[{"data":1,"prerenderedAt":45},["ShallowReactive",2],{"subject-xi-zhi-1665":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1665,"xi-zhi-1665","细枝","细枝画高清赏析","精选中国历代细枝题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8e0d492edd8f690cd91e4bce6db0fe5.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},289376,"fang-cui-bai-dan-feng-niao-que-tu-yi-ming-289376","仿崔白丹枫鸟鹊图","元","佚名","藏地不详","元代绘画中，文人画占据画坛主流。因元代未设画院，除少数专业画家直接服务于宫廷外，大都是身居高位的士大夫画家和在野的文人画家。他们的创作比较自由，多表现自身的生活环境、情趣和理想。山水、枯木、竹石、梅兰等题材大量出现，直接反映社会生活的人物画减少。作品强调文学性和笔墨韵味，重视以书法用笔入画和诗、书、画的三结合。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36,37],"高清","国画","名画","书画","立轴","花鸟","设色","工笔","临摹","飞鸟","鹊","丹枫","枯树","竹","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F716dfbb7dd8876c3b5ccb799a264a779.jpg","未知","Xcm*Xcm","",[],34,"795548",1777535824995]