[{"data":1,"prerenderedAt":473},["ShallowReactive",2],{"subject-xiang-cun":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},726,"xiang-cun","乡村","乡村画高清赏析","精选中国历代乡村题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3077a0780ad3e7dda59e8ad480e3a44f.jpg",0,35,[14,39,57,80,96,107,138,154,164,181,191,202,210,220,232,250,262,272,288,301,316,326,336,347,357,367,379,393,405,414,423,434,445,454,462],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},225731,"corn-harvest-in-provence-1888-fan-gao-225731","Corn Harvest in Provence 1888","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,7,31],"油画","麦田","麦垛","人物","房屋","蓝天","树木","田野","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6afd0e08fdbdcb954a07f236f5b8410b.jpg","未知","Xcm*Xcm","油画精选",[35],50,"795548",{"id":40,"slug":41,"title":42,"dynasty":18,"author":19,"museum":20,"description":21,"tags":43,"thumbUrl":54,"material":33,"size":34,"collection":35,"collections":55,"showCount":56,"zanCount":11,"manualWeight":11,"mainColor":38},225739,"ebene-bei-auvers-1890-neue-pinakothek-munich-fan-gao-225739","Ebene bei Auvers 1890 Neue Pinakothek Munich",[23,44,30,45,46,47,29,48,49,50,7,51,52,53],"厚涂","草地","云朵","天空","干草堆","野花","田块","自然风景","色彩鲜明","笔触明显","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65a6b2bf0e73b570a5f05957088622f0.jpg",[35],38,{"id":58,"slug":59,"title":60,"dynasty":18,"author":61,"museum":20,"description":62,"tags":63,"thumbUrl":76,"material":33,"size":34,"collection":35,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":79},225905,"blue-house-in-the-outskirts-of-giverny-mo-nai-225905","Blue House in the Outskirts of Giverny","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[64,65,66,67,68,30,29,69,70,47,45,7,71,72,73,74,75],"印象派","点彩","外光写生","色彩晕染","蓝色房屋","远山","河流","枯枝","弯曲河流","朦胧山峦","绿色田野","淡色天空","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d3294145284cb1d8c7332d4ea315245.jpg",[35],37,"BDBDBD",{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":20,"description":21,"tags":84,"thumbUrl":92,"material":33,"size":34,"collection":35,"collections":93,"showCount":94,"zanCount":95,"manualWeight":11,"mainColor":38},225722,"boerendorp-in-de-avond1884-fan-gao-225722","Boerendorp in de avond1884",[23,85,7,86,87,29,30,26,88,48,89,90,91],"写实","农舍","茅草屋顶","黄昏","傍晚","自然景观","田园","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F817d2b11651cbf2f2bbb290d49ca5c3f.jpg",[35],31,1,{"id":97,"slug":98,"title":99,"dynasty":18,"author":61,"museum":20,"description":62,"tags":100,"thumbUrl":104,"material":33,"size":34,"collection":35,"collections":105,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":79},225967,"landscape-mo-nai-225967","Landscape",[101,23,64,102,30,47,103,7],"名画","风景画","云层","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e4ac7e0b9ae5f69f5d5d9f5e5dd2aea.jpg",[35],17,{"id":108,"slug":109,"title":110,"dynasty":111,"author":112,"museum":113,"description":114,"tags":115,"thumbUrl":10,"material":133,"size":134,"collection":135,"collections