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Harmensz.van Rijn - 0197","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,7],"油画","写实","明暗对比","人物","鸟类","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd6af52e2b4bac5a46bf2d140aea52df.jpg","未知","Xcm*Xcm","油画精选",[32],152,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":53,"material":30,"size":31,"collection":32,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":56},225619,"rembrandt-harmensz-van-rijn-0209-lun-bo-lang-225619","Rembrandt Harmensz.van Rijn - 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。保存下来的手稿大约有6000页。达·芬奇认为自然中最美的研究对象是人体，人体是大自然的奇妙之作品，画家应以人为绘画对象的核心。\n达·芬奇生于托斯卡纳的芬奇镇附近。他在少年时已显露艺术天赋，15岁左右到佛罗伦萨拜师学艺，成长为具有科学素养的画家、雕刻家。并成为军事工程师和建筑师。 1482年应聘到米兰后，在贵族宫廷中进行创作和研究活动，1513年起漂泊于罗马和佛罗伦萨等地。1516年侨居法国，1519年5月2日病逝。\n2021年7月9日，达·芬奇素描《熊的头部》在伦敦佳士得以885.75万英镑，约合8000万元人民币的价格成交，创下达·芬奇素描画新的拍卖纪录",[186,24,187,26,7],"素描","明暗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5458ac75b748f84dc4a0e774dda564d7.jpg",[],57,{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":21,"tags":195,"thumbUrl":196,"material":30,"size":31,"collection":32,"collections":197,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":56},225671,"rembrandt-harmensz-van-rijn-081-lun-bo-lang-225671","Rembrandt Harmensz.van Rijn - 081",[23,26,108,90,88,24,25,44,7,41,175],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab503ac9945a61b8bca38c7d03deeb99.jpg",[32],{"id":199,"slug":200,"title":201,"dynasty":80,"author":81,"museum":20,"description":202,"tags":203,"thumbUrl":207,"material":94,"size":94,"collection":94,"collections":208,"showCount":209,"zanCount":115,"manualWeight":11,"mainColor":56},228380,"xian-zong-chun-huang-di-xiao-zhen-chun-huang-hou-yi-ming-228380","宪宗纯皇帝；孝贞纯皇后","此作工笔重彩，尽显宫廷肖像的庄重礼制。帝王丰腴持重，长髯垂胸，朝服团龙织金华美厚重，沉静神态间自显九五威仪。皇后凤冠累丝点翠，珠绕翠围，饰纹龙凤交错、珠玉琳琅，面容温婉端雅，衣间绣纹细密精巧，尽显后妃尊荣。\n\n画面设色沉穆富丽，线条工整精细，既恪守宫廷御容的制式规范，又将帝后仪容神韵写实还原，在礼制框架中尽显大明皇室的华贵肃穆之风。",[85,86,26,7,87,88,204,205,44,206],"宫廷人物","龙纹","重彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faffdd58ba212c252b9f919542f805753.jpg",[],41,{"id":211,"slug":212,"title":213,"dynasty":18,"author":19,"museum":20,"description":21,"tags":214,"thumbUrl":215,"material":30,"size":31,"collection":32,"collections":216,"showCount":217,"zanCount":11,"manualWeight":11,"mainColor":35},225647,"rembrandt-harmensz-van-rijn-057-lun-bo-lang-225647","Rembrandt 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Peeler1887",[23,88,175,232,26,7,62,233,234],"笔触","草帽","外套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff122e10a5e0f7fa26abf048b3c964d17.jpg",[32],36,{"id":239,"slug":240,"title":241,"dynasty":103,"author":81,"museum":242,"description":243,"tags":244,"thumbUrl":251,"material":110,"size":94,"collection":95,"collections":252,"showCount":253,"zanCount":115,"manualWeight":11,"mainColor":158},218301,"guan-lao-fu-ren-xiang-yi-ming-218301","关老夫人像","美国弗利尔美术馆","端坐的身影透着沉静雍容，面容温婉却自带庄重气度。