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，右臂不仁，用左手作画，笔益苍辣，故号尚左生，归云老人，博学精艺，尤豪于诗，早为王士祯所赏识。性嗜砚，所藏至千余，大半手琢，自为铭词。因刻“丁巳残人”“尚左生”二印，官徽州绩溪县令，有政声，康熙五十九年（1720）客安邱张卯居家，张为作《南村草堂图》，西园为作《杞城别墅图》以报之，乾隆十二年（1747）为其孙攀鳞作《寒香图》卷，有《砚史》、《南阜诗抄》。卒年六十六岁。（按高凤翰生卒年，王伯敏《中国绘画史》作（16338-1719），享年八十二岁；秦岭云《杨州八家丛话》作（1863-1749）六十七岁。其说不一，待考。\n雍正十一年官泰州巡盐分司。去职后流寓扬州。工于山水，花卉，山水师法宋人，近赵令穰、郭熙一路，中年以后，到了江南，与扬州画派画家如金农、郑燮、高翔、李方膺、边寿民等相往还，画风相互影响，多作花卉树石，笔法奔放，纵逸不拘成法。亦能画人物，造型准确，神态潇洒秀逸。晚年则趋于奔放纵逸。乾隆二年丁巳右臂病发，坚持用左臂，自号后尚左先、丁巳残人，艰苦力学，书、画为之一变，生拗苍劲，更富奇趣，为时所称。传世画迹有南京博物院藏《层雪炉香图》轴、中央美术学院藏《秋山读书图》轴等。\n工书法，善篆刻，喜收藏，精鉴赏，曾收藏秦汉印章及明清名家制印至万余方，各制有谱录，又收藏砚石至千百方，并制有铭词，手书后大半自行刻凿，著有《砚史》等行世。\n亦被列为扬州八怪之一。有《南阜山人全集》等著作传于世。",[23,24,25,26,52,28,83,31,214,7,172],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2348720d3ad3a648a8bba4976edd090a.jpg","水墨设色","31.8x24.8厘米",[],5,{"id":232,"slug":233,"title":234,"dynasty":112,"author":235,"museum":79,"description":236,"tags":237,"thumbUrl":239,"material":119,"size":120,"collection":38,"collections":240,"showCount":241,"zanCount":41,"manualWeight":41,"mainColor":42},239535,"fang-gu-ji-you-tu-ce-huang-yi-239535","访古纪游图册","黄易","黄易（1744 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明代著名画家文徵明之子文彭的玄孙。清初著名书画家。",[24,25,26,27,117,249,28,250,83,7],"白描","枯藤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ae7984f2cbf40abf7d3e3ac5bb3626b.jpg",[],3,{"id":255,"slug":256,"title":257,"dynasty":18,"author":258,"museum":144,"description":259,"tags":260,"thumbUrl":261,"material":262,"size":263,"collection":38,"collections":264,"showCount":253,"zanCount":41,"manualWeight":41,"mainColor":42},219784,"za-hua-ce-6-guo-xu-219784","杂画册-6","郭诩","郭诩（1456—1532），字仁弘，号清狂道人，江西泰和人。工书画，善山水，尝遍历名山，曰“岂必谱也，画在是矣。”同时江夏吴伟、北海杜堇、姑苏沈周俱以画名，莫不延颈原交，天下竟传清狂画，风之百金。有贵人欲多得诩画，诩瞠目数屋梁不对。固索，辄跮跖狂趋，叫奡跳号去。弘治（一四八八至一五零五）中徵天中善画者，应诏京师。宸濠召与语，辄辞谢之。往依王守仁献画题诗所见志。又善杂画，信手作人物，辄有奇趣。七十三岁尚作磨镜图。他的作品传世不多，八开《杂画册》现藏上海博物馆，《琵琶行》图轴藏北京故宫博物院。",[24,27,53,26,28,56,83,7,117],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56254c60a49f705831e63fed5ded6160.jpg","纸本,水墨","纵28.5 厘米 横46.5 厘米",[],{"id":266,"slug":267,"title":268,"dynasty":18,"author":269,"museum":144,"description":270,"tags":271,"thumbUrl":272,"material":38,"size":38,"collection":38,"collections":273,"showCount":253,"zanCount":41,"manualWeight":41,"mainColor":274},201521,"yu-guo-yan-quan-tu-zhou-mi-wan-zhong-201521","雨过岩泉图轴","米万钟","水墨晕染间，山峦云雾轻笼，似携雨后清润之气。嶙峋山石以苍劲皴法写就，墨色层叠中见肌理，挺拔之势跃然纸上。山间松枝虬曲，疏朗有致，与岩崖相映成趣。近处林麓间隐现屋舍，烟火气与清寂山景相融。笔墨洒脱自然，意境清幽淡远，将雨霁后的山林雅韵尽藏其中，尽显文人山水的逸致情怀。",[24,27,28,53,85,54,98,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc31e8b617f61618507d0baddf35cef4.jpg",[],"a0958c",{"id":276,"slug":277,"title":278,"dynasty":18,"author":127,"museum":79,"description":279,"tags":280,"thumbUrl":289,"material":119,"size":120,"collection":38,"collections":290,"showCount":291,"zanCount":41,"manualWeight":41,"mainColor":138},249602,"qia-si-fa-lang-hai-wu-tian-chou-tu-kui-hua-shi-tan-pen-yi-ming-249602","掐丝珐琅海屋添筹图葵花式炭盆","葵花口沿舒展雅致，鎏金边饰晕开华贵气韵。