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Harmensz.van Rijn - 0209","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,29,30,31,32,33,7,34,35,36,37,38],"油画","写实","人物","肖像","明暗对比","光影","金属质感","羽毛装饰","服饰","男性人物","写实主义","光影处理","盔甲","帽子","面部刻画","质感表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1053022676f459aad37dd7ecb373e8ab.jpg","未知","Xcm*Xcm","油画精选",[42],137,"795548",{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":21,"tags":50,"thumbUrl":52,"material":40,"size":41,"collection":42,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},225622,"rembrandt-harmensz-van-rijn-0214-lun-bo-lang-225622","Rembrandt Harmensz.van Rijn - 0214",[51,23,25,7],"名画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04c02b7f914f7a532552dd54b6ce7374.jpg",[42],81,"37474F",{"id":57,"slug":58,"title":59,"dynasty":18,"author":60,"museum":20,"description":61,"tags":62,"thumbUrl":75,"material":40,"size":41,"collection":42,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":55},225891,"fa-guo-wang-hou-ma-li-an-tuo-wa-he-ta-de-hai-zi-men-yi-li-sha-bai-lu-yi-si-wei-jie-lei-bu-lun-225891","法国王后玛丽．安托瓦和她的孩子们","伊丽莎白·路易丝·维杰·勒布伦","伊丽莎白·路易丝·维热·勒布伦（ElisabethLouiseVigee-LeBrun），1755年出生于法国，学肖像画成名后，被选为法兰西皇家绘画雕塑学院院士，1842年在巴黎逝世。",[23,63,24,7,25,64,65,66,67,68,69,70,71,72,28,73,74],"设色","孩童","女性","贵族","室内场景","华丽服饰","织物","地毯","窗帘","柜子","古典","欧洲宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93289aec03f77fbc22f98dd6e56f227e.jpg",[42],57,{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":84,"material":40,"size":41,"collection":42,"collections":85,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":55},225664,"rembrandt-harmensz-van-rijn-074-lun-bo-lang-225664","Rembrandt Harmensz.van Rijn - 074",[23,25,7,83,24],"美人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb61b91f8fb91c7f32dc905b2ea52b6d9.jpg",[42],50,{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":21,"tags":91,"thumbUrl":96,"material":40,"size":41,"collection":42,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":55},225623,"rembrandt-harmensz-van-rijn-0218-lun-bo-lang-225623","Rembrandt Harmensz.van Rijn - 0218",[23,7,25,92,36,93,94,95,27],"男性","长发","红色衣物","白色内搭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0aa547ec3d3ec6bc53162be886d4b5ce.jpg",[42],36,{"id":100,"slug":101,"title":102,"dynasty":18,"author":103,"museum":20,"description":104,"tags":105,"thumbUrl":114,"material":40,"size":41,"collection":42,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":55},225742,"euge-ne-boch-1888-fan-gao-225742","Eugène Boch 1888","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,7,106,107,108,32,109,110,111,112,113],"厚涂","笔触奔放","色彩鲜明","星空背景","夜晚","黄色衣物","条纹领带","白衬衫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6cd5b52553691667c2dbbbf69df6a1c.jpg",[42],35,{"id":118,"slug":119,"title":120,"dynasty":121,"author":122,"museum":20,"description":123,"tags":124,"thumbUrl":135,"material":136,"size":137,"collection":138,"collections":139,"showCount":116,"zanCount":140,"manualWeight":11,"mainColor":141},218454,"a-gui-xiang-shen-zhen-218454","阿桂像","清","沈贞","画中人物身着清代官服，团龙纹袍服纹饰精细，朝珠垂挂胸前，顶戴花翎彰显尊贵身份。面容刻画入微，眉眼间透着沉稳威严，胡须梳理整齐，尽显儒雅气度。整幅画作工笔细腻，设色庄重典雅，线条流畅利落，服饰的褶皱与纹饰皆栩栩如生，既展现出宫廷肖像画的严谨规制，又蕴含着画家对人物神态的精准捕捉，将清代重臣的威仪与风范跃然纸上。",[125,51,126,7,127,63,128,129,130,131,132,133,134],"国画","人物画","工笔","官服","朝珠","顶戴花翎","团龙纹","印章","沉稳威严","儒雅气度","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8176e3478d5b1dae651c81db0bcf7b0c.jpg","纸本,设色","","人物画精选",[138],1,"BDBDBD",{"id":143,"slug":144,"title":145,"dynasty":18,"author":19,"museum":20,"description":21,"tags":146,"thumbUrl":147,"material":40,"size":41,"collection":42,"collections":148,"showCount":149,"zanCount":11,"manualWeight":11,"mainColor":55},225639,"rembrandt-harmensz-van-rijn-049-lun-bo-lang-225639","Rembrandt Harmensz.van Rijn - 049",[23,7,25,92],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77fceb2e11381a3cb3cdea5b8cba4f75.jpg",[42],29,{"id":151,"slug":152,"title":153,"dynasty":18,"author":19,"museum":20,"description":21,"tags":154,"thumbUrl":159,"material":40,"size":41,"collection":42,"collections":160,"showCount":161,"zanCount":11,"manualWeight":11,"mainColor":55},225629,"rembrandt-harmensz-van-rijn-038-lun-bo-lang-225629","Rembrandt Harmensz.van Rijn - 038",[23,24,27,155,156,157,158,31,28,7,33,25],"人物肖像","老年男性","胡须","头巾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16e0dd1e5d25fe92ed2881f0c35df3ec.jpg",[42],28,{"id":163,"slug":164,"title":165,"dynasty":166,"author":167,"museum":20,"description":168,"tags":169,"thumbUrl":171,"material":40,"size":41,"collection":137,"collections":172,"showCount":173,"zanCount":140,"manualWeight":11,"mainColor":45},287589,"song-xuan-zu-hou-zuo-xiang-yi-ming-287589","宋宣祖后坐像","宋","佚名","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[125,127,63,25,170,7],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1493df959c662d33adca06725ac16585.jpg",[],27,{"id":175,"slug":176,"title":177,"dynasty":178,"author":167,"museum":20,"description":179,"tags":180,"thumbUrl":182,"material":40,"size":41,"collection":137,"collections":183,"showCount":184,"zanCount":140,"manualWeight":11,"mainColor":45},290808,"xiao-he-huang-hou-xiao-chun-huang-hou-yi-ming-290808","孝和皇后；孝纯皇后","明","王氏（1582年－1619年），北直隶顺天府大兴县（今北京市）人，明光宗朱常洛的才人，明熹宗朱由校和简怀王朱由㰒之母。",[125,126,7,127,63,181,31],"后妃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F024a10ee0ff82e13fff006c8f8ec911e.jpg",[],25,{"id":186,"slug":187,"title":188,"dynasty":166,"author":167,"museum":20,"description":168,"tags":189,"thumbUrl":192,"material":40,"size":41,"collection":137,"collections":193,"showCount":184,"zanCount":11,"manualWeight":11,"mainColor":45},287588,"song-xuan-zu-zuo-xiang-yi-ming-287588","宋宣祖坐像",[125,126,7,127,63,190,191,128],"帝王像","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bf82dcd6ca2eadd1310dd4061adcb5b.jpg",[],{"id":195,"slug":196,"title":197,"dynasty":121,"author":167,"museum":20,"description":198,"tags":199,"thumbUrl":209,"material":40,"size":41,"collection":137,"collections":210,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":141},234392,"xiao-yi-chun-huang-hou-chao-fu-xiang-zhou-yi-ming-234392","孝仪纯皇后朝服像轴","此作工笔重彩，人物端严沉静，尽显后妃威仪。