华服以蓝为底，金线绣制的祥龙穿梭于云纹与海水之间，龙姿灵动，辅以五彩纹饰，层次叠嶂间尽显华贵威仪。座椅锦纹繁复，脚下地毯图案精巧，几何纹样与吉祥符号交织，每一处细节皆见工艺之精湛。工笔线条细腻流畅，设色典雅厚重，既承清代肖像画写实传统，又以华丽装饰烘托人物尊贵身份，仿佛能透过画面，触摸到那个时代贵族女性的生活风貌与内敛风华。",[107,85,86,245,87,88,26,63,246,205,44,7,206,89,247,248,249,250],"立轴","古装","传统服饰","清代风格","工笔肖像","服饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59b6480f243d307433c43aef2eaa0f4a.jpg",[95],31,{"id":255,"slug":256,"title":257,"dynasty":18,"author":19,"museum":20,"description":21,"tags":258,"thumbUrl":262,"material":30,"size":31,"collection":32,"collections":263,"showCount":264,"zanCount":11,"manualWeight":11,"mainColor":35},225620,"rembrandt-harmensz-van-rijn-0212-lun-bo-lang-225620","Rembrandt Harmensz.van Rijn - 0212",[23,26,7,41,28,43,259,68,25,260,261],"金属饰品","服饰细节","古典肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d0745188a4502b1d40f9ede0249c81c.jpg",[32],28,{"id":266,"slug":267,"title":268,"dynasty":18,"author":183,"museum":20,"description":184,"tags":269,"thumbUrl":273,"material":30,"size":31,"collection":94,"collections":274,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":276},230592,"su-miao-6-da-fen-qi-230592","素描-6",[26,186,24,7,270,271,272,68,223,41,187],"纸本","侧脸","长发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc611cec1fbad5f12ba10f41a7225a550.jpg",[],27,"F48FB1",{"id":278,"slug":279,"title":280,"dynasty":18,"author":19,"museum":20,"description":21,"tags":281,"thumbUrl":282,"material":30,"size":31,"collection":32,"collections":283,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":35},225632,"rembrandt-harmensz-van-rijn-041-lun-bo-lang-225632","Rembrandt Harmensz.van Rijn - 041",[23,26,7,24,25,88,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F121f4308b7cd69af96e9b6936139cefb.jpg",[32],{"id":285,"slug":286,"title":287,"dynasty":288,"author":81,"museum":82,"description":289,"tags":290,"thumbUrl":292,"material":293,"size":94,"collection":95,"collections":294,"showCount":275,"zanCount":295,"manualWeight":11,"mainColor":158},221781,"yuan-wu-zong-hou-yuan-wu-zong-hou-yi-ming-221781","元武宗后；元武宗后","元","此画为元世祖后头戴珍珠饰罟罟冠，身着金锦衣缘朱袍的半身像。人物面容丰满，神态雍容。此肖像画造型准确，脸面丰盈、作者驱笔着墨（色）都注意到准确性和生动性，笔路清劲洒脱，设色艳而不俗。在艺术处理上，作者善于把线条和色彩提炼得十分简洁，风格上显得敦厚古朴，这是此画的用笔特点。\n彻伯尔皇后着红袍，以大袍为礼服，袍式宽大曳地，袖身肥但口部收窄。冠与袍同色，饰以珍宝花饰，面料有织金锦、丝绒等，大多以大红为主，兼有黄、绿、茶、胭脂红、鸡冠紫、泥金等色。顶缀珠花，并插羽为饰。\n元世祖后彻伯尔，元史表作昭睿顺圣皇后，名察必。济宁忠武王按陈之女。初为世祖妃，中统二年（1262）被立为皇后。彻伯尔因容貌出众，德才兼备，是众多后妃中最受世祖宠爱的一位。彻伯尔后在生活上自奉俭约，率宫女制作结实美观的服饰、实用地毯，还创制了比甲服饰等，适于骑猎穿着。受到世祖和诸大臣的称赞。至元十八年（1281）得病去世。元成宗即位后，追谥昭睿顺圣皇后。\n元代有一批职业画家服务于宫廷，创作了不少帝后肖像画。