[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"subject-wen-chang-di-jun":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10846,"wen-chang-di-jun","文昌帝君","文昌帝君画高清赏析","精选中国历代文昌帝君题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff026130a83be0cc8627f6bcd9234a214.jpg",0,2,[14,38],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},263682,"yi-xian-xiu-wen-chang-chu-xing-tu-zhou-yi-ming-263682","衣线绣文昌出行图轴","明","佚名","藏地不详","此作用素绢为地，以衣线绣晕染出文人出行的雅逸场景。主角宽袍峨冠，神态安闲淡然，随侍童子捧卷躬身，尽显恭谨。下方侍童牵马静候，骏马垂首敛息，温驯悠然。水畔点缀初绽莲苞，添了几分清雅生机。\n\n绣线走线匀细流畅，将人物衣褶晕染得舒展自然，人物神态各有韵致，把文人出行的闲散意趣铺陈开来，针线藏着笔墨的写意情致，配色素雅沉静，尽显古雅清隽的格调，是兼具写实与意境的精巧刺绣之作。",[23,24,25,26,27,28,29,7,30],"国画","书画","立轴","刺绣","设色","人物","马","出行","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f4dd6ab19010bf5e3b289fe7f9a3a84.jpg","未知","Xcm*Xcm","",[],17,"795548",{"id":39,"slug":40,"title":41,"dynasty":42,"author":19,"museum":20,"description":43,"tags":44,"thumbUrl":10,"material":32,"size":33,"collection":50,"collections":51,"showCount":52,"zanCount":11,"manualWeight":11,"mainColor":53},261437,"de-hua-yao-bai-you-wen-chang-xiang-yi-ming-261437","德化窑白釉文昌像","清","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为&quot;象牙白&quot;、&quot;奶白&quot;或 &quot;天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[45,46,28,47,7,48,49],"陶瓷","雕刻","神像","侍从","白釉","瓷器精选",[50],3,"37474F",1777535788633]