[{"data":1,"prerenderedAt":174},["ShallowReactive",2],{"subject-xiang-ji":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8878,"xiang-ji","香几","香几画高清赏析","精选中国历代香几题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37b49ec3f3ae133dfb8f9a55efaefcde.jpg",0,15,[14,36,48,59,70,79,90,98,107,117,126,137,145,152,161],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},272765,"hei-qi-miao-jin-xiang-ji-yi-ming-272765","黑漆描金香几","清","佚名","藏地不详","此香几取海棠花形制，束腰透雕缠枝纹样，疏朗灵动，打破整器沉郁底色。外翻卷边牙板勾勒柔婉弧线，与四条弯足相映成趣。弯足以描金回纹勾勒轮廓，间饰彩漆缠枝瑞草，描金提亮纹饰层次，于黑漆地子上晕染出华贵古韵。足部包镶鎏金铜质卷云套脚，下承海棠形托泥，上下造型呼应统一，视觉和谐规整。\n整器重工髹漆描金，将雅致雕工与富丽髹饰相融，尽显清代漆作的精湛工法，陈设之间尽显古雅雍容的东方意趣。",[23,24,25,26,7,27,28],"漆器","木质","描金","雕刻","家具","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93ac47d78ec9551a4a6c2ce11758b02e.jpg","未知","Xcm*Xcm","",[],2,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":45,"material":30,"size":31,"collection":32,"collections":46,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":47},248403,"hei-qi-miao-jin-shan-shui-tu-hai-tang-shi-xiang-ji-yi-ming-248403","黑漆描金山水图海棠式香几","此香几以髹漆为地，描金饰纹，明暗相映愈显华贵雅致。海棠式器形柔婉秀雅，台面金绘山水，勾勒出亭台错落、林泉掩映的悠远意境，笔致细腻，层次分明。牙板处缠枝纹环绕蝙蝠瑞饰，线条灵动舒展，暗藏纳福祈祥的美好寓意。三弯腿线条柔曲曼妙，搭配同形管脚枨，兼顾造型美感与结构稳定，将装饰性与实用性完美融合，尽显清代漆作重工精丽的审美意趣，是髹漆描金工艺臻熟的经典之作。",[42,43,23,7,44],"黑漆描金","山水","海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e24e7913a76aca3280097abaeadf2a1.jpg",[],"795548",{"id":49,"slug":50,"title":51,"dynasty":18,"author":19,"museum":20,"description":52,"tags":53,"thumbUrl":56,"material":30,"size":31,"collection":32,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":35},273546,"zi-tan-mu-mei-hua-shi-xiang-ji-yi-ming-273546","紫檀木梅花式香几","此香几取梅瓣为形，上下盘面柔婉呼应，尽显雅致灵韵。束腰处回纹雕刻古拙端方，牙板转角镶饰拐子纹，刚柔相济，勾勒出规整又不失灵动的轮廓。六根圆材立柱挺拔纤细，营造出疏朗通透的视觉层次，将空灵意境融入家具形制。紫檀木色泽沉穆莹润，包浆厚重自然，尽显木料本身的温润质感，将清代家具的精工美学与文房雅趣融为一体，是兼具实用价值与审美意趣的精巧造物。",[54,7,55,24,26,27],"紫檀木","梅花式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26e1006ac3c450129127266657e61cf5.jpg",[],1,{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":67,"material":30,"size":31,"collection":32,"collections":68,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":69},272767,"zi-tan-mu-diao-mu-dan-wen-xiang-ji-yi-ming-272767","紫檀木雕牡丹纹香几","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[24,26,65,7,66,28],"牡丹纹","木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faaac6a0946254936f43ad4d9a1240429.jpg",[],"FFFFFF",{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":77,"material":30,"size":31,"collection":32,"collections":78,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":47},272766,"hei-qi-miao-jin-yuan-xiang-ji-yi-ming-272766","黑漆描金圆香几","此香几身姿秀挺，四弯腿向内柔婉兜转，线条似流云垂卷，将雅致风骨藏于曼妙轮廓之中。牙板描金錾刻缠枝纹样，金彩在黑漆底色映衬下愈显灵动华贵，束腰回纹环绕，晕开古朴雅致的气韵。足部卷云落脚，连以罗锅枨稳固结构，兼顾美观与实用。