[{"data":1,"prerenderedAt":227},["ShallowReactive",2],{"subject-xiao-tian-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5359,"xiao-tian-shi","小天使","小天使画高清赏析","精选中国历代小天使题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf5b38d6d09cfc2cc0507ac0b77a0cb1.jpg",0,13,[14,46,71,88,101,114,127,140,153,167,181,197,211],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},226151,"conception-giovanni-battista-tiepolo-226151","Conception","不详","Giovanni Battista Tiepolo","藏地不详","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7],"宗教","油画","人物","天使","鸽子","龙","云朵","花卉","披风","翅膀","球体","植物","写实","光影","色彩丰富","神话生物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9da7c27f4bcc1dbe29780391e7ba55ab.jpg","未知","Xcm*Xcm","",[],26,"795548",{"id":47,"slug":48,"title":49,"dynasty":18,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":10,"material":40,"size":41,"collection":42,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},232581,"wei-lian-a-dao-fu-bu-ge-luo-195-wei-lian-a-dao-fu-bu-ge-luo-232581","威廉·阿道夫·布格罗195","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[24,53,54,55,56,57,58,59,60,7,32,61,62,63,64,34,65,66,67],"写实主义","新古典主义","光影处理","色彩柔和","细腻笔触","人物写实","设色典雅","女性人物","石凳","树木","草地","远山","蓝色布料","户外场景","人物互动",[],10,"37474F",{"id":72,"slug":73,"title":74,"dynasty":18,"author":75,"museum":20,"description":76,"tags":77,"thumbUrl":84,"material":40,"size":41,"collection":42,"collections":85,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},288698,"workshop-of-jacques-charles-franc-ois-marie-froment-meurice-yi-ming-288698","Workshop of Jacques-Charles-François-Marie Froment-Meurice","佚名","这是一幅细腻的珠宝手绘稿，整体构思浪漫柔婉。顶部以花萼花苞为挂扣，柔蔓碎花蜿蜒垂下，托住圆形主牌。圆框内酣眠的小爱神舒展身形，周遭点缀细碎花钿，双月牙环抱住圆牌，柔化了硬朗的轮廓。下方星链垂坠，尾端俏皮的小天使托着花饰，与主牌的爱神主题巧妙呼应。\n铅笔线条细腻柔和，泛黄底色晕出复古质感，将星月、爱神、繁花这些经典浪漫意象揉为一体，尽显法式古典珠宝独有的缱绻诗意，完整呈现出一件温柔雅致的珠宝构想。",[78,79,7,80,81,30,82,83],"白描","饰品","月亮","星星","手绘稿","装饰图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F167db17f7659ab826818f0a12b51bfbd.jpg",[],2,"BDBDBD",{"id":89,"slug":90,"title":91,"dynasty":18,"author":75,"museum":20,"description":92,"tags":93,"thumbUrl":98,"material":40,"size":41,"collection":42,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},289519,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-and-putto-yi-ming-289519","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn and Putto","这帧红粉笔素描以柔和晕调铺展古典诗意，端坐的少女神态沉静端庄，衣褶线条舒展流动，衬出温婉气质。身侧的独角兽亲昵依偎，柔化了圣兽的疏离感晕开圣洁氛围。一旁的小天使姿态灵动鲜活，前倾的动作打破画面沉静，和少女的静谧形成巧妙的动静呼应。\n\n随性松弛的线条精准勾勒出肌肉起伏与织物褶皱，未加繁复修饰却让形象鲜活饱满，草稿般的随性笔触留住了创作时的灵动瞬间，将圣洁与活泼揉为一体，传递出古典寓言独有的纯净雅致氛围。",[94,25,95,7,96,97],"素描","独角兽","寓言画","神话动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe4514c0f6f7dc3c14bb6f99bca5c1bfb.jpg",[],1,{"id":102,"slug":103,"title":104,"dynasty":18,"author":75,"museum":20,"description":105,"tags":106,"thumbUrl":112,"material":40,"size":41,"collection":42,"collections":113,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},289518,"baldassarre-franceschini-allegorical-figure-of-purity-with-a-unicorn-and-two-putti-yi-ming-289518","Baldassarre Franceschini--Allegorical Figure of Purity with a Unicorn and Two Putti","红粉笔晕开柔暖的色调，贞洁化身的女子静坐在拱顶之下，桂冠衬出沉静圣洁的气质。