[{"data":1,"prerenderedAt":64},["ShallowReactive",2],{"subject-xi-er-10067":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10067,"xi-er-10067","牺耳","牺耳画高清赏析","精选中国历代牺耳题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F153f6241e678795346d4ba2b90cad7c7.jpg",0,3,[14,33,51],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":32},257513,"shi-wan-yao-tian-lan-you-xi-er-zhi-shi-ping-yi-ming-257513","石湾窑天蓝釉牺耳觯式瓶","明","佚名","藏地不详","石湾窑在今广东佛山市石湾镇，明清著名民窑之一。以陶塑和建筑陶瓷著称。始于宋代（亦有一说始于唐），极盛于明清两代。\n石湾窑以善仿钧窑而着称。仿钧釉色以蓝色、玫瑰紫、翠毛釉等为佳，但仿中有创。钧窑的窑变釉是一层釉色，而石湾窑变釉却有底釉与面釉之分。寂圆叟在其《陶雅》中盛赞石湾窑变釉色："广窑谓之泥均，其蓝色甚似灰色┅┅于灰釉中旋涡周遭，故露异彩，较之雨过天晴尤极浓艳，目为云斑霞片不足以方厥体态。┅┅又有时于灰釉中露出深蓝色之星点，亦足玩也。"\n石湾窑不仅善仿钧，而且善仿宋代各大名窑，宋代官、哥、汝、钧诸名窑产品，从材质运用、技法处理、艺术造型等各方面都仿得惟妙惟肖，而且有创造性的发展，梅建鹰评价曰："石湾集宋代各大名窑之大成，仿钧而青出于蓝，独创石湾自已的艺术风格。"",[18,23,24,25,7,26],"陶瓷","石湾窑","天蓝釉","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F638a34c6e14fe41ba85c45125b477b8e.jpg","未知","Xcm*Xcm","瓷器精选",[30],"795548",{"id":34,"slug":35,"title":36,"dynasty":37,"author":19,"museum":20,"description":38,"tags":39,"thumbUrl":47,"material":28,"size":29,"collection":48,"collections":49,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},256679,"gu-tong-cai-xi-er-zun-yi-ming-256679","古铜彩牺耳尊","清","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[40,41,23,42,43,44,7,45,46],"清代","古铜彩","铜制","雕刻","彩绘","几何纹样","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ca3f43e4c7d1791d028c6ac8c8a0236.jpg","",[],"BDBDBD",{"id":52,"slug":53,"title":54,"dynasty":18,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":10,"material":28,"size":29,"collection":48,"collections":62,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":63},256491,"huang-you-miao-jin-xian-wen-xi-er-zun-yi-ming-256491","黄釉描金弦纹牺耳尊","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,57,58,59,60,7,61,46],"明代","黄釉","描金","弦纹","兽",[],"37474F",1777535779955]