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时人把他与周臣、唐寅誉称为院派三大家；后人又把他与沈周、文徵明、唐寅并称为“明四家”。",[23,151,126,82,28,152,83,88,335,268,213,115,7,336],"栏杆","西园雅集","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feca9a6719c6a923f6b44368996834625.jpg",[],33,{"id":341,"slug":342,"title":343,"dynasty":147,"author":344,"museum":79,"description":345,"tags":346,"thumbUrl":350,"material":95,"size":96,"collection":97,"collections":351,"showCount":352,"zanCount":100,"manualWeight":11,"mainColor":73},290293,"lan-ting-ji-xian-tu-qian-xuan-290293","兰亭集贤图","钱选","钱选（1239—1299），宋末元初著名画家，与赵孟頫等合称为“吴兴八俊”。字舜举，号玉潭，又号巽峰，霅川翁，别号清癯老人、川翁、习懒翁等，湖州（今浙江吴兴）人。\n南宋景定三年乡贡进士，入元不仕。工诗，善书画。画学极杂：山水师从赵令穰；人物师从李公麟；花鸟师赵昌；青绿山水师赵伯驹。人品及画品皆称誉当时。继承苏轼等人的文人画理论，提倡士气说，倡导戾家画。他提倡绘画中的“士气”，在画上题写诗文或跋语，萌芽了诗、书、画紧密结合的文人画的鲜明特色。",[53,54,23,109,24,82,28,55,269,88,152,347,7,348,349,116],"兰亭雅集","饮酒","草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0be4b74de62198fb0532439ca905b07f.jpg",[],31,{"id":354,"slug":355,"title":356,"dynasty":48,"author":357,"museum":79,"description":358,"tags":359,"thumbUrl":364,"material":95,"size":96,"collection":97,"collections":365,"showCount":366,"zanCount":367,"manualWeight":11,"mainColor":73},290906,"wan-gu-tu-zhou-du-jin-290906","玩古图轴","杜堇","杜堇，明代画家，生活在十五至十六世纪初，原姓陆，字惧男、号柽居、古狂、青霞亭长，江苏丹徒（今江苏镇江）人。",[23,165,27,26,114,128,360,361,7,362,363,184],"古树","奇石","古器物","侍女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F382289af8e8767fd4473a6a6db0bad25.jpg",[],29,3,{"id":369,"slug":370,"title":242,"dynasty":136,"author":243,"museum":20,"description":244,"tags":371,"thumbUrl":372,"material":95,"size":96,"collection":97,"collections":373,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":73},287658,"zhu-lin-wu-jun-tu-yan-li-ben-287658",[53,23,54,151,27,28,127,116,115,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9aaa33dbb16828ea05d45ecdb7db1f03.jpg",[],28,{"id":376,"slug":377,"title":378,"dynasty":48,"author":49,"museum":20,"description":379,"tags":380,"thumbUrl":391,"material":37,"size":392,"collection":287,"collections":393,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":43},222205,"jiao-yin-jie-xia-zhou-chou-ying-222205","蕉阴结夏轴","图中山石林立，蕉丰硕。秀竹劲，丛草稀。两位高士对坐相。一抚琴，一聆听。作品追宋法，人物造型准确。神情刻画栩栩如生，加之情景交融，画面文人同生活气息流。