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香山九老会诗序》的内容可知，对九老雅集的描绘早已有之，到了南宋时期，此题材在画院中也非常兴盛；而明代的宫廷画家在承袭南宋画院风格时，对此种具有历史典故的题材又较好的继承下来。\n对于这幅表现文人聚会的长卷，在构图上作者选择了从围墙上方往墙内俯视的角度来描。\n画中一条蜿蜒的碎石小径贯穿整个画面，形成一条横轴线，人物及景物均围绕着石径展，画面从左边开始：一身着便服的文人携一童仆正缓缓地向画面中心的厅堂走来，他似乎并不急于赴会，而是悠闲地欣赏着园内的景致。\n沿着他走的路径向右看，在石径一侧，有两人站在梅树前，一人一边指着着梅树一边好像对旁边的人说着什么，看那人恭敬的样子，也许正在聆听长者论道吧。\n再往后，便是画的中心，这是画面内容的主体：只见一宽大的厅堂里，几案分明，案上盆景、花瓶摆放有序；厅中有一桌，三个文人正围着桌子看一位长者写着什么，或是画着什么。\n四个人物的神态各不相同，均刻画精微：长者面露喜悦，挥毫泼墨；三位围观者，有的若有所思，有的凝神静观。\n堂前石径上，有一仆人正端着盘子向右行，把观者的视线引向画面的结尾部分，有两位文人正在苍松翠柏下吟诗赏画，旁边的几位童仆，有的在煮茶温酒，备办佳肴；有的在侍侯笔墨，抱琴侍立。\n整个场面以石径为主线，中间穿插以厅堂楼榭，假山叠石，古松，梅树，瑞鹤等景物，把画面的几个部分联成一个有机的整体。\n整体上看，瑞松摇曳，梅花绽放，祥鹤唳鸣，环境清幽淡远，实为人间的“桃源仙境”。\n在刻画人物形象方面，作者着重于对人物表情的描绘。\n人物布局上聚散都非常富于变化。\n笔法工整严谨，衣纹线条准确，挺拔而秀逸，极富质感，色彩鲜艳、古拙。\n在景物刻画上也非常严谨，小径上的碎石，亭台、屋宇等一笔一笔地描绘出，松柏，梅树，竹叶也细细地勾勒，显示出画家精谨细密的功夫，具有李唐、刘松年的遗风，属于院体一派。\n谢环，字庭循，明永嘉（今浙江温州）人，善画山水、人物，远承荆浩、关仝，以及南宋李唐、刘松年，近师元人。\n成祖永乐(14-1424）中征入画院。\n谢环还擅长文学，画史上说他“知学问，喜赋诗”，有《梦吟堂集》世，时人称他“清瑾有文”。\n传世作品有《 》等。",[23,24,26,28,27,29,31,120,7,239,240,194,241],"石径","庭院","鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3901b4a9861a664f281876e2c023104.jpg",[],43,2,{"id":247,"slug":248,"title":249,"dynasty":72,"author":250,"museum":251,"description":252,"tags":253,"thumbUrl":258,"material":259,"size":260,"collection":63,"collections":261,"showCount":244,"zanCount":11,"manualWeight":11,"mainColor":166},223073,"hong-lou-meng-59-sun-wen-223073","红楼梦59","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,24,25,26,27,28,254,255,256,29,257,53,30,158,7,79],"青绿","红楼梦","大观园","仕女","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce03b42f75b32d3656103e5544ed7796.jpg","绢本","纵43.3厘米、横76.5厘米",[],{"id":263,"slug":264,"title":265,"dynasty":72,"author":266,"museum":48,"description":267,"tags":268,"thumbUrl":271,"material":63,"size":63,"collection":63,"collections":272,"showCount":273,"zanCount":147,"manualWeight":11,"mainColor":41},224578,"qing-ke-si-qun-xian-zhu-shou-zhou-qing-ren-224578","清缂丝群仙祝寿轴","清人","云端玄女乘鹤御风而来，松荫之下众仙执笙捧盏，衣袂翩跹顾盼生姿，满含恭谨喜色，似正静待贺寿吉时。下方仙姝俯身采撷芝草灵卉，奇石虬松环伺左右，流云漫卷天际，将海天仙乡的缥缈灵秀铺展尽致。\n\n此作用通经断纬之技晕染衣纹褶皱的柔婉层次，石色苍古明润，松针纤毫毕现，将群仙赴寿的欢愉雅景织就，既见仙班贺寿的祥瑞吉庆，又尽显工致秀雅的匠艺风华，恍将清虚仙境凝于尺幅之中。",[51,24,25,97,269,28,29,30,120,54,7,154,270,33,52,158],"缂丝","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87520e9eaeef0cd56b73baacd54137b6.jpg",[],37,{"id":275,"slug":276,"title":277,"dynasty":278,"author":279,"museum":48,"description":280,"tags":281,"thumbUrl":290,"material":61,"size":62,"collection":63,"collections":291,"showCount":292,"zanCount":147,"manualWeight":11,"mainColor":67},287336,"shi-ba-xue-shi-ju-hui-tu-juan-qian-xuan-287336","十八学士聚会图卷","元","钱选","钱选（1239—1299），宋末元初著名画家，与赵孟頫等合称为“吴兴八俊”。字舜举，号玉潭，又号巽峰，霅川翁，别号清癯老人、川翁、习懒翁等，湖州（今浙江吴兴）人。