台北故宫博物院收藏了一套《元代帝后像册》，帝像8帧：计为太祖成吉思汗、太宗窝阔台、世祖忽必烈、元成宗、元武宗、元仁宗、元文帝、元宁宗；后像15幅：计为元世祖后像一、顺宗后像三、武宗后像三、仁宗后像一、英宗后像二、明宗后像一、宁宗后像一以及后纳罕像一、佚名后像四。\n元代帝后肖像的显著特点是作胸像，而其他朝代的帝后像都是完整的全身像，这可能是蒙古族和汉族不同的审美好尚所致。画像的脸部烘染细腻，用微妙的色彩擦染塑造立体感。有研究者认为这样细腻的烘染手法可能与西南地区，特别是来白尼泊尔的画师阿尼哥（Anige）有关。据载阿尼哥曾为世祖、世祖皇后画过像，虽然无法确定是否就是此幅，二者风格上的渊源是毋庸置疑的。\n《唻洎頭條元世祖后像》中，皇后彻伯尔的帽子十分引人注目，几乎占了画面的一半空间，这种帽子叫作“罟罟冠”。“罟罟冠”原名叫“古库勒”，其名称的由来少见于记载，元代丘处机认为“罟罟冠”顶有一撮禽类的羽毛故而拟其声，女真人又称野兽为“故勒故”，推测元蒙时代“罟罟冠”的称谓，与其“取禽兽羽毛”的材质和女真人的发音都有一定的关系。至于“罟罟冠”的构造，分为两部分，即上部是一个顶稍宽的长简形，用桦木、柳枝或铁丝盘出形状来，胎骨外阿糊绒锦岁绢等，链顶装饰小珠，锦鸡等玲禽羽毛，顶郭折下部分的前中央，往上嵌有耀眼的太小珠翠，由两条带于把冠同定在头顶，旁边一缀上珠饰；下部是一抹横勒在额上的抹额，抹额在中间的传统可以追溯到北朝，时称“幕罗”，晦则发展为“帷幕”，称为“滟婆勘于”。尚婆勒干和上冠台之，便为所谓的罟罟冠。\n除开画像中对“罟罟冠”的描绘外，皇后的“一字眉”也非常有特色，这种眉形不仅细长而平齐，在元代流行的时间很长是蒙古族女特有的一种妆饰。通常的做法是先将天生的眉毛剃掉，然后画上细长的“一字眉”。\n蒙古女贵族的服装样式，则明显受到汉族女装的影响，宽的袖千绣满镂盒花边的领口，体现入主中原之后的“汉化”进程。《元世祖皇后像》中，皇后的衣服颜色是大红。元代以红为贵，衣服颜色亦象征着不同的社会等级最尊贵阶层穿红色和紫色的表服，中间阶层穿青色和绿色的农服，寻常百姓则只许穿檀褐色等暗色服装。",[107,85,86,87,88,26,63,28,90,291,288,7],"古代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F444ec05610a71f67070ac1abd81d2630.jpg","绢本设色",[95,113],2,{"id":297,"slug":298,"title":299,"dynasty":18,"author":19,"museum":20,"description":21,"tags":300,"thumbUrl":304,"material":30,"size":31,"collection":32,"collections":305,"showCount":306,"zanCount":11,"manualWeight":11,"mainColor":35},225631,"rembrandt-harmensz-van-rijn-040-lun-bo-lang-225631","Rembrandt Harmensz.van Rijn - 040",[23,25,26,7,301,302,68,303],"老年男性","头巾","手部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8f2d790222c956002fcf3e30c565e6f.jpg",[32],26,{"id":308,"slug":309,"title":310,"dynasty":80,"author":311,"museum":132,"description":312,"tags":313,"thumbUrl":318,"material":270,"size":319,"collection":95,"collections":320,"showCount":321,"zanCount":115,"manualWeight":11,"mainColor":158},219796,"mo-sui-yang-wu-lao-tu-ce-you-qiu-219796","摹睢阳五老图册","尤求","睢阳五老图，为北宋时期画作。所谓“五老”，是指杜衍、王涣、毕世长、冯平、朱贯，皆大宋朝中重臣，辞官后寓居南京睢阳（今河南省商丘市睢阳区）颐养天年，经常晏集赋诗，时称“睢阳五老会”。这5位长寿老人均是“退休高官”且年至耄耋：丞相祁国公杜衍80岁，驾部郎中冯平87岁、兵部郎中朱贯88岁、礼部侍郎王涣90岁，年纪最长的司农卿毕世长，时年已经94岁。出于对他们的敬重，睢阳当地一位丹青高手为五人各绘制了一幅全身像，题名《睢阳五老图》，并让五人在图上赋诗。钱明逸于北宋至和三年（1056年）为之作序。此画绘制精美，尤其是人物脸部描绘细腻生动，栩栩如生。欧阳修、晏殊、范仲淹、文彦博、司马光、程颢、程颐、苏轼、苏辙、黄庭坚等18位北宋重量级人物纷纷在画上题诗题跋。南宋至清末，上百位名人为之题赞，可谓流传有绪，堪称一部国宝级画作。《睢阳五老图》的珍贵不仅在于画作本身，历代名家的题跋在书法史上也具有极为重要的地位。",[85,86,314,87,88,26,91,315,316,7,317],"册","临摹","行书","古装人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe872dccbef77b2cd7113f9c529c6d8e9.jpg","35.2x25.5厘米",[95],25,{"id":323,"slug":324,"title":325,"dynasty":18,"author":19,"museum":20,"description":21,"tags":326,"thumbUrl":331,"material":30,"size":31,"collection":32,"collections":332,"showCount":333,"zanCount":11,"manualWeight":11,"mainColor":35},225695,"lun-bo-lang-225695","Рембрандт ван Рейн - Саския ван