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松年的《四景山水图》做比较，就会发现这个问题。《四景山水图》画山石用斧劈皴和淡墨渲染，具有刚硬的特点。树的弯曲，用笔偏于方折，远山仅画一角。虽然画面的总体感觉上是湿润的，但具体景物却是干裂的。再看《秋窗读易图》的山石画法，很明显地具有董源、巨然的风格——长披麻皴的运用和具有江南柔美的韵致。另外，从树木、苔点、远山、秀水的画法中，我们可以感觉得到一种萧散和淳厚，这又具有元人的绘画风韵。\n总体而言，《秋窗读易图》较之《四景山水图》，硬朗之风略逊，而优雅、闲适之气则胜之。从这个意义上讲，刘松年的作品突破了时代的风格，以典雅、秀丽的风貌预示了元代山水画的走向。虽然元代山水画的一个典型的特征是排斥南宋绘画传统，但刘松年绘制的这件作品，正好从另一个方面说明了元代山水画家或者说南宗山水画家将反对的对象集中在马远和夏圭上的主要原因。",[86,23,133,43,24,404,405,406,25,407,408,409,69,260,410,247,411,412,7,71,72],"斧劈皴","披麻皴","青绿","夹叶法","书斋","湖光水色","童子","读书场景","清幽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc7f7a8a4570c2aef05e8549b15cb55c.jpg","绢本设色","25.7×26厘米",[],{"id":418,"slug":419,"title":420,"dynasty":18,"author":421,"museum":20,"description":422,"tags":423,"thumbUrl":424,"material":30,"size":31,"collection":32,"collections":425,"showCount":426,"zanCount":76,"manualWeight":11,"mainColor":56},291003,"tang-song-yuan-hua-ji-jin-ce-mai-chun-mei-yuan-lu-zong-gui-291003","唐宋元画集锦册 买春梅苑","鲁宗贵","鲁宗贵，钱塘（今浙江省杭州）人，南宋画家。工花竹、禽鸟、窠石，用笔意趣有余，描染佳妙，尤长于写生，鸡雏乳鸭，颇有生意。传世作品有《春韵鸣喜图》。",[23,44,348,25,294,72,46,49,47,326,262,70,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ad15f308e18ebb9211341caaa5a1ba7.jpg",[],21,{"id":428,"slug":429,"title":430,"dynasty":18,"author":431,"museum":20,"description":432,"tags":433,"thumbUrl":437,"material":30,"size":31,"collection":32,"collections":438,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":56},289330,"qiu-shan-ce-zhang-tu-yan-su-289330","秋山策杖图","燕肃","这件作品是一幅山村之景，近处苍松并立，枝干挺拔舒展，松下有一茅草屋，屋内，一老叟凭窗闲眺，溪桥上，另一长者正策杖而行。",[23,43,133,45,25,50,49,434,150,349,435,436,7],"秋山","策杖","山野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d8897b84494cbf20379ca1400ec641d.jpg",[],{"id":440,"slug":441,"title":442,"dynasty":18,"author":443,"museum":106,"description":444,"tags":445,"thumbUrl":447,"material":111,"size":448,"collection":32,"collections":449,"showCount":426,"zanCount":11,"manualWeight":11,"mainColor":35},289107,"shan-shui-tu-gou-long-shuang-289107","山水图","勾龙爽","勾龙爽，又名句龙爽，四川人，生卒年月不详。\n宋代宫廷画家，擅长人物画。神宗时官翰林待诏。时称他画的人物“其状质野，有返朴之意。” 作品有《西成民乐图卷》《岁丰图卷》等。",[23,65,133,45,50,122,326,262,259,446,260,71,72,7],"水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd46adb2dfd4a776f60c4615a48352537.jpg","40.8x29.7",[],{"id":451,"slug":452,"title":453,"dynasty":323,"author":454,"museum":106,"description":455,"tags":456,"thumbUrl":463,"material":464,"size":465,"collection":32,"collections":466,"showCount":467,"zanCount":11,"manualWeight":11,"mainColor":56},290617,"mi-tuo-fo-xiang-zhou-zhang-wo-290617","弥陀佛像轴","张渥","张渥中国元代画家。(？-约1356前)〔元〕字叔厚，号贞期生、江海客，淮南（今安徽合肥）人，后居杭州（今浙江杭州）。通文史，好音律，然屡举不中，仕途失意，遂寄情诗画。