盆心海屋添筹图景仙气悠然，瑞鹤灵鹿伴琼楼隐于缠枝花卉之间。外壁松石釉色铺底，以朱黄诸彩晕染山海瑞兽，灵动鲜活仿佛踏浪而来。\n\n掐丝纤细匀整，勾勒出每一处纹饰的婉转棱角，珐琅釉色温润古朴，带着岁月沉淀的柔润光泽。吉庆的祝寿意涵藏于铜胎寸厘之间，将实用与陈设雅趣相融，把厚重工艺质感，凝练成一方可赏可用的绝美器物。",[281,282,283,284,285,286,7,287,288],"掐丝珐琅","琺瑯器","铜制","日用具","葵花式","海","筹","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75e6835b885fa272d609d18a542b7884.jpg",[],2,{"id":293,"slug":294,"title":295,"dynasty":18,"author":127,"museum":79,"description":296,"tags":297,"thumbUrl":302,"material":119,"size":120,"collection":38,"collections":303,"showCount":291,"zanCount":41,"manualWeight":41,"mainColor":42},246429,"ti-hei-ren-wu-song-wu-tu-yuan-he-yi-ming-246429","剔黑人物松屋图圆盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[298,299,132,100,7,300,301],"漆器","剔黑","器","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a6d962469c1f874d9f23545f1994c50.jpg",[],{"id":305,"slug":306,"title":307,"dynasty":112,"author":222,"museum":223,"description":224,"tags":308,"thumbUrl":309,"material":227,"size":228,"collection":38,"collections":310,"showCount":291,"zanCount":41,"manualWeight":41,"mainColor":42},222639,"shan-shui-shu-fa-ce-liu-kai-5-gao-feng-han-222639","山水书法册六开-5",[23,24,25,26,27,53,28,32,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa294dc34fbb71dfc595cc5beb0297a16.jpg",[],{"id":312,"slug":313,"title":314,"dynasty":112,"author":143,"museum":144,"description":315,"tags":316,"thumbUrl":317,"material":38,"size":38,"collection":38,"collections":318,"showCount":291,"zanCount":41,"manualWeight":41,"mainColor":319},202380,"shan-shui-tu-zhou-fang-shi-shu-202380","山水图轴","这幅山水图轴笔墨清润雅致，承娄东派遗风。山峦以披麻皴层层皴染，线条劲挺柔婉兼具；云雾借淡墨晕散或留白，虚实相生间拓出深远意境。近处林木葱茏，小桥卧波，屋舍隐于岩麓，细节生动却不繁琐，尽显文人画简淡天真之趣。整体构图层次分明，远岫叠嶂至近景溪桥气脉连贯，营造出静谧悠远的山水胜境，传递画家对自然的体悟与文人雅致情怀。",[24,28,27,53,98,101,31,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9724f464202538f2035ff6234be33f.jpg",[],"b09b76",{"id":321,"slug":322,"title":323,"dynasty":112,"author":324,"museum":325,"description":326,"tags":327,"thumbUrl":329,"material":330,"size":331,"collection":38,"collections":332,"showCount":11,"zanCount":41,"manualWeight":41,"mainColor":42},217006,"ruan-yuan-yi-shi-shi-jing-tu-ce-8-wang-yun-217006","阮元遗事十景图册-8","汪鋆","私人收藏","阮元遗事十景图册是清朝时期汪鋆的一部作品。汪鋆（1735-1815年）是一位著名的清代画家，他的作品主要描绘人物、山水、花鸟等题材。阮元遗事十景图册是一部十幅图册，每幅图画都是汪鋆根据阮元的遗事描绘的人物和景象。阮元是一位著名的文学家，他的作品富有感染力，深受读者喜爱。汪鋆的这部作品通过艺术手法，将阮元的遗事生动地呈现在读者面前。",[24,25,26,52,99,28,56,31,328,7],"柳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F275027168197b5de88c0a6a1697b5884.jpg","纸本,设色","27.9x33cm",[],1777535719076]