衣饰绘制精工极致，朝服遍饰五彩龙纹，云纹、海水江崖层层排布，纹样繁缛却层次分明，晕染细腻考究。东珠朝珠垂挂胸前，珠宝光泽莹然逼真。宝座雕饰祥龙，脚踏与地毯纹样华贵雍容，朱红配明黄，尽显宫廷礼制的厚重华贵。画师以写实技法，将面料肌理、珠玉质感一一还原，色彩富丽不失沉稳，既精准呈现了后妃朝服典制，也将皇后端凝肃穆的气度刻画入微，是清代宫廷肖像画的典型佳作。",[125,200,201,127,63,202,25,203,204,205,206,70,207,7,208,170],"书画","立轴","工笔重彩","清代服饰","朝服","龙纹","宝座","宫廷人物","传统服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff82d2ef672dca8f0cc4b49c7647b20e7.jpg",[],24,{"id":213,"slug":214,"title":215,"dynasty":18,"author":19,"museum":20,"description":21,"tags":216,"thumbUrl":219,"material":40,"size":41,"collection":42,"collections":220,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":55},225630,"rembrandt-harmensz-van-rijn-039-lun-bo-lang-225630","Rembrandt Harmensz.van Rijn - 039",[23,25,24,27,217,28,156,67,218,7],"巴洛克","衣着华丽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dedba658724fa1c3703f05f3d6304c3.jpg",[42],{"id":222,"slug":223,"title":224,"dynasty":178,"author":167,"museum":20,"description":168,"tags":225,"thumbUrl":229,"material":40,"size":41,"collection":137,"collections":230,"showCount":231,"zanCount":140,"manualWeight":11,"mainColor":45},283647,"ming-xi-zong-zuo-xiang-yi-ming-283647","明熹宗坐像",[125,25,127,63,226,191,227,170,228,7],"帝王","牡丹","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ce4f3e3742391e4edb2a7aec1e35fe0.jpg",[],23,{"id":233,"slug":234,"title":235,"dynasty":166,"author":167,"museum":20,"description":236,"tags":237,"thumbUrl":240,"material":40,"size":41,"collection":137,"collections":241,"showCount":242,"zanCount":11,"manualWeight":11,"mainColor":141},287590,"song-di-hou-quan-shen-xiang-song-tai-zu-yi-ming-287590","宋帝后全身像-宋太祖","此作将帝王气度藏于简雅笔色之间，帝王安坐髹金朱漆龙椅，展角幞头衬出面庞方正威严，长髯垂胸，双手拢握玉圭，仪态沉凝端重，自带开国君主的雄毅厚重。\n笔墨简净克制，淡墨匀细圆劲的线条勾勒衣纹，贴合绫罗垂坠柔润的质感，平净敷色不做繁饰，只以素白袍服衬出冲淡肃穆的皇家威仪。画作写实朴拙，细微处捕捉住君主不怒自威的神态，在简约平淡中尽显开国帝王的沉稳气场，是帝王肖像画里极具代表性的佳构。",[125,126,7,63,127,226,238,239],"坐像","衣冠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F177bd71d9b3786698d40b0f5b2a35003.jpg",[],22,{"id":244,"slug":245,"title":246,"dynasty":178,"author":167,"museum":247,"description":248,"tags":249,"thumbUrl":252,"material":253,"size":18,"collection":137,"collections":254,"showCount":255,"zanCount":140,"manualWeight":11,"mainColor":45},231542,"han-fu-ren-fang-shi-xiang-yi-ming-231542","韩夫人方氏像","美国克利夫兰艺术博物馆","此幅与韩宜可像当是对轴。韩宜可像题款疑伪，此款也是一人所作，亦是后添。",[250,125,127,63,25,7,251],"高清","明代服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcca507ba8686491bdda53e04868c722e.jpg","绢本",[],20,{"id":257,"slug":258,"title":259,"dynasty":18,"author":19,"museum":20,"description":21,"tags":260,"thumbUrl":264,"material":40,"size":41,"collection":42,"collections":265,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":55},225661,"rembrandt-harmensz-van-rijn-071-lun-bo-lang-225661","Rembrandt Harmensz.van Rijn - 071",[23,25,24,27,28,7,261,158,262,263],"老年女性","皱领","黑色长袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d3d28ca706d877c3f2eb306936f7084.jpg",[42],19,{"id":268,"slug":269,"title":270,"dynasty":18,"author":103,"museum":20,"description":104,"tags":271,"thumbUrl":284,"material":40,"size":41,"collection":42,"collections":285,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":45},225813,"self-portrait-1887-fan-gao-225813","Self-portrait 1887",[23,155,92,106,107,272,273,274,275,276,277,7,278,279,280,37,281,282,283],"设色明快","半身像","背景写意","人物半身构图","色彩对比","笔触明显","西式服饰","领结","外套","毛发细节","背景模糊处理","色彩丰富","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2329ca0a0f96faa9d3d6e02121bd517b.jpg",[42],18,{"id":288,"slug":289,"title":290,"dynasty":18,"author":19,"museum":20,"description":21,"tags":291,"thumbUrl":295,"material":40,"size":41,"collection":42,"collections":296,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":45},225665,"rembrandt-harmensz-van-rijn-075-lun-bo-lang-225665","Rembrandt Harmensz.van Rijn - 075",[23,24,155,261,292,293,294,27,7],"白色头巾","白色蕾丝领","深色服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e2b7fb788a8f0e0cf9d75533526b99c.jpg",[42],{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":21,"tags":301,"thumbUrl":304,"material":40,"size":41,"collection":42,"collections":305,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":55},225635,"rembrandt-harmensz-van-rijn-044-lun-bo-lang-225635","Rembrandt Harmensz.van Rijn - 044",[23,7,25,24,302,303],"手杖","复古服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd444bd8f6a5f4b9bb99655d91e9af9d4.jpg",[42],{"id":307,"slug":308,"title":309,"dynasty":18,"author":19,"museum":20,"description":21,"tags":310,"thumbUrl":315,"material":40,"size":41,"collection":42,"collections":316,"showCount":317,"zanCount":11,"manualWeight":11,"mainColor":55},225649,"rembrandt-harmensz-van-rijn-059-lun-bo-lang-225649","Rembrandt Harmensz.van Rijn - 059",[51,23,7,24,27,28,25,92,311,312,313,314],"手持纸张","羽毛笔","深色衣物","白色衣领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6fb581f7548c5a3ba84d09439b6aae2.jpg",[42],16,{"id":319,"slug":320,"title":321,"dynasty":121,"author":167,"museum":20,"description":322,"tags":323,"thumbUrl":327,"material":40,"size":41,"collection":137,"collections":328,"showCount":329,"zanCount":11,"manualWeight":11,"mainColor":141},234379,"fu-lin-chao-fu-xiang-zhou-yi-ming-234379","福临朝服像轴","此作以细腻写实之笔，定格帝王威仪。