能山水，“尽自然之性”，擅长人物，法李公麟白描得其清丽流畅之风；擅“铁线描”，被誉为“李龙眠后一人而已”。亦尝作弥勒佛像。所画线条刚劲飘逸，人物形神刻画生动，兼画梅竹亦潇洒有致。",[65,23,44,66,457,458,459,88,25,136,460,410,90,461,462,72,7],"宗教","佛教","弥陀佛像","芭蕉","书籍","文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c7abd483f15fcd6d5d2c30f48956588.jpg","纸本,设色","87.5x30.4",[],20,{"id":469,"slug":470,"title":471,"dynasty":367,"author":472,"museum":20,"description":473,"tags":474,"thumbUrl":476,"material":30,"size":31,"collection":32,"collections":477,"showCount":467,"zanCount":11,"manualWeight":11,"mainColor":56},290516,"zhou-dun-yi-ai-lian-tu-tuan-shan-shu-hao-290516","周敦颐爱莲图团扇","舒浩","舒浩［清］字萍桥，号平桥，又号则水道人。与沙馥、钱慧安等先后同时，名誉亦杨伯仲。工人物、山水、花鸟，工细缜密，雅秀天然。按近代六十名画家传载有舒豪字萍桥，",[86,23,43,25,24,49,475,262,72,71,7],"荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e06f70481735d4cbb314db4b28a48af.jpg",[],{"id":479,"slug":480,"title":481,"dynasty":18,"author":482,"museum":20,"description":483,"tags":484,"thumbUrl":486,"material":30,"size":31,"collection":32,"collections":487,"showCount":467,"zanCount":11,"manualWeight":11,"mainColor":35},289927,"lian-tang-fan-zhou-tu-wang-shen-289927","莲塘泛舟图","王诜","王诜[shēn]（公元约1048年—公元约1104年），字晋卿，太原（今山西太原）人，后迁汴京（今河南开封），北宋画家。\n北宋熙宁二年（1069年）娶英宗女蜀国大长公主，拜左卫将军、驸马都尉。元丰二年，因受苏轼牵连贬官均州。元祐元年（1086年）复登州刺史、驸马都尉。擅画山水，学王维、李成，喜作烟江云山、寒林幽谷，水墨清润明洁，青绿设色高古绝俗。亦能书，善属文。其词语言清丽，情致缠绵，音调谐美。存世作品有《渔村小雪图》《烟江叠嶂图》《溪山秋霁图》等。",[23,43,46,49,122,150,260,485,25,7],"莲塘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc60ccd97f3b4dd44819a274b62a0272d.jpg",[],{"id":489,"slug":490,"title":491,"dynasty":367,"author":492,"museum":20,"description":493,"tags":494,"thumbUrl":495,"material":30,"size":31,"collection":32,"collections":496,"showCount":497,"zanCount":11,"manualWeight":11,"mainColor":56},290513,"shen-liu-du-shu-tang-tu-wang-su-290513","深柳读书堂图","王愫","王愫 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本幅人物线条刚劲如铁丝，转折犀利。树干苍老，柳叶繁复，笔力稳健挺拔，多层皴染，使得画面蕴藉厚润。全作绘制精谨，是一幅宋代佳作。",[23,49,606,300,25,66,223,7,71,72,163],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cb5029386e1abd755f84882e4f3a3f5.jpg","纵29.4厘米,横29厘米",[],10,{"id":726,"slug":727,"title":728,"dynasty":367,"author":729,"museum":20,"description":730,"tags":731,"thumbUrl":737,"material":30,"size":31,"collection":32,"collections":738,"showCount":724,"zanCount":11,"manualWeight":11,"mainColor":56},289949,"shan-shui-ren-wu-juan-shi-tao-289949","山水人物卷","石涛","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[86,23,65,87,45,44,71,294,46,49,122,136,259,70,732,733,734,735,736,283,7,72,50],"怪石","幽林","隐士","僧人","渔者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9823a172113e0e371319b858615943f8.jpg",[],{"id":740,"slug":741,"title":742,"dynasty":61,"author":743,"museum":20,"description":744,"tags":745,"thumbUrl":747,"material":30,"size":31,"collection":32,"collections":748,"showCount":749,"zanCount":11,"manualWeight":11,"mainColor":56},290914,"xi-tong-tu-zhou-qian-gu-290914","洗桐图轴","钱毂","钱毂，吴（今苏州）人。