[{"data":1,"prerenderedAt":391},["ShallowReactive",2],{"subject-xi-qu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6517,"xi-qu","戏曲","戏曲画高清赏析","精选中国历代戏曲题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa89b3f8cd2b48455d62b85af1145aac4.jpg",0,39,[14,40,55,67,88,99,110,121,131,139,147,155,163,173,182,190,198,206,218,225,234,243,251,260,268,277,285,292,300,307,315,323,332,340,349,357,366,374,382],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},290255,"mo-xi-tu-wang-zhen-peng-290255","墨戏图","元","王振鹏","藏地不详","王振鹏（生卒年不详），字朋梅，浙江温州人。元代著名的画家，擅长人物画和宫廷界画，被元仁宗赐号为“孤云处士”，并官至漕运千户。传世作品有：《伯牙鼓琴图》《江山胜览图卷》《阿房宫图》《金明池图》。",[23,24,25,26,27,7,28,29,30,31,32],"国画","长卷","水墨","猴","拟人","兵器","乐器","书法","印章","墨戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F33c01e581f00409d36e7ec6c153197dc.jpg","未知","Xcm*Xcm","",[],11,"BDBDBD",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":52,"material":34,"size":35,"collection":36,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":39},274042,"shi-hui-bao-bo-ya-xie-qin-chang-pian-yi-ming-274042","时慧宝《伯牙携琴》唱片","民国","佚名","泛黄封套上手题商号大字朴拙苍劲，带着旧商行的烟火暖意。胶木唱片的标贴饰有厂牌徽记，墨印字体古雅端庄，侧边题签清晰标注曲目与表演者姓名。\n\n这张老唱片凝缩着旧时光里的梨园风华，纸面被岁月晕开浅淡斑驳，墨色却依旧沉稳鲜亮，将当年戏台上的弦歌余韵封存在这一方旧物之中，带着老北平戏楼茶社的鲜活气息，静静流转着民国曲艺的雅致底蕴，摩挲间便能触碰半个多世纪前的曲艺荣光。",[48,30,7,49,50,51],"唱片","传统音乐","纸质","伯牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f3e5916704e7431e858f9759e91aeda.jpg",[],9,{"id":56,"slug":57,"title":58,"dynasty":44,"author":45,"museum":20,"description":59,"tags":60,"thumbUrl":64,"material":34,"size":35,"collection":36,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":39},274015,"tan-xin-pei-zhuo-fang-cao-chang-pian-yi-ming-274015","谭鑫培《捉放曹》唱片","米黄色封套晕开旧时光的暖意，醒目雄鸡商标旁，百代公司字样苍劲古朴，盘面上的红公鸡标识是民国唱片界的经典符号。\n\n谭鑫培的演绎将陈宫的纠结隐忍尽数揉进皮黄韵律中，京胡丝弦错落，把吕伯奢庄里的恩怨铺陈开来。封套折痕与盘面细痕，藏着戏园茶楼里的满堂喝彩，带着旧年月的鲜活温度，是京剧黄金时代的有声剪影，静静留存着传统戏曲的极致余韵。",[48,7,61,62,63],"京剧","老唱片","公鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffeb775f9ab8551ebc3bc49fd1dcfbd46.jpg",[],4,{"id":68,"slug":69,"title":70,"dynasty":71,"author":45,"museum":20,"description":72,"tags":73,"thumbUrl":84,"material":36,"size":36,"collection":36,"collections":85,"showCount":66,"zanCount":86,"manualWeight":11,"mainColor":87},230347,"nao-xue-wan-xi-yi-ming-230347","闹学顽戏","清","这是一幅满溢稚拙意趣的世俗佳构，将沉闷私塾化为嬉闹戏台。塾中先生酣然沉睡，学童们索性闹将起来：有扮作伶人敲锣打鼓，捏腔作势演起大戏，堆垒的书卷被搭成戏楼布景，案头文房器物全变作玩闹道具；也有学童模仿先生训人模样，或是追跑笑闹搅乱书堂。设色明丽雅致，线条勾勒鲜活灵动，无半分说教，只把孩童淘气相尽数铺陈。画师以温柔目光捕捉市井童年的片刻逃闲，将寒窗日常化作满堂童趣，把烟火里的天真烂漫凝在纸面，是旧时稚子顽戏的鲜活剪影。",[23,74,75,76,77,78,79,80,7,81,82,83],"书画","设色","人物","私塾","闹学","顽戏","童趣","文房器物","民俗","市井生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75a93e21e975cf7881372d1fd3dfdcf3.jpg",[],1,"795548",{"id":89,"slug":90,"title":91,"dynasty":44,"author":45,"museum":20,"description":92,"tags":93,"thumbUrl":96,"material":34,"size":35,"collection":36,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":87},274051,"deng-yuan-fang-zhan-chang-sha-chang-pian-yi-ming-274051","邓远芳《战长沙》唱片","泛黄牛皮纸封套蒙着旧时光的薄尘，手写题字与泛黄贴纸错落在封面上，带着粗粝的烟火质感。