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tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[135,24,23,7,27,136,137],"缂丝","暗八仙","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F643e9547cb0d9a527940238a5c3bf226.jpg",[],{"id":141,"slug":142,"title":143,"dynasty":144,"author":19,"museum":20,"description":145,"tags":146,"thumbUrl":149,"material":35,"size":36,"collection":37,"collections":150,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":40},267677,"lv-se-di-wan-zi-chan-zhi-lian-wen-jin-yi-ming-267677","绿色地万字缠枝莲纹锦","明","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[24,85,147,7,148],"缠枝莲纹","青绿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2cbbe92b9993cc5e4ca5253aa2ec53a.jpg",[],3,{"id":153,"slug":154,"title":155,"dynasty":18,"author":19,"museum":20,"description":121,"tags":156,"thumbUrl":161,"material":35,"size":36,"collection":37,"collections":162,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":40},267416,"hong-se-duan-xiu-shi-tuan-fu-tao-jin-xie-wan-zi-wen-nan-mang-yi-ming-267416","红色缎绣十团蝠桃金斜万字纹男蟒",[23,24,25,157,27,158,7,159,160],"男蟒","寿桃","团花","缎绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F325e9d80fb241f29b64b6146fa02cf3c.jpg",[],{"id":164,"slug":165,"title":166,"dynasty":18,"author":19,"museum":20,"description":167,"tags":168,"thumbUrl":171,"material":35,"size":36,"collection":37,"collections":172,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":116},268930,"yin-du-jin-dian-cui-qian-zhu-wan-zi-wen-zhen-yi-ming-268930","银镀金点翠嵌珠万字纹针","银镀金胎骨凝着柔润金泽，澄澈点翠晕开晴空般的幽蓝，勾勒出规整纹样，藏纳着万福绵长的祈愿。中央嵌就一颗圆润珍珠，柔光内敛如衔来的月华，盘活了整支簪饰的灵气。\n\n冷调翠色与暖融金辉相映成趣，将东方闺阁的雅致情思凝于方寸。细金工艺利落工整，点翠技法尽显清隽华美，簪尖轻绾云鬓，便把旧时的温婉意趣悄然藏起，是传统工艺里审美与祝福的精巧融合。",[65,110,169,109,170,7],"金器","嵌珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e5f7e43d2278be6bb747450f6b51be7.jpg",[],2,{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":20,"description":80,"tags":178,"thumbUrl":181,"material":35,"size":36,"collection":37,"collections":182,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":69},267854,"wan-zi-duan-di-zhi-jin-san-lan-hai-tang-wen-tao-yi-ming-267854","万字缎地织金三蓝海棠纹绦",[24,65,179,7,96,180],"海棠纹","织绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff439d094f82eb1aed77d470ffafb159b.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":19,"museum":20,"description":187,"tags":188,"thumbUrl":191,"material":35,"size":36,"collection":37,"collections":192,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":40},267564,"ming-huang-se-chun-chou-xiu-lan-wan-zi-tao-hua-wen-pao-liao-yi-ming-267564","明黄色春绸绣蓝万字桃花纹袍料","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 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"天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[1117,1118,60,7,1119,1120],"陶瓷","饮酒器","印花","白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2df4a295ae453de28021d75c49d8c866.jpg","瓷器精选",[1122],{"id":1125,"slug":1126,"title":1127,"dynasty":18,"author":19,"museum":20,"description":1128,"tags":1129,"thumbUrl":1134,"material":35,"size":36,"collection":37,"collections":1135,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},251501,"qian-long-yu-ti-bi-yu-wan-zi-jin-di-liu-kai-guang-wan-yi-ming-251501","乾隆御题碧玉万字锦地六开光碗","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[18,1130,402,401,1131,1132,1133,7,60],"玉石","书法","锦地纹","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0219d2b1495270351da346d5336a2797.jpg",[],{"id":1137,"slug":1138,"title":1139,"dynasty":18,"author":19,"museum":20,"description":1140,"tags":1141,"thumbUrl":1143,"material":35,"size":36,"collection":37,"collections":1144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},241741,"cui-diao-fu-shou-wan-zi-wen-jie-zhi-yi-ming-241741","翠雕蝠寿万字纹戒指","是一种戴套在手指上做纪念或装饰用的小环，用金属、玉石等制成。\n戒指在中国古代多称为“指环”，而“戒指”之名的出现，则是元代的事情。",[399,1130,65,401,1142,27,321,7],"浮雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F47eaddfb9fb99d18250a09067d50b4c1.jpg",[],{"id":1146,"slug":1147,"title":1139,"dynasty":18,"author":19,"museum":20,"description":1140,"tags":1148,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":1151,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":40},241740,"cui-diao-fu-shou-wan-zi-wen-jie-zhi-yi-ming-241740",[1149,1130,1150,401,27,321,7,65],"清代风格","翠",[],1777535703154]