[{"data":1,"prerenderedAt":381},["ShallowReactive",2],{"subject-xi-fang-hui-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6669,"xi-fang-hui-hua","西方绘画","西方绘画画高清赏析","精选中国历代西方绘画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F439b09e2122ee7a80c9f7e4ccd975284.jpg",0,32,[14,38,56,68,81,92,107,115,132,146,159,172,183,194,203,214,228,240,252,260,271,279,287,294,306,319,326,334,344,356,366,374],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},231331,"su-miao-585-xi-fang-231331","素描585","不详","西方","藏地不详","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[23,24,25,26,27,28,29,30,7],"素描","写实","人物","人体","光影","黑白灰","明暗对比","线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe7ee3ad326515f6e29ef6419524f254.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":39,"slug":40,"title":41,"dynasty":18,"author":42,"museum":20,"description":43,"tags":44,"thumbUrl":52,"material":32,"size":33,"collection":34,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},289027,"louis-lagrene-e-les-gra-ces-lutine-es-par-les-amours-yi-ming-289027","Louis Lagrenée--Les Grâces lutinées par les amours","佚名","帷幔低垂晕开慵懒缱绻的闺中氛围，三位裸女舒展的体态柔润饱满，带着古典理想美人的松弛圣洁。\n\n小爱神们或是拽动衣袂，或是环身嬉戏，将静谧闺房揉进跳脱稚趣。细腻排线糅合柔和晕染，将肌肤的莹润起伏、织物的垂坠褶皱描摹得真实动人，光影在人体与纱幔间流淌，勾勒出柔美的明暗层次。神性的端庄与孩童的天真交织碰撞，让私密场景兼具优雅诗意与缱绻浪漫，将古典情爱主题诠释得温柔又富有生机。",[23,7,45,46,47,48,49,50,51],"美人","小爱神","裸女","床帏","室内","神话题材","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe473784c4321d86fdf9b63a995870aad.jpg",[],2,"BDBDBD",{"id":57,"slug":58,"title":59,"dynasty":18,"author":42,"museum":20,"description":60,"tags":61,"thumbUrl":66,"material":32,"size":33,"collection":34,"collections":67,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},288875,"giovanni-battista-tiepolo-illustration-for-a-book-two-monks-kneeling-yi-ming-288875","Giovanni Battista Tiepolo--Illustration for a Book Two Monks Kneeling","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[62,25,23,63,64,7,65],"宗教","僧侣","跪拜","殿堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd71c43e3964a7a0c1b80ce0af740a879.jpg",[],{"id":69,"slug":70,"title":71,"dynasty":18,"author":72,"museum":20,"description":73,"tags":74,"thumbUrl":79,"material":32,"size":33,"collection":34,"collections":80,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},232540,"mi-lai-si-84-yue-han-ai-fu-li-te-mi-lai-si-232540","米莱斯84","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[75,23,25,76,77,78,7],"名画","马","骑士","铅笔画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a6befd7ce64c96234eac7fdcf3a6487.jpg",[],{"id":82,"slug":83,"title":84,"dynasty":18,"author":19,"museum":20,"description":21,"tags":85,"thumbUrl":90,"material":32,"size":33,"collection":34,"collections":91,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":37},231288,"su-miao-542-xi-fang-231288","素描542",[23,24,26,86,29,7,87,88,89],"男性","写实主义","素描技法","裸体人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82186f5928afd2762f48eb880ba81e90.jpg",[],{"id":93,"slug":94,"title":95,"dynasty":18,"author":19,"museum":20,"description":21,"tags":96,"thumbUrl":105,"material":32,"size":33,"collection":34,"collections":106,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},231270,"su-miao-524-xi-fang-231270","素描524",[23,24,25,97,98,99,26,27,100,101,102,103,7,104,88],"女性","裸体","黑白","细腻","质感","人物肖像","坐姿","写实风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484da68a767b7ce0bf7e8d382aa0d420.jpg",[],{"id":108,"slug":109,"title":110,"dynasty":18,"author":19,"museum":20,"description":21,"tags":111,"thumbUrl":113,"material":32,"size":33,"collection":34,"collections":114,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":37},231253,"su-miao-507-xi-fang-231253","素描507",[23,24,25,98,27,112,7,26,100],"单色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbc69716468abfbc42ceb41623820af4.jpg",[],{"id":116,"slug":117,"title":118,"dynasty":18,"author":19,"museum":20,"description":21,"tags":119,"thumbUrl":130,"material":32,"size":33,"collection":34,"collections":131,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},231102,"su-miao-356-xi-fang-231102","素描356",[23,25,120,26,24,27,30,121,122,123,124,125,99,126,7,127,128,129],"动态","明暗","舞者","单幅","人体结构","动态捕捉","素描绘制","人物素描","肢体表现","地面反射","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16e4a1433250f365426eb13ca1aa1a31.jpg",[],{"id":133,"slug":134,"title":135,"dynasty":18,"author":42,"museum":20,"description":136,"tags":137,"thumbUrl":143,"material":32,"size":33,"collection":34,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":55},289500,"benedetto-luti-saint-benedict-on-a-bed-of-thorns-yi-ming-289500","Benedetto Luti--Saint Benedict on a Bed of Thorns","画面以单色淡晕铺就朦胧沉郁的氛围，苦修的圣徒半卧荆棘床榻之上，饱绽的肌肉线条带着隐忍的张力。他发丝凌乱，仰头抬手，神情糅合着痛苦与虔诚，似在向苍天上达心声。\n\n上方云雾里探出的三只小天使垂目注视着圣徒，柔婉神态中和了悲苦底色。虚实交织的笔触晕开天界与人间的边界，荆棘缠枝的细节刻画，衬出圣徒苦修的坚毅。明暗错落间，神性的悲悯与凡躯的虔诚相融，将信仰的力量藏在线条光影中，静穆之中带着直击人心的信仰重量。",[138,139,23,140,141,142,7],"宗教题材","人物画","天使","圣徒","荆棘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F254dfd179818eb0957bc589179fd3d0b.jpg",[],1,{"id":147,"slug":148,"title":149,"dynasty":18,"author":42,"museum":20,"description":150,"tags":151,"thumbUrl":157,"material":32,"size":33,"collection":34,"collections":158,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":37},289307,"melchior-steidl-feast-in-the-house-of-simon-yi-ming-289307","Melchior Steidl--Feast in the House of Simon","椭圆形构图收拢画面张力，宴饮众人姿态鲜活各异，卧躺的宾客慵懒松弛，侍立女眷沉静端庄，动静相映。以明暗浓淡的炭笔笔触铺陈氛围，帷幔褶皱厚重苍劲，器物细节写实精巧。画面留存转印网格，带着创作底本的严谨质感，在简约素描层次里藏住宴饮喧嚣叙事，明暗晕染烘托出古典场景的庄重氛围感，将宗教宴饮的鲜活场面凝于笔端，尽显古典叙事画的沉稳张力。",[62,152,153,23,7,154,155,156],"人物群像","宴饮","室内场景","圣经题材","稿本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2de53b456f02f9d26f9b4c24226c1a05.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":42,"museum":20,"description":163,"tags":164,"thumbUrl":170,"material":32,"size":33,"collection":34,"collections":171,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":55},289141,"marcantonio-franceschini-the-birth-of-adonis-yi-ming-289141","Marcantonio Franceschini--The Birth of Adonis","这幅棕色调素描以细腻流畅的线条铺陈神话降生场景，画面中心的宁芙怀抱着初生的婴孩，身旁侍女垂首凝视，氛围静谧温柔。左侧林间萨堤洛斯悄然探窥，小天使与幼童点缀其间，为庄重场景晕开些许灵动意趣。\n\n右侧跪坐的宁芙虔敬地望向婴孩，远景山峦朦胧舒展，苍郁林木环绕周遭，将神话的神圣感融于柔和光影之中。素描以质朴质感复刻出传说里的肃穆温情，让古老神话的氛围感顺着笔意漫溢纸面。",[23,139,7,165,166,140,167,168,169,47],"神话","阿多尼斯诞生","树木","山野","孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e83bef9f47f8709932f0c62b3128ae9.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":18,"author":42,"museum":20,"description":176,"tags":177,"thumbUrl":181,"material":32,"size":33,"collection":34,"collections":182,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":37},289083,"jean-restout-le-jeune-funeral-of-franc-ois-duplessis-de-mornay-yi-ming-289083","Jean Restout le jeune--Funeral of François Duplessis de Mornay","以炭笔线条铺就整场肃穆葬礼，虚实错落间排布群像。简练精准的排线勾勒出神职修士沉凝的身形，厚重衣褶尽显仪式的庄重肃穆。中心执杖队列静穆前行，前景伏地恸哭的身影将悲戚具象化，旁侧躬身备下祭具的侍者，让宗教仪典染上世俗的真切哀恸。\n\n朦胧晕开的街景拉开景深，将视线牢牢锚定葬礼核心。无彩的画面以明暗层次烘托沉郁氛围，把宗教仪式的庄严与俗世哀悼相融，静立的群像之下，满溢着克制却深沉的悲恸张力，寥寥线条便将一场葬礼的沉重氛围感全然铺展在纸面之上。",[23,139,138,178,152,179,180,7],"丧葬场景","城镇街道","肃穆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f6f20c46af77040819a450169121ac9.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":42,"museum":20,"description":60,"tags":187,"thumbUrl":192,"material":32,"size":33,"collection":34,"collections":193,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":55},288904,"giovanni-battista-tiepolo-illustration-for-a-book-cardinal-receiving-a-general-yi-ming-288904","Giovanni Battista Tiepolo--Illustration for a Book Cardinal Receiving a 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