[{"data":1,"prerenderedAt":125},["ShallowReactive",2],{"subject-wen-zi-wen-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4302,"wen-zi-wen-shi","文字纹饰","文字纹饰画高清赏析","精选中国历代文字纹饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee3ae4a89572f53b7085ebf4d4f1a7ea.jpg",0,8,[14,35,49,62,74,88,99,109],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},229981,"diao-qi-da-ji-hu-lu-ping-yi-ming-229981","雕漆大吉葫芦瓶","清","佚名","藏地不详","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,24,25,26,27,7],"漆器","雕漆","雕刻","器","葫芦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F767f57143e29d772b65f420134091ddf.jpg","未知","Xcm*Xcm","",[],2,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":45,"material":29,"size":30,"collection":31,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},249637,"qia-si-fa-lang-jiu-ru-ru-yi-ru-chuan-zhi-fang-zhi-ru-yi-yi-ming-249637","掐丝珐琅九如如意-如川之方至如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[41,42,43,44,26,7],"清代","掐丝珐琅","珐琅器","如意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F297c413afd20e3cb2161b94a875ed1c3.jpg",[],1,"BDBDBD",{"id":50,"slug":51,"title":52,"dynasty":53,"author":19,"museum":20,"description":54,"tags":55,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":61,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":34},223875,"fu-shou-jia-an-jing-yi-ming-223875","福寿家安镜","宋","在中国各个时代的铜镜中，宋镜的外形最为丰富，有圆形、方形、长方形、菱花形、钟形、盾形，鼎炉形、鸡心形等。单从镜形看。可谓空前绝后。\n在中国铜镜的合金成分方面，宋镜也是一个重要转折时期，宋镜与汉唐镜不同，含锡量减少，含铅量增多，于是一反汉唐镜铜质银白色泽，而为黄铜色泽，质地也不如汉唐镜坚硬，变得粗软。\n重实用不重纹饰是南宋镜的最大特点，宋代除了名号，没有任何纹饰的镜商标铭文镜极为流行。这种情况在唐代镜子中几乎没有见到。",[56,57,58,25,59,7,60],"宋代","铜制","青铜器","铸造","环形纹饰",[],{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":72,"material":29,"size":30,"collection":31,"collections":73,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257943,"qing-hua-shou-zi-wen-da-wan-yi-ming-257943","青花寿字纹大碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[68,69,41,70,7,71],"陶瓷","青花","寿字纹","白地蓝花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f285baba4e9464e0c509a89eec6f28a.jpg",[],{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":86,"material":29,"size":30,"collection":31,"collections":87,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},250111,"qia-si-fa-lang-wan-shou-wu-jiang-wan-yi-ming-250111","掐丝珐琅万寿无疆碗","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[41,42,43,80,7,81,70,82,83,84,85],"设色","缠枝花卉","福字纹","宫廷风格","铜胎","金色镶边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff01438ca440b50c254c8a6f9edd6b90d.jpg",[],{"id":89,"slug":90,"title":91,"dynasty":18,"author":19,"museum":20,"description":92,"tags":93,"thumbUrl":97,"material":29,"size":30,"collection":31,"collections":98,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},246443,"qian-long-kuan-ti-hong-yu-zhi-shi-wan-yi-ming-246443","乾隆款剔红御制诗碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[18,23,94,25,95,96,7],"剔红","御制诗","器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd41585bdf690d05261a64af157291e20.jpg",[],{"id":100,"slug":101,"title":102,"dynasty":103,"author":19,"museum":20,"description":104,"tags":105,"thumbUrl":107,"material":29,"size":30,"collection":31,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},244914,"yu-tian-xiang-shou-jing-yi-ming-244914","与天相寿镜","汉","汉镜有圆形﹑方形。纽多作半球形。正面磨光背面铸有几何形图案或神人禽兽等。东汉中期出现浮雕的画像造形精美。\n两汉时期大体上分西汉、新莽、东 汉三个阶段。汉镜纹饰的主要种类有草叶纹镜、蟠龙纹镜、百乳镜、连弧纹镜、规矩镜、多乳禽兽纹镜和变形四叶镜等。",[58,57,25,106,7],"汉代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F136c6efb9f478212c31ab068c8d39080.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":18,"author":19,"museum":20,"description":113,"tags":114,"thumbUrl":123,"material":29,"size":30,"collection":31,"collections":124,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},230015,"qing-yu-dai-tou-yi-ming-230015","青玉带头","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[115,116,25,117,118,7,119,120,121,122],"清代风格","玉石","青玉","浮雕","囍字","吉祥图案","传统工艺","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc5a1f0c944a166816ba53ec656b9149.jpg",[],1777535741246]