胶木唱片的黑盘之上，细密的铭文圈绕着转轴，将《战长沙》的梨园唱腔封存在纹路之间。\n\n它带着民国曲艺的鲜活余韵，曾流转在街巷戏楼、茶肆厅堂里，将老生唱腔里的家国意气刻录下来。封套上的墨迹已经晕开斑驳，每一丝磨损都是岁月摩挲过的痕迹，将过往的丝竹弦歌与叫好声，凝为可触摸的旧物，留存下老派曲艺的鲜活风貌，让远去的声韵仍能循着纹路，在今时泛起余温。",[48,7,94,62,95],"战长沙","纸质封套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41631b51d790d4d1338da2545f75013e.jpg",[],2,{"id":100,"slug":101,"title":102,"dynasty":44,"author":45,"museum":20,"description":103,"tags":104,"thumbUrl":107,"material":34,"size":35,"collection":36,"collections":108,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":109},274039,"zhang-xiao-xuan-deng-xia-quan-fu-chang-pian-yi-ming-274039","张小轩《灯下劝夫》唱片","泛黄封皮裹着胶木唱片，苍劲墨字舒展古朴意趣，带着旧时光独有的温润质感。胶木纹路里封藏着经典唱腔，将民国市井听曲的闲情妥帖留存。纸面斑驳痕迹是时光刻下的年轮，晕开了百年前的曲艺余韵。\n\n它是曲艺史的时光标本，让远去的声腔顺着纹路再度鲜活，将旧世的鲜活烟火气封存在方寸之间，静静诉说着留声机时代的雅致闲情。",[48,7,105,106],"曲艺","音乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F736a39697ed8e1f4f1a2a096340c4aeb.jpg",[],"FDD835",{"id":111,"slug":112,"title":113,"dynasty":44,"author":45,"museum":20,"description":114,"tags":115,"thumbUrl":119,"material":34,"size":35,"collection":36,"collections":120,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":87},274038,"zhang-yu-ting-zhan-huang-pao-chang-pian-yi-ming-274038","张雨亭《斩黄袍》唱片","泛黄的牛皮封套晕开旧时光的痕迹，手书大字带着民国唱片行的市井烟火气。中心黑胶标签凝住了《斩黄袍》的古朴腔调，胶木纹路里藏着当年戏台上的苍劲唱腔。\n\n封底外文与汉字错落排布，是中西文化交融的旧影，静静承载着老唱片行业的往昔风华。指尖仿佛能触到旧上海唱片柜台的温度，循着纹路，旧日戏班的吊嗓余韵似能悠悠淌出，晕开梨园旧梦里的婉转余味，将民国曲艺传播的鲜活图景，封存在这一方纸套与黑胶之间。",[48,7,116,117,118],"传统戏曲","《斩黄袍》","音乐载体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21e4d55fb854be16c5b9679739a4bcb7.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":44,"author":45,"museum":20,"description":125,"tags":126,"thumbUrl":129,"material":34,"size":35,"collection":36,"collections":130,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":39},274037,"shi-hui-bao-san-niang-jiao-zi-chang-pian-yi-ming-274037","时慧宝《三娘教子》唱片","泛黄的牛皮纸封套晕开旧时光的痕迹，对称舒展的中式排版将商号大字衬得醒目沉凝。方寸之间排布着唱片售卖、无线电修配的各色营生，带着老天津埠口的鲜活烟火。\n\n墨色苍劲的繁体字里藏着民国工商时代的务实热忱，既印着商号揽客的门道，也晕开当年唱片行当的风雅余韵。斑驳卷边裹着旧年的市井暖意，把老都市文娱与商贸交织的日常，凝缩在这一方封套之上，是旧时光递来的鲜活剪影。",[48,61,7,30,127,128],"商业广告","唱片封套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00caa57ad1305a8bf37972c42121092c.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":44,"author":45,"museum":20,"description":135,"tags":136,"thumbUrl":137,"material":34,"size":35,"collection":36,"collections":138,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":87},274030,"chen-de-lin-yin-kong-shan-chang-pian-yi-ming-274030","陈得林《银空山》唱片","素色纸袋晕开时光褶皱，手书题字朴拙沉厚，带着旧商号的温吞烟火气。黑胶盘面烫金刻印，凝着民国梨园的伶人风华。胶木纹路里封藏水磨唱腔，仿佛能看见留声机钢针轻落时，青衣婉转便穿破岁月而来。