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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[7,25,24,91,92],"荷叶","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97238f080adc95be7b2f8d6dd4c3351e.jpg",[],{"id":96,"slug":97,"title":98,"dynasty":18,"author":19,"museum":20,"description":99,"tags":100,"thumbUrl":101,"material":28,"size":29,"collection":30,"collections":102,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":103},270560,"xi-dai-bing-deng-hu-yi-ming-270560","锡带柄灯壶","此器以锡为骨，黄铜镶饰口沿、颈足，素净锡色搭配暖调铜光，雅致沉静。壶身阴刻缠枝瑞兽纹，走线柔婉细腻，将祥瑞意趣融于器表。侧出的敞口巧妙兼顾燃灯与防滴漏的实用功能，执柄弧度贴合手掌，拿捏趁手。\n\n将日用之器赋予工巧审美，质朴间见精巧，尽显传统金属细作的内敛匠心，把寻常灯火之物，晕染出雅致从容的中式意韵。",[25,7,24,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d395776737b107eb681541f2663f90c.jpg",[],"BDBDBD",{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":108,"tags":109,"thumbUrl":113,"material":28,"size":29,"collection":30,"collections":114,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":58},270553,"xi-ba-jiao-xing-yi-pin-guo-yi-ming-270553","锡八角形一品锅","此器八角形制，轮廓舒展端庄。盖顶蹲坐瑞狮为钮，旁附提叶，既为点睛之饰，又便开盖取用。通体以浅錾技法遍饰缠枝瑞纹，走线婉转而不失利落，层次浅淡却排布精妙，将锡质素净底色衬得愈发雅致。器身两侧铺首衔环，壁面饰以对称耳饰，细节处处流露古典意韵。\n整体兼具食器的实用属性与陈设的观赏价值，把素雅锡材与精工錾刻相融，尽显手作器物的雅致格调，藏着传统造物里器以载美的巧思。",[7,92,25,110,111,112],"狮","錾刻","八角形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1606162225168602b641afdaac167466.jpg",[],{"id":116,"slug":117,"title":118,"dynasty":18,"author":19,"museum":20,"description":119,"tags":120,"thumbUrl":122,"material":28,"size":29,"collection":30,"collections":123,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":58},270543,"xi-shi-er-yuan-shui-dun-yi-ming-270543","锡狮耳圆水囤","整体形制周正大气，两侧狮耳衔环，威严古雅，为素净器身添了几分灵动威仪。底部支脚小巧秀气，消解了器物敦实感，更显轻盈舒展。内置带盖小碗，兼顾储水洁净与取放之便，尽显巧思。\n\n锡质色泽莹润内敛，周身带着经年使用留下的温润包浆，凝着岁月摩挲的痕迹，将日常实用的功能性与传统手作的审美意趣相融，尽显质朴雅致，是兼具实用价值与美学意韵的手作佳器。",[7,24,92,121],"狮耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf913abc6985c38611e76f46a8422d41.jpg",[],{"id":125,"slug":126,"title":127,"dynasty":18,"author":19,"museum":20,"description":128,"tags":129,"thumbUrl":131,"material":28,"size":29,"collection":30,"collections":132,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":103},270539,"xi-gai-guan-yi-ming-270539","锡盖罐","此罐八方器身饱满敦实，盖顶瑞兽蹲踞为钮，沉稳中带着灵动意趣。两侧配铜质活环耳，兼顾提握之便，让实用与雅韵相融。器身錾刻满工吉祥纹饰，祥花瑞果交错排布，錾线细腻婉转，构图繁而不紊，将錾锡工艺的精巧展现得淋漓尽致。沉静的锡色衬出纹饰的隽秀雅致，把寻常储物之器，塑造成兼具烟火气与审美价值的精工造物，尽显传统金属细作的匠心巧思。",[7,24,26,130,25],"兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe28f304ff47daef5996da4cdafdad755.jpg",[],{"id":134,"slug":135,"title":136,"dynasty":18,"author":19,"museum":20,"description":49,"tags":137,"thumbUrl":145,"material":28,"size":29,"collection":30,"collections":146,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":33},270535,"xi-qian-tong-bian-xiang-lu-yi-ming-270535","锡嵌铜边香炉",[7,138,51,139,140,141,142,143,144],"铜边","兽钮","双耳","金属工艺","香具","纹饰","摆件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7d7dacd5cea9f43e6fe155ab0e2f3ad.