帝王安坐鎏金宝座，面容沉敛端方，眉眼自带九五之尊的肃穆气场。明黄朝服遍饰五爪金龙，宝蓝织金镶边勾勒华贵轮廓，朱红暖帽顶戴东珠，纹样精细规整，尽显礼制森严与皇家尊荣。画师晕染入微，还原帝皇神采气韵，衣袍褶皱层次分明，金线绣纹在素绢上熠熠有光，台毯繁纹疏密得当，构图庄重严整，将皇权的庄重尊贵凝于绢素，是兼具纪实性与艺术性的肖像佳构。",[125,201,324,127,63,25,204,205,206,70,325,326,7,202],"清代","织物纹样","金色装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff11740411748d6f819c4f679c5dd2844.jpg",[],14,{"id":331,"slug":332,"title":333,"dynasty":18,"author":19,"museum":20,"description":21,"tags":334,"thumbUrl":339,"material":40,"size":41,"collection":42,"collections":340,"showCount":341,"zanCount":11,"manualWeight":11,"mainColor":55},225688,"rembrandt-harmensz-van-rijn-098-lun-bo-lang-225688","Rembrandt Harmensz.van Rijn - 098",[23,24,7,27,25,156,335,336,337,338,67],"毛领外套","白色褶皱领","打开的书籍","黑色帽子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01fbf84ee850aa47b2daf160f5df7fbc.jpg",[42],12,{"id":343,"slug":344,"title":345,"dynasty":18,"author":19,"museum":20,"description":21,"tags":346,"thumbUrl":349,"material":40,"size":41,"collection":42,"collections":350,"showCount":341,"zanCount":11,"manualWeight":11,"mainColor":55},225679,"rembrandt-harmensz-van-rijn-089-lun-bo-lang-225679","Rembrandt Harmensz.van Rijn - 089",[23,7,25,261,292,347,348,27,24,217],"白色皱领","深色衣袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbedfc9319ae045ac62991964bb87d9ca.jpg",[42],{"id":352,"slug":353,"title":354,"dynasty":18,"author":19,"museum":20,"description":21,"tags":355,"thumbUrl":356,"material":40,"size":41,"collection":42,"collections":357,"showCount":341,"zanCount":11,"manualWeight":11,"mainColor":55},225638,"rembrandt-harmensz-van-rijn-048-lun-bo-lang-225638","Rembrandt Harmensz.van Rijn - 048",[51,23,25,7,65,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cfdfeb28bfd483fc68196d7135c5777.jpg",[42],{"id":359,"slug":360,"title":361,"dynasty":178,"author":167,"museum":20,"description":362,"tags":363,"thumbUrl":364,"material":40,"size":41,"collection":137,"collections":365,"showCount":366,"zanCount":11,"manualWeight":11,"mainColor":141},290814,"tai-zu-zuo-xiang-yi-zhou-yi-ming-290814","太祖坐像（一）轴","宣宗朱瞻基(1398-1435) 年号“宣德”1425年即位，在位11年 宣宗，仁宗长子，他和其父一样，比较能倾听臣下的意见与仁宗并称“仁宣之治”，宣宗时君臣关系融洽，经济也稳步发展。宣宗死于1435年，享年38岁。",[125,201,63,25,226,191,170,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37bc1e2efbb64d37317b815276176051.jpg",[],11,{"id":368,"slug":369,"title":370,"dynasty":121,"author":167,"museum":20,"description":371,"tags":372,"thumbUrl":374,"material":40,"size":41,"collection":137,"collections":375,"showCount":366,"zanCount":140,"manualWeight":11,"mainColor":45},288441,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-da-chen-ao-bai-yi-ming-288441","历代帝王贵妃大臣朝服像(大臣鳌拜)","此作工整肃穆，将权臣的威仪尽数铺陈。画师以精细笔触描摹形貌，苍老年迈的面庞上神色沉凝凶悍，不怒自威，尽显权倾朝野的跋扈气场。\n\n宝蓝朝服之上，盘金绣就的五爪龙纹细腻规整，金线在底色映衬下愈显华贵威严，朝珠排布严整，各处纹饰细节一丝不苟，尽显宫廷绘事的精湛功底。\n\n全作构图对称中正，恪守官式肖像的严谨制式，既精准还原朝服礼制细节，又鲜活刻画出人物的性格特质，让观者得以窥见这位权臣的厚重气场，是清代人物肖像画中的典型佳构。",[250,125,126,127,63,7,373,191,204],"大臣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e0b29cead27de6725038fd4d2d7add0.jpg",[],{"id":377,"slug":378,"title":379,"dynasty":121,"author":167,"museum":20,"description":380,"tags":381,"thumbUrl":383,"material":40,"size":41,"collection":137,"collections":384,"showCount":366,"zanCount":11,"manualWeight":11,"mainColor":45},288320,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-duo-er-gun-fu-jin-yi-ming-288320","历代帝王贵妃大臣朝服像(多尔衮福晋)","此作工笔精严，将清初贵族内眷的威仪尽数铺陈。画中福晋容色端凝肃穆，静坐间自带世家贵气。周身朝服以宝蓝为底，通身金线织就的龙纹辗转腾挪，于沉稳底色中尽显华贵威严，纹样排布规整严谨，分毫毕现清宫服饰的礼制规制。\n\n朝珠错落垂覆，珠石点缀其间晕开温润光泽，与服饰明丽绣纹相映成趣。设色沉厚典雅，以浓淡明暗晕染出衣物层叠质感，写实入微。整幅画作恪守清宫肖像画的典正笔法，以细腻笔触定格贵族女眷的庄重仪态，尽显身份尊崇。",[250,125,63,127,201,25,170,191,7,382],"贵族女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa651fc4788bd919ac4aa7aa9f847812d.jpg",[],{"id":386,"slug":387,"title":388,"dynasty":18,"author":103,"museum":20,"description":104,"tags":389,"thumbUrl":391,"material":40,"size":41,"collection":42,"collections":392,"showCount":366,"zanCount":11,"manualWeight":11,"mainColor":55},225796,"portrait-of-an-old-man-december-fan-gao-225796","Portrait of an old man (December - )",[23,25,156,157,280,279,7,107,390],"厚涂技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F349751c1758e0192aac466b4f01cee17.jpg",[42],{"id":394,"slug":395,"title":396,"dynasty":18,"author":19,"museum":20,"description":21,"tags":397,"thumbUrl":402,"material":40,"size":41,"collection":42,"collections":403,"showCount":366,"zanCount":11,"manualWeight":11,"mainColor":55},225651,"rembrandt-harmensz-van-rijn-061-lun-bo-lang-225651","Rembrandt Harmensz.van Rijn - 061",[23,7,25,92,398,399,400,401],"红帽","书桌","书籍","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07f9c37659e7e3dbfe1dd075ea79bcf3.jpg",[42],{"id":405,"slug":406,"title":407,"dynasty":121,"author":167,"museum":408,"description":409,"tags":410,"thumbUrl":415,"material":416,"size":417,"collection":138,"collections":418,"showCount":420,"zanCount":140,"manualWeight":11,"mainColor":141},236163,"xuan-ye-rong-zhuang-xiang-zhou-yi-ming-236163","玄烨戎装像轴","北京故宫博物院","画面中帝王戎装卓立，铠甲纹饰工细鲜明，金饰点缀尽显庄重威仪，背负箭矢，尽显弓马本色。