\n\n袋底的品牌标识与年历遗存，是当年市井文娱的细碎注脚，将百代唱片的行业脉络与戏馆堂会的喧嚣声色，一并收进这一方旧物之中，静静晕开独属于老时代的戏韵沉香。",[48,61,7,62,118],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb955ebf9087cc67209171739d6042c1.jpg",[],{"id":140,"slug":141,"title":142,"dynasty":44,"author":45,"museum":20,"description":143,"tags":144,"thumbUrl":145,"material":34,"size":35,"collection":36,"collections":146,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":39},274027,"li-ji-rui-cui-ping-shan-chang-pian-yi-ming-274027","李吉瑞《翠屏山》唱片","泛黄牛皮纸封套带着被岁月摩挲的痕迹，百代经典的雄鸡徽记居于封套中央，古朴墨字晕开民国独有的复古腔调。黑胶唱片上的细密纹路里，藏着老生名角的唱腔风骨，《翠屏山》的唱段承载着旧戏台的余韵，将彼时京昆舞台的腔调节奏凝刻其中。它是民国曲艺留存的鲜活注脚，带着老唱片独有的温度，让远去的声腔与风华穿越时光，成为触手可及的时代余响。",[48,7,61,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe07a3388417df87347e846dc85415686.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":44,"author":45,"museum":20,"description":151,"tags":152,"thumbUrl":153,"material":34,"size":35,"collection":36,"collections":154,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":87},274011,"tan-xin-pei-hong-yang-dong-chang-pian-yi-ming-274011","谭鑫培《洪洋洞》唱片","这张老唱片封套带着旧时光的摩挲痕迹，牛皮纸晕染着岁月的昏黄。手写题字朴拙舒展，墨色沉淀着旧年质感，侧边泛黄的纸条题注戏目，带着藏家经手的温度。\n\n黑胶圆盘上的厂牌字样勾勒出彼时唱片行的风貌，谭鑫培的老生唱腔曾顺着唱针流转，将《洪洋洞》里杨六郎的沉郁悲怆封存在胶木纹路间，是京剧黄金年代的有声注脚，藏着旧世梨园余韵，将民国年间戏楼之外的戏韵流传至今。",[48,61,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0b791cc5e0ec19e993ad36e98c80a77.jpg",[],{"id":156,"slug":157,"title":158,"dynasty":44,"author":45,"museum":20,"description":159,"tags":160,"thumbUrl":161,"material":34,"size":35,"collection":36,"collections":162,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274056,"xiao-da-zi-qing-song-ling-chang-pian-yi-ming-274056","小达子《请宋灵》唱片","手写题字晕开墨色温痕，胶木唱片上的红公鸡商标醒目依旧，泛黄封签晕着旧纸暖调。纸套边角磨起的毛边，是时光摩挲的印记，胶木纹路里封藏着皮黄唱腔，将民国戏园的喝彩与丝竹余韵定格。唱针轻落，便能唤醒当年茶楼里的听曲闲情，让远去的戏韵顺着纹路流转，复刻旧年月的梨园声色，携着旧时光的温软厚重，留存住曲艺声色的一抹余温。",[48,7,106,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b3925434833db68f3d11b6560bd5406.jpg",[],{"id":164,"slug":165,"title":166,"dynasty":44,"author":45,"museum":20,"description":167,"tags":168,"thumbUrl":170,"material":34,"size":35,"collection":36,"collections":171,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":172},274055,"jiang-miao-xiang-wu-hua-dong-chang-pian-yi-ming-274055","姜妙香《五花洞》唱片","泛黄封皮晕开旧时光的褶皱，手写题字带着民国唱片行的烟火暖意。胶木纹路封藏着京昆名段的余韵，姜妙香婉转雅致的唱腔将《五花洞》的戏梦风华凝在其中。封皮上的商号题字与泛黄标签，复刻着当年戏曲唱片风行的盛景，它流转经年，带着老北平梨园的温热余温，是戏曲音像史的鲜活注脚，将旧年月里戏楼满堂、唱片流转的光景定格，让戏韵跨越岁月，在胶木旋转间缓缓漾开旧时风华。",[48,7,61,106,169],"五花洞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1da9d3088f2390943a4ee7cb1b33f75.jpg",[],"F48FB1",{"id":174,"slug":175,"title":176,"dynasty":44,"author":45,"museum":20,"description":177,"tags":178,"thumbUrl":180,"material":34,"size":35,"collection":36,"collections":181,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274052,"xu-yin-tang-qu-xing-yang-chang-pian-yi-ming-274052","许荫堂《取荥阳》唱片","泛黄牛皮纸封套带着岁月啃噬的破损痕迹，手写题签墨迹犹新，与百代公司的印刷字样相映成趣，既有厂牌制式的规整肃穆，又藏着藏家私藏的温热烟火气。\n\n这张老唱片封存着老生经典的沉雄唱腔，许荫堂的嗓音苍劲醇厚，隔着封套仿佛能听见留声机转轴轻响，穿度旧时光而来。