Эйленбург, жена",[23,24,25,7,26,63,302,327,328,41,329,330],"蕾丝","深色衣物","古典","半身像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53c897f13ffa6588955f3cd731241799.jpg",[32],23,{"id":335,"slug":336,"title":337,"dynasty":18,"author":19,"museum":20,"description":21,"tags":338,"thumbUrl":343,"material":30,"size":31,"collection":32,"collections":344,"showCount":345,"zanCount":11,"manualWeight":11,"mainColor":35},225680,"rembrandt-harmensz-van-rijn-090-lun-bo-lang-225680","Rembrandt Harmensz.van Rijn - 090",[23,26,7,25,24,62,339,41,340,341,342],"面部特写","质感","深色背景","衣着","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabf2f996396e2cc79a1f34578b107a0b.jpg",[32],22,{"id":347,"slug":348,"title":349,"dynasty":18,"author":172,"museum":20,"description":173,"tags":350,"thumbUrl":359,"material":30,"size":31,"collection":32,"collections":360,"showCount":361,"zanCount":11,"manualWeight":11,"mainColor":158},225808,"self-portrait-1888-fan-gao-225808","Self-Portrait 1888",[351,23,26,175,352,353,354,150,355,356,7,357,358],"名画","色彩浓郁","笔触奔放","调色板","画布","画架","色彩鲜明","笔触明显","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3214fea817e28c99ebeddf67f7274fbc.jpg",[32],21,{"id":363,"slug":364,"title":365,"dynasty":18,"author":172,"museum":20,"description":173,"tags":366,"thumbUrl":369,"material":30,"size":31,"collection":32,"collections":370,"showCount":371,"zanCount":11,"manualWeight":11,"mainColor":56},225812,"self-portrait-march-june-fan-gao-225812","Self-portrait (March - June )",[23,367,7,26,62,232,368],"后印象派","色彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37fbd4736e64d71d132d31b57fdae05f.jpg",[32],19,{"id":373,"slug":374,"title":375,"dynasty":18,"author":19,"museum":20,"description":21,"tags":376,"thumbUrl":378,"material":30,"size":31,"collection":32,"collections":379,"showCount":371,"zanCount":11,"manualWeight":11,"mainColor":35},225642,"rembrandt-harmensz-van-rijn-052-lun-bo-lang-225642","Rembrandt Harmensz.van Rijn - 052",[23,26,377,88,25,7,62,68,272],"宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9b9dbb8775ed6559226fe50c0bdca04.jpg",[32],{"id":381,"slug":382,"title":383,"dynasty":18,"author":19,"museum":20,"description":21,"tags":384,"thumbUrl":385,"material":30,"size":31,"collection":32,"collections":386,"showCount":387,"zanCount":11,"manualWeight":11,"mainColor":35},225650,"rembrandt-harmensz-van-rijn-060-lun-bo-lang-225650","Rembrandt Harmensz.van Rijn - 060",[23,26,7,28,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb557032013dc11365f9b96a4358a0489.jpg",[32],18,{"id":389,"slug":390,"title":391,"dynasty":392,"author":81,"museum":20,"description":393,"tags":394,"thumbUrl":395,"material":30,"size":31,"collection":94,"collections":396,"showCount":397,"zanCount":11,"manualWeight":11,"mainColor":56},290368,"song-shen-zong-hou-zuo-xiang-zhou-yi-ming-290368","宋神宗后坐像轴","宋","北宋时期发达的社会经济，为宋代绘画 提供了许多前无古人的新的绘画题材。