":136,"showCount":137,"zanCount":11,"manualWeight":11,"mainColor":79},222941,"hong-lou-meng-66-sun-wen-222941","红楼梦66","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[116,117,118,26,119,120,29,27,121,122,123,124,125,126,127,7,45,128,129,130,131,132],"高清","工笔","设色","马","轿子","旗帜","侍从","官员","百姓","服饰","抬轿","行旅","建筑","传统服饰","仪仗","骑马","人物互动","绢本","纵43.3厘米、横76.5厘米","",[],16,{"id":139,"slug":140,"title":141,"dynasty":142,"author":143,"museum":20,"description":144,"tags":145,"thumbUrl":151,"material":33,"size":34,"collection":135,"collections":152,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":79},287717,"zhi-ai-tu-li-zhou-li-tang-287717","炙艾图（立轴）","宋","李唐","李唐（1066—1150），南宋画家。字晞古，河阳三城（今河南孟州）人。初以卖画为生， 宋徽宗赵佶时入画院。南渡后以成忠郎衔任画院待诏。擅长山水、人物。变荆浩、范宽之法，苍劲古朴，气势雄壮，开南宋水墨苍劲、浑厚一派先河。晚年去繁就简，用笔峭劲，创“大斧劈”皴，所画石质坚硬，立体感强，画水尤得势，有盘涡动荡之趣。兼工人物，初师李公麟，后衣褶变为方折劲硬，自成风格。并以画牛著称。与刘松年、马远、夏圭并称“南宋四大家”。存世作品有《万壑松风图》《清溪渔隐图》《烟寺松风》《采薇图》等。",[146,147,118,117,26,148,7,149,150],"国画","立轴","枯树","民俗","篱笆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c69027a54cf9096db5d59807fb662c8.jpg",[],13,{"id":155,"slug":156,"title":157,"dynasty":18,"author":19,"museum":20,"description":21,"tags":158,"thumbUrl":162,"material":33,"size":34,"collection":35,"collections":163,"showCount":153,"zanCount":11,"manualWeight":11,"mainColor":38},225754,"geploegde-akkers-de-voren-fan-gao-225754","Geploegde akkers ('De voren')",[23,159,160,161,7,47,46,30],"后印象派","农田","耕地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde1efc81f2f36a69653b518aacf8be7f.jpg",[35],{"id":165,"slug":166,"title":167,"dynasty":168,"author":169,"museum":20,"description":170,"tags":171,"thumbUrl":178,"material":33,"size":34,"collection":135,"collections":179,"showCount":180,"zanCount":11,"manualWeight":11,"mainColor":79},290919,"tai-ping-le-shi-ce-dai-jin-290919","太平乐事册","明","戴进","此册页类似的作品其实常常具有宣扬“盛世太平”的政治功能，它一般描绘社会安和乐利，人民安居乐业的的太平景象。",[146,172,118,26,173,29,174,175,7,176,177],"册","牛","流水","小桥","太平乐事","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F357334b6f63e10521231573b999549f2.jpg",[],12,{"id":182,"slug":183,"title":184,"dynasty":18,"author":19,"museum":20,"description":21,"tags":185,"thumbUrl":188,"material":33,"size":34,"collection":35,"collections":189,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":38},225882,"windmills-on-montmartre-1886-fan-gao-225882","Windmills on Montmartre 1886",[23,159,186,7,187],"风车","户外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bc415fd265e7ca3820feada61539e85.jpg",[35],11,{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":21,"tags":195,"thumbUrl":200,"material":33,"size":34,"collection":35,"collections":201,"showCount":190,"zanCount":95,"manualWeight":11,"mainColor":38},225854,"the-vicarage-at-nuenen-september-october-fan-gao-225854","The vicarage at Nuenen (September - October )",[23,44,196,27,29,26,197,47,7,198,128,199],"笔触","地面","秋季","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F081efa7ec6917abf9d54d1198a31c8d3.jpg",[35],{"id":203,"slug":204,"title":205,"dynasty":18,"author":19,"museum":20,"description":21,"tags":206,"thumbUrl":208,"material":33,"size":34,"collection":35,"collections":209,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":38},225799,"rain-1889-fan-gao-225799","Rain 1889",[101,23,159,207,30,7,69],"雨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88e6c6827ec14e6fa868ddfeaecf6b1e.jpg",[35],{"id":211,"slug":212,"title":213,"dynasty":18,"author":61,"museum":20,"description":62,"tags":214,"thumbUrl":217,"material":33,"size":34,"collection":35,"collections":218,"showCount":219,"zanCount":11,"manualWeight":11,"mainColor":38},226137,"train-in-the-countryside-1870-mo-nai-226137","Train in the Countryside, 1870",[23,64,7,45,29,26,215,187,216],"蒸汽火车","光影描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff666ff1cbb70457d1bf81423a0d2485b.jpg",[35],10,{"id":221,"slug":222,"title":223,"dynasty":18,"author":61,"museum":20,"description":62,"tags":224,"thumbUrl":229,"material":33,"size":34,"collection":35,"collections":230,"showCount":231,"zanCount":11,"manualWeight":11,"mainColor":79},226032,"snow-scene-at-argenteuil-mo-nai-226032","Snow Scene at Argenteuil",[23,64,225,7,226,29,227,228,27],"雪景","行人","冬日","道路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48c34060bfbba2b69e37d17e6d51e9ab.jpg",[35],9,{"id":233,"slug":234,"title":235,"dynasty":111,"author":236,"museum":237,"description":238,"tags":239,"thumbUrl":246,"material":135,"size":247,"collection":135,"collections":248,"showCount":249,"zanCount":11,"manualWeight":11,"mainColor":79},223204,"geng-zhi-tu-ce-jiao-bing-zhen-223204","耕织图册","焦秉贞","北京故宫博物院","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[146,101,240,118,117,26,7,241,242,243,244,245],"册页","民居","飞鸟","农桑劳作","书法","耕织题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dea0eb58f60875dc4553e87238315ca.jpg","34.7cm×27.7cm",[],6,{"id":251,"slug":252,"title":253,"dynasty":18,"author":254,"museum":20,"description":255,"tags":256,"thumbUrl":259,"material":33,"size":34,"collection":135,"collections":260,"showCount":261,"zanCount":11,"manualWeight":11,"mainColor":38},230642,"rembrandt-harmensz-van-rijn-030-lun-bo-lang-230642","Rembrandt Harmensz.van Rijn - 030","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,102,175,174,257,29,7,26,258],"孤舟","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff980775fb95df8229b0b3bdb63d90cc5.jpg",[],4,{"id":263,"slug":264,"title":235,"dynasty":111,"author":236,"museum":237,"description":238,"tags":265,"thumbUrl":269,"material":135,"size":247,"collection":135,"collections":270,"showCount":271,"zanCount":11,"manualWeight":11,"mainColor":79},223172,"geng-zhi-tu-ce-jiao-bing-zhen-223172",[101,146,266,117,118,26,160,174,175,29,27,7,267,268],"书画","农耕","孩童活动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F883896c3414839bf619d1412131db36e.jpg",[],3,{"id":273,"slug":274,"title":275,"dynasty":18,"author":276,"museum":20,"description":277,"tags":278,"thumbUrl":285,"material":33,"size":34,"collection":135,"collections":286,"showCount":287,"zanCount":11,"manualWeight":11,"mainColor":38},288622,"jean-franc-ois-millet-sheepshearing-beneath-a-tree-yi-ming-288622","Jean-François Millet--Sheepshearing Beneath a Tree","佚名","这幅素描以沉实细腻的排线，铺陈出乡野午后的劳作日常。