[{"data":1,"prerenderedAt":35},["ShallowReactive",2],{"subject-xiang-er-pan-kou-ping":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10772,"xiang-er-pan-kou-ping","象耳盘口瓶","象耳盘口瓶画高清赏析","精选中国历代象耳盘口瓶题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1692931ffb0beff15bd329d48416661.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},260840,"huang-you-ke-hua-long-feng-wen-xiang-er-pan-kou-ping-yi-ming-260840","黄釉刻花龙凤纹象耳盘口瓶","清","佚名","藏地不详","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,7,24,25,26,27,28],"陶瓷","黄釉","刻花","龙","凤","象","未知","Xcm*Xcm","",[],4,"37474F",1777535850635]