风 俗画是宋代人物画的一个特色，以表现村 童闹学、耕织、货郎、七夕夜市等题材的作 品，生动记录了宋代社会生活中的平民生 活，拓宽了以帝王、圣贤、贵妃为主的人物 画格局，并被后世固化为中国人物画的永 恒题材。同时，宋代画院为宋代绘画的发展 聚集了人才，一大批画院画家将用于表现 山水的水墨画法用于人物画的创作中。题材的扩大、形式的增多，为这时期人物画的发展开阔了前景。",[85,351,245,88,87,26,28,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70c6ed9130ec1c61584303e29e9f0469.jpg",[],17,{"id":399,"slug":400,"title":79,"dynasty":80,"author":81,"museum":20,"description":401,"tags":402,"thumbUrl":403,"material":94,"size":94,"collection":94,"collections":404,"showCount":397,"zanCount":11,"manualWeight":11,"mainColor":56},231355,"ming-dai-di-hou-ban-shen-xiang-yi-ming-231355","明宣宗朱瞻基（1399年3月16日－1435年1月31日），或称宣宗章皇帝，明仁宗嫡长子，永乐九年（1411年）立为皇太孙；永乐二十二年（1424年）十月立为皇太子。洪熙元年（1425年）即位，次年改元宣德，明朝第5位皇帝，在位十年，享年35岁。宣德元年（1426年）平定高煦之乱，和其父仁宗一样，比较能倾听臣下的意见，听从二朝元老兼阁臣杨士奇、杨荣、杨溥等建议，停止对交阯用兵，与明仁宗并称“仁宣之治”，宣宗时君臣关系融洽，经济也稳步发展。不过，他也开启此后宦官干政的局面。",[107,85,87,88,26,7,91,28,206],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff976655db328fbf0430dd7f89d4a9c84.jpg",[],{"id":406,"slug":407,"title":408,"dynasty":18,"author":172,"museum":20,"description":173,"tags":409,"thumbUrl":415,"material":30,"size":31,"collection":32,"collections":416,"showCount":397,"zanCount":11,"manualWeight":11,"mainColor":56},225814,"self-portrait-with-grey-felt-hat-september-october-fan-gao-225814","Self-portrait with grey felt hat (September - October )",[23,26,7,175,410,411,50,68,234,412,413,414],"色彩对比","漩涡笔触","衬衫","领巾","抽象背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52b6db7a24fa9908dcd2a0e3efaa9340.jpg",[32],{"id":418,"slug":419,"title":420,"dynasty":18,"author":19,"museum":20,"description":21,"tags":421,"thumbUrl":423,"material":30,"size":31,"collection":32,"collections":424,"showCount":397,"zanCount":11,"manualWeight":11,"mainColor":35},225673,"rembrandt-harmensz-van-rijn-083-lun-bo-lang-225673","Rembrandt Harmensz.van Rijn - 083",[23,24,7,26,62,68,50,422,25,41,329,330],"深色服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc36959dba9e223ad550065d4ca5a300e.jpg",[32],{"id":426,"slug":427,"title":428,"dynasty":18,"author":19,"museum":20,"description":21,"tags":429,"thumbUrl":430,"material":30,"size":31,"collection":32,"collections":431,"showCount":397,"zanCount":11,"manualWeight":11,"mainColor":35},225625,"rembrandt-harmensz-van-rijn-034-lun-bo-lang-225625","Rembrandt Harmensz.van Rijn - 034",[23,24,25,88,26,377,7,41,52],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee89473c83c74be1c50996f899e5ae4f.jpg",[32],{"id":433,"slug":434,"title":435,"dynasty":18,"author":172,"museum":20,"description":173,"tags":436,"thumbUrl":437,"material":30,"size":31,"collection":32,"collections":438,"showCount":439,"zanCount":11,"manualWeight":11,"mainColor":158},225816,"self-portrait-with-straw-hat-march-june-fan-gao-225816","Self-portrait