\n南宋景定三年乡贡进士，入元不仕。工诗，善书画。画学极杂：山水师从赵令穰；人物师从李公麟；花鸟师赵昌；青绿山水师赵伯驹。人品及画品皆称誉当时。继承苏轼等人的文人画理论，提倡士气说，倡导戾家画。他提倡绘画中的“士气”，在画上题写诗文或跋语，萌芽了诗、书、画紧密结合的文人画的鲜明特色。",[23,51,24,26,28,29,27,282,283,284,7,285,286,287,53,288,289],"园林","竹林","古木","马匹","宴饮","聚会","文人","侍从","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d57a33c5bf1c2de793373e80b8ac2ee.jpg",[],36,{"id":294,"slug":295,"title":296,"dynasty":46,"author":205,"museum":48,"description":297,"tags":298,"thumbUrl":302,"material":61,"size":62,"collection":63,"collections":303,"showCount":304,"zanCount":245,"manualWeight":11,"mainColor":67},290758,"ke-si-shang-yuan-ying-xi-tu-zhou-yi-ming-290758","缂丝上元婴戏图轴","亭台枕着山水铺展底色，凭栏文人悠然观览，稚童四散嬉游，或展纸挥毫、或拨弦弄乐，逗引瑞兽、结伴追闹，憨态各异，灵动鲜活。\n\n通经断纬的技法让石青、朱红色块利落分明，晕开古雅沉静的底色。将庭院稚趣与幽淡景致相融，复刻出闲逸日常图景，又以婴戏暗喻多子多福的吉庆愿景，把精妙织绣技艺与雅致民俗意趣揉合一处，尽显旧时雅致的生活意趣与精湛造物匠心。",[24,97,269,28,29,299,31,7,300,79,53,301],"婴戏","麒麟","孩童","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0353f7509ad134b32cb56e4816b0140e.jpg",[],33,{"id":306,"slug":307,"title":308,"dynasty":72,"author":205,"museum":48,"description":309,"tags":310,"thumbUrl":314,"material":61,"size":62,"collection":63,"collections":315,"showCount":316,"zanCount":245,"manualWeight":11,"mainColor":67},269034,"ke-si-yun-he-wen-bu-zi-yi-ming-269034","缂丝云鹤纹补子","缂（kè，同：刻）丝（英文：K’o-ssu 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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[463,464,465,363,7,466,467,468,80,469],"明代","青花","釉下彩","芝桃","符箓纹","缠枝纹","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c568a397f4af1bad8a18485cf07cfdd.jpg",[],10,{"id":474,"slug":475,"title":476,"dynasty":46,"author":205,"museum":48,"description":477,"tags":478,"thumbUrl":480,"material":61,"size":62,"collection":63,"collections":481,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":166},290752,"ke-si-hua-hui-ling-mao-zhou-yi-ming-290752","缂丝花卉翎毛轴","此作用色温婉清和，米黄地子衬出深浅蓝调与素白、浅褐晕染的物象。山茶花、牡丹、莲荷次第铺陈，枝桠虬曲舒展，禽鸟各得佳趣，白鹭卓立于汀洲，雀鸟栖停枝头，灵动鲜活。云水、浅岸晕染出幽寂的湖山景致，缂丝走线平齐细密，将花叶的柔润舒展、翎羽的蓬松绒感一一还原，写实入微又带着独有的清雅意韵，把江南水畔初夏的清宁生机，定格在尺幅之间，尽显雅致隽永的造物匠心。",[51,24,25,97,269,28,80,79,479,121,156,52,7,158,54],"翎毛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc807624a52470c46d64f6f596c381cd4.jpg",[],9,{"id":484,"slug":485,"title":486,"dynasty":46,"author":205,"museum":48,"description":487,"tags":488,"thumbUrl":490,"material":61,"size":62,"collection":63,"collections":491,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":67},290624,"guo-lao-xian-zong-zhou-yi-ming-290624","果老仙踪轴","此画传为宋人所绘，但从画风和细节装饰等因素来看，应是明人笔墨，可能为明代中晚期的宫廷作品。\n蟠桃垂实累累，白鹤憩游于竹林，紫芝傍生于石隙，树下张果老，拄杖坐于石上。张果老为八仙之一，相传年寿数百岁。除了白鹤、紫芝、张果老等母题都与长寿有关外，「蟠桃」又名「寿桃」，而「竹」与「祝」谐音，两者合一，更有「祝寿」之意。