\n\n它将文人焚香的雅趣与工艺匠心相融，历经时光涤荡，漆色依旧沉敛温润，金彩残留着旧时风华，尽显清代家具华而不奢的审美意趣，静静诉说着往昔厅堂里的慢雅日常。",[23,24,25,26,7,76,28],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16a7749a29e502e4dda8db8cf43513c4.jpg",[],{"id":80,"slug":81,"title":82,"dynasty":18,"author":19,"museum":20,"description":83,"tags":84,"thumbUrl":88,"material":30,"size":31,"collection":32,"collections":89,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":69},272763,"zi-tan-qian-huang-yang-mu-xiang-ji-yi-ming-272763","紫檀嵌黄杨木香几","此香几取紫檀与黄杨木错嵌而成，沉穆与明润木色相映，自带雅致韵致。束腰与牙层重工雕饰，浅刻缠枝纹婉转舒展，透雕卷草灵芝灵动繁茂，刀法细腻入微，尽显清式雕工妍秀。修长腿足起线嵌黄杨浅刻纹饰，自上而下一气呵成，足部卷涡收尾雅致精巧，框式管脚枨收拢造型，兼顾美观与稳实。整体造型挺拔端庄，华而不俗，将木雕工艺之美与文房清供的沉静氛围相融，尽显匠造巧思。",[7,24,26,85,86,27,87],"紫檀","黄杨木","工艺器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64f37f313cf365392e38085244d597a3.jpg",[],{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":96,"material":30,"size":31,"collection":32,"collections":97,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":35},272738,"ti-hong-xiang-ji-yi-ming-272738","剔红香几","此香几取海棠形台面，束腰开光走线玲珑，六条弯腿弧度柔婉舒展，下承同形托泥，上下呼应，形制秀雅空灵。通体髹朱漆，以回纹为锦地，满工浮雕缠枝纹样，刀工圆熟细腻，纹饰繁而不紊，朱红漆面莹润沉穆，再配铜质系带饰件提亮，古意盎然。它将剔红工艺的华美雕饰与家具的简约风骨相融，静穆中透着雅致华贵，尽显旧时案头陈设的风雅意趣，是工艺与审美兼具的绝佳雅器。",[23,26,7,76],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd48536570000cf3958151a1ad23b6b95.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":18,"author":19,"museum":20,"description":102,"tags":103,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":106,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":47},246401,"hei-qi-miao-jin-chan-zhi-lian-wen-ling-hua-shi-xiang-ji-yi-ming-246401","黑漆描金缠枝莲纹菱花式香几","此香几菱花造型雅致婉约，漆黑地子如夜幕，衬得描金缠枝莲愈发华贵明艳。缠枝舒展蜿蜒，卷叶柔婉、莲苞饱满，构图繁而不紊，将富丽堂皇的装饰意趣尽数铺展。\n\n牙板透雕卷草纹，与腿足折枝花卉呼应，线条灵动流转，将雕饰与描金工艺相融无间。三弯腿曲张有度，兜转间流露柔媚气韵，双层圈足既加固结构，亦让整体造型更显稳重舒展。\n\n它将漆艺、描金、木雕工艺精妙结合，尽显华贵雍容的意韵，缠枝莲纹也暗含着生生不息的吉祥寓意，是清代装饰工艺的精巧之作。",[23,25,104,7,105],"缠枝莲纹","菱花式",[],{"id":108,"slug":109,"title":110,"dynasty":111,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":115,"material":30,"size":31,"collection":32,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},274068,"huang-hua-li-he-ye-shi-liu-zu-xiang-ji-yi-ming-274068","黄花梨荷叶式六足香几","明","此香几取荷为形，器韵清雅脱俗。六足如柔茎垂曳，弧度舒展曼妙，将曲线之美演绎尽致。束腰透雕缠枝卷草，空灵雅致，牙脚与足端的涡卷雕花彼此呼应，虚实相生。木色温润莹润，包浆醇厚古拙，将简雅意趣与精湛工巧融为一体，把文人清雅追求藏入每处细节，尽显古作沉静隽永的东方美学。",[24,26,7,27,114,28],"荷叶造型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F231593199385586da3c082f529fb908a.jpg",[],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":124,"material":30,"size":31,"collection":32,"collections":125,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},273553,"zi-tan-mu-xiang-ji-yi-ming-273553","紫檀木香几","此香几造型挺拔秀雅，方材直腿利落舒展，尽显简约风骨。束腰透雕缠枝纹样，空灵秀雅，打破立面沉闷感。牙板高浮雕瑞兽卷草，线条圆浑灵动，刀工细腻入微，繁复纹饰与素净器型刚柔并济，于简洁中透出华贵。足端与枨角点缀回纹，呼应整体古韵，细节处见匠心巧思。整体将木雕工艺与家具美学精妙融合，静立间流露内敛雅致的中式意趣，尽显古典家具的隽永格调。",[24,26,7,27,123],"木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb743e6b4b5c606e2c7f0d4d985bec79c.