with straw hat (March - June )",[23,88,26,62,233,232,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff688f1ddf6f5513dbfb768e46b0a8fa1.jpg",[32],16,{"id":441,"slug":442,"title":443,"dynasty":18,"author":19,"museum":20,"description":21,"tags":444,"thumbUrl":446,"material":30,"size":31,"collection":32,"collections":447,"showCount":439,"zanCount":11,"manualWeight":11,"mainColor":35},225686,"rembrandt-harmensz-van-rijn-096-lun-bo-lang-225686","Rembrandt Harmensz.van Rijn - 096",[23,25,88,26,63,90,7,445],"衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2272be33efcd37f215f2ea575c2d3dbe.jpg",[32],{"id":449,"slug":450,"title":451,"dynasty":18,"author":172,"museum":20,"description":173,"tags":452,"thumbUrl":453,"material":30,"size":31,"collection":32,"collections":454,"showCount":455,"zanCount":11,"manualWeight":11,"mainColor":56},225795,"portrait-of-a-prostitute-december-1885-fan-gao-225795","Portrait of a prostitute December 1885",[23,26,63,90,175,232,88,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F196f12ecf23fcc89c3f40c2ea3735df2.jpg",[32],15,{"id":457,"slug":458,"title":459,"dynasty":103,"author":81,"museum":20,"description":460,"tags":461,"thumbUrl":463,"material":30,"size":31,"collection":94,"collections":464,"showCount":465,"zanCount":11,"manualWeight":11,"mainColor":158},288433,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-yi-qin-wang-yin-xiang-yi-ming-288433","历代帝王贵妃大臣朝服像(怡亲王胤祥)","爱新觉罗·胤祥（1686年11月16日-1730年6月18日），清圣祖康熙帝第十三子，生母敬敏皇贵妃章佳氏。\n康熙六十一年（1722年），皇四子胤禛继位，胤祥被封为和硕怡亲王，又出任议政大臣，处理重要政务。雍正元年（1723年），命总理户部。自此即全力辅佐胤禛治理国家，胤禛亦对其十分信任。雍正三年（1725年），总理京畿水利营田事务。雍正七年（1729年）因准噶尔部窜扰边陲，命其办理西北两路军机，叙协赞功待诏增仪仗一倍。\n因胤祥对雍正朝的治绩助力甚大，遂得世袭罔替的许可，为铁帽子王。清朝有史以来第九位铁帽子王。雍正八年（1730年）五月初四日（阳历6月18日）去世，时年44岁，配享太庙，上谥号为“贤”，另赐有匾额“忠敬诚直勤慎廉明”冠于谥前。将其名“允祥”的“允”字改回“胤”字，这成为有清一代臣子中不避皇帝讳的唯一事例。",[107,85,86,87,88,26,462,245,7],"朝服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53005ace73bb6d46275c0ae556ddd7df.jpg",[],14,{"id":467,"slug":468,"title":469,"dynasty":18,"author":19,"museum":20,"description":21,"tags":470,"thumbUrl":474,"material":30,"size":31,"collection":32,"collections":475,"showCount":465,"zanCount":11,"manualWeight":11,"mainColor":35},225656,"rembrandt-harmensz-van-rijn-066-lun-bo-lang-225656","Rembrandt Harmensz.van Rijn - 066",[23,24,25,88,26,63,471,472,41,473,7],"马","华丽服饰","暗背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4a37383011170cf04c79d432fd18cd0.jpg",[32],{"id":477,"slug":478,"title":479,"dynasty":18,"author":19,"museum":20,"description":21,"tags":480,"thumbUrl":488,"material":30,"size":31,"collection":32,"collections":489,"showCount":465,"zanCount":11,"manualWeight":11,"mainColor":35},225653,"rembrandt-harmensz-van-rijn-063-lun-bo-lang-225653","Rembrandt