[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"subject-wu-wen-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5697,"wu-wen-shi","无纹饰","无纹饰画高清赏析","精选中国历代无纹饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc59c09fbcc4f4720051e5cd8a7dde9f9.jpg",0,3,[14,35,52],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},245005,"su-dou-yi-ming-245005","素豆","汉","佚名","藏地不详","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[23,24,25,26,27,28,7],"汉代","青铜器","素面","礼器","盛食器","铜制","未知","Xcm*Xcm","",[],1,"795548",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":49,"material":29,"size":30,"collection":31,"collections":50,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":51},227275,"cu-ci-he-yi-ming-227275","粗瓷盒","五代十国","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[39,42,43,44,45,25,46,7,47,48],"陶瓷","粗瓷","日常用器","圆形","实用器","单色釉","民间工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28c7e094defa0459a9f897b1f0003530.jpg",[],"BDBDBD",{"id":53,"slug":54,"title":55,"dynasty":56,"author":19,"museum":20,"description":57,"tags":58,"thumbUrl":64,"material":29,"size":30,"collection":31,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},245528,"jin-guang-su-pen-yi-ming-245528","金光素盆","清","它通体素净无饰，弃绝了繁复雕缛，将金质本身的矜贵作为唯一的注脚。敞口浅腹搭配利落圈足，器型饱满圆润，线条舒展柔和，流露着内敛沉静的气度。沉实的金色凝于器身，岁月晕开温润的包浆，每一寸弧度都晕着暖调柔光，简约却尽显华贵雍容，以极简形制勾勒出沉静雅致的东方意韵，将材质本味的美感发挥到了极致。",[59,60,25,61,62,63,7,46],"清代","金器","器物","日用品","金属","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff543e8e1e08862c1d9e3d2eee914f447.jpg",[],1777535777906]