[{"data":1,"prerenderedAt":39},["ShallowReactive",2],{"subject-xi-bu-zhuang-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10071,"xi-bu-zhuang-shi","系部装饰","系部装饰画高清赏析","精选中国历代系部装饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d9505466324b8c2a674719fc74e215b.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":37,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},256510,"huang-you-miao-jin-shuang-xi-zun-yi-ming-256510","黄釉描金双系尊","明","佚名","藏地不详","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,24,25,26,27,28,29,30,31,32,33,7],"陶瓷","黄釉","描金","双系","明代","釉器","单色釉","器物","描金技法","明代风格","釉彩","未知","Xcm*Xcm","",[],"37474F",1777535904299]