[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"subject-xi-hu-shi-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3656,"xi-hu-shi-jing","西湖十景","西湖十景画高清赏析","精选中国历代西湖十景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d350abc6068e9d7e71f196f4dbe3dde.jpg",0,2,[14,45],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},221245,"xi-hu-shi-jing-ti-zi-ye-xiao-yan-221245","西湖十景题字","宋","叶肖严","台北故宫博物院","该册以西湖十景为题，西湖在浙江省杭州市城西，亦名钱塘湖，苏轼诗有“欲把西湖比西子”之句，因又名西子湖，三面环山，有南北两高峰对峙；湖中有苏，白两堤，四时风物清佳，以十景驰名於世。山石以大斧劈法，着重烘染，用笔简洁有韵致，构景设色取意都见巧思\n叶肖岩作人物小景，颇类马远，然其迹世多不见也。 如“雷峰夕照”之远山后缘用淡朱稍加施染，霞光微露，已然夕阳西沉。余诸页亦如是，虽细微处，亦细洁圆润。描绘花港观鱼的景色。寺宇掩映于柳林之间，湖中一人泛舟，悠游自得。峭峰直下，不见其顶，构图方式与马远山水同出一辙。用笔洁简，著重烘染，清雅秀润。\n该册页采用诗画合一的形式，以杭州工笔技法专为该画册页创作的西湖十景，其风格似马远而略拘谨，山石多用湿笔轻染，石顶稍加小斧劈皴，与夏珪的大笔拖染、磅礴挥洒不同。西湖四时风物清佳，以及乾隆皇帝钦定的西湖十景诗作为册页的主要内容，辅以西湖十景图",[23,24,25,26,27,7,28,29,30,31,32,33,34,35,36,37,38],"高清","国画","书法","册页","行书","诗画合一","山水","亭台楼阁","柳林","孤舟","游鱼","夕阳","工笔","皴法","设色","寺宇","白纸本","单页纵23.9厘米，横20.2厘米","",[],12,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":51,"description":52,"tags":53,"thumbUrl":58,"material":59,"size":60,"collection":41,"collections":61,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":44},270697,"yu-zhi-xi-hu-shi-jing-shi-se-mo-su-di-chun-xiao-qian-lan-mo-yi-ming-270697","御制西湖十景诗色墨-苏堤春晓浅蓝墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[54,55,56,7,57],"墨","文房四宝","色墨","苏堤春晓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee07ff7de08d0038c82c5a9c213242a1.jpg","未知","Xcm*Xcm",[],1777535790468]