四名侍从神态恭谨，错落随侍，衬出帝王尊崇地位。苍松虬劲古朴，枝桠舒展，皴染细腻，留白晕染出郊野空阔悠远的氛围。\n\n整幅设色明丽沉稳，线条流畅工致，写实兼具意境。既精准复刻人物服制仪态细节，又借古松烘托帝王沉雄气魄，将帝王的武略风采与肃穆仪范定格绢素，是清代纪实肖像画的精妙之作。",[51,125,201,7,126,63,127,24,411,226,412,413,414],"苍松","侍从","戎装","郊野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd3c2d5aba305219ef7e7053ae7f0bc1.jpg","绢本，设色","纵256.1厘米， 横116.8厘米",[138,419],"设色画精选",10,{"id":422,"slug":423,"title":424,"dynasty":121,"author":167,"museum":20,"description":425,"tags":426,"thumbUrl":427,"material":40,"size":41,"collection":137,"collections":428,"showCount":429,"zanCount":11,"manualWeight":11,"mainColor":45},288312,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shou-zang-he-shuo-gong-zhu-yi-ming-288312","历代帝王贵妃大臣朝服像(寿臧和硕公主)","这幅肖像工致细腻，尽显公主温婉贵气。画师以匀净柔缓的线条勾勒颜面，敷色秀雅晕染出莹润的肌肤质感，双眸沉静淡然，自带皇家矜贵气度。\n朝服纹样繁缛精巧，宝蓝底衬明黄龙纹，间饰祥云、江崖海水，层次分明富丽堂皇。金线走线细腻工整，将龙形矫健威严刻画入微。红翠绿珠串成的朝珠色泽鲜亮，交叠间更衬人物身份尊崇不凡。\n整体色调沉稳华贵，写实精准又不失宫廷肖像的礼制威仪，尽显清代宫廷肖像画典型特色，将皇室成员的肃穆端庄完美定格。",[250,125,127,63,126,7,83,191,204],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe1da95843657cd73402b4c2bfc10237.jpg",[],9,{"id":431,"slug":432,"title":433,"dynasty":18,"author":103,"museum":20,"description":104,"tags":434,"thumbUrl":439,"material":40,"size":41,"collection":42,"collections":440,"showCount":429,"zanCount":11,"manualWeight":11,"mainColor":55},225772,"la-berceuse-portrait-of-madame-roulin-december-january-fan-gao-225772","La berceuse (Portrait of Madame Roulin) (December - January )",[23,435,126,7,65,436,437,438],"后印象派","花卉","室内","沉静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff16727b0aeda55dbc65473d3faea65.jpg",[42],{"id":442,"slug":443,"title":444,"dynasty":18,"author":19,"museum":20,"description":21,"tags":445,"thumbUrl":10,"material":40,"size":41,"collection":137,"collections":451,"showCount":429,"zanCount":11,"manualWeight":11,"mainColor":141},225591,"rp-p-1961-1178-lun-bo-lang-225591","RP-P-1961-1178",[446,447,24,7,448,27,28,156,157,449,450,273],"蚀刻","素描","线条","毛皮帽子","头部肖像",[],{"id":453,"slug":454,"title":455,"dynasty":121,"author":167,"museum":20,"description":456,"tags":457,"thumbUrl":458,"material":40,"size":41,"collection":137,"collections":459,"showCount":460,"zanCount":11,"manualWeight":11,"mainColor":141},288434,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yi-qin-wang-ai-xin-jue-luo-zai-yuan-yi-ming-288434","历代帝王贵妃大臣朝服像(怡亲王爱新觉罗.载垣)","爱新觉罗·载垣（1816年10月16日—1861年10月），清朝宗室亲王、大臣。清圣祖爱新觉罗·玄烨六世孙，怡贤亲王爱新觉罗·胤祥的五世孙，怡恪亲王奕勋次子。世袭和硕怡亲王爵位，十二家世袭铁帽子王之一，咸丰帝顾命八大臣之首。曾任御前大臣行走，亲受顾命。清文宗咸丰帝即位后，渐受信用，累官左宗正、宗令、领侍卫内大臣。\n咸丰十一年，与爱新觉罗·端华、爱新觉罗·肃顺等八人受顾命为赞襄政务大臣，掌握实权。同年，慈禧太后与恭亲王奕訢发动“祺祥政变”，载垣在北京被捕，赐白绢自尽。年四十六岁。",[250,125,25,127,63,204,191,170,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fa0c1a49c4bdb6d2a89b229ffac0002.jpg",[],8,{"id":462,"slug":463,"title":464,"dynasty":18,"author":103,"museum":20,"description":104,"tags":465,"thumbUrl":468,"material":40,"size":41,"collection":42,"collections":469,"showCount":460,"zanCount":11,"manualWeight":11,"mainColor":45},225817,"selfportret1887-fan-gao-225817","Selfportret1887",[23,7,435,106,107,283,25,92,36,466,280,157,467],"围巾","面部特写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f59b59f59805008cb62ac682a20d99f.jpg",[42],{"id":471,"slug":472,"title":473,"dynasty":18,"author":19,"museum":20,"description":21,"tags":474,"thumbUrl":477,"material":40,"size":41,"collection":42,"collections":478,"showCount":460,"zanCount":11,"manualWeight":11,"mainColor":55},225681,"rembrandt-harmensz-van-rijn-091-lun-bo-lang-225681","Rembrandt Harmensz.van Rijn - 091",[23,7,25,83,31,475,476,63,24,27],"饰品","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0cdc69775f7438902ad55f5e8afd4b7.jpg",[42],{"id":480,"slug":481,"title":482,"dynasty":18,"author":19,"museum":20,"description":21,"tags":483,"thumbUrl":485,"material":40,"size":41,"collection":42,"collections":486,"showCount":460,"zanCount":11,"manualWeight":11,"mainColor":55},225670,"rembrandt-harmensz-van-rijn-080-lun-bo-lang-225670","Rembrandt Harmensz.van Rijn - 080",[51,23,7,32,24,484],"拉夫领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa735698374fffcd0c0f1b34c07a3b560.jpg",[42],{"id":488,"slug":489,"title":490,"dynasty":18,"author":491,"museum":20,"description":492,"tags":493,"thumbUrl":495,"material":40,"size":41,"collection":137,"collections":496,"showCount":497,"zanCount":11,"manualWeight":11,"mainColor":141},232495,"he-er-bai-yin-154-he-er-bai-yin-232495","荷尔拜因154","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[7,447,25,24,494,92,31],"淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25dac070c092874f415162b3c572df33.jpg",[],7,{"id":499,"slug":500,"title":501,"dynasty":18,"author":167,"museum":20,"description":502,"tags":503,"thumbUrl":505,"material":137,"size":137,"collection":137,"collections":506,"showCount":497,"zanCount":11,"manualWeight":11,"mainColor":141},231652,"yi-cai-xiao-xiang-hua-yi-ming-231652","易彩肖像画","肖像画因其侧重人物面貌的描写，古人又称之为“写真画”，或者是“传神”“写照”“传写”，它是中国画门类中最为古老的一个科目。中国肖像画的历史悠久，相比山水和花鸟而言，它的起源是最早的。在历经唐宋元的延续和嬗变之后，明清时期的肖像画更是达到了一个新的高度，形成了鲜明的特色和完整的体系，在中国绘画史上占据着非常重要的位置，生命力极其强大。\n明清肖像画在其时代的人物画发展的基础上，不仅对西方传于中国的写实性绘画技法予以了吸收借鉴，同时也充分融合了本民族绘画语言，包括正统的文人绘画和民间的写真术等，取得的巨大艺术成就，虽然不是绘画主流方向，但对其后人物画转向现实提供了尝试和可能，也为现代艺术家的创新提供了有益的基础,而其艺术特点和美学价值均是值得我们目前仍需深入展开和探究的内容。",[250,125,200,201,127,63,7,504,126,51],"书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae4ff80e723721427982e6421699c69c.jpg",[],{"id":508,"slug":509,"title":510,"dynasty":178,"author":167,"museum":20,"description":511,"tags":512,"thumbUrl":514,"material":40,"size":41,"collection":137,"collections":515,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":45},290809,"xuan-zong-zhang-huang-di-yi-ming-290809","宣宗章皇帝","明宣宗章皇帝朱瞻基（1398-1435），洪武三十一年二月初九日（1398年3月16日）生，永乐九年（1411年）立为皇太孙，洪熙元年（1425年）即皇帝位，宣德十年正月初三日（1435年1月31日）驾崩，葬景陵。