它是民国戏曲传播的鲜活缩影，将戏园之外的声韵流传凝缩在胶木唱片之上，循着封皮纹路，仿佛就能唤醒旧时光里的戏韵悠长。",[48,7,95,179],"传统剧目","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40ef968aa89a96be6e8c8cf8b5cc3f3b.jpg",[],{"id":183,"slug":184,"title":91,"dynasty":44,"author":45,"museum":20,"description":185,"tags":186,"thumbUrl":188,"material":34,"size":35,"collection":36,"collections":189,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274050,"deng-yuan-fang-zhan-chang-sha-chang-pian-yi-ming-274050","泛黄牛皮封套晕开旧时光渍，百代公司的商号与法文印记错落，晕染出旧上海中西交织的底色。胶木唱片上手题字笔意苍拙，将梨园余响封存在纹路间。手写题款朴拙厚重，带着手作温度，定格下民国戏曲唱片的鲜活模样。它是梨园声腔的载体，把当年的戏腔凝在胶木之上，静静留存着民国年间唱片行当与戏曲舞台交融的细碎过往，将远去的戏韵旧影妥帖收藏，让旧年月里的戏台余韵，仍能顺着唱片纹路悠悠淌进现下。",[48,7,62,187],"历史题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5ba3dd158168b16fa90bdbb8edb01d2.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":44,"author":45,"museum":20,"description":194,"tags":195,"thumbUrl":196,"material":34,"size":35,"collection":36,"collections":197,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274049,"xiao-da-zi-shi-ba-che-chang-pian-yi-ming-274049","小达子《十八扯》唱片","泛黄牛皮封套晕开旧时光渍，百代公司的字样沉稳印刻，带着老唱片独有的复古质感。胶木碟面纹路细密，凝住了当年勾栏瓦舍里的嬉笑怒骂。\n\n《十八扯》将市井戏谑揉进水磨唱腔，伶人亮嗓间是鲜活的梨园烟火气。这张老唱片是民国曲艺风华的具象载体，纹络间锁着旧茶楼里的叫好声，藏着听众围坐听曲的松弛闲情，把伶人台上的鲜活神采封存在胶木之上，带着跨越岁月的曲艺温度，静默留存着一段梨园往事。",[48,7,61,62,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F715b38a80d2c60edc13188a8afed3015.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":44,"author":45,"museum":20,"description":202,"tags":203,"thumbUrl":204,"material":34,"size":35,"collection":36,"collections":205,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274047,"bai-wen-kui-mu-yang-quan-tao-chang-pian-yi-ming-274047","白文魁《牧羊圈套》唱片","泛黄牛皮纸封套带着岁月侵蚀的痕迹，手书题字笔锋朴拙，藏着旧藏者的珍视之心。黑胶唱片细密纹路里封存着民国梨园的余韵，百代厂牌的印记是旧时光里文娱传播的注脚。\n\n边角磨损、贴纸晕开的墨迹，都在诉说着被反复摩挲的过往。这枚老唱片将唱腔定格，把戏园里的热闹声韵留存下来。中西合制的背景，让它成为时代流转的温柔载体，藏着老辈人的声色闲情，将民国年间的娱乐日常凝固为可触摸的旧影。",[48,7,118,95],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7422a72b80e5629fb3dcb097b4a4b36c.jpg",[],{"id":207,"slug":208,"title":209,"dynasty":44,"author":45,"museum":20,"description":210,"tags":211,"thumbUrl":216,"material":34,"size":35,"collection":36,"collections":217,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274046,"xu-yin-tang-tan-mu-chang-pian-yi-ming-274046","许荫堂《探母》唱片","泛黄封皮带着裂痕与时光褶皱，手写题字与印刷商号错落交织，晕开旧唱片行的市井烟火气。黑胶盘面的标签斑驳依旧，曲目刻印依稀可见，《探母》的唱腔仿佛还凝在细密纹槽之中。\n\n这枚老唱片将民国曲艺的鲜活声韵封存在纹路里，带着旧时戏台下的叫好与追捧，把当年的曲韵风华定格至今。它是流转岁月里的声影旧藏，被时光摩挲出温润痕迹，静静沉眠着老派曲艺的余韵，留存下那个年代的戏梦浮生。",[48,7,212,213,214,215],"音像制品","纸质包装","黑胶唱片","《探母》","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2505de2d294fe763731eb05d329d7c11.jpg",[],{"id":219,"slug":220,"title":209,"dynasty":44,"author":45,"museum":20,"description":221,"tags":222,"thumbUrl":223,"material":34,"size":35,"collection":36,"collections":224,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274045,"xu-yin-tang-tan-mu-chang-pian-yi-ming-274045","泛黄的牛皮纸封套带着磨损折痕，浸满旧时光的温度。封面上古朴醒目的宋体题字，尽显当年唱片行业的风采。黑胶唱片芯上的斑驳题字，搭配边角手写黄纸标签，带着旧主的留存痕迹，将老生的《探母》声韵封存在内。