佝偻着腰的农妇专注持剪，与戴帽农父合力固定住温顺的羊只，羊只探出头颅，蓬松皮毛与人物粗粝衣褶形成柔硬反差。角落中另一位农人俯身忙碌，背景木栅栏与浓荫层叠交错，晕开慵懒光影，将劳作疲惫揉进乡野静谧里。\n\n笔触质朴无饰，未作刻意修饰，把平凡田间劳作刻画出沉静诗意，将乡人的日常定格为带着烟火气的永恒瞬间，尽显写实风格的温柔力量，让观者触摸到乡野生活的温热肌理。",[279,280,7,187,29,281,282,283,284,85],"素描","风俗画","栅栏","羊","劳动者","剪羊毛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37606fe14ec06192c05be74bd7084db8.jpg",[],2,{"id":289,"slug":290,"title":235,"dynasty":111,"author":236,"museum":237,"description":238,"tags":291,"thumbUrl":299,"material":135,"size":247,"collection":135,"collections":300,"showCount":287,"zanCount":11,"manualWeight":11,"mainColor":79},223184,"geng-zhi-tu-ce-jiao-bing-zhen-223184",[146,240,118,117,292,267,160,293,294,7,295,296,297,298],"焦点透视","农夫","农具","柳树","农桑生产","诗文","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b48bf441a609fcf2ab521ec5f405e84.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":18,"author":276,"museum":20,"description":305,"tags":306,"thumbUrl":314,"material":33,"size":34,"collection":135,"collections":315,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289313,"master-of-the-months-of-lucas-the-month-of-june-shearing-sheep-yi-ming-289313","Master of the Months of Lucas--The Month of June, Shearing Sheep","这幅素描以全景铺陈开仲夏乡野日常，朴拙灵动的线条勾勒出鲜活的剪羊毛图景。前景里，妇人闲坐看顾嬉闹的孩童，提刃女子正预备为羊只剪毛，身旁牧人稳稳按住躁动的羊。右侧男女携着蔬果缓步而来，将市井烟火气揉进农忙图景中。\n\n远处村舍错落，更多农人或俯身劳作，或围坐闲话，把六月乡村松弛又忙碌的氛围尽数铺展。没有繁复晕染，仅以简练排线定格人物情态与乡野细节，将乡野仲夏的蓬勃生机与质朴温情妥帖留存，让人仿佛置身蝉鸣阵阵的夏日乡村，触摸汗水裹挟笑语的鲜活日常。",[307,279,7,86,308,309,310,293,284,311,312,313],"白描","绵羊","农妇","孩童","农事","田园生活","线描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe380129b795024e222589a25e68fde16.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":18,"author":276,"museum":20,"description":320,"tags":321,"thumbUrl":324,"material":33,"size":34,"collection":135,"collections":325,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289280,"philips-koninck-river-landscape-with-a-man-standing-yi-ming-289280","Philips Koninck--River Landscape with a Man Standing","这幅风景画作以松弛晕染的笔触，铺陈出河畔乡野的日常图景。前景里临水搭建的糙顶棚屋静立浅岸，渔人垂身站在泊船边，身影凝定，将河畔的闲散氛围晕开。棕褐的泥岸蔓延向远方，水面映着天色漾开灰柔波纹，朦胧的林木错落分布，远处的村舍隐在轻雾般的色调里，消融在淡灰的天际下。\n\n整体色调沉柔质朴，泥土的暖棕与水色的冷灰相映，带着湿润的乡野气息，把郊野清晨或薄暮的慵懒静谧尽数封存，将平淡日常晕染出悠远的诗意，仿佛能听见河畔的风掠过林梢，漫着松弛治愈的乡野烟火气。",[23,322,70,323,241,29,26,7,258],"风景","小船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6c42e73892391f4d69050503328aa94.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":18,"author":276,"museum":20,"description":330,"tags":331,"thumbUrl":334,"material":33,"size":34,"collection":135,"collections":335,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289238,"rembrandt-cottage-among-trees-yi-ming-289238","Rembrandt--Cottage among Trees","灵动松弛的线条铺陈出悠然乡野意趣，高大林木环拥着茅草小屋。苍劲枝干与蓬松叶丛形成疏密对比，线条浓淡晕染出林木的深浅层次，将郊野植被的蓬勃生机藏在笔锋起落间。蜿蜒土路漫向屋前，木栅栏随性散落，带着未经修饰的朴拙质感。