庙号宣宗，谥号宪天崇道英明神圣钦文昭武宽仁纯孝章皇帝。",[125,63,127,25,7,226,181,513],"宫廷服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb288670fcbb16c77b0725e3e1e05b96d.jpg",[],6,{"id":518,"slug":519,"title":520,"dynasty":121,"author":167,"museum":20,"description":521,"tags":522,"thumbUrl":524,"material":40,"size":41,"collection":137,"collections":525,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":141},288438,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-shi-si-zi-yin-ti-yi-ming-288438","历代帝王贵妃大臣朝服像(康熙十四子胤禵)","此作为写实工笔肖像，用笔精细入微。画师以淡墨晕染面部，将人物皮肤的松弛褶皱与霜色须发刻画得丝丝分明，沉稳威严的神态呼之欲出，尽显中年男子的沉凝气度。石青色常服线条劲挺，晕染出织物的厚重质感，暖绒官帽点缀出端庄仪范。蓝底红云坐褥设色浓艳华贵，与素净背景形成冷暖对比，衬得人物沉静内敛。上方题诗与画像呼应，暗合人物端方仁厚的风骨。整作形神兼备，既有宫廷肖像画的严谨工整，又将人物气度与仪容完美融合，是清代肖像画的上乘之作。",[250,125,63,25,127,201,7,204,504,523],"男性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a502daf27004585523e0ca50abe0f5c.jpg",[],{"id":527,"slug":528,"title":529,"dynasty":121,"author":167,"museum":20,"description":530,"tags":531,"thumbUrl":533,"material":40,"size":41,"collection":137,"collections":534,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":45},288436,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-jian-wei-rui-feng-yi-ming-288436","历代帝王贵妃大臣朝服像(建威锐锋)","此作工笔精细写实，将老者威仪内敛的气度尽数铺展。画师落笔入微，老者苍劲的面容带着世家尊者的沉稳肃穆，褶皱细腻的朝袍晕染厚重华贵，补子纹饰与江崖海水层次分明，朝珠串饰色泽温润写实，细节处处彰显礼制规格。整体构图中正端方，素净背景衬得人物愈发庄重，脚下繁复华丽的地毯纹样，烘托出肃穆的宗族祭祀氛围。画作以形写神，色彩沉厚朴雅，将旧世家的宗法礼制风貌尽显笔底，兼具写实功力与礼制意蕴。",[250,125,201,63,127,25,532,204,129,7],"官员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c62be9cfeca4ec02b63c653d141fe86.jpg",[],{"id":536,"slug":537,"title":538,"dynasty":121,"author":167,"museum":20,"description":539,"tags":540,"thumbUrl":541,"material":40,"size":41,"collection":137,"collections":542,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":141},288311,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-fei-pin-wu-ya-shi-yi-ming-288311","历代帝王贵妃大臣朝服像(康熙妃嫔乌雅氏)","整幅画像工致写实，主人公端然正坐，神色温婉肃穆，尽显后宫妃嫔的端庄气度。石青色朝服上团龙纹盘绕，绣工细密平整，金线隐于织纹间流露华贵底色，护甲与长挑垂落，衬出身份尊荣。\n\n座椅披覆瑞兽纹锦缎，威严灵动的纹饰呼应主人地位，身下地毯缠枝花卉间游龙蜿蜒，繁复纹饰层次分明，晕染考究。画作设色沉稳雅致，恪守宫廷肖像画仪制规范，写实还原仪容之余，以精细织绣细节烘托出雍容端方的宫廷气韵，将礼制要求与肖像美感融为一体。",[250,125,127,63,25,83,191,170,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdbc7acf96a92961cf7f3af40e2233fa2.jpg",[],{"id":544,"slug":545,"title":546,"dynasty":18,"author":19,"museum":20,"description":21,"tags":547,"thumbUrl":556,"material":40,"size":41,"collection":42,"collections":557,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":55},225675,"rembrandt-harmensz-van-rijn-085-lun-bo-lang-225675","Rembrandt Harmensz.van Rijn - 085",[51,23,25,523,27,24,273,548,549,550,33,551,552,553,554,555,7],"深色背景","织物质感","光影效果","巴洛克风格","手部细节","服饰纹理","暗色调","光影塑造","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42871374ec6ea472dad06d5921d1b9aa.jpg",[42],{"id":559,"slug":560,"title":561,"dynasty":18,"author":19,"museum":20,"description":21,"tags":562,"thumbUrl":565,"material":40,"size":41,"collection":42,"collections":566,"showCount":516,"zanCount":11,"manualWeight":11,"mainColor":55},225666,"rembrandt-harmensz-van-rijn-076-lun-bo-lang-225666","Rembrandt Harmensz.van Rijn - 076",[23,24,27,7,25,36,563,564,401,157],"纸","笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e51a6d18e7bbe12c89408bd560493c9.jpg",[42],{"id":568,"slug":569,"title":570,"dynasty":18,"author":167,"museum":20,"description":571,"tags":572,"thumbUrl":573,"material":40,"size":41,"collection":137,"collections":574,"showCount":575,"zanCount":11,"manualWeight":11,"mainColor":141},288808,"peter-paul-rubens-bust-of-pseudo-seneca-yi-ming-288808","Peter Paul Rubens--Bust of Pseudo-Seneca","彼得·保罗·鲁本斯（Peter Paul Rubens）（1577年6月28日—1640年5月30日），教名伯多禄·保禄·鲁宾斯，17世纪佛兰德斯画家，西班牙哈布斯堡王朝外交使节。鲁本斯是佛兰德斯画家，是巴洛克画派早期的代表人物。\n鲁本斯出生于德国锡根，在他的父亲去世后，12岁的鲁本斯跟随母亲回到了西班牙统治下的家乡安特卫普，并在那里接受了天主教洗礼。而宗教也成为鲁本斯画家生涯中十分重要的一个主题。",[447,7,25,156,273,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b340c00fc7f0fdbef552843d670cf37.jpg",[],5,{"id":577,"slug":578,"title":579,"dynasty":18,"author":167,"museum":20,"description":580,"tags":581,"thumbUrl":583,"material":40,"size":41,"collection":137,"collections":584,"showCount":575,"zanCount":11,"manualWeight":11,"mainColor":141},288798,"philippe-de-champaigne-portrait-of-charlotte-duchesne-yi-ming-288798","Philippe de Champaigne--Portrait of Charlotte Duchesne","这幅肖像以简练精准的炭笔笔触，晕染出少女沉静温婉的气质。画师着重雕琢眉眼，柔缓排线晕开眼窝阴影，将人物澄澈内敛的眸光定格，微扬的唇角噙着浅淡笑意，平和舒展。发丝以虚实结合的笔触铺陈，蓬松卷曲的发缕带着呼吸感，与面部细腻晕染呼应，衬得人物愈发柔润鲜活。画面仅以极简线条勾勒衣领，将视觉重心全然交付于面庞，把少女恬和的神态刻画得淋漓尽致。右上角题字添了复古质感，留白尽显古典素描克制传神的魅力，寥寥数笔，便让人物鲜活气韵跃然纸上。",[447,7,126,24,582],"女性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ca24cc4748abb4301e980c96821fef5.jpg",[],{"id":586,"slug":587,"title":588,"dynasty":18,"author":19,"museum":20,"description":21,"tags":589,"thumbUrl":592,"material":40,"size":41,"collection":137,"collections":593,"showCount":575,"zanCount":11,"manualWeight":11,"mainColor":45},225597,"rp-p-1961-922-lun-bo-lang-225597","RP-P-1961-922",[590,24,27,7,25,156,312,591,170],"铜版画","纸张","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7ba39f7697e5a8815bc717885e19823.jpg",[],{"id":595,"slug":596,"title":597,"dynasty":121,"author":167,"museum":20,"description":598,"tags":599,"thumbUrl":600,"material":40,"size":41,"collection":137,"collections":601,"showCount":602,"zanCount":11,"manualWeight":11,"mainColor":45},288317,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-zhuang-wen-huang-hou-yi-ming-288317","历代帝王贵妃大臣朝服像(孝庄文皇后)","此作为工笔肖像，笔致凝练精细。