\n\n它是梨园声腔留声的实物注脚，将当年戏馆堂会上的京胡皮黄余韵凝结在这一纸一碟之中，藏着老派文娱的鲜活印记，让远去的皮黄唱腔有了可触摸的载体，是看得见的梨园旧梦，也是具象化的时代余音。",[48,7,213,212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f8a4666522e215393b53361ff9d147f.jpg",[],{"id":226,"slug":227,"title":228,"dynasty":44,"author":45,"museum":20,"description":229,"tags":230,"thumbUrl":232,"material":34,"size":35,"collection":36,"collections":233,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274043,"shi-hui-bao-chai-sang-kou-chang-pian-yi-ming-274043","时慧宝《柴桑口》唱片","泛黄封纸带着旧时光摩挲的痕迹，环绕唱片的题字笔力苍劲朴拙，醒目的公鸡商标是老上海百代唱片的鲜明印记。\n\n这张唱片收录京剧老生经典《柴桑口》，时慧宝的唱腔凝重回肠，将戏中悲恸沉郁的情绪尽数铺展，把京剧老生的醇厚韵味封存在胶木纹路之中。它是民国文娱盛景的鲜活注脚，将梨园声韵与旧时代的风行光景，一同定格在这方寸纸套之间，带着岁月沉淀的温度，让远去的余韵依旧能在留声机的转动中缓缓流淌。",[48,7,30,231],"音乐器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b4abc76abd9332d1cd03f1ac1e1ae13.jpg",[],{"id":235,"slug":236,"title":237,"dynasty":44,"author":45,"museum":20,"description":238,"tags":239,"thumbUrl":241,"material":34,"size":35,"collection":36,"collections":242,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274036,"liu-shou-feng-lang-de-shan-mu-ke-zhai-chang-pian-yi-ming-274036","刘寿峰郎德山《穆柯寨》唱片","泛黄牛皮纸封套带着旧时光的褶皱，手写题签墨迹晕开梨园旧韵，厂牌字样圈住了民国唱片业的旧影。它将老生行当的醇厚对唱凝为可留存的声响载体，封套边角的磨损是岁月摩挲的痕迹，印刷标识带着老派广告的复古质感。\n\n这不止是影音藏品，更是京剧黄金年代的鲜活切片，藏着当年戏园里的满堂喝彩，带着旧唱片行的市井余温，把戏台之上的酣唱封存在黑胶纹路之中，让远去的戏韵能随唱针起落，重临耳畔，将梨园盛景定格为可触摸的岁月遗存。",[48,7,61,240],"穆柯寨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36e91a6d22cbea499848c883e888c026.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":44,"author":45,"museum":20,"description":247,"tags":248,"thumbUrl":249,"material":34,"size":35,"collection":36,"collections":250,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274035,"liu-shou-feng-suo-wu-long-chang-pian-yi-ming-274035","刘寿峰《锁五龙》唱片","泛黄封套晕染着旧时光的痕迹，古朴题字环绕中心黑胶，将民国唱片的独特风华娓娓道来。胶木唱片纹路细腻，手写题字带着梨园旧韵，把沉雄浑厚的净角唱腔凝刻其中，让皮黄余韵留存至今。\n整体装帧融合中西元素，下方的外文标识带着老洋行的时代印记，是旧文娱时代的缩影。舞台上的酣畅嘶吼被凝固成可反复聆听的永恒，每一道纹路都藏着老戏迷的热忱，晕开独属于旧时光的温润温度。",[48,61,7,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa18b756cee8ab28e14ca337669b38f.jpg",[],{"id":252,"slug":253,"title":254,"dynasty":44,"author":45,"museum":20,"description":255,"tags":256,"thumbUrl":258,"material":34,"size":35,"collection":36,"collections":259,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274034,"liu-shou-feng-kong-cheng-ji-chang-pian-yi-ming-274034","刘寿峰《空城计》唱片","封套带着泛黄卷曲的岁月痕迹，古朴隶书环绕着中央的雄鸡徽记，旧派唱片公司的气派扑面而来。胶木唱片烫金铭牌虽已斑驳，却依旧凝住了旧时戏曲风行的余温。它将老生苍劲沉郁的唱腔封存在纹路之中，带着留声机独有的沙沙底噪，复刻当年戏楼里满堂喝彩的余韵，把民国文娱浮生的一角，凝固成可触碰的时光标本，让旧年的戏韵流转至今。",[48,7,61,257,63],"空城计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dd9e0eade134beffacb90b9efed946c.jpg",[],{"id":261,"slug":262,"title":263,"dynasty":44,"author":45,"museum":20,"description":264,"tags":265,"thumbUrl":266,"material":34,"size":35,"collection":36,"collections":267,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274033,"wang-xiao-nong-ma-qian-po-shui-chang-pian-yi-ming-274033","汪笑侬《马前泼水》唱片","泛黄牛皮封套晕开旧时光晕，手书墨迹朴拙苍劲，墨痕里藏着戏迷经年摩挲的温度。黑胶唱片纹路蜿蜒，凝住戏韵风流。中西元素在此交织，既有传统书法的雅致意趣，又带着洋行唱片的时代烙印。\n\n封套上题字与印刷标识错落排布，将清末民初戏曲传布的图景凝缩方寸间，刻录着老派伶人的舞台心血，也藏着旧上海滩的戏馆风月。