\n\n全画未施繁复色彩，仅以利落速写笔触勾勒光影氛围，留白处任由乡野的静谧漫溢，将郊野日常的慵懒松弛定格在纸面。随性自然的笔触带着鲜活张力，把平凡乡居的清宁诗意娓娓道来，尽显速写捕捉刹那氛围感的动人魅力。",[279,322,7,332,29,281,333,91],"小屋","土路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1674e477343fb08cadf003de8f85ddaf.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":18,"author":276,"museum":20,"description":340,"tags":341,"thumbUrl":345,"material":33,"size":34,"collection":135,"collections":346,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289235,"rembrandt-group-of-farm-buildings-yi-ming-289235","Rembrandt--Group of Farm Buildings","这幅速写以朴拙笔墨铺陈乡野意趣，连片茅草农舍占据视觉中心，粗粝排线勾勒出蓬松厚实的草顶，笔意苍劲又带着随性松弛，将乡野建筑的粗粝质感尽数呈现。前景浅滩泽地，寥寥数笔勾出水畔荒草、零散木架，留白晕染出湿润空蒙的郊野氛围，淡墨点染的树丛错落点缀，柔化了建筑的硬朗轮廓。\n\n整幅画没有繁复雕琢，松弛的笔触间流淌着慵懒的乡野日常感，将郊农舍的静谧烟火气凝于纸面，仿佛能嗅见田埂间湿润的泥土气息，尽显质朴又鲜活的乡野意韵。",[342,343,102,7,86,344,30,29],"速写","水墨","茅草屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe63df3f0a05014e8c9932c09c5f5e8f.jpg",[],{"id":348,"slug":349,"title":350,"dynasty":18,"author":276,"museum":20,"description":351,"tags":352,"thumbUrl":355,"material":33,"size":34,"collection":135,"collections":356,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289088,"jean-jacques-de-boissieu-farmyard-yi-ming-289088","Jean Jacques de Boissieu--Farmyard","这幅乡野画作用明暗晕染铺陈出松弛的午后日常。笔触朴拙自然，将柔光揉进粗粝的乡居肌理里，木构阳台爬着荒草，石墙带着风霜磨蚀的痕迹，堆置的干草捆漫溢慵懒的山野气息。\n\n三两村人散落各处，阳台孩童凭栏眺望，近景的农夫歇坐长木休憩，墙根路人蜷卧酣睡，闲散松弛漫在风里。左侧林木枯荣交织，虬曲枝桠和乡居的破败粗朴相映，勾勒出未加修饰的原生野趣。\n明暗层次晕开静谧氛围，将乡居烟火的温柔日常定格，满是质朴治愈的松弛暖意。",[279,353,280,86,148,199,7,26,354,85],"西洋画","干草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb79807babc00ca6f5c74e6dffa05938a.jpg",[],{"id":358,"slug":359,"title":360,"dynasty":18,"author":276,"museum":20,"description":361,"tags":362,"thumbUrl":365,"material":33,"size":34,"collection":135,"collections":366,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},289080,"jonas-umbach-june-one-of-a-series-representing-the-labors-yi-ming-289080","Jonas Umbach--June (one of a series representing the labors","红粉笔晕开暖调天光，铺就乡野仲夏底色。前景农人们围坐剪羊毛，动作熟稔松弛，妇人膝头安抚幼崽，将劳作里的温柔揉在日常里。线条松灵随性，勾勒出农人的憨态，剪落的羊毛散在脚边，粗粝又鲜活。\n\n背景村舍旁，牧羊人与羊群静立，云絮柔缓舒展在天际，烟火气漫过田埂。没有繁复雕琢，只以质朴笔触定格乡野劳作的悠然，将乡野耕织的细碎温情藏进每一道线条里，软风似的把仲夏乡野的松弛漫开，让日常劳作也浸着恬淡暖意。",[279,280,26,282,86,7,363,364],"农事劳动","田园场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15ce4993b8f26a3c5d5ba926afac0582.jpg",[],{"id":368,"slug":369,"title":370,"dynasty":18,"author":276,"museum":20,"description":371,"tags":372,"thumbUrl":376,"material":33,"size":34,"collection":135,"collections":377,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":378},289062,"karel-van-mander-a-proverb-wealth-and-poverty-yi-ming-289062","Karel van Mander--A Proverb Wealth and Poverty","两位围坐木墩的年轻人正酣然谈笑、把酒寻欢，神态松弛沉溺，满是世俗富足的闲散意态。一旁佝偻的老者赤足拄杖而立，衣衫褴褛枯瘦，目光紧锁二人，眼尾翻涌着艳羡又苦涩的怅然。\n\n这幅素描以粗粝又传神的线条铺陈开强烈的贫富对照，淡晕的墨色晕染出郊野萧瑟底色，将市井冷暖直白铺展。