[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"subject-wen-dao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13584,"wen-dao","问道","问道画高清赏析","精选中国历代问道题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3a5668619c7cfc3dff684859ec488e3.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},290238,"song-gu-wen-dao-tu-yi-ming-290238","松谷问道图","宋","佚名","藏地不详","北宋时期，山水画大兴。这其中，李成和范宽是北宋初期山水画家的代表，他们上承荆浩以水墨为主的传统，以表现北方雄浑壮阔的自然山水为主，与五代的关仝一起，被认为是“三家鼎峙，百代标程”的大师，他们的创作具有划时代的意义。其后继者有王士元、王端、燕文贵、许道宁、高克明、郭熙、李宗成、丘纳、王诜等。除北方山水系统的山水画外，也有长于界画的郭忠恕，善于表现湖山小景的惠崇、赵令穰，继承唐代以来的青绿山水画法的王希孟、南派山水画的代表巨然，以及开创“米氏云山”的米芾等，都在中国山水画的发展过程中，有着各自的独特贡献。\n北宋山水画倾于自然，侧重“真”和“实”，提倡山水画的写实风格。多使用绢，不仅勾勒细致、刻画严谨，而且用墨对画面进行层层渲染，展现出一份凝重恬静之美。它展现的是前所未有的细腻、丰富、写实的画风。",[23,24,25,26,27,28,29,30,31,7,32,33],"高清","扇面","国画","名画","水墨","山水","松树","山石","人物","印章","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F723be992ad8d1e4dd68ee58a189fecaf.jpg","未知","Xcm*Xcm","",[],6,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":58,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":59},287780,"gu-bai-wen-dao-tu-li-zhou-chen-huan-287780","古柏问道图立轴","明","陈焕","陈焕（公元16-17世纪初），字子文，号尧峰，尧峰山人，吴县（今江苏苏州）人，陈镒后裔。\n陈焕寄情翰墨，工画山水，取法沈周并得宋元气脉，私淑侯懋功，候早卒，焕能继其业。所画山水用笔苍秀茂密，动合法度，展对间清思扑人眉睫，以画著称于万历间。\n陈焕事迹见《吴县志》、《画史会要》、《画引》、《图绘宝鉴续纂》。",[25,49,50,27,51,33,30,52,53,54,31,55,56,57,7],"立轴","山水画","设色","瀑布","楼阁","小桥","古柏","枯树","山林",[],"BDBDBD",1777535792038]