字叔宝，号磬室。明代画家。少孤贫，失学，成年开始读书。从文征明学诗文、书画，学习刻苦，传说曾抄古籍几万卷. 画名重于时，为吴门画派中高手。善绘山水、兰竹，意趣古淡，疏朗清新，风格近其师。工书法，笔力见功夫，挥洒自如，有屋漏之痕、折钗之势。传世作品有《虎丘前山图》轴、《求志图》，均藏北京故宫博物院；《苍山茅舍图》轴，藏上海博物馆。",[23,66,65,45,25,49,315,349,7,746],"洗桐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f93987532f06bf425d5a4264a76fb36.jpg",[],9,{"id":751,"slug":752,"title":753,"dynasty":323,"author":754,"museum":20,"description":755,"tags":756,"thumbUrl":757,"material":30,"size":31,"collection":32,"collections":758,"showCount":749,"zanCount":11,"manualWeight":11,"mainColor":56},287671,"fang-zheng-qian-lin-ting-qiu-shuang-tu-zhang-yu-287671","仿郑虔林亭秋爽图","张雨","张雨（1277年-1348年），又名天雨，字伯雨，法名嗣真，别号贞居，又号句曲外史，钱塘（今浙江杭州）人，元朝茅山宗道士。年二十遍游天台、括苍诸山。",[65,23,45,46,360,326,150,70,69,315,122,49,537,202,72,71,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e9620ea01bc9dcbc4a772c93920f5a2.jpg",[],{"id":760,"slug":761,"title":762,"dynasty":367,"author":82,"museum":20,"description":763,"tags":764,"thumbUrl":767,"material":30,"size":31,"collection":32,"collections":768,"showCount":749,"zanCount":76,"manualWeight":11,"mainColor":56},272874,"zi-tan-mu-bian-xiu-shan-shui-ren-wu-tu-gua-ping-yi-ming-272874","紫檀木边绣山水人物图挂屏","此作以绣代墨，晕染出空山雅集的幽寂之境。苍松蟠曲古劲，松针绣织细密鲜活，林下二人对坐清谈，似伴泉声叙话，尽彰林泉隐逸之趣。远山以淡彩绒线轻铺慢绣，晕出空濛悠远的山水诗意，上方题诗针脚匀整，将诗、书、绣、画融为一体。\n\n整体设色清雅柔和，紫檀木边框衬出沉浑古雅质感，把文人寄情山水的闲逸襟怀尽数铺展，工致秀雅间尽显古典雅致的林下风流。",[765,766,46,49,67,71,25,7],"挂屏","刺绣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18135071a4b6a318d6e6ebd46c3e613d.jpg",[],{"id":770,"slug":771,"title":772,"dynasty":61,"author":82,"museum":20,"description":773,"tags":774,"thumbUrl":776,"material":30,"size":31,"collection":32,"collections":777,"showCount":778,"zanCount":11,"manualWeight":11,"mainColor":56},283634,"yu-yu-yu-qing-tu-yi-ming-283634","欲雨欲晴图","此作用米家山水的晕染之法，绘就江南烟霭迷离之景。远景山峦隐没在翻涌云岚间，墨色轻淡柔和，虚实掩映间衬出山光断处的幽远意境。近景汀洲水岸边，村居错落隐在葱郁林木中，板桥连通两岸，扁舟系在浅滩，漾出水乡安闲静穆的日常意趣。\n\n画面以水墨晕染尽显欲雨将晴的湿润空蒙，水汽漫过江渚，笼住层林远山，将江南湿润清宁的氛围感拉满。留白与墨色相融相生，把天地间的朦胧柔婉尽数铺展，带着文人画独有的雅致诗意，观之如亲赴烟雨中的江南水乡，静赏闲淡日常，尽显山水画平淡天真的隽永意趣。",[86,23,65,133,45,25,262,70,122,135,259,245,260,71,72,775,7],"欲雨欲晴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97a0a5ee8f2e9049eb7b495a8bba539d.jpg",[],8,{"id":780,"slug":781,"title":220,"dynasty":18,"author":82,"museum":20,"description":782,"tags":783,"thumbUrl":784,"material":30,"size":31,"collection":32,"collections":785,"showCount":786,"zanCount":11,"manualWeight":11,"mainColor":35},288225,"gao-shi-guan-pu-tu-yi-ming-288225","此作咫尺含千里之趣，左侧坡岸幽竹扶苏，两位高士凭岩闲坐，静看飞瀑破崖奔落，坠入烟霭空蒙的寒潭。