[{"data":1,"prerenderedAt":70},["ShallowReactive",2],{"subject-xian-jing-2346":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2346,"xian-jing-2346","娴静","娴静画高清赏析","精选中国历代娴静题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F461f3a441637bef355b5e52fce686547.jpg",0,2,[14,51],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":43,"material":44,"size":45,"collection":46,"collections":47,"showCount":48,"zanCount":49,"manualWeight":11,"mainColor":50},218255,"shi-nv-ce-wu-jia-you-218255","仕女册","清","吴嘉猷","上海博物馆","细腻笔触晕染出闺阁的温婉时光。仕女们或临窗研墨，或凭栏观鸟，或围坐品茗，或抚琴寄怀。庭院花木扶疏，轩窗屏风雅致，每一处细节都藏着东方生活的诗意。衣袂褶皱、器物纹理、人物神态皆被精心勾勒，尽显古代女性的娴静灵秀。一幅幅日常场景串联成流动画卷，将清人闺阁的雅致情趣与审美意趣悄然铺展，引人沉醉于那份古典的温柔与从容。笔墨间流淌的不仅是生活片段，更是东方美学里独有的温婉与雅致，让观者仿佛踏入时光回廊，触摸到古代仕女的细腻心境。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,7,40,41,42],"高清","国画","册","工笔","设色","仕女","美人","庭院","楼阁","轩窗","屏风","花木","飞鸟","抚琴","品茗","研墨","温婉","雅致","器物","园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fbf079b3eb908aacb932a649ab3bd75.jpg","纸本,设色","","人物画精选",[46],186,9,"BDBDBD",{"id":52,"slug":53,"title":54,"dynasty":55,"author":56,"museum":57,"description":58,"tags":59,"thumbUrl":10,"material":65,"size":66,"collection":45,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},289345,"jing-zhuang-shi-nv-tu-su-han-chen-289345","靓妆仕女图","宋","苏汉臣","藏地不详","苏汉臣（1094年―1172年），汴京（今河南开封）人，北宋画家。北宋徽宗宣和年间（1119~1125）任画院待诏，南宋高宗绍兴年间（1131~1162）复职，南宋孝宗隆兴初年（1163）任承信郎。\n苏汉臣曾为北宋宣和画院待诏，南渡后又复职，隆兴初画佛像称旨，任承信郎。师刘宗古，工画道释、人物臻妙，尤善婴孩，所画货郎图，描画精细，货物繁颐，更为特出。\n苏汉臣师从画院待诏刘宗古，所绘人物、士女及佛道宗教画，用笔工整细劲，着色鲜润。尤擅描绘婴儿嬉戏之景和货郎担，情态生动。传世作品有《秋庭戏婴图》《五瑞图》《击乐图》《婴戏图》等。",[24,60,26,27,28,29,61,62,33,63,64,7],"扇面","室内场景","妆扮","枯树","盆栽","未知","Xcm*Xcm",[],43,"795548",1777535781210]