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":135,"material":30,"size":31,"collection":32,"collections":136,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":69},273552,"ti-hong-yun-long-wen-xiang-ji-yi-ming-273552","剔红云龙纹香几","此香几形制挺拔端方，通体以剔红工艺精心雕就。漆面红润莹亮，髹层厚重饱满。周身满饰云龙纹样，龙姿矫健灵动，盘绕辗转间尽显威严祥瑞，云纹舒卷缠连，与龙身相映成趣，浮雕层次分明，刀工细腻利落，将纹饰的立体感尽数凸显。\n\n束腰、牙板与腿足处处见匠心，雕花错落排布，线条转折利落雅致，既留存简约风骨，又尽显清式工艺的华丽考究。将瑞兽祥纹融于陈设家具，兼具置物实用与装饰美学，尽显清代雕漆工艺的超凡水准。",[23,26,132,7,133,134],"龙","剔红","云龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14336ee0f95aaa6dd1f88df580071c56.jpg",[],{"id":138,"slug":139,"title":140,"dynasty":18,"author":19,"museum":20,"description":63,"tags":141,"thumbUrl":143,"material":30,"size":31,"collection":32,"collections":144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},273551,"zi-tan-mu-diao-hua-wen-liu-jiao-xiang-ji-yi-ming-273551","紫檀木雕花纹六角香几",[24,66,7,27,85,26,142],"六角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fede677c1f08f0417c6a0f3d006b4bba2.jpg",[],{"id":146,"slug":147,"title":51,"dynasty":18,"author":19,"museum":20,"description":148,"tags":149,"thumbUrl":150,"material":30,"size":31,"collection":32,"collections":151,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},273545,"zi-tan-mu-mei-hua-shi-xiang-ji-yi-ming-273545","此香几取紫檀良材而成，色质深穆莹润，包浆凝厚古拙。整体作梅花式轮廓，面与底足形制上下呼应，形制和谐统一。束腰处回纹婉转流转，勾勒出古雅规制，牙脚利落划分层次，尽显线条韵律之美。六条打洼棱腿挺拔修长，将挺拔张力与沉实质感融于一体，承托出文房清供的静谧雅趣，以极简构造承载中式造物的含蓄雅致，静穆中尽显古典家具的隽永美感，是工料俱佳的典范之作。",[7,24,26,123,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46ae050fdbc5f5b69322725e830e31eb.jpg",[],{"id":153,"slug":154,"title":155,"dynasty":18,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":159,"material":30,"size":31,"collection":32,"collections":160,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},272764,"zi-qi-miao-jin-shan-shui-wen-hai-tang-shi-xiang-ji-yi-ming-272764","紫漆描金山水纹海棠式香几","此香几取海棠造型，婉转雅致。束腰镂雕缠枝纹，通透灵秀，下洼膛肚牙子云纹舒展，柔润雅致。三弯腿蜿蜒如流云垂落，紫漆地子上描金晕染山水、回纹，金彩熠熠，将林泉丘壑缩于几身，古意悠然。足端包镶鎏金兽足，稳稳承托下层海棠承盘，上下形制呼应，章法和谐。\n\n髹漆匀净沉稳，描金工细入微，雕、描、镶工艺相融，既有文房清供的隽秀，亦含华贵气度，静立间晕开东方古典雅致余韵，尽显旧时造物的精妙审美意匠。",[23,25,24,44,158,7,26],"山水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94f26047ff2de390e5f5a932f57ca8cb.jpg",[],{"id":162,"slug":163,"title":164,"dynasty":18,"author":19,"museum":20,"description":165,"tags":166,"thumbUrl":171,"material":30,"size":31,"collection":32,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":173},246910,"ti-hong-jin-wen-shu-juan-shi-chang-fang-xiang-ji-yi-ming-246910","剔红锦纹书卷式长方香几","此香几取错落书卷形制，高低有致，将收纳与陈设融于一体。通体髹朱漆满雕锦纹，漆色莹润匀亮，纹理排布细密齐整，尽显雕漆工艺的精湛功力。\n\n三具小巧抽屉配素净黄铜拉手，雅致内敛，敞口空格以柔婉造型打破朱红满覆的厚重，虚实相映，灵动别致。牙板与足脚以回纹收边，线条挺括利落，勾勒出端雅沉稳的中式风骨。\n\n整体精巧秀雅，既为文房厅堂的香事雅具，亦是髹漆家具中匠心与审美兼具的佳作，尽显传统工艺的雅致意趣。",[167,23,133,168,169,26,24,7,170],"清代","锦纹","书卷式","长方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff72997abac1e6bcb7f5aa9e24c91b5f0.jpg",[],"37474F",1777535725776]