这方旧物是戏曲音像史的鲜活注脚，让百年前的水磨余韵，顺着纹路漾开，重现旧时曲词风华。",[48,7,30,95,212],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F790a12051f55157ea9b3db62416331bc.jpg",[],{"id":269,"slug":270,"title":271,"dynasty":44,"author":45,"museum":20,"description":272,"tags":273,"thumbUrl":275,"material":34,"size":35,"collection":36,"collections":276,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274032,"chen-de-lin-ji-jiang-chang-pian-yi-ming-274032","陈得林《祭江》唱片","泛黄封皮晕开旧时光痕，中央雄鸡昂首是百代唱片经典标识。斑驳唱片纹路里，封存着《祭江》的老派唱腔，陈得林的演绎将戏曲里的悲恸怅惋凝留其中。\n\n封皮下方印制的月历，带着民国生活的烟火气，将文娱日常与实用功能融于一处。这枚老唱片是时代的切片，刻下民国梨园的唱腔余韵，也藏着旧时期唱片行业的鲜活图景，纸间墨色与碟片细纹，皆是岁月摩挲下的珍贵印记，静静诉说着往昔的梨园风华。",[48,7,106,274,213],"鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec12b0070a41274edc06f82250004489.jpg",[],{"id":278,"slug":279,"title":271,"dynasty":44,"author":45,"museum":20,"description":280,"tags":281,"thumbUrl":283,"material":34,"size":35,"collection":36,"collections":284,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274031,"chen-de-lin-ji-jiang-chang-pian-yi-ming-274031","封套墨笔题字朴拙苍劲，烫金红公鸡厂标是旧时唱片界的醒目标识，带着旧时光的厚重质感。盘面刻录的老生名段《祭江》，陈得林唱腔沉郁婉转，将孙尚香的悲恸演绎得丝丝入扣。封套下方的年历与厂牌字样，印刻着当年的发行细节，整体裹挟着民国文娱市场的鲜活印记，将梨园余韵与老唱片的收藏价值融为一体，静静诉说着旧时代京剧唱片传播的盛景，是留存至今的声音旧物，藏着半个世纪前的戏台余音。",[48,282,7,118],"戏曲唱片","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91c0c9e183e7dac12ce49f2da617aac3.jpg",[],{"id":286,"slug":287,"title":237,"dynasty":44,"author":45,"museum":20,"description":288,"tags":289,"thumbUrl":290,"material":34,"size":35,"collection":36,"collections":291,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274029,"liu-shou-feng-lang-de-shan-mu-ke-zhai-chang-pian-yi-ming-274029","泛黄封皮晕开旧时光的痕迹，赭色衬纸搭配遒劲醒目的招牌题字，带着民国唱片行当特有的商业烟火气。胶木唱片盘面的娟秀小字，刻印着梨园名段的演绎者名姓，将《穆柯寨》的京韵唱腔封存在细密纹路中。\n\n它是民国文娱风物的缩影，凝固了戏楼里绕梁的水磨唱腔，让百年前伶人的婉转声腔仿佛仍能顺着纹路悠悠响起，静静留存旧时代的戏梦风华，藏着当年票友们追捧的梨园热望。",[48,7,240,61],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe155029e5fa0ce623e2d4958e7ab6159.jpg",[],{"id":293,"slug":294,"title":295,"dynasty":44,"author":45,"museum":20,"description":296,"tags":297,"thumbUrl":298,"material":34,"size":35,"collection":36,"collections":299,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274026,"lu-yu-shan-zui-jiu-chang-pian-yi-ming-274026","路玉珊《醉酒》唱片","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[48,62,282,7,106],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85e3165c4716a34572b19bfd4d4c6e2f.jpg",[],{"id":301,"slug":302,"title":295,"dynasty":44,"author":45,"museum":20,"description":296,"tags":303,"thumbUrl":305,"material":34,"size":35,"collection":36,"collections":306,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274025,"lu-yu-shan-zui-jiu-chang-pian-yi-ming-274025",[48,7,304,63],"醉酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffca1394fe231cf76f6a02d81089f8b03.