[{"data":1,"prerenderedAt":88},["ShallowReactive",2],{"subject-xi-jiao-diao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6188,"xi-jiao-diao","犀角雕","犀角雕画高清赏析","精选中国历代犀角雕题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3dafcb9eaf63819909c2c0bd35486013.jpg",0,6,[14,35,45,55,66,75],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},270053,"xi-jiao-diao-shuang-chi-bing-fang-gu-shou-mian-wen-bei-yi-ming-270053","犀角雕双螭柄仿古兽面纹杯","清","佚名","藏地不详","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[7,23,24,25,26,27,28],"饮酒器","雕刻","螭","兽面纹","仿古","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29bd5945f0e825e5d6919158b34bb0ab.jpg","未知","Xcm*Xcm","",[],"F48FB1",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":21,"tags":39,"thumbUrl":42,"material":30,"size":31,"collection":32,"collections":43,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},269850,"xi-jiao-diao-ying-xi-tu-chi-bing-bei-yi-ming-269850","犀角雕婴戏图螭柄杯",[28,24,23,7,40,25,41],"婴戏图","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F377a4ca4fadc1be9df5842b274b6d6c4.jpg",[],"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":21,"tags":49,"thumbUrl":52,"material":30,"size":31,"collection":32,"collections":53,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},269614,"xi-jiao-diao-shan-shui-ren-wu-tu-bei-yi-ming-269614","犀角雕山水人物图杯",[28,23,24,50,41,51,7],"山水","松树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fafd5255f70489feab9a5b143c356a42a.jpg",[],"795548",{"id":56,"slug":57,"title":58,"dynasty":59,"author":19,"museum":20,"description":60,"tags":61,"thumbUrl":64,"material":30,"size":31,"collection":32,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":54},269552,"xi-jiao-diao-hua-guo-wen-xi-yi-ming-269552","犀角雕花果纹洗","明","此器花口敞腹，器型柔婉舒展。立体镂雕的花果枝叶缠环绕身，叶片脉络清晰灵动，花苞饱满欲绽，将池间夏日生机凝于犀角之上。\n犀角包浆莹润醇厚，色泽沉暖。雕工圆熟老辣，花叶层次分明，虚实间尽显自然意趣，既保留犀角质朴质感，又借刀笔赋予鲜活生气，将文房清赏之雅与实用之能相融，尽显雅致写实的审美意趣，是文房雅器中的精巧佳构。",[24,28,62,63,7],"荷","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F724a46fd2c8a31a9c021c49cafce9378.jpg",[],{"id":67,"slug":68,"title":69,"dynasty":59,"author":19,"museum":20,"description":70,"tags":71,"thumbUrl":73,"material":30,"size":31,"collection":32,"collections":74,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},269545,"xi-jiao-diao-gou-yun-wen-yuan-he-yi-ming-269545","犀角雕勾云纹圆盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[28,24,72,7],"勾云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F664648d6477904188e586d4c604c28f4.jpg",[],{"id":76,"slug":77,"title":78,"dynasty":18,"author":19,"museum":20,"description":79,"tags":80,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":87,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},229240,"diao-xi-jiao-ju-hua-xiao-yuan-he-guo-he-diao-shi-jiu-mei-yi-ming-229240","雕犀角菊花小圆盒、果核雕十九枚","犀角圆盒取菊花为形，瓣层叠环绕，脉络舒展分明，将犀角的温润质感与秋菊清逸之态相融，浑朴雅致间暗合隐逸高洁的意涵。\n\n十九枚果核雕虽寸厘之微，却尽显匠心。每一枚都摹拟鲜果之态，褶皱肌理分毫毕现，刀工细巧入微，于方寸之间把顽核化作鲜活风物，将造物巧思藏纳其中，以小见大，尽显清代微雕工艺的绝妙造诣，是材质之美与工艺之精相融的精巧佳作。",[81,24,7,82,83,84,85,86,28],"清代","果核雕","犀角","果核","菊花","小圆盒",[],1777535750476]