画中人物端然正坐，宝蓝色朝服沉稳华贵，衣纹勾勒匀整流畅，边缘镶边更添庄重。红顶暖帽规制严整，衬出人物沉静端雅的气度。手中哈达轻柔垂落，暗合其出身的草原印记。坐具织锦纹样繁丽精巧，配色浓丽古雅，晕染细腻写实，层层烘托出人物尊崇的身份地位。整体画面气韵沉静肃穆，尽显清代宫廷肖像画的工整写实风格，精准定格了人物威仪温婉兼具的独特气质。",[250,125,127,63,25,7,204,170],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5ba2ccd4e010ce5cf0f4f413a4dab7f.jpg",[],4,{"id":604,"slug":605,"title":606,"dynasty":121,"author":167,"museum":20,"description":607,"tags":608,"thumbUrl":609,"material":40,"size":41,"collection":137,"collections":610,"showCount":602,"zanCount":11,"manualWeight":11,"mainColor":45},288309,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-cheng-ze-qin-wang-shuo-sai-yi-ming-288309","历代帝王贵妃大臣朝服像(承泽亲王硕塞)","此作为工笔肖像上乘之作，画中老者面容清癯，神态沉凝威严，自带宗室亲贵的从容威仪。画师以精细笔触描摹朝服，正龙纹鳞爪分明、气势雄健，海水江崖层次细腻，石青、明黄、朱红诸色交叠，富丽庄重又不失章法，精准贴合宗室品级仪制。\n\n领口貂裘、腰间饰件与项下朝珠皆写实入微，毛发丝缕毕现，珠串光泽莹润，将服饰材质肌理尽数展现。整作沉稳端凝，既恪守宫廷肖像的规制法度，又生动刻画出老者的耆年风骨，兼具纪实价值与艺术审美价值。",[250,125,127,63,155,191,170,204,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39be9a97f2fd5ca86c4d0f2b70f38163.jpg",[],{"id":612,"slug":613,"title":614,"dynasty":121,"author":167,"museum":20,"description":615,"tags":616,"thumbUrl":617,"material":40,"size":41,"collection":137,"collections":618,"showCount":602,"zanCount":11,"manualWeight":11,"mainColor":45},288256,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yi-ming-288256","历代帝王贵妃大臣朝服像","此作糅合中西技法，工致细腻。帝王端严安坐，神色沉静内敛，朝服规制森严，朝珠垂坠尽显礼制威仪。宝座融欧式雕花与中式构件，蓝金配色华贵雅致，衬出主人尊崇地位。画师恪守御容画庄重范式，又以西洋光影晕染出面部立体感，皮肉纹理与衣褶层次刻画入微，既得传统写真传神要义，又暗含西风东渐的艺术新风，将帝王威仪与写实水准相融无间，是清代跨文化肖像画的精妙之作。",[250,125,63,127,25,226,204,201,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F939e8b101086ba5245e3ee83bbc40fc1.jpg",[],{"id":620,"slug":621,"title":622,"dynasty":121,"author":167,"museum":20,"description":623,"tags":624,"thumbUrl":625,"material":40,"size":41,"collection":137,"collections":626,"showCount":602,"zanCount":11,"manualWeight":11,"mainColor":45},288207,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yin-ti-fu-fu-yi-ming-288207","历代帝王贵妃大臣朝服像(胤禵夫妇)","此作为工笔重彩肖像，构图规整肃穆，二人正襟端坐，尽显世家眷侣的端方气度。画师以精细笔触还原服饰细节：藏青素缎朝服之上，补子、云肩、江崖海水纹饰华美繁复，金彩勾边搭配朱红、宝绿晕染，将清代宗室服饰的华贵礼制铺陈尽致，朝珠垂挂错落合仪，细节处处恪守典制。\n\n人物刻画写实传神，老者苍髯垂胸，神色平和自带威仪，女子妆容秀雅温婉，旗装头面一丝不苟，精准还原清代宗室贵眷的容仪风貌。整作配色沉稳雍容，以写实技法记录清代贵族日常仪范，兼具纪实价值与工笔美学质感。",[250,125,200,127,63,25,7,170,204],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fb05210a13c131ae3272ef2b02e1b87.jpg",[],{"id":628,"slug":629,"title":630,"dynasty":121,"author":167,"museum":20,"description":631,"tags":632,"thumbUrl":634,"material":40,"size":41,"collection":137,"collections":635,"showCount":602,"zanCount":11,"manualWeight":11,"mainColor":45},288206,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-su-ma-la-gu-yi-ming-288206","历代帝王贵妃大臣朝服像(苏麻喇姑)","此帧工笔肖像以浅褐素底衬映，将人物端凝气度铺陈开来。主人物安坐于织锦软垫宝座，神情温和沉静，眉目间带着阅尽世事的从容。石青朝服庄重沉穆，补子纹样精巧华美，朱白相间的朝珠垂坠胸前，领口袖口镶边绣纹细密繁复，尽显礼制规格。画师笔触细腻入微，发丝根根分明，衣料褶皱晕染自然写实，精准呈现服饰肌理质感，将人物温婉肃穆的神态刻画淋漓尽致，恪守清代肖像画纪实法度的同时，于细节中烘托出人物独特气质，尽显宫廷肖像工整雅致之韵。",[250,125,200,127,63,126,7,633,204],"女性人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87184e9eb8431295e72f6700686b2ee4.jpg",[],{"id":637,"slug":638,"title":639,"dynasty":166,"author":167,"museum":20,"description":640,"tags":641,"thumbUrl":642,"material":40,"size":41,"collection":137,"collections":643,"showCount":644,"zanCount":11,"manualWeight":11,"mainColor":45},290817,"tai-zu-ban-shen-xiang-zhou-yi-ming-290817","太祖半身像轴","宋太祖赵匡胤（927年3月21日－976年11月14日），小名香孩儿。涿郡人，生于洛阳夹马营（今河南省洛阳市瀍河区东关）。五代至北宋初年军事家、政治家、战略家，宋朝开国皇帝（960年2月4日－976年11月14日在位）。后周护圣都指挥使赵弘殷（宋宣祖）次子，母为杜氏（昭宪太后）。\n赵匡胤在后汉时投奔枢密使郭威，致身行伍，并于后周世宗柴荣在位时随征北汉、南唐，战功卓著。柴荣病重时，升为殿前都点检，成为禁军最高统帅。显德七年（960年），受命抵御北汉及契丹联军。旋即在“陈桥兵变”中被拥立为帝，并回京逼迫后周恭帝禅位。同年，赵匡胤登基为帝，改元建隆，国号“宋”，史称宋朝或北宋。\n赵匡胤在位期间，依据宰相赵普“先南后北、先易后难”的策略，先后灭亡荆南、武平、后蜀、南汉及南唐南方割据政权，完成了全国大部的统一。通过两次“杯酒释兵权”，罢去禁军将领及地方藩镇的兵权，加强中央集权，解决了自唐朝中叶以来地方节度使拥兵自擅的局面。\n开宝九年（976年），赵匡胤逝世，享年五十岁。在位十六年，累谥为启运立极英武睿文神德圣功至明大孝皇帝，庙号太祖，葬于永昌陵。今有诗作《咏初日》传世。",[125,201,7,63,127,25,226],"https:\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Harmensz.van Rijn - 064",[23,25,7,92,157,700],"宽檐帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8044ebca05477def43d66d365daa54b.jpg",[42],{"id":704,"slug":705,"title":706,"dynasty":18,"author":19,"museum":20,"description":21,"tags":707,"thumbUrl":708,"material":40,"size":41,"collection":137,"collections":709,"showCount":644,"zanCount":11,"manualWeight":11,"mainColor":55},225613,"rembrandt-harmensz-van-rijn-0146-lun-bo-lang-225613","Rembrandt Harmensz.van Rijn - 0146",[23,25,7,156],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b311ce1c2788a0a153300f1cd8ea8df.jpg",[],{"id":711,"slug":712,"title":713,"dynasty":18,"author":167,"museum":20,"description":714,"tags":715,"thumbUrl":716,"material":40,"size":41,"collection":137,"collections":717,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":141},289471,"carlo-cignani-head-of-a-young-woman-in-three-quarter-view-facing-left-yi-ming-289471","Carlo Cignani--Head of a Young Woman in Three-Quarter View Facing Left","棕色调晕染铺陈，虚实之间将少女温婉神韵尽数勾勒。头巾褶皱以松弛又精准的线条排布，阴影顺着织物垂坠走向晕开，把布料柔软质感悄然托显。少女垂眸颔首，睫间阴影轻覆眼下肌肤，鼻唇弧线柔和舒展，噙着近乎虔诚的恬然笑意。\n\n明暗过渡细腻自然，脸颊柔光与发丝、头巾的沉色织就温柔层次，将少女凝神静思的瞬间凝定。