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":44,"author":45,"museum":20,"description":311,"tags":312,"thumbUrl":313,"material":34,"size":35,"collection":36,"collections":314,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274022,"gong-yun-fu-liu-dian-chang-pian-yi-ming-274022","龚云甫《六殿》唱片","泛黄封皮晕开旧时光的底色，手书题字笔力苍朴，与印刷标识交错相融。胶木唱片标签斑驳磨蚀，刻录着梨园旧韵的余痕。纸面褶皱与卷边破损，凝萃着经年流转的岁月印记，将老戏的皮黄唱腔封存在这一方载体之中。\n\n它是旧世文娱传播的鲜活注脚，静默留存着民国戏园的余音，让远去的曲韵以器物之态定格，藏着旧时听曲赏戏的市井烟火气，将近代戏曲的传播过往凝缩在这方寸之间。",[48,7,62,61,105],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F198d852784fcab889f68f7482b90b1dc.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":44,"author":45,"museum":20,"description":319,"tags":320,"thumbUrl":321,"material":34,"size":35,"collection":36,"collections":322,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274021,"yang-xiao-lou-lian-huan-tao-chang-pian-yi-ming-274021","杨小楼《连环套》唱片","灰旧封套上的手书大字朴拙厚重，带着旧时光的温痕。中心胶木唱片的公鸡厂标醒目亮眼，是百代唱片标志性印记。侧边题字清晰点明名角剧目，将杨小楼的舞台风采凝缩在这张老唱片之上。\n\n它藏着民国梨园的余韵，封套纸面的折痕与泛黄的纸色，都在诉说着当年戏迷反复摩挲珍藏的热忱。流转的音纹刻录下《连环套》的唱念做打，仿佛能听见胡弦咿呀与锣鼓铿锵，名伶的唱腔透过岁月传来，是戏曲唱片文化的鲜活注脚，复刻着那个年代里戏楼满堂的喝彩与梨园风华。",[48,61,282,214,95,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F739e4a4536e7b5292b6b6185cafe553f.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":44,"author":45,"museum":20,"description":327,"tags":328,"thumbUrl":330,"material":34,"size":35,"collection":36,"collections":331,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274020,"liu-hong-sheng-yu-bei-ting-chang-pian-yi-ming-274020","刘鸿声《御碑亭》唱片","泛黄糙纸封套裹着旧时光的温度，笔力沉厚的题字墨色凝润，带着老商号的郑重拙朴。胶木唱片的纹路里封藏着老生唱腔的水磨余韵，盘面制式标签规整妥帖，与随性的手写题字相映成趣。\n\n这一方旧物揉着民国市井听曲的烟火气，将梨园泰斗的唱念做打凝在纹路之间，摩挲过岁月的痕迹，静静晕开当年戏园子里的叫好声与胡琴弦歌，让旧日的戏曲风华以实体留存，成为声音与旧时光的具象标本。",[48,61,7,62,329],"封套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d50af62107afc31887c42fa63c43140.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":44,"author":45,"museum":20,"description":336,"tags":337,"thumbUrl":338,"material":34,"size":35,"collection":36,"collections":339,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},274018,"liu-hong-sheng-qiao-gu-qiu-jin-chang-pian-yi-ming-274018","刘鸿声《敲骨求金》唱片","牛皮封套上手书大字带着旧时光的朴拙温度，胶木唱片上的火鸡厂标醒目鲜明，刻纹间藏着梨园余韵。\n\n它是声音的标本，封套边缘的磨损是时光摩挲过的痕迹，印刷的外文标识藏着东西文化交融的旧影。这枚圆盘将戏台唱腔凝刻，唱针轻落时，便能唤醒往昔戏楼里的水磨余音，把梨园风华封存在纹路之间。泛黄的纸页与胶木的厚重，沉淀着旧时代的声韵记忆，静述着被珍藏的往昔声腔。",[48,61,7,118],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811144c132f833c46a2e5e1b94aa97c2.jpg",[],{"id":341,"slug":342,"title":343,"dynasty":44,"author":45,"museum":20,"description":344,"tags":345,"thumbUrl":347,"material":34,"size":35,"collection":36,"collections":348,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274017,"gao-qing-kui-yan-fen-ji-chang-pian-yi-ming-274017","高庆奎《胭粉计》唱片","牛皮纸封套带着岁月摩挲的痕迹，中央雄鸡昂首挺立，是百代唱片极具辨识度的经典标识，环绕字体带着民国商业美术的复古拙朴质感。唱片盘面烫金火鸡标搭配工整宋体，细节处处透着老派雅致。