[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"subject-xian-qin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},917,"xian-qin","仙禽","仙禽画高清赏析","精选中国历代仙禽题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0795223a333ebaaa9abb54d15309d62f.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},218219,"gu-xiu-ba-xian-qing-shou-gua-ping-yi-ming-218219","顾绣八仙庆寿挂屏","明","佚名","台北故宫博物院","这幅画采用了典型的明朝画风，包括浓艳的色彩、精细的线条和富有章法的构图。画中的人物均为虚构的仙人，每一位仙人都有着独特的服装和长相，并且每一位仙人的手持的吉祥物也不尽相同。\n\n整幅画呈现出一种和谐美的氛围，传达出祝福寿星的良好意愿。这幅画非常适合用来装饰寿星的家中，作为庆祝寿辰的艺术品。",[23,24,25,26,27,28,29,30,31,7,32],"高清","顾绣","挂屏","设色","人物","八仙","云","祝寿","刺绣","法器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feea7d97637a772d7995c32ddac177cc0.jpg","绢本,设色","","人物画精选",[36],140,5,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":56,"material":57,"size":58,"collection":35,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},289121,"xian-yu-qi-qin-tu-wang-qi-han-289121","仙驭奇禽图","五代十国","王齐翰","藏地不详","王齐翰(公元10世纪)〔五代·南唐〕金陵(今江苏南京)人，生卒年不详。后主李煜朝(961-975)为宫廷翰林图画院待诏。工画人物、佛道宗教画，兼擅山水、花鸟，以画猿獐出名。好作山林丘壑，隐岩幽谷，无朝市风埃气，其画以笔法工细为特色〔南唐〕金陵（今南京）人。仕南唐李煜（九六一至九七五）在位为翰林待诏。画道释人物多思致，好作山林丘壑，隐岩幽卜。其画以笔法入细者胜，无一点朝市风尘气。开宝末商贾刘元嗣以高价售得齐翰画罗汉十六轴，载入京师，置于僧寺。后僧以过期拒赎与讼。时太宗尹京，督索其画，一见大加赏叹。遂留画厚赐而释之。阅十六日太宗即位，后名其画曰应运罗汉。画花鸟如生，人但以獐猨名。",[50,51,52,26,53,27,7,54,55],"扇面","国画","书画","工笔","祥云","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7603eea79bca7cd6380f59c447a970d8.jpg","未知","Xcm*Xcm",[],26,"795548",1777535781757]