耽于享乐的富足与窘迫失意的困顿并置，暗讽财富催生的沉溺慵懒，也道尽贫苦者的望尘莫及，潦草鲜活的笔触将世俗世情的辛辣藏在画面里，让贫富隔阂与荒诞跃然纸上。",[26,279,313,373,7,374,86,29,375],"饮酒","老者","贫富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a9a0efb288fb9f2cd484967e03ce265.jpg",[],"F48FB1",{"id":380,"slug":381,"title":382,"dynasty":18,"author":276,"museum":20,"description":383,"tags":384,"thumbUrl":391,"material":33,"size":34,"collection":135,"collections":392,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":38},288811,"peter-paul-rubens-a-sermon-in-a-village-church-yi-ming-288811","Peter Paul Rubens--A Sermon in a Village Church","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[385,386,387,388,389,7,390],"水彩画","宗教","人物画","教堂","布道","狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5739dff8153c430ef3b620f5e7b3d04.jpg",[],{"id":394,"slug":395,"title":396,"dynasty":18,"author":276,"museum":20,"description":397,"tags":398,"thumbUrl":403,"material":33,"size":34,"collection":135,"collections":404,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288777,"remigio-cantagallina-a-view-of-a-village-with-figures-yi-ming-288777","Remigio Cantagallina--A View of a Village with Figures","以棕调蚀刻线条铺展乡野日常，苍劲古木虬枝舒展，撑开一方荫凉天地。石砌村舍带着粗糙的岁月肌理，错落依偎在林木旁。画中人物闲散鲜活，井台旁乡邻闲话小憩，田埂上有人照看牲畜，远处村人缓步穿行。排线疏密交织晕开温柔光影，将郊野午后的慵懒烟火气缓缓铺陈。没有浓墨重彩，只以细腻松弛的线条，把乡野日常的恬淡安然永远定格，藏着旧时光里悠然松弛的村居意趣。",[399,7,241,400,26,401,91,402],"版画","老树","家犬","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc3cb64f782b15d6234355ee87996fbe.jpg",[],{"id":406,"slug":407,"title":408,"dynasty":18,"author":276,"museum":20,"description":409,"tags":410,"thumbUrl":412,"material":33,"size":34,"collection":135,"collections":413,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":378},288633,"jean-baptiste-greuze-a-farmer-entrusting-the-plow-to-his-son-yi-ming-288633","Jean-Baptiste Greuze--A Farmer Entrusting the Plow to His Son","粗粜的炭笔线条晕开郊野晨雾，苍劲林木环抱着这场庄重的托付。老父抬手殷殷嘱托，青年握定犁柄凝神颔首，身旁乡邻簇立，满含期许。左侧牛群缓行，伴着手执长鞭的吆喝，喧闹的乡野队伍把农作传承的温情悄然铺展。\n\n没有浓丽敷色，仅以明暗光影勾勒鲜活神态，将农家代际间的劳作托付揉进松弛笔触里，把乡土日常的热忱与庄重定格。粗朴的线条藏着饱满的烟火暖意，让平凡的农事交接，成为满是人情温度的隽永瞬间。",[279,353,387,173,390,29,7,267,187,411,342],"人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65568e933fa148c15af5dcdc8f22d40b.jpg",[],{"id":415,"slug":416,"title":417,"dynasty":18,"author":276,"museum":20,"description":418,"tags":419,"thumbUrl":421,"material":33,"size":34,"collection":135,"collections":422,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288613,"johannes-van-doetecum-the-elder-large-farm-with-draw-well-yi-ming-288613","Johannes van Doetecum the elder--Large Farm with Draw Well","这幅蚀刻版画以洗练的线条织就乡野日常。疏云漫过浅淡天际，两只飞鸟轻划开岑寂。错落的茅草农舍静立中央，石砌墙身带着朴拙肌理，窗棂与汲水井藏着细碎烟火。林木疏密有致，近旁高树舒展枝桠，远木虬枝错落，温柔框住农庄的松弛日常。创作者以细腻排线铺陈明暗，无刻板描摹，只凭蚀刻线条勾勒光影层次，将郊野的安恬定格，把乡居的闲散与静谧封存在纸面，晕开旧时光里的温柔质感。",[399,307,7,86,91,29,242,420,333],"水井","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7dbfd2a833a6798f62501a844d54021.jpg",[],{"id":424,"slug":425,"title":426,"dynasty":18,"author":276,"museum":20,"description":427,"tags":428,"thumbUrl":432,"material":33,"size":34,"collection":135,"collections":433,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288608,"jonas-umbach-april-one-of-a-series-representing-yi-ming-288608","Jonas Umbach--April (one of a series representing","以红棕素描晕开春日暖意，前景里贵族男女悠然闲坐，侍从为女眷打理发丝，农妇静分拣作物，幼童在侧嬉闹，远景农夫驱牛耕作，田舍错落林梢抽芽。