她身侧的独角兽依偎在旁，作为贞洁的象征，为画面锚定庄重的主题，两个灵动小天使环绕左右，一个牵住独角兽，一个探身轻触，为肃穆添了几分活泼温情。\n\n线条松快灵动，顺着衣料起伏铺展出垂坠的褶皱，明暗晕染自然过渡，勾勒出柔婉却坚定的体态。弧形拱顶收拢构图，将视线引向中心，神性的庄重与古典的柔美相融，草稿独有的鲜活感跃然纸上，将抽象的美德具象为温柔却带着力量的鲜活形象。",[94,107,95,7,108,109,110,111],"人物画","寓言题材","神话","纯洁主题","古典风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e35cf703ab7ff9ab42093809d7bca05.jpg",[],{"id":115,"slug":116,"title":117,"dynasty":18,"author":75,"museum":20,"description":118,"tags":119,"thumbUrl":125,"material":40,"size":41,"collection":42,"collections":126,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},289506,"battista-franco-drawing-of-cartouche-with-bearded-man-left-young-man-crowned-yi-ming-289506","Battista Franco--Drawing of Cartouche with Bearded Man Left, Young man crowned","这幅素描是兼具装饰性与人文意趣的饰框设计稿，利落精准的排线勾勒出饱满生动的形象。左侧虬髯壮汉身形孔武，带着古朴的劳作粗粝质感，右侧束发戎装青年英挺威严，带着古典武士的冷峻气场。\n\n上方涡卷萦绕的留白饰框，由灵动的小天使簇拥环绕，卷草纹章与孩童俏皮的姿态相映成趣。明暗笔触细腻交代出肌肉张力与织物褶皱，在庄重的古典人文底色中，糅合出矫饰主义的华丽动感，留白区域预留出填充纹章铭文的空间，手稿随性的线条里藏着精巧的构图巧思，将神话意趣与装饰美学相融，尽显复古雅致的设计匠心。",[78,120,107,121,122,7,123,124],"线描","古典装饰","纹章","武士","老者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bb4ab7e311e860ff297a0b583f2b4f1.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":18,"author":75,"museum":20,"description":131,"tags":132,"thumbUrl":138,"material":40,"size":41,"collection":42,"collections":139,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},289014,"marcantonio-franceschini-allegorical-figure-of-charity-yi-ming-289014","Marcantonio Franceschini--Allegorical Figure of Charity","以棕墨晕染铺就暖调底色，白粉提亮晕出穹顶柔光。端坐云间的女性舒展雍容，衣褶晕染厚重自然，将神性悲悯揉入温柔体态，怀中稚子依偎尽显暖意，抬手施予的动作让博爱具象可见。\n\n周遭小天使或托举馈赠、或持杖游弋云间，柔化了画面的庄重感，晕开天国独有的安宁暖意。明暗层次铺陈出云气流动的空灵感，笔触松弛却精准勾勒出慈悲氛围，古典人文中的仁爱悉数融于朦胧暖调，沉静又动人。",[107,94,133,134,135,7,136,137],"淡彩","寓言人物","慈善","云","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F695117726eb6b176a4637fee3d2c1c4c.jpg",[],{"id":141,"slug":142,"title":143,"dynasty":18,"author":75,"museum":20,"description":144,"tags":145,"thumbUrl":151,"material":40,"size":41,"collection":42,"collections":152,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},288853,"giovanni-battista-tiepolo-time-seated-clutching-a-putto-yi-ming-288853","Giovanni Battista Tiepolo--Time Seated, Clutching a Putto","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[94,107,146,120,147,148,149,7,150,32],"神话画","淡墨","速写","时间神","镰刀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9d66642e8accab3c7874f941e6f1e67.jpg",[],{"id":154,"slug":155,"title":156,"dynasty":18,"author":75,"museum":20,"description":157,"tags":158,"thumbUrl":165,"material":40,"size":41,"collection":42,"collections":166,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},288803,"peter-paul-rubens-the-garden-of-love-right-portion-yi-ming-288803","Peter Paul Rubens--The Garden of Love (right portion)","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[137,107,94,133,159,7,160,161,162,163,164],"美人","园林","神话题材","群像人物","古典服饰","欢愉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F354ffe34c0a663f6a3d86f3a89f7859d.