村庄突现萧疏简返之气，亦现作者师元人画风而别开生面之趣",[53,23,109,151,26,27,28,128,285,86,213,114,381,382,7,383,384,385,386,387,388,389,390],"夏日场景","弹拨乐器","山石皴法","植物写生","人物互动","设色淡雅","工笔人物","传统山水元素","草木景观","器物陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62b091a6fd7758ede327c5d564e95b22.jpg","纵279.1厘米，横99厘米",[287,70],{"id":395,"slug":396,"title":397,"dynasty":77,"author":105,"museum":398,"description":399,"tags":400,"thumbUrl":404,"material":405,"size":406,"collection":173,"collections":407,"showCount":408,"zanCount":11,"manualWeight":11,"mainColor":73},223361,"hui-chang-jiu-lao-tu-juan-yi-ming-223361","会昌九老图卷","北京故宫博物院","此卷描绘的是唐会昌五年（845年）白居易居洛阳香山时与友人的“尚齿”之会。虽以人物为题材，但建筑部分不论整体还是细部都描绘得准确精微，水榭、房舍、板桥、河堤、护栏、石凳乃至屋内的陈设交代得一清二楚，可谓“咸取砖木诸匠本法，略不相背”，几乎可以按图构建。画家不仅对建筑的构造和做法至详至悉，而且已经开始注意通过高超的写实技巧和一定程度的透视画法在二维平面上更为真实地表现建筑物三维空间的立体感和通透感，达到使观者“望之中虚，若可蹑足”的艺术效果。尤为重要的是，图中的建筑采用北宋的界画手法，匀细的线条有利于刻画建筑物复杂的结构和构件的细部，这种水墨白描的建筑画法延续至元代并发展到了极致。",[53,54,23,24,401,126,82,28,87,88,402,7,403],"界画","房舍","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ade434f61458b68f926c3828411c458.jpg","绢本，设色","纵40cm，横69cm",[173],24,{"id":410,"slug":411,"title":412,"dynasty":48,"author":105,"museum":79,"description":413,"tags":414,"thumbUrl":415,"material":95,"size":96,"collection":97,"collections":416,"showCount":417,"zanCount":11,"manualWeight":11,"mainColor":73},290807,"xi-yuan-ya-ji-zhou-yi-ming-290807","西园雅集轴","此作以全景铺展雅集盛景，远景层峦用淡墨晕染，山势逶迤清旷，衬出郊野幽远底色。庭园内回廊错落，松石茂林点缀其间，芭蕉苍松分置各处，晕染出雅致的林泉氛围。\n画中人物各得其所：亭下围坐清谈，池畔展卷品赏，林间挥毫题咏，衣袂舒展，神态悠然生动，尽得文人士子从容风流。设色调和古雅，绢本沉郁底色托出工细笔致，将雅集的闲情逸致融于山水亭台之间，笔致工丽却不失灵韵，复刻出千古流传的林下雅会，尽显文心雅致与古典意趣。",[54,23,151,27,26,401,28,87,55,127,152,268,7,115],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0294fa54610df6db4182742c6ecb128a.jpg",[],23,{"id":419,"slug":420,"title":421,"dynasty":48,"author":105,"museum":79,"description":422,"tags":423,"thumbUrl":427,"material":95,"size":96,"collection":97,"collections":428,"showCount":417,"zanCount":11,"manualWeight":11,"mainColor":73},287611,"shi-ba-xue-shi-tu-zhi-er-yi-ming-287611","十八学士图之二","此画绘园林雅集之景，垂柳拂庭，奇石佳木点缀其间，雅致悠然。文士围坐对弈，神态凝注，尽显从容襟怀；侍从或低首奉茶，或持扇伫立，恭谨鲜活。屏风借山水延伸意境，将小园与林泉野趣相融，器物陈设古雅精致，处处流露幽淡闲和之韵。衣纹勾勒舒展流畅，设色调和沉稳，人物情态各有韵致，细腻还原了文人雅聚的优游日常，将林下清欢的文人意趣铺陈得淋漓尽致。",[23,27,26,165,7,114,184,424,270,425,426,29],"器物","假山","屏风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc796e1ef89cbb4c3af00114ef07f8f2.jpg",[],{"id":430,"slug":431,"title":432,"dynasty":48,"author":105,"museum":79,"description":433,"tags":434,"thumbUrl":437,"material":95,"size":96,"collection":97,"collections":438,"showCount":439,"zanCount":11,"manualWeight":11,"mainColor":73},287635,"shi-ba-xue-shi-tu-zhi-si-yi-ming-287635","十八学士图之四","松荫庭院间，雅集正酣。文士围案品评法帖，或蹙眉凝思，或倾身低语，神态各异却皆沉浸翰墨意趣之中。侍童垂手待命，后方书童打理卷轴器物，尽显雅聚的悠然闲适。\n\n画作工致写实，衣纹线条劲挺流畅，将文士的温雅气度勾勒入微。屏上淡绘江楼烟景呼应室外虬松古木，案几陈设精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