笔触精简却极具表现力，把人物柔美的气质与沉静的内蕴刻画得动人心扉，古典雅致的静谧氛围感扑面而来。",[447,126,83,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ed9b3c13400f2c624086ccfb6efdcb7.jpg",[],2,{"id":720,"slug":721,"title":722,"dynasty":18,"author":167,"museum":20,"description":571,"tags":723,"thumbUrl":727,"material":40,"size":41,"collection":137,"collections":728,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":141},288807,"peter-paul-rubens-carolus-duke-of-lower-lorraine-and-gerberga-yi-ming-288807","Peter Paul Rubens--Carolus, Duke of Lower Lorraine and Gerberga",[724,725,126,7,726],"白描","线描","贵族人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F08bef9c2a8dea173a9ae037e907f1c1d.jpg",[],{"id":730,"slug":731,"title":732,"dynasty":18,"author":167,"museum":20,"description":733,"tags":734,"thumbUrl":736,"material":40,"size":41,"collection":137,"collections":737,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":141},288556,"after-wenceslaus-hollar-four-heads-yi-ming-288556","After Wenceslaus Hollar--Four Heads","四幅肖像各成一帧，利落的钢刻线条精准勾勒出四位老者的迥异神采。\n左上老者头巾缠头，皱纹如刀凿刻就，眉眼垂落，沉郁神色藏着饱经世事的缄默。右上男子束巾覆额，下颌紧绷，目光锐利带着审视的锋芒。左下老者肩颈袒露，眉眼扬起，似正高声言说，神态鲜活外放。右下角侧颜线条硬朗冷冽，眉骨凸起，神色疏离又带着沉凝。\n\n全作以排线铺陈明暗，无多余笔墨，粗粝刻痕带着质朴的力量感，寥寥数笔便将每个形象的性格全然定格，粗朴生动间尽显肖像刻画的独到功力，将市井老者的鲜活情态凝于纸面，让人仿佛能窥见每张面孔背后的人生片段。",[126,7,724,32,447,24,735],"人物头像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57603755ff0311f455f9412200a2888e.jpg",[],{"id":739,"slug":740,"title":741,"dynasty":121,"author":167,"museum":20,"description":742,"tags":743,"thumbUrl":744,"material":40,"size":41,"collection":137,"collections":745,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":45},288250,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-wen-ying-yi-ming-288250","历代帝王贵妃大臣朝服像(石文英)","整幅肖像庄重沉凝，官员端坐神态威严厚重，不怒自威。画师以细腻工笔描摹服饰细节，宝蓝朝服之上，彩绣团龙张颌奋爪，云纹缭绕周身，下幅江崖海水纹样精细规整，将吉庆寓意融于经纬之间。明黄朝珠垂坠胸前，与衣色互为映衬，顶戴花翎更显身份尊崇。\n\n画师晕染入微，衣料的挺括质感、豹纹坐垫的绒毛层次都被精准还原。整体设色沉稳雅致，构图规整均衡，尽显清代纪实肖像画的法度与考究，将武官大员的轩昂器宇定格于绢素，纪实性与审美意趣兼备。",[250,125,63,127,25,7,373,204,205,129,201],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e4544906138f06859c8bc51b19e015e.jpg",[],{"id":747,"slug":748,"title":749,"dynasty":121,"author":750,"museum":20,"description":751,"tags":752,"thumbUrl":755,"material":137,"size":137,"collection":137,"collections":756,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":757},234545,"hua-chen-heng-ke-xiang-juan-wang-yun-234545","画陈衡恪像卷","王云","王云，字汉藻，号清痴，一字雯庵，号竹里，江苏高邮人。\n斌子。楼台、人物近似仇英，康熙时驰名江、淮。写意山水，得沈周遗意。于朝，圣祖赏逾等。",[125,200,753,724,754,25,132,504,7],"长卷","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cdd40df59179dde47a8fc346f995c01.jpg",[],"F48FB1",{"id":759,"slug":760,"title":761,"dynasty":18,"author":491,"museum":20,"description":492,"tags":762,"thumbUrl":763,"material":40,"size":41,"collection":137,"collections":764,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":45},232494,"he-er-bai-yin-153-he-er-bai-yin-232494","荷尔拜因153",[51,447,7,126,24,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe59520c2da4f78ebf7835ba1455ff99a.jpg",[],{"id":766,"slug":767,"title":768,"dynasty":18,"author":491,"museum":20,"description":492,"tags":769,"thumbUrl":771,"material":40,"size":41,"collection":137,"collections":772,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":55},232450,"he-er-bai-yin-109-he-er-bai-yin-232450","荷尔拜因109",[51,23,7,126,770,682,32],"写实风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0516aca2c4fbeb4dad8a3f57964ff0fb.jpg",[],{"id":774,"slug":775,"title":776,"dynasty":18,"author":491,"museum":20,"description":492,"tags":777,"thumbUrl":779,"material":40,"size":41,"collection":137,"collections":780,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":141},232424,"he-er-bai-yin-83-he-er-bai-yin-232424","荷尔拜因83",[7,447,24,25,92,36,778,37],"衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F930a03e2645b5cc85e562daedcd79d17.jpg",[],{"id":782,"slug":783,"title":784,"dynasty":18,"author":491,"museum":20,"description":492,"tags":785,"thumbUrl":789,"material":40,"size":41,"collection":137,"collections":790,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":141},232418,"he-er-bai-yin-77-he-er-bai-yin-232418","荷尔拜因77",[447,24,7,25,92,36,786,157,787,788,725,670,31],"羽毛","面部","明暗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5befb0e49e910804ac24d965c5b6663a.jpg",[],{"id":792,"slug":793,"title":794,"dynasty":18,"author":795,"museum":20,"description":796,"tags":797,"thumbUrl":800,"material":40,"size":41,"collection":137,"collections":801,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":45},232045,"de-jia-24-de-jia-232045","德加24","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[798,799,155,63,65,7,25],"印象派","粉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2234bd3981274503ab4390909782d17.jpg",[],{"id":803,"slug":804,"title":805,"dynasty":18,"author":19,"museum":20,"description":21,"tags":806,"thumbUrl":809,"material":40,"size":41,"collection":137,"collections":810,"showCount":718,"zanCount":11,"manualWeight":11,"mainColor":55},230645,"rembrandt-harmensz-van-rijn-033-lun-bo-lang-230645","Rembrandt Harmensz.van Rijn - 033",[23,7,770,27,25,156,157,36,313,807,808],"光影运用","古典绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6782c84fbceeb60a23b313d5f0ab0cc.jpg",[],{"id":812,"slug":813,"title":814,"dynasty":18,"author":167,"museum":20,"description":815,"tags":816,"thumbUrl":819,"material":40,"size":41,"collection":137,"collections":820,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289538,"attributed-to-sempronio-subissati-portrait-of-francesco-albani-yi-ming-289538","Attributed to Sempronio Subissati--Portrait of Francesco Albani","淡红粉笔晕染开柔和暖意，细腻笔触精准勾勒出画中人沉稳儒雅的神态，鬓侧的耳钉又添了几分不羁雅致。