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":18,"author":19,"museum":20,"description":151,"tags":152,"thumbUrl":155,"material":28,"size":29,"collection":30,"collections":156,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},273881,"qie-hua-xiang-yi-ming-273881","切花香","暗沉锡面凝着时光包浆，残旧签纸晕开旧时印记，素朴圆盒盛着经年沉香。切花肌理苍劲舒展，棕褐木纹间凝萃着深幽香韵，沉厚木质封存着百年前的雅致余温。\n\n指尖仿佛能触到当年开盒时的轻响，鼻端似漫开清苦柔润的烟气，在明窗净几间晕开松弛的日常。这不仅是存香之器，更是藏着旧时光的匣子，将古人焚香静息的闲雅日常，封存在岁月褶皱里。",[153,7,24,154,82],"香木","香料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fdabbede23310600a20aa96de8e51ac.jpg",[],{"id":158,"slug":159,"title":160,"dynasty":18,"author":19,"museum":20,"description":161,"tags":162,"thumbUrl":165,"material":28,"size":29,"collection":30,"collections":166,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},273236,"xiao-yin-wen-cha-yi-ming-273236","小阴纹茶","此锡制茶罐以阴刻为工，器形方正内敛，小口束颈雅致得体。罐身通景錾刻林居图景，老树虬枝苍劲舒展，繁叶以细密点纹铺陈，如覆轻烟，衬出林间屋舍的悠然野趣。颈部饰缠枝卷草纹样，与罐身主纹虚实呼应，让器面层次愈见分明。\n\n阴刻走线匀净婉转，以深浅不一的錾点区分物象虚实，淡描出山林幽居的静谧意境，尽显手作的朴拙匠心。素锡哑光质感沉敛温润，衬得刻纹愈见清隽，将文人情思融于日用雅器，藏着旧时茶事里的清寂意趣，是实用与赏玩兼备的工艺佳器。",[7,24,65,163,164],"阴纹雕刻","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F688bb744a18a0125f261f5da9e573b33.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":18,"author":19,"museum":20,"description":171,"tags":172,"thumbUrl":173,"material":28,"size":29,"collection":30,"collections":174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},270571,"xi-cha-chuan-yi-ming-270571","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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[7,328,181,24,338,26],"书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12c8fcc09a11ab687bd1030ddcff8e07.jpg",[],{"id":342,"slug":343,"title":344,"dynasty":18,"author":19,"museum":20,"description":345,"tags":346,"thumbUrl":348,"material":28,"size":29,"collection":30,"collections":349,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},270377,"shen-lang-ting-zhi-kuan-xi-tao-shi-hu-yi-ming-270377","沈朗亭制款锡桃式壶","此器取寿桃为形，将枝桠巧化为壶流与执柄，叶片轻贴壶肩，宛若将初熟蟠桃裁为茶器，浑然天成。素锡沉静哑光，质感温润内敛，衬得壶身錾刻诗文清隽雅致，金石笔墨意趣融于金属肌理。\n\n它将祝寿吉意与文人情思揉合，既是可赴茶席的雅器，亦是案头清供的玩物，尽显清人工巧雅致的造物心思，把山野桃枝的鲜活意趣，凝为案上一方沉静风雅。",[7,24,23,26,347,338],"桃形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357e8402acd7d54edba9f336ac00de56.jpg",[],{"id":351,"slug":352,"title":353,"dynasty":18,"author":19,"museum":20,"description":336,"tags":354,"thumbUrl":358,"material":28,"size":29,"collection":30,"collections":359,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},270376,"shi-quan-kuan-xi-ke-mei-lan-wen-qian-yu-bing-liu-ye-shi-hu-yi-ming-270376","石泉款锡刻梅兰纹嵌玉柄流叶式壶",[7,328,26,355,356,24,42,357],"梅","兰","刻绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffff93d4b97e1f0839f9e3965a1569955.jpg",[],{"id":361,"slug":362,"title":363,"dynasty":18,"author":19,"museum":20,"description":364,"tags":365,"thumbUrl":366,"material":28,"size":29,"collection":30,"collections":367,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},270366,"shen-cun-zhou-kuan-xi-ke-shi-ju-hu-yi-ming-270366","沈存周款锡刻诗句壶","此壶以锡为胎，圆腹饱满柔润，搭配红木弯柄，温雅厚重之余添就一份温润触感。