[{"data":1,"prerenderedAt":85},["ShallowReactive",2],{"subject-xiao-shu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7731,"xiao-shu","萧疏","萧疏画高清赏析","精选中国历代萧疏题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feecdcd1b7f2e5df3f39c8f2645afbde3.jpg",0,3,[14,38,62],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},289344,"gu-song-lou-ge-tu-ma-yuan-289344","古松楼阁图","宋","马远","藏地不详","马远（1140年－1225年），字遥父，号钦山，祖籍河中（今山西永济），生长于临安（今浙江杭州），南宋绘画大师。\n出身绘画世家，南宋宋光宗、宋宁宗两朝画院待诏。擅画山水、人物、花鸟，山水取法李唐，笔力劲利阔略，皴法硬朗，树叶常用夹叶，树干浓重，多横斜之态。楼阁界画精工，且加衬染。喜作边角小景，世称“马一角”。人物勾描自然，花鸟常以山水为景，情意相交，生趣盎然。与李唐、刘松年、夏圭并称“南宋四家”。存世作品有《踏歌图》《水图》《梅石溪凫图》《西园雅集图》等。",[23,24,25,26,27,28,29,30,31,7],"扇面","国画","书画","界画","水墨","皴法","古松","楼阁","山水","未知","Xcm*Xcm","",[],40,"795548",{"id":39,"slug":40,"title":41,"dynasty":42,"author":43,"museum":20,"description":44,"tags":45,"thumbUrl":59,"material":32,"size":33,"collection":34,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":37},290267,"jia-shu-you-huang-tu-ke-luo-ban-ni-zan-290267","嘉树幽篁图（珂罗版）","元","倪瓒","倪瓒（1301年－1374年），初名倪珽，字泰宇，别字元镇，号云林子、荆蛮民、幻霞子，江苏无锡人，元末明初画家、诗人。\n倪瓒擅画山水和墨竹，师法董源，受赵孟頫影响。早年画风清润，晚年变法，平淡天真。疏林坡岸，幽秀旷逸，笔简意远，惜墨如金。以侧锋干笔作皴，名为“折带皴”。墨竹偃仰有姿，寥寥数笔，逸气横生。书法从隶书入，有晋人风度，亦擅诗文。洪武七年卒，时年七十四岁。\n倪瓒与黄公望、王蒙、吴镇合称“元四家”。倪瓒家中富有，博学好古，四方名士常至其门。元顺帝至正初年，散尽家财，浪迹太湖。存世作品有《渔庄秋霁图》《六君子图》《容膝斋图》《清閟阁集》。",[46,24,25,47,27,48,49,50,51,52,53,54,55,56,57,58,7],"高清","长卷","山水画","珂罗版","远山","平畴","屋舍","嘉树","幽篁","水域","行书","印章","清寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13f53faf8501d2817c109bebc226cba2.jpg",[],16,{"id":63,"slug":64,"title":65,"dynasty":66,"author":67,"museum":20,"description":68,"tags":69,"thumbUrl":82,"material":32,"size":33,"collection":34,"collections":83,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":37},234834,"wei-zhi-huang-qiu-shan-xing-lv-shan-yi-ming-234834","魏之璜秋山行旅扇","明","佚名","金笺之上铺展秋日郊野之景，近岸老树丹黄错落，篱舍隐于林樾，溪桥边商旅驱骡徐行，三两策杖行人悠然随行，鲜活晕开行旅意趣。中远景陂陀逶迤，村舍藏于林麓之间，孤松卓立岗阜之巅。浅赭淡墨晕染秋山，明净萧疏的氛围漫开全幅。笔触秀润简淡，构图舒展雅致，将乡野闲寂与行路意趣相融，铺就出秋日山居的悠远兴味，尽显清和温婉的山水意韵。",[23,24,25,70,31,71,72,73,74,75,76,77,78,7,79,80,81],"设色","老树","篱舍","小桥","行人","骡","孤松","村舍","秋山","闲寂","行旅","山居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c323c56c5482cc0c622ba35940ab492.jpg",[],4,1777535768738]