层叠褶皱的衣领衣袍细节写实，还原巴洛克早期的着装风尚。椭圆形画框以缠枝花环围合，底部绶带题字烘托出纪念性氛围。画作以明暗过渡柔化面部轮廓，用舒缓线条晕染毛发衣物质感，将写实性与装饰性融为一体，既精准还原出画中人的沉静气质，也尽显17世纪欧洲肖像创作的古典审美意趣，庄重雅致又不失生动鲜活。",[7,126,447,817,32,818],"西洋画","古典肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d5b892ba86fecae4d4b64b552635bec.jpg",[],{"id":822,"slug":823,"title":824,"dynasty":18,"author":167,"museum":20,"description":825,"tags":826,"thumbUrl":828,"material":40,"size":41,"collection":137,"collections":829,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289501,"benedetto-luti-portrait-of-a-man-yi-ming-289501","Benedetto Luti--Portrait of a Man","以红粉笔铺陈晕染，蓬松卷曲的假发通过虚实错落的排线，层层铺展出柔软蓬松的体积感，发丝起伏舒展，还原出华丽复古的巴洛克发式细节。\n画家将重心落于人物神态塑造，沉稳的眼窝衬出锐利沉静的目光，抿起的唇角带着冷峻自持的气场，面部光影柔和平滑，精准刻画出骨骼起伏与细腻的皮肤肌理。松弛敞开的衣领线条简练自然，暗合人物松弛却不失庄重的绅士气韵。整体笔触松弛克制，在写实精准间晕开古典肖像的雅致氛围感，将人物的内敛风骨凝于笔端。",[447,7,32,827,24],"卷发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d2006c8458a11a01e6ce0788a905524.jpg",[],{"id":831,"slug":832,"title":833,"dynasty":18,"author":167,"museum":20,"description":834,"tags":835,"thumbUrl":838,"material":40,"size":41,"collection":137,"collections":839,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289473,"carletto-caliari-bust-of-a-bearded-old-man-profile-to-right-yi-ming-289473","Carletto Caliari--Bust of a Bearded Old Man, Profile to Right","这帧肖像以松弛灵动的笔触，将老者的神态凝于纸面。细腻排线晕染出秃顶鬓角的毛发层次，柔和光影顺着额头铺陈至颧骨，将松弛下垂的面部肌理悄然带出。\n\n蓬松长须的线条虚实相生，既勾勒出毛发蓬松的体积感，又衬出老者平和松弛的神态，仿佛正低声絮语。浅淡底色晕染的衣袍隐去细节，将视觉全然聚焦于人物面容，不加修饰却精准抓住老年男性历经岁月的沧桑质感，整体沉静柔和，以极简写实笔触藏住脉脉人情味，将老者鲜活的瞬间定格下来。",[126,7,836,837,668,447],"老者","长胡须","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e9c1661076a54f246cbb36720863c44.jpg",[],{"id":841,"slug":842,"title":843,"dynasty":18,"author":167,"museum":20,"description":844,"tags":845,"thumbUrl":846,"material":40,"size":41,"collection":137,"collections":847,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289167,"goya-self-portrait-yi-ming-289167","Goya--Self-Portrait","这幅炭笔素描以极简笔触锚定人物精神内核。蓬松卷发以浓郁晕染交叠出蓬松质感，明暗交错间带着未经修饰的生动。\n\n面部刻画精准克制，眉峰微蹙，沉郁锐利的眼带着审视意味，颧骨与下颌的明暗块面，勾勒出饱经世事的沧桑轮廓，紧抿的唇线封存着深沉情绪。衣袍仅以浅淡排线轻描，以虚实对比将焦点紧锁于面部，粗粝炭笔肌理与柔和晕染交织，把艺术家的孤傲与敏锐凝在纸面，无冗余细节，却让灵魂的重量跃然纸上。",[447,25,523,7,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0005e5638f0877978e21e5de3a65a68e.jpg",[],{"id":849,"slug":850,"title":851,"dynasty":18,"author":167,"museum":20,"description":852,"tags":853,"thumbUrl":855,"material":40,"size":41,"collection":137,"collections":856,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289087,"jean-jacques-de-boissieu-self-portrait-yi-ming-289087","Jean Jacques de Boissieu--Self-Portrait","这帧肖像以红粉笔铺陈，笔触兼具松弛与细腻。发丝卷曲蓬松，根缕层次清晰，柔化了面部的硬朗轮廓。画家精准捕捉自身神态，眉眼沉静锐利，带着审视自我的内敛沉稳，面部光影晕染柔和自然，将中年面容的肌理感真实呈现。领口领结褶皱刻画入微，线条凝练又不失生动。画面留白松弛透气，带着古典肖像的严谨写实，又暗藏速写般的灵动鲜活，将创作者沉静自持的文人气质尽显无余，氤氲着古典肖像特有的优雅克制。",[447,7,126,523,854],"写实技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76bc135ccdf10f2bcb3a9f6eddc0cb86.jpg",[],{"id":858,"slug":859,"title":860,"dynasty":18,"author":167,"museum":20,"description":861,"tags":862,"thumbUrl":864,"material":40,"size":41,"collection":137,"collections":865,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289084,"jean-marc-nattier-self-portrait-yi-ming-289084","Jean Marc Nattier--Self Portrait","灵动的松快笔触捕捉住男子侧半身回望的瞬间，蓬松卷发依靠晕染排线铺展出柔软质感，衣褶起落间概括出布料垂坠的重量感，将松弛又带着一丝讶然的神态定格。右上角的手部速写带着即兴推敲的鲜活，是创作过程里留存的灵感碎片。浅棕纸底搭配提亮的局部高光，让面部与衣摆层次愈发生动。没有繁琐细节雕琢，却精准抓住人物气韵，将速写捕捉动态与神情的优势尽显，带着未完成的随性张力，留存下创作时的鲜活思考痕迹。",[447,25,92,863,7],"飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd77501bd613f6ba464217dd588700d4b.jpg",[],{"id":867,"slug":868,"title":869,"dynasty":18,"author":167,"museum":20,"description":870,"tags":871,"thumbUrl":873,"material":40,"size":41,"collection":137,"collections":874,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":757},289046,"leonardo-da-vinci-head-of-a-man-in-profile-facing-to-the-left-yi-ming-289046","Leonardo da Vinci--Head of a Man in Profile Facing to the Left","这是一幅充满张力的侧面头像速写，用交叉排线铺陈出沉实的体积感。螺旋状的灵动笔触将卷发蓬松蓬松的绒感鲜活呈现，顺着面部骨骼起伏的调子，利落刻画出硬朗的眉骨、棱角分明的下颌，凝沉的神情藏在深浅错落的阴影里，带着未说出口的沉郁故事。\n\n残损的画纸晕开了时间的痕迹，每一道线条都带着即兴的生动，没有刻意修饰的匠气，只用纯粹的素描语言，将观察瞬间的神态牢牢定格。粗粝又细腻的笔触感，让这个男性形象既有世俗的厚重粗莽，又裹挟着古典式的威严，仿佛是从旧时光里拓印而出的侧影，静静诉说着速写独有的鲜活力量。",[447,25,523,872,24,7],"侧面人像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13b1521fe4d3ef59fffa3c317bd8a964.jpg",[],{"id":876,"slug":877,"title":878,"dynasty":18,"author":167,"museum":20,"description":879,"tags":880,"thumbUrl":883,"material":40,"size":41,"collection":137,"collections":884,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},289045,"leonardo-da-vinci-portrait-of-leonardo-da-vinci-yi-ming-289045","Leonardo da Vinci--Portrait of Leonardo da Vinci","这帧蚀刻肖像以明暗线条铺陈层次，精准勾勒出人物标志性的蓬松长髯，发丝虬曲卷曲，在细腻排线中晕开柔和光影，衬出面容的沉静深邃。宽檐软帽压低，眉眼间凝敛着沉思神色，暗合巨匠内敛深沉的气质。粗粝的毛皮衣领与柔润须发形成质感对比，刻绘层次分明，让肖像兼具写实质感与古典版画的肃穆庄重。整体刻画克制而传神，寥寥刀笔间，将这位博学者的儒雅睿智与从容风骨尽显纸面，还原出巨匠沉静深邃的精神气韵。",[7,881,523,882],"版画","长须老者","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4379060da9b93284f7a6fe914b7afeb1.jpg",[],{"id":886,"slug":887,"title":888,"dynasty":18,"author":167,"museum":20,"description":889,"tags":890,"thumbUrl":893,"material":40,"size":41,"collection":137,"collections":894,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},288797,"pier-leone-ghezzi-abbe-jean-antoine-nollet-yi-ming-288797","Pier Leone Ghezzi--Abbé Jean-Antoine 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