\n\n这张老唱片将高庆奎苍凉沉郁的老生唱腔定格在胶木之上，带着留声机时代特有的音色质感，把京剧老生戏的磅礴戏韵凝刻下来，既是民国唱片工业的实物缩影，也留存下京剧声腔艺术的鲜活片段，藏着旧文娱时代的温热印记，静静诉说着老戏与老唱片交织的过往。",[48,61,7,274,346,105],"胭粉计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1359960b37eedfb8e2965db3d9ce9d3b.jpg",[],{"id":350,"slug":351,"title":352,"dynasty":44,"author":45,"museum":20,"description":353,"tags":354,"thumbUrl":355,"material":34,"size":35,"collection":36,"collections":356,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274016,"tan-xin-pei-tuo-zhao-peng-bei-chang-pian-yi-ming-274016","谭鑫培《托兆碰碑》唱片","米黄封套晕开旧时光的暗黄，朴拙题字环绕标志性雄鸡商标，晕染着民国独有的沉静厚重。黑胶唱片中心烫金朱红相映，将谭派老生的苍凉唱腔凝刻在沟槽之中。\n\n这张唱片留住了《托兆碰碑》里杨继业的悲怆沉郁，把杨令公的泣血悲歌永久留存。纸套的褶皱、唱片的浅淡磨痕，皆是岁月摩挲的痕迹，将戏园堂会里的喝彩与胡琴声，封存在这一方老物之中，晕开旧时代戏曲与唱片文化交织的温柔余韵。",[48,61,7,50,274],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93850a19fb203d367caaba49ba650756.jpg",[],{"id":358,"slug":359,"title":360,"dynasty":44,"author":45,"museum":20,"description":361,"tags":362,"thumbUrl":364,"material":34,"size":35,"collection":36,"collections":365,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274014,"tan-xin-pei-wu-pen-ji-chang-pian-yi-ming-274014","谭鑫培《乌盆记》唱片","泛黄封套带着时光摩挲的痕迹，朴拙的手写题字带着随性的笔墨意趣，晕开旧唱片行的怀旧氛围。中心黑胶标签凝刻着老生泰斗的经典剧目，将舞台上苍凉沉郁的皮黄唱腔封存在胶木之上。\n\n底部的外文标识与繁体小字，晕开民国西风东渐的时代印记，暗合着当年中西交汇的文娱图景。整体素朴无华，却如同缄默的时光容器，将百年前的戏腔余韵、老唱片行业的风貌一并封存。触手可及的旧纸与凝固的声腔交织，唤起旧年月里围坐留声机旁，静听戏文流转的温热记忆。",[48,61,7,62,363],"传统曲艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16caf9d81fc83ad8e3db1bc51d48613e.jpg",[],{"id":367,"slug":368,"title":326,"dynasty":44,"author":45,"museum":20,"description":369,"tags":370,"thumbUrl":372,"material":34,"size":35,"collection":36,"collections":373,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274013,"liu-hong-sheng-yu-bei-ting-chang-pian-yi-ming-274013","泛黄封皮晕开岁月旧痕，手书题字朴拙沉厚，带着手工装帧的温度。黑胶唱片纹路蜿蜒，将老生行当苍劲唱腔封存在密纹之中。这张旧物携着民国梨园余韵，把戏台间的唱念做打定格留存，藏着那个年代的市井文娱印记，晕开独属于旧时光的戏梦风华，静静诉说着传统戏曲与老载体碰撞的旧日浪漫。",[48,61,7,371,95,62],"《御碑亭》","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54b2c5cc3bd48dd1f672c42a8a96a63f.jpg",[],{"id":375,"slug":376,"title":377,"dynasty":44,"author":45,"museum":20,"description":378,"tags":379,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":381,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":39},274010,"tan-xin-pei-peng-bei-chang-pian-yi-ming-274010","谭鑫培《碰碑》唱片","泛黄牛皮封套上手书题字笔意苍朴，墨色随着年月晕开浅淡痕迹，带着被反复摩挲过的温润旧感。胶木唱片凝住谭派老生的苍凉唱腔，将《碰碑》里杨继业的悲怆沉郁定格在纹路之中。它是旧时代里戏曲传播的载体，把戏楼之上的水磨皮黄，送到了巷陌人家的留声机上，藏着民国年间梨园艺术流转的细碎余温，静静留存着老生泰斗的唱腔风骨，让百年前的苍凉余韵，仍能顺着唱片纹路轻轻流淌。",[48,7,61,380,213],"音乐制品",[],{"id":383,"slug":384,"title":385,"dynasty":44,"author":45,"museum":20,"description":386,"tags":387,"thumbUrl":389,"material":34,"size":35,"collection":36,"collections":390,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},274041,"bai-wen-kui-qing-guan-ce-chang-pian-yi-ming-274041","白文魁《清官册》唱片","泛黄牛皮纸封套晕开岁月痕迹，手写题字带着旧唱片行的市井暖意，中心唱片标签刊印规整，带着老派印刷的拙朴质感。\n\n胶木纹路中刻录着老生经典段落，唱腔里凝着民国戏台的余韵，封面上的手写批注与印刷字样，藏着旧时代戏迷与唱片行的流转往事，将戏台烟火封存在纹路之间，是戏曲音像史里一枚带着温度的时代标本，静静诉说着戏曲传播的旧时光故事。",[48,7,106,30,388],"纸质品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31ebc5af492c4fd52bb1e3ca258a10ee.jpg",[],1777535712006]