盖钮取青瓷瓜蒂造型，莹润青釉与沉穆锡色相衬，雅致撞色提亮整体。壶身錾刻行书诗句，刀锋利落，将笔墨意韵凝于锡面，文气悠然弥散。整体形制简约内敛，将锡的沉静、木的暖泽、瓷的清莹相融相合，既合日常烹茶之用，又具案头赏玩之趣，尽显旧时文房雅事的审美意趣。",[7,181,24,26,338],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F014c58fe5e994243b55e8813c2d5e91d.jpg",[],{"id":369,"slug":370,"title":371,"dynasty":18,"author":19,"museum":20,"description":372,"tags":373,"thumbUrl":374,"material":28,"size":29,"collection":30,"collections":375,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},270360,"shi-mei-kuan-xi-ke-mei-hua-ti-liang-hu-yi-ming-270360","石梅款锡刻梅花提梁壶","此壶取斗形制式，底开拱门，打破规整形制的板滞，添了几分空灵雅趣。壶身錾刻梅花，枝桠虬曲舒展，花瓣柔婉轻绽，疏朗错落间尽显留白之妙。旁题诗文清雅隽秀，与花绘相映成趣，将文人赏梅寄情的意趣凝于壶身。\n\n三镶玉的柄、钮、流质地莹润素净，清冷锡面配温润玉色，苍劲与柔润相融。整器将茶道雅好与文人情思相合，尽显隽秀古雅的审美意韵。",[7,328,26,355,181,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a6973caf89216d01c40a05836a8efb9.jpg",[],{"id":377,"slug":378,"title":379,"dynasty":18,"author":19,"museum":20,"description":380,"tags":381,"thumbUrl":384,"material":28,"size":29,"collection":30,"collections":385,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},270359,"zhu-an-kuan-xi-ke-hua-niao-tu-fang-hu-yi-ming-270359","竹庵款锡刻花鸟图方壶","此壶方正端凝，锡质莹洁温润，镶饰素玉流、柄、盖钮，金属的冷冽与玉质的清润相融共生，愈显雅致脱俗。壶身阴刻题字朴拙古雅，文句澹然通透，暗藏清人饮茶时的隐逸意趣。整器无过多繁饰，将文人审美融入日常茶器，把实用与赏玩合二为一，静穆间晕开旧时茶席上的清闲意态，尽显侘寂悠然的茶中雅韵，诠释了清代文玩茶器的极简美学风骨。",[7,24,328,338,26,382,383],"方壶","花鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F951aec7f5e0382b20019feb5de8f97e3.jpg",[],{"id":387,"slug":388,"title":389,"dynasty":18,"author":19,"museum":20,"description":390,"tags":391,"thumbUrl":393,"material":28,"size":29,"collection":30,"collections":394,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},270358,"wang-qia-kuan-xi-ke-zi-liu-fang-hu-yi-ming-270358","王洽款锡刻字六方壶","此壶六方器型挺括端庄，锡质沉稳匀净，自带内敛温润的哑光质感。盖顶嵌玉，素洁莹润，弯柄配红木，暖棕肌理中和锡的清冷，三材相映，雅致和谐。\n\n壶身錾刻行书铭文，笔意舒展苍劲，金石韵味盎然，文趣与匠意相融，将茶饮之事点缀出清逸的文人意趣。整体简约不饰繁复，尽显清雅的文玩审美意涵，是茶事中兼具实用与赏玩价值的佳器。",[7,26,338,82,328,24,25,392],"刻字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc4ef24227687732a2bcc9c2da2060fc.jpg",[],{"id":396,"slug":397,"title":398,"dynasty":18,"author":19,"museum":20,"description":399,"tags":400,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":401,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},229979,"zhang-xi-xia-yi-ming-229979","长锡匣","它以锡为骨，素净无饰，修长方正的形制透着利落简约的气度。哑光灰调的包浆凝着岁月的摩挲痕迹，盒身深浅不一的细微划痕，皆是时光路过的印记。残留的泛黄旧签墨迹斑驳，似还藏着被淡忘的过往旧事。\n\n没有繁复錾刻装点，全凭流畅线条撑起器物风骨，将日常造物的克制美学藏于质朴表象之下。褪去浮华，以极简姿态承载收纳之用，把平淡日常的温润意韵悄然凝固，静静诉说着旧时烟火里的沉静底色。",[25,7],[],1777535711371]