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":18,"author":75,"museum":20,"description":171,"tags":172,"thumbUrl":179,"material":40,"size":41,"collection":42,"collections":180,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},288753,"sante-pacini-prophets-and-saints-in-glory-after-bernardino-poccetti-yi-ming-288753","Sante Pacini--Prophets and Saints in Glory, after Bernardino Poccetti","画面以云气铺就天国基底，将圣众分置左右。细腻排线勾勒衣褶，既衬出织物的厚重垂坠，也烘托出人物静穆神态。左侧圣众持圣器低首凝神，右侧王者身姿的人物伴琴端坐，尽显庄严神性。\n\n灵动小天使穿梭云间，或翻飞嬉戏、或环侍左右，柔化了天国的肃穆，让神圣图景添了几分轻盈生机。整幅以利落线条构建神圣秩序，将信仰的庄重与天国的澄澈相融，勾勒出宁静崇高的神性之美，尽显古典宗教绘画的隽永质感。",[78,173,107,26,174,175,176,177,7,178],"宗教画","圣徒","先知","竖琴","临摹","云端","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff838224fc7ca8fc4330d160632cf11c.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":18,"author":75,"museum":20,"description":185,"tags":186,"thumbUrl":195,"material":40,"size":41,"collection":42,"collections":196,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},288700,"workshop-of-gilles-marie-oppenord-study-for-a-garden-capriccio1-yi-ming-288700","Workshop of Gilles-Marie Oppenord--Study for a Garden Capriccio1","这件蚀刻版画以极尽华丽的巴洛克造园奇想为主题，凌厉细密的线条铺陈出层次饱满的园林水景装置。方柱上的拟人躯干像沉凝肃穆，坛瓮顶端环绕着嬉闹的小天使，柔化了石刻的冷硬。右侧水神女像持器倾注水流，狮身瑞兽伏护着纹章铭牌，奔涌的水线破开画面沉静，与左侧凭栏眺望的观景士人形成动静呼应。明暗排线塑出雕塑的厚重体积，繁复涡旋雕饰带着洛可可初兴的绮丽恣肆，将古典神话意趣与造园美学交融，仿佛能听见潺潺水声，尽显园林设计中的浪漫幻想与雕塑张力。",[187,188,120,160,189,190,191,192,193,7,194],"黑白","版画","喷泉","流水","雕塑","神话人物","狮身兽","建筑装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62af449cc8ee2d1bd40a9c11edcfd86b.jpg",[],{"id":198,"slug":199,"title":200,"dynasty":18,"author":75,"museum":20,"description":201,"tags":202,"thumbUrl":209,"material":40,"size":41,"collection":42,"collections":210,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":87},288625,"jean-baptiste-marie-pierre-the-rape-of-europa-yi-ming-288625","Jean-Baptiste Marie Pierre--The Rape of Europa","以暖红素描晕开这场宿命邂逅，线条柔婉舒展，将洛可可式轻盈揉进古典神话之中。欧罗巴倚坐白牛身侧，神色懵懂恍惚，侍女们环伺周遭，或牵衣低语或俯身注视，衣袂褶皱随动作自然垂落，柔美的情态跃然纸上。\n\n空中小天使乘飞鹰俯瞰，静静凝望这场隐秘邂逅。远景林木朦胧，古堡隐现于枝叶之后，晕开氤氲浪漫氛围。整体笔触松弛细腻，将相遇时的暧昧绮丽悉数铺陈，把神话的旖旎诗意藏在暖红色调中，让古典浪漫缓缓漫溢。",[137,146,107,203,159,204,7,205,206,207,208],"红褐素描","牛","飞鸟","山林","古建筑","欧罗巴被劫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08c110e71ec670449c7b973dd52fa7ee.jpg",[],{"id":212,"slug":213,"title":214,"dynasty":215,"author":75,"museum":20,"description":216,"tags":217,"thumbUrl":225,"material":40,"size":41,"collection":42,"collections":226,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},274489,"tong-du-jin-qian-bo-li-hua-tuo-yuan-gua-biao-yi-ming-274489","铜镀金嵌玻璃花椭圆挂表","清","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[218,219,220,221,222,7,79,223,224],"挂表","铜制","镀金","玻璃花","椭圆","日用具","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd827f8d878e195d7d2fe7e7abe26b196.jpg",[],1777535728128]