远山以淡墨晕染，虚实相生，将深山林壑的空寂清远铺展开来。\n画师以极简笔触勾勒物象，墨色清润淡雅，留白处尽显空灵悠远，将寄情林泉、寻幽遁世的雅趣藏于画中。观之如临其境，仿佛能聆听见松风与瀑鸣，沉浸式触摸这份山林间的幽寂淡然。",[86,43,23,44,133,162,173,69,49,70,45,50,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70c0c4e0cda867db4d92d66a9d575fad.jpg",[],7,{"id":788,"slug":789,"title":790,"dynasty":18,"author":82,"museum":20,"description":791,"tags":792,"thumbUrl":795,"material":30,"size":31,"collection":32,"collections":796,"showCount":797,"zanCount":11,"manualWeight":11,"mainColor":56},290103,"xi-pang-xian-hua-tu-yi-ming-290103","溪旁闲话图","苍古巨木斜伸，浓荫覆着溪岸，树下白衣士人负手而立，舟头渔者斜倚，二人遥遥闲话，打破了山溪的岑寂。\n\n画作以简淡笔墨铺陈幽致，树木皴染兼具，苍朴厚重，人物身形虽小，却神态宛然，将山野相逢的闲散意趣尽数晕开。留白的溪山似藏着无尽丘壑，尽显林下高致，把幽隐之乐凝在这方寸尺幅间，淡而愈远，简而弥深，尽显含蓄清远的宋画意韵。",[23,793,25,46,49,122,315,794,7],"册页","溪岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d16c880fc5c8a75e15d8adc2550bd82.jpg",[],6,{"id":799,"slug":800,"title":801,"dynasty":367,"author":802,"museum":20,"description":803,"tags":804,"thumbUrl":806,"material":30,"size":31,"collection":32,"collections":807,"showCount":797,"zanCount":11,"manualWeight":11,"mainColor":56},289913,"shan-shui-shi-hua-tu-ce-gu-he-qing-289913","山水诗画图册","顾鹤庆","顾鹤庆（1766－？），字子馀，号弢庵，江苏镇江府丹徒县（今江苏镇江）人。乾隆三十一年生，卒年不详。诸生。性潇洒，工诗文，善行草，好饮。入都，馆庄亲王府。",[23,44,348,45,25,46,47,359,805,7],"木桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c71a558eb09f676ef753c68dca4b674.jpg",[],{"id":809,"slug":810,"title":811,"dynasty":812,"author":82,"museum":20,"description":813,"tags":814,"thumbUrl":817,"material":30,"size":31,"collection":32,"collections":818,"showCount":797,"zanCount":11,"manualWeight":11,"mainColor":35},289124,"zhou-mao-shu-ai-lian-tu-yi-ming-289124","周茂叔爱莲图","不详","此作用淡墨晕开烟霭，晕染出空濛柔婉的水泽春暮之境。右下老柳虬曲苍劲，翠条垂拂水面，满塘莲叶错落铺陈，随波轻漾。扁舟缓行于莲间，舟上雅士凭坐，悠然观莲，身侧童子侍立，氛围恬和淡远。\n\n画面以留白衬出烟水浩渺，远近层次晕染自然，近景实写柳与莲，远景以轻墨点染林峦，融于烟岚间，尽显空灵雅致。画风清润秀逸，以简淡之笔寄爱莲之意，将观莲人慕莲高洁的心境，融于江南水色的幽淡诗意中，禅雅相融，尽显文人画寄情于景的悠然意趣。",[86,23,66,25,49,46,122,475,815,70,816,7],"垂柳","爱莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b3393db452c6589c2785955f5071f0a.jpg",[],{"id":820,"slug":821,"title":822,"dynasty":18,"author":82,"museum":20,"description":823,"tags":824,"thumbUrl":828,"material":30,"size":31,"collection":32,"collections":829,"showCount":830,"zanCount":11,"manualWeight":11,"mainColor":56},290247,"han-tang-fu-lv-tu-yi-ming-290247","寒塘凫侣图","该图左侧塘岸土坡，白梅一枝斜出，枝上梅花怒放，枝下茶花、水仙盛开。两只野鸭嬉戏于水中，顾盼生姿，逗人喜爱。对岸土坡败苇稀疏，两只蓝色的小鸟前后相随飞向远方，从而把观赏者的视线引向画外，达到画有尽而意无穷的艺术效果。",[86,23,65,44,348,25,24,825,47,826,827,294,71,72,7],"花鸟","野鸭","寒塘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7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