[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"subject-xi-gua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},686,"xi-gua","西瓜","西瓜画高清赏析","精选中国历代西瓜题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cdde749c20b45ca7d540db4351f9960.jpg",0,4,[14,51,69,76],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":46,"material":47,"size":47,"collection":47,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},234117,"hua-guo-juan-yuan-jiang-234117","花果卷","清","袁江","藏地不详","清代康熙至乾隆时期，我国东南的扬州地区，由于商品经济的发展，涌现出了一批追求个性解放，锐意创新的画家群体，这就是画史上称之“扬州画派”，或曰“扬州八怪”。在这个画派中，除了拥有人数众多名震画坛的山水、花鸟和人物画家之外，还出现了一批界画作家，如李寅，颇峰、袁江、袁帽，颇岳等，而袁江、袁耀则是这批楼阁界画的佼佼者，他们成就最大，名望最高，把我国传统的界画技法发展到了一个新的高度，并对后世产生了深远的影响。\n关于袁江的生卒，由于画史无记载，我们只能在袁氏的作品中寻找。据笔者所知，袁江现存最早有纪年的作品是画于康熙三十二年(公元1693年)，最晚的作品画于乾隆八年(公元1743年)，学者以此推测他大约生于康熙十年(公元1671年)前后，卒于乾隆八年，或稍后一、二年之内。他早年生活在“千家养女先教曲，十里栽花算种田”，“夜桥灯火连星汉，水郭帆樯近斗牛”的繁华城市扬州，以后他又到过江宁(今江苏南京)、会稽(今浙江绍兴)。又根据袁江《花鸟图》二幅(藏故宫博物院)的署款“癸卯二月古榕袁江画”，他可能还到过福州，因为“榕”是福州市的别称。又据袁江传世真迹《瞻园图》判断，袁江可能还在南京生活过一段时间，\n因为瞻园是明太祖朱元璋的大将徐达的府第，(位于南京市)。雍正二年(公元1724年)，他北上抵京师(北京)作画，郭味蕖记载他在画中的自题：“在燕台作此图”就是佐证。大至到了晚年，袁江又回到家乡扬州，从他署有年款的“邗上袁江”的大量作品看就能证明这一点，因“邗”即今名的扬州市，(见《左传·哀》九年：“秋，吴城邗，沟通江淮”)。谈到袁江山水楼阁画的师承，文献记载极少，李斗《扬州画舫录》说他“初学仇十洲”，面仇英之画，近师周臣，远“摹唐来人之画，皆能夺真”，由此推之，袁江的画上溯可至唐代的李思训、李昭道父子以及赵伯驹和赵伯骑兄弟。袁江工整细致，设色浓丽的楼阁界画风格，确有仇英的遗韵。又据《画人补遗》记载：“中年得无名氏所临古人画稿”，这“无名氏”又是谁?学术界说法不一，而据有的学者推测，它应该是来人名迹，因为从袁江的山水画中，可以看出有北宋范宽，郭熙，李成、阎次平以及南宋的马远、夏圭等人的画法和遗风。在经营位置上，他又吸收了元明以来山水画的长处，予以融合变化，形成自己的特色。他学“院体”，但又脱去院画中纤弱之笔和艳俗之弊，变为凝炼厚重、工致妍美、艳而不俗的风格。袁江的楼阁界画，更是继承了唐李思训父子，宋赵伯驹兄弟和郭熙以来界画的传统以及元代王振鹏等楼阁画用笔严谨．精雕细刻的画风，并加以发扬光大。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36,37,38,39,40,41,42,43,44,45],"国画","书画","名画","长卷","设色","水墨","工笔","花鸟","桃子","荷花","牡丹","月季","芙蓉","水仙","百合","梅","兰","竹","菊","果实","花卉","枝叶","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18aa0380b6630459be1fef1dc09c8650.jpg","",[],15,"BDBDBD",{"id":52,"slug":53,"title":54,"dynasty":18,"author":55,"museum":20,"description":56,"tags":57,"thumbUrl":64,"material":65,"size":66,"collection":47,"collections":67,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},247727,"dui-cai-xi-gua-wen-he-yi-ming-247727","堆彩西瓜纹盒","佚名","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[58,59,60,61,7,62,43,27,63],"清代","堆彩","雕刻","漆器","叶子","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14a460d3c8af9d6908e3f74cb6e3ed6c.jpg","未知","Xcm*Xcm",[],"795548",{"id":70,"slug":71,"title":54,"dynasty":18,"author":55,"museum":20,"description":56,"tags":72,"thumbUrl":74,"material":65,"size":66,"collection":47,"collections":75,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},247696,"dui-cai-xi-gua-wen-he-yi-ming-247696",[61,59,60,27,7,73],"盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb60293d2f3f7f2aa116ca0d380efa273.jpg",[],{"id":77,"slug":78,"title":54,"dynasty":18,"author":55,"museum":20,"description":56,"tags":79,"thumbUrl":80,"material":65,"size":66,"collection":47,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},246496,"dui-cai-xi-gua-wen-he-yi-ming-246496",[58,59,60,61,27,7,63],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda33ec7ff1463e3792fa399fa5fd046a.jpg",[],1777535760829]