Harmensz.van Rijn - 063",[23,24,25,26,7,49,481,482,483,484,485,486,42,487],"红色织物","坐姿","金属器物","织物纹理","光影表现","老年男性形象","衣物褶皱表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd61fca7e26e26c7d1cff903bc89301e5.jpg",[32],{"id":491,"slug":492,"title":493,"dynasty":18,"author":19,"museum":20,"description":21,"tags":494,"thumbUrl":497,"material":30,"size":31,"collection":32,"collections":498,"showCount":465,"zanCount":11,"manualWeight":11,"mainColor":35},225646,"rembrandt-harmensz-van-rijn-056-lun-bo-lang-225646","Rembrandt Harmensz.van Rijn - 056",[23,7,26,24,25,330,45,48,495,496],"厚重笔触","半身肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2569e9bad8e0c0fc55f26d448120429.jpg",[32],{"id":500,"slug":501,"title":502,"dynasty":18,"author":503,"museum":20,"description":504,"tags":505,"thumbUrl":506,"material":30,"size":31,"collection":94,"collections":507,"showCount":508,"zanCount":11,"manualWeight":11,"mainColor":56},231098,"su-miao-352-xi-fang-231098","素描352","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[186,26,7,24,503],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46af178d361361cbb011e2563d09c0f5.jpg",[],13,{"id":510,"slug":511,"title":512,"dynasty":18,"author":19,"museum":20,"description":21,"tags":513,"thumbUrl":514,"material":30,"size":31,"collection":32,"collections":515,"showCount":508,"zanCount":11,"manualWeight":11,"mainColor":35},225692,"rembrandt-van-rijn-portrait-of-a-seated-man-lun-bo-lang-225692","Rembrandt van Rijn -- Portrait of a Seated Man",[23,24,26,28,25,7,62,482,260,485],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f8e74aaedd49b7cd471857282abc35c.jpg",[32],{"id":517,"slug":518,"title":519,"dynasty":103,"author":520,"museum":132,"description":521,"tags":522,"thumbUrl":524,"material":94,"size":94,"collection":95,"collections":525,"showCount":508,"zanCount":11,"manualWeight":11,"mainColor":526},201884,"guan-yu-xiang-zhou-shen-shao-201884","关羽像轴","沈韶","画中关羽端坐正中，面容威肃，长髯垂胸，宽袍厚带尽显武将沉稳气度。身后从者披甲执刀，青龙偃月刀斜倚寒光隐现，更衬主公凛然威仪。线条工细流畅，设色沉敛古雅，人物神情刻画入微——关羽双目微阖却藏锋芒，从者恭谨侍立，细节处见匠心。整体画风庄重肃穆，凝关羽忠义仁勇之姿于绢素，正气满幅。",[87,88,26,523,7,107],"兵器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F614af2de5f2bd4f175ff2b505c6988b6.jpg",[95],"56361a",{"id":528,"slug":529,"title":530,"dynasty":18,"author":19,"museum":20,"description":21,"tags":531,"thumbUrl":542,"material":30,"size":31,"collection":32,"collections":543,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":35},225677,"rembrandt-harmensz-van-rijn-087-lun-bo-lang-225677","Rembrandt Harmensz.van Rijn - 087",[23,24,7,25,26,532,44,533,534,473,482,485,535,