[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"subject-wen-xin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13504,"wen-xin","温馨","温馨画高清赏析","精选中国历代温馨题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1a442ca035d8714b76645a9e70c9fab.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":11,"mainColor":39},287310,"ma-que-yu-chu-tu-ye-huang-quan-287310","麻雀育雏图页","五代十国","黄荃","藏地不详","黄筌（约903年—965年），字要叔，成都（今四川成都）人。曾随唐末入蜀的著名画家刁光胤学画，又吸收山水画家李昇，人物龙水画家孙位之长，结果“全该六法，远过三师”他擅长花竹翎毛，也能画佛道，人物，山水，是一位技艺全面的画家。\n早以工画得名，擅花鸟，师刁光胤、膝昌苑，兼工人物、山水、墨竹。山水松石学李升，人物龙水学孙位，鹤师薛稷，撷诸家之萃，脱去格律而自成一派。所画禽鸟造型正确，骨肉兼备，形象丰满，赋色浓丽，勾勒精细，几乎不见笔迹，似轻色染成，谓之“写生”。与江南徐熙并称“黄徐”，形成五代、宋初花鸟画两大主要流派。",[23,24,25,26,27,28,29,30,7,31],"高清","国画","工笔","设色","花鸟画","麻雀","枯木","育雏","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1222ad8ff58aa55cef97307a7653c7f7.jpg","未知","Xcm*Xcm","",[],56,1,"795548",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":55,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":56},289498,"benjamin-west-maternity-yi-ming-289498","Benjamin West--Maternity","不详","佚名","以红粉笔晕出柔暖朦胧的底色，将缱绻温情揉进每一笔线条之中。垂首的女子眉目柔婉，松垂的衣褶似流云舒展，晕开松弛静谧的氛围。膝头的孩童们或亲昵依偎在身侧，或探着小身子索求目光，蓬松的发丝、软润的肌肤皆被细腻笔触晕染得鲜活动人。没有锐利生硬的轮廓，唯有暖调排线缓缓铺陈天伦亲昵，把亲子间无需言说的羁绊，定格在朦胧柔美的光影之中，将沉静悠长的温柔氛围拉到极致。",[48,49,50,51,7,52,53,54],"素描","人物画","西洋画","母爱","孩童","女性","写实",[],"BDBDBD",1777535784220]