\n线条松弛灵动，将闲情雅致与乡野生机相融，一边是慵懒松弛的享乐日常，一边是勤恳质朴的田间劳作，动静交织铺陈出春日乡野的鲜活图景。笔触轻简却精准勾勒出人物神态，把春日郊野松弛的烟火气晕染开来，将乡野四月的恬淡意趣藏进每一处细节里，让春日乡居的鲜活日常跃然纸上。",[279,280,387,7,429,29,173,430,310,431,241],"初春","农作","户外休憩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdb901d16793ed62bfbfa1784835eaa3.jpg",[],{"id":435,"slug":436,"title":437,"dynasty":18,"author":276,"museum":20,"description":438,"tags":439,"thumbUrl":443,"material":33,"size":34,"collection":135,"collections":444,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288606,"jonas-umbach-december-one-of-a-series-representing-the-labors-yi-ming-288606","Jonas Umbach--December (one of a series representing the labors","这帧红粉笔素描以粗粝随性的笔触，定格乡野宰牲的日常图景。前景男女跪身合力制住生猪，紧绷的肩背肌肉线条，将蛮力拉扯的张力尽显。背景农舍下众人围忙，窗沿有人探首旁观，远处田舍错落、云绕疏林，乡野烟火气四下漫开。\n\n作者以利落排线铺陈体积光影，没有精雕细琢，却将村人协作的热络、劳作的憨直藏在笔痕中，把腊月农闲宰牲的鲜活瞬间凝在纸上，让乡土冬日的粗朴暖意顺着纸笔缓缓漫溢。",[279,387,280,7,86,440,31,187,441,442],"猪","冬季","生活场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53d94d609ae4ec1f5320d53e322b0b86.jpg",[],{"id":446,"slug":447,"title":448,"dynasty":18,"author":276,"museum":20,"description":449,"tags":450,"thumbUrl":452,"material":33,"size":34,"collection":135,"collections":453,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288603,"jonas-umbach-july-one-of-a-series-representing-the-labors-yi-ming-288603","Jonas Umbach--July (one of a series representing the labors","以红棕粉笔铺就乡野日常，前景农人与依偎的女子鼻尖相抵，缱绻不舍漫在松弛的笔触里，左侧同伴正打理农具，藏着奔赴田垄的匆忙。远景田埂间众人攒动，麦草垛高高堆起，错落村舍晕开质朴烟火。暖调笔触松弛细腻，没有繁复修饰，将农忙间隙的温柔相守，与田野间的劳作烟火揉作一处，把乡野日常里细碎鲜活的人情定格，晕开独属于旧时光田园的平凡暖意，让观者触摸到乡土劳作里的鲜活温度。",[279,26,86,160,31,25,294,7,280,451],"农耕场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c947095d6846a6fd792e78f47cc500.jpg",[],{"id":455,"slug":456,"title":457,"dynasty":18,"author":276,"museum":20,"description":458,"tags":459,"thumbUrl":460,"material":33,"size":34,"collection":135,"collections":461,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":79},288599,"attributed-to-francesco-allegrini-landscape-with-figures-the-silver-age-yi-ming-288599","attributed to Francesco Allegrini--Landscape with Figures The Silver Age","淡棕墨水晕染出朦胧乡野，线条松弛随性，铺展出一幅日常交织的田园图景。前景妇人拥着孩童闲坐，身旁男子似正待启程，静立的马匹晕开出行的悠然意趣。中远景则是热火朝天的耕作场景，农夫驱牛犁地，身影朴实有力，尽显劳作的蓬勃生机。疏朗林木与起伏坡地拉开开阔景深，明暗晕染揉合出柔和光影层次，将山野间的松弛与鲜活融为一体。整幅作品未做精雕细琢的刻画，写意笔触间带着鲜活的生活温度，将古典田园的质朴诗意娓娓道来。",[279,353,7,91,119,173,26,29,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1274e5736a7cec001806ae7591aa276a.jpg",[],{"id":463,"slug":464,"title":465,"dynasty":18,"author":466,"museum":20,"description":467,"tags":468,"thumbUrl":471,"material":33,"size":34,"collection":135,"collections":472,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":38},232022,"de-jia-17-de-jia-232022","德加17","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[64,469,27,470,29,45,7,88,196,102],"色粉画","小路","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2df7be7d60ce65b352804a12242a40cd.jpg",[],1777535713366]