551911f320.jpg",[],{"id":292,"slug":293,"title":284,"dynasty":18,"author":19,"museum":20,"description":62,"tags":294,"thumbUrl":296,"material":30,"size":31,"collection":32,"collections":297,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},267233,"xiang-se-duan-kou-pu-rong-duo-hua-liu-jiao-wen-tuo-yuan-he-bao-yi-ming-267233",[64,65,66,295,286,287,7,68,79],"铺绒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39c5a581fdbf03777f2dd0fe502ab822.jpg",[],{"id":299,"slug":300,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":301,"thumbUrl":302,"material":30,"size":31,"collection":32,"collections":303,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":304},267227,"hong-qing-se-duan-kou-pu-rong-qi-kuai-duo-hua-wen-tuo-yuan-he-bao-yi-ming-267227",[64,89,65,66,80,67,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcad8293899b6f753d3f3f8c7f836d8b.jpg",[],"37474F",{"id":306,"slug":307,"title":308,"dynasty":18,"author":19,"museum":20,"description":62,"tags":309,"thumbUrl":311,"material":30,"size":31,"collection":32,"collections":312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},267076,"shi-qing-se-su-duan-tuo-yuan-he-bao-yi-ming-267076","石青色素缎椭圆荷包",[64,89,66,65,310,7,80,79],"缎面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a3ef973072d26c73867804e1e4f4d4.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":18,"author":19,"museum":20,"description":317,"tags":318,"thumbUrl":321,"material":30,"size":31,"collection":322,"collections":323,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":304},259049,"yi-xing-yao-zi-sha-tuo-yuan-si-zu-hua-pen-yi-ming-259049","宜兴窑紫砂椭圆四足花盆","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[18,99,319,7,320,28],"紫砂","四足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b28c8795783609376abf5bc978882ff.jpg","瓷器精选",[322],{"id":325,"slug":326,"title":327,"dynasty":18,"author":19,"museum":20,"description":40,"tags":328,"thumbUrl":334,"material":30,"size":31,"collection":32,"collections":335,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},258072,"huang-di-su-san-cai-jia-hong-song-lu-tu-tuo-yuan-gai-he-yi-ming-258072","黄地素三彩加红松鹿图椭圆盖盒",[18,329,25,99,28,330,331,332,7,333],"素三彩","松","鹿","龙","盖盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5f2983f0ba7088d4a13152fe54e7f58.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":18,"author":19,"museum":20,"description":340,"tags":341,"thumbUrl":345,"material":30,"size":31,"collection":32,"collections":346,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},251779,"bai-yu-tuo-yuan-shui-cheng-yi-ming-251779","白玉椭圆水丞","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[342,28,132,54,23,343,7,344],"玉石","白玉","浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ef93b5eaf3c43f9696de203d2642f17.jpg",[],{"id":348,"slug":349,"title":350,"dynasty":351,"author":19,"museum":20,"description":352,"tags":353,"thumbUrl":356,"material":30,"size":31,"collection":32,"collections":357,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":304},250808,"wan-nian-yong-shou-kuan-qing-yu-song-zhu-mei-tuo-yuan-he-yi-ming-250808","万年永寿款青玉松竹梅椭圆盒","明","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[342,28,132,330,354,355,7],"竹","梅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F297eab5306b081bf18592121ad0f3e6a.jpg",[],{"id":359,"slug":360,"title":361,"dynasty":351,"author":19,"museum":20,"description":352,"tags":362,"thumbUrl":365,"material":30,"size":31,"collection":32,"collections":366,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},250655,"huang-yu-lei-wen-tuo-yuan-huan-yi-ming-250655","黄玉雷纹椭圆环",[363,342,132,364,7],"明代","雷纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8118be7327c7730ee12779e4ab4f0b6f.jpg",[],{"id":368,"slug":369,"title":370,"dynasty":18,"author":19,"museum":20,"description":40,"tags":371,"thumbUrl":375,"material":30,"size":31,"collection":32,"collections":376,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},248585,"ti-hong-shan-shui-ren-wu-tu-tuo-yuan-he-yi-ming-248585","剔红山水人物图椭圆盒",[23,131,132,130,372,373,7,374,51],"山水","人物","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4235ecc377a5033a70c66b4ef569cee6.jpg",[],{"id":378,"slug":379,"title":380,"dynasty":18,"author":19,"museum":20,"description":381,"tags":382,"thumbUrl":385,"material":30,"size":31,"collection":32,"collections":386,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},245874,"yin-tuo-yuan-pan-yi-ming-245874","银椭圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,383,7,132,89,384],"银器","雕花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeabb96b282ad610fe6a8074d66cbe0e.jpg",[],{"id":388,"slug":389,"title":390,"dynasty":18,"author":19,"museum":20,"description":391,"tags":392,"thumbUrl":393,"material":30,"size":31,"collection":32,"collections":394,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},245787,"yin-tuo-yuan-xi-yi-ming-245787","银椭圆洗","它以素净之态诠释文房雅趣，椭圆形制柔婉舒展，口沿起棱内敛利落，器腹饱满圆润，矮足稳稳承托，线条一气呵成，尽显端庄沉稳。银质表面凝着经年摩挲出的温润包浆，暗哑光泽里晕染着岁月沉韵，全无繁饰缀身，以极简勾勒出清隽风骨，既是涤笔储水的实用佳器，更是案头赏玩的风雅之物，将旧时文房克制含蓄的审美意趣藏于朴拙身形之中，静诉往日书斋的闲雅日常。",[383,89,7,28,23,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01cabd009b5a94f19e408a30dbe14961.jpg",[],{"id":396,"slug":397,"title":398,"dynasty":18,"author":19,"museum":20,"description":352,"tags":399,"thumbUrl":403,"material":30,"size":31,"collection":32,"collections":404,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},229993,"qing-yu-shou-mian-tuo-yuan-lu-yi-ming-229993","青玉兽面椭圆炉",[342,132,400,401,402,7,23],"兽面","兽","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19a30997add8d34808b8f44072ccd7f9.jpg",[],{"id":406,"slug":407,"title":408,"dynasty":18,"author":19,"museum":20,"description":409,"tags":410,"thumbUrl":413,"material":30,"size":31,"collection":32,"collections":414,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},229808,"ma-nao-dan-ba-huo-huan-tuo-yuan-xi-fu-mu-zuo-yi-ming-229808","玛瑙单把活环椭圆洗（附木座）","此器莹润澄澈，如凝露成玉，天然玛瑙肌理晕开浅褐丝缕，好似淡墨晕染素笺，自带清隽雅致的水墨意趣。单把活环环扣灵动无滞，尽显镂雕工艺的精妙心思。\n\n器身椭圆温婉，器壁轻薄匀净，光影流转间，澄澈如盛着一揽月光。内壁俏色化作星点褐花，宛如案头偶然飘落的花影，将天工造化与匠意巧思相融无间，是文房案头静雅的清玩，暗合简约素净的审美意趣，伴砚陪墨，静守文房清寂时光。",[23,342,28,132,156,411,412,7],"活环","单把","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F252894707abb65a9d5d5067160d67ac3.jpg",[],1777535711588]