[{"data":1,"prerenderedAt":68},["ShallowReactive",2],{"subject-xiang-qian-bao-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8211,"xiang-qian-bao-shi","镶嵌宝石","镶嵌宝石画高清赏析","精选中国历代镶嵌宝石题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9391eba9994dd45198d499900957f71.jpg",0,4,[14,36,45,58],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275137,"qian-long-kuan-jin-you-wu-cai-ci-fa-lun-yi-ming-275137","乾隆款金釉五彩瓷法轮","清","佚名","藏地不详","由于金釉特殊的颜色和地位，金釉器物的数量很少，雍正时期有杯、盘。乾隆朝的金釉器物以金釉法轮、金釉加彩佛像宗教用具为多。此杯精巧玲珑，胎薄质细，蓝釉深沉素雅，金彩雍容华贵，给人以富丽堂皇之感。器历经数百年，金彩鲜艳如初，十分难得。\n金彩装饰瓷器始于唐代，元代景德镇窑瓷器上运用描金手法，而通体施金釉的瓷器，直至清代康熙晚期出现。金釉制作工艺从严格意义上讲应为“彩”，是在金块研磨、过筛后，加蒜汁搅拌后涂抹在瓷器上（慈禧以后，西洋料进来的更加频繁，用乳胶取代了蒜汁），低温烧烤后，再用玛瑙研磨，使金釉表面光亮。由于烧成温度低，金釉的色彩极易脱落，保存颇为不易。金釉是唯有皇帝才能享用的帝王之色。釉彩成色十足，釉色如黄金般耀眼夺目，原件为大清康熙年制。",[23,24,25,26,7,27,28,29],"宗教","陶瓷","法器","法轮","雕刻","五彩","金釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9a5de10853d97ada1caf3b7324181d0.jpg","未知","Xcm*Xcm","",[],"795548",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":43,"material":31,"size":32,"collection":33,"collections":44,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},275130,"jia-qing-kuan-jin-you-wu-cai-ci-fa-lun-yi-ming-275130","嘉庆款金釉五彩瓷法轮",[41,24,23,26,7,42,25],"金器","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F412af658beff1d6d76afa441cfdc1fa6.jpg",[],{"id":46,"slug":47,"title":48,"dynasty":18,"author":19,"museum":20,"description":49,"tags":50,"thumbUrl":55,"material":31,"size":32,"collection":33,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},241823,"yin-du-jin-xiang-bao-shi-dai-tou-yi-ming-241823","银镀金镶宝石带头","以细金花丝层叠盘绕，织就柔婉轮廓，将主石稳稳承托。艳红主石肌理舒展，凝着深郁玫色光韵，好似揉碎的赤霞封藏于天然脉络之中，莹润质感与冷冽金光泽碰撞交融，华贵糅合着原生拙朴。\n\n整体形制饱满圆融，花丝的细腻线条勾勒出复古雅致格调，静静诠释旧时工艺的极致匠心，内敛又带着磅礴华贵气韵，在光影里晕开沉静的古典风华，将内敛奢华的旧时审美藏于方寸之间。",[51,52,7,53,54,27],"清代","银镀金","饰品","金属工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F371eabf1633ff977a0fd93d978b2b69b.jpg",[],"37474F",{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":67,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},241820,"tong-du-jin-xiang-bao-shi-gou-huan-yi-ming-241820","铜镀金镶宝石钩环","铜胎镀金莹润厚重，包浆凝着岁月的华贵光泽。主石红宝石肌理浓郁如凝血，饱满光润，翠绿配石如莲瓣环簇，珐琅勾边界定层次，明暗交映间尽显雅致。卡扣处蓝宝石卧于如意座中，添了一抹清灵。周身錾刻缠枝卷云与吉字纹，线条婉转灵动，花丝细工尽显精妙。它融实用与装饰为一体，将中原细作工艺与珠宝镶嵌的华贵结合，藏着祈福纳祥的美好期许，尽显盛世造物的雍容雅致。",[51,64,41,7,65,66,53,27],"铜制","镀金","珐琅器",[],1777535765005]