[{"data":1,"prerenderedAt":158},["ShallowReactive",2],{"subject-wei-jiao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8981,"wei-jiao","委角","委角画高清赏析","精选中国历代委角题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36864b2203fa1026c71e4296c05a6b8a.jpg",0,12,[14,40,54,65,71,81,93,105,118,128,138,148],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},252684,"qing-yu-kai-guang-mei-lan-zhu-ju-wen-wei-jiao-bi-tong-yi-ming-252684","青玉开光梅兰竹菊纹委角笔筒","清","佚名","藏地不详","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,24,25,26,27,28,29,30,31,32,7],"清代","玉石","雕刻","开光","梅","兰","竹","菊","孤石","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2159a85e3327ab3acddca07d0dd9dff6.jpg","未知","Xcm*Xcm","",[],1,"37474F",{"id":41,"slug":42,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":51,"material":34,"size":35,"collection":36,"collections":52,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":53},251716,"bi-yu-qian-bai-yu-tou-diao-lian-he-si-fang-wen-wei-jiao-he-yi-ming-251716","碧玉嵌白玉透雕莲鹤四方纹委角盒","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[24,46,47,25,48,49,7,50],"嵌","透雕","莲鹤","四方纹","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89c017ca4772139cb0cfe794a55f3fb7.jpg",[],"795548",{"id":55,"slug":56,"title":57,"dynasty":18,"author":19,"museum":20,"description":58,"tags":59,"thumbUrl":63,"material":34,"size":35,"collection":36,"collections":64,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},258536,"qian-long-kuan-fang-hua-mu-you-wei-jiao-chang-fang-he-yi-ming-258536","乾隆款仿桦木釉委角长方盒","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[23,60,61,7,62,50],"陶瓷","仿桦木釉","长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcabaebb1030d77e662f8135b75b4a9f2.jpg",[],{"id":66,"slug":67,"title":43,"dynasty":18,"author":19,"museum":20,"description":44,"tags":68,"thumbUrl":69,"material":34,"size":35,"collection":36,"collections":70,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},251726,"bi-yu-qian-bai-yu-tou-diao-lian-he-si-fang-wen-wei-jiao-he-yi-ming-251726",[23,24,25,47,46,48,49,7,50],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F787624ba19366d30a8d4dfeaca8b1456.jpg",[],{"id":72,"slug":73,"title":74,"dynasty":75,"author":19,"museum":20,"description":21,"tags":76,"thumbUrl":79,"material":34,"size":35,"collection":36,"collections":80,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250873,"qing-yu-guang-su-wei-jiao-bian-fang-gai-guan-yi-ming-250873","青玉光素委角扁方盖罐","明",[24,50,77,7,78],"光素","扁方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a014421fe2e5cc6e5cc748809f7ba06.jpg",[],{"id":82,"slug":83,"title":84,"dynasty":18,"author":19,"museum":20,"description":85,"tags":86,"thumbUrl":91,"material":34,"size":35,"collection":36,"collections":92,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},250047,"qia-si-fa-lang-hua-hui-wen-wei-jiao-dai-gai-fang-zun-yi-ming-250047","掐丝珐琅花卉纹委角带盖方尊","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[87,88,50,89,7,90],"掐丝珐琅","珐琅器","花卉","带盖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7876514a7b676889ab8c2b0e6caf8f9a.jpg",[],{"id":94,"slug":95,"title":96,"dynasty":18,"author":19,"museum":20,"description":97,"tags":98,"thumbUrl":103,"material":34,"size":35,"collection":36,"collections":104,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},249802,"qia-si-fa-lang-hui-wen-wei-jiao-he-yi-ming-249802","掐丝珐琅回纹委角盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[87,99,100,101,50,102,7],"琺瑯器","铜胎","回纹","盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f09cf7503cb8b465f5721e69cf1b223.jpg",[],{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":85,"tags":109,"thumbUrl":115,"material":34,"size":35,"collection":36,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},249352,"qia-si-fa-lang-bao-xiang-hua-wen-wei-jiao-si-zu-fang-xun-lu-yi-ming-249352","掐丝珐琅宝相花纹委角四足方熏炉",[18,87,99,110,111,7,112,113,114,25],"铜制","宝相花纹","四足","兽足","熏炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea61973985583f7afc6b361bcae56fec.jpg",[],"BDBDBD",{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":85,"tags":122,"thumbUrl":126,"material":34,"size":35,"collection":36,"collections":127,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},249349,"qia-si-fa-lang-lian-kui-wen-wei-jiao-si-zu-fang-xun-lu-yi-ming-249349","掐丝珐琅莲夔纹委角四足方熏炉",[87,88,50,110,123,124,125,112,7],"莲夔纹","兽","狮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab0e87537a2f4c9468256619baa1fe61.jpg",[],{"id":129,"slug":130,"title":131,"dynasty":18,"author":19,"museum":20,"description":97,"tags":132,"thumbUrl":136,"material":34,"size":35,"collection":36,"collections":137,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},248329,"ti-hong-hua-hui-wen-ba-fang-wei-jiao-he-yi-ming-248329","剔红花卉纹八方委角盒",[18,133,134,25,89,135,7],"剔红","漆器","八方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6c1555f0e6181f42f7e764c523b116a.jpg",[],{"id":139,"slug":140,"title":141,"dynasty":18,"author":19,"museum":20,"description":97,"tags":142,"thumbUrl":146,"material":34,"size":35,"collection":36,"collections":147,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},247122,"qian-long-kuan-ti-hong-fei-yu-wen-chang-fang-wei-jiao-he-yi-ming-247122","乾隆款剔红飞鱼纹长方委角盒",[23,134,133,25,143,144,7,145,50],"飞鱼纹","长方形","鱼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8087cef18ace45f435b34a785c79fc35.jpg",[],{"id":149,"slug":150,"title":151,"dynasty":18,"author":19,"museum":20,"description":97,"tags":152,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":157,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},247090,"qian-long-kuan-ti-hong-fang-zhou-tu-si-fang-wei-jiao-he-yi-ming-247090","乾隆款剔红放舟图四方委角盒",[23,134,133,25,153,154,155,156,7],"山水","舟","人物","方盒",[],1777535731399]