[{"data":1,"prerenderedAt":133},["ShallowReactive",2],{"subject-xiao-gui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3130,"xiao-gui","小鬼","小鬼画高清赏析","精选中国历代小鬼题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4300ef11f28c5b7f5b9da24e4b183d0.jpg",0,7,[14,36,57,78,95,111,121],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":32,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},220516,"zhong-kui-hui-jian-tu-pu-xin-she-220516","钟馗挥剑图","民国","溥心畬","龙美术馆西岸馆","画面以枯松开篇，老干蟠曲、松枝萧疏，晕染出清寂古雅的氛围。红袍钟馗虬髯戟张，怒目圆睁，按佩剑挺立，威仪赫赫震慑鬼魅。身旁青面小鬼敛神吹笛，戏谑间更衬出钟馗的刚正威严。\n\n笔墨极具文人意趣，线条凝练古拙，设色清雅沉静，红袍醒目却不俗艳，淡墨勾勒松枝小鬼，尽显空灵雅致。整作以极简笔意，将钟馗的凛然正气与幽寂古意相融，寄寓驱邪安良的传统意涵，尽显雅致国风意蕴。",[23,24,25,26,27,28,29,7,30],"国画","设色","工笔","人物","老树","兵器","剑","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3a4169a576aae56350305e55cb3aa56.jpg","",[],126,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":40,"author":41,"museum":42,"description":43,"tags":44,"thumbUrl":50,"material":51,"size":52,"collection":53,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},218437,"shi-jia-mu-ni-fu-yi-ming-218437","释迦牟尼佛","明","佚名","台北故宫博物院","该图像描绘了佛祖坐在三个小孩子的身体上，这种仪式很少见。台北故宫的这幅画是由一位不知名的明代艺术家所作，但与宋旭的佛像画有一定的联系，面板上也有他的印记和印章，所以可以说是他的作品。",[23,24,25,45,46,26,47,7,48,49],"宗教","立轴","佛","树","衣纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7058a98101b5e16f2e6e599d46b8955b.jpg","绢本,设色","135.7x76.8","人物画精选",[53],112,"795548",{"id":58,"slug":59,"title":60,"dynasty":61,"author":62,"museum":42,"description":63,"tags":64,"thumbUrl":73,"material":74,"size":75,"collection":32,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":35},223092,"hua-dong-fang-chi-guo-tian-wang-xiang-zhou-yao-wen-han-223092","画东方持国天王像轴","清","姚文瀚","姚文瀚（公元18世纪）清代画家。号濯亭，顺天（今北京）人，生卒年不详。乾隆时供奉内廷，工道释、人物、山水、界画。传世作品有《四序图》卷。",[65,66,45,25,24,46,67,68,69,70,71,30,72,7],"高清","清代","祥云","树木","山石","飞鸟","乐器","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc165691c4bc3ab130621b6e655775497.jpg","轴 纸本 设色","114.5x66.5厘米",[],24,{"id":79,"slug":80,"title":81,"dynasty":61,"author":62,"museum":42,"description":82,"tags":83,"thumbUrl":90,"material":91,"size":32,"collection":32,"collections":92,"showCount":93,"zanCount":94,"manualWeight":11,"mainColor":35},218042,"tian-wang-xiang-2-yao-wen-han-218042","天王像-2","画面中央，蓝面天王怒目圆睁，身覆华彩甲胄，火焰纹背光如烈焰腾跃，手持长剑破云而出，气势赫赫镇慑四方。衣袂飘带以青蓝、绛紫交织，流转间似有风动；周身祥云缭绕，山石皴染细腻，树木葱茏添了几分生机。下方小鬼姿态灵动，与天王的威严形成对比，却又暗合护法之意。设色浓艳而不失雅致，线条工细兼具力道，既承传统宗教画的庄严法度，又融清代宫廷绘画的精致华美，将护法神祇的刚猛与画作的细腻韵致完美相融，观之令人屏息。",[23,84,45,85,24,25,86,7,67,69,68,87,88,89,30],"书画","人物画","天王","长剑","甲胄","护法神祇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd3fc9b875da533c0dde2f6bb2515557.jpg","纸本,设色",[],21,1,{"id":96,"slug":97,"title":98,"dynasty":61,"author":99,"museum":100,"description":101,"tags":102,"thumbUrl":107,"material":32,"size":32,"collection":53,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":110},202005,"zhong-kui-zui-jiu-tu-zhou-min-zhen-202005","钟馗醉酒图轴","闵贞","上海博物馆","钟馗醉意醺然，虬髯戟张却眉眼带憨，宽大衣袍泼墨写意，墨色浓淡交错间尽显洒脱。周围小鬼或搀扶或持灯，身形灵动神态各异，与钟馗的沉浑形成妙趣呼应。画家以简练有力的线条捕捉人物动态，水墨晕染恰到好处，将判官的威严与醉后的松弛巧妙融合——既保留驱邪者的凛凛气势，又添人间烟火的憨直意趣，让庄重形象多了几分鲜活生动的韵味。",[23,103,26,104,46,105,106,7,65],"水墨","写意","钟馗","醉酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5317175e1d32d50efa0f63adccd2e841.jpg",[53],9,"a99889",{"id":112,"slug":113,"title":114,"dynasty":61,"author":62,"museum":42,"description":115,"tags":116,"thumbUrl":10,"material":91,"size":32,"collection":32,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":35},218038,"tian-wang-xiang-5-yao-wen-han-218038","天王像-5","绿面护法天王踞石而立，琵琶在握，弦上似凝千钧之力。周身云纹如流霞婉转，缠裹斑斓衣袂——金翠交辉的纹饰里，每一缕线条都藏着细腻匠心。身旁小鬼匍匐恭谨，更衬天王凛然气势。背景中青树摇曳，远山隐现，云端似有仙音浮动，将护法庄严与天地灵秀融于一纸。色彩浓丽却不失清雅，动静相宜间，守护的力量穿透纸页：仿佛能听见琵琶欲鸣的震颤，看见佛光在衣纹间流转，那份庄严与灵秀交织的意境，直抵人心深处。",[23,25,24,45,26,71,117,68,69,67,70,30,7,118],"琵琶","青绿",[],6,{"id":122,"slug":123,"title":124,"dynasty":61,"author":125,"museum":100,"description":126,"tags":127,"thumbUrl":129,"material":32,"size":32,"collection":32,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":132},202738,"zhong-kui-tu-zhou-shen-xin-hai-202738","钟馗图轴","沈心海","钟馗身着红衣，虬髯怒目却神态生动，两小鬼随侍左右，或扛物或持杖，姿态诙谐。背景山石以水墨皴法晕染，笔触简练却意境苍茫，淡墨山水与前景设色人物相映，虚实相生。人物线条劲挺流畅，设色清雅中见醇厚，小鬼的灵动与钟馗的沉雄形成反差，尽显民俗题材的趣味与深意，笔墨间流露清代人物画的典型风貌。",[23,24,26,69,103,128,7,46,65],"皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74ce17dfed6d19c18b75229c5473e0de.jpg",[],3,"cdc2b3",1777535742489]