此画细节装饰繁复，树干的画法追摹吕纪，而几上的云龙纹香炉及下方的红地枪金漆盒之器型与装饰也属明风，故此作很可能是明中晚期的宫廷相关作品。",[24,97,27,28,29,489,365,7,407,211,194],"神仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dd4e91be819c47130f97654a23133fb.jpg",[],{"id":493,"slug":494,"title":495,"dynasty":72,"author":205,"museum":48,"description":496,"tags":497,"thumbUrl":501,"material":61,"size":62,"collection":63,"collections":502,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":370},268803,"lv-se-duan-xiu-cai-yun-fu-zhe-zhi-hua-jin-chan-wen-nan-mang-yi-ming-268803","绿色缎绣彩云蝠折枝花金蟾纹男蟒","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[389,214,390,498,392,499,79,500,53,7],"金蟾","折枝花","蟒袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85ce6283f0f16ffa9a2adb6c686d5cec.jpg",[],{"id":504,"slug":505,"title":506,"dynasty":18,"author":507,"museum":190,"description":508,"tags":509,"thumbUrl":10,"material":63,"size":63,"collection":109,"collections":512,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":513},203457,"nan-cun-cun-bie-shu-shi-jing-ce-du-qiong-203457","南村邨别墅十景册","杜琼","画面以淡墨皴擦山石，线条勾勒松枝苍劲，老干虬曲盘结，松针攒簇如盖，尽显古松奇崛之态。两只仙鹤一立松巅，一踏岩坪，姿态闲雅，似相顾鸣，于清寂间漾起生机。山间飞瀑潺潺，溅起细浪，与嶙峋岩石相映，衬出幽谷静谧。淡设色晕染山体，局部点缀红树，素雅中见灵动。笔墨简淡却意韵醇厚，构图疏密有致，将林泉之趣与隐逸情怀融于尺幅，尽显文人画的雅致诗意。",[23,24,98,28,510,99,30,124,7,33,158,511,52],"册","老树",[109],"bebab3",{"id":515,"slug":516,"title":517,"dynasty":72,"author":205,"museum":48,"description":518,"tags":519,"thumbUrl":522,"material":61,"size":62,"collection":63,"collections":523,"showCount":524,"zanCount":11,"manualWeight":11,"mainColor":166},288444,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ming-chen-li-yin-zu-yi-ming-288444","历代帝王贵妃大臣朝服像(名臣李荫祖-)","此作工笔写实，尽显官员端方威仪。画师以细腻笔触，将人物沉凝威严的神态尽数铺陈。石青色朝服沉稳厚重，胸前一品仙鹤补子绣工精妙，仙鹤身姿舒展灵动，辅以江崖海水纹样，礼制细节分毫毕现。暖红顶戴、盘绕朝珠点缀其间，色彩搭配沉稳雅致。人物安坐雕花官椅，衣褶晕染自然写实，衣料质感如生。素净背景收拢视线，将观者注意力全然引向人物，形神兼备，既恪守清代肖像画的纪实传统，又以精妙笔触刻画出官员的肃穆气度。",[23,24,25,97,28,27,29,389,520,7,521],"朝珠","名臣肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d9709c1d0d6c046e6e8e51009440f2c.jpg",[],8,{"id":526,"slug":527,"title":528,"dynasty":72,"author":205,"museum":48,"description":461,"tags":529,"thumbUrl":532,"material":61,"size":62,"collection":63,"collections":533,"showCount":534,"zanCount":11,"manualWeight":11,"mainColor":67},258005,"kang-xi-kuan-qing-hua-xian-he-wen-cha-zhong-yi-ming-258005","康熙款青花仙鹤纹茶盅",[363,464,7,530,194,531],"清代","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F758fad3afb72ae7cca31c027ba887571.jpg",[],7,{"id":536,"slug":537,"title":538,"dynasty":72,"author":205,"museum":48,"description":539,"tags":540,"thumbUrl":549,"material":61,"size":62,"collection":63,"collections":550,"showCount":534,"zanCount":11,"manualWeight":11,"mainColor":166},229277,"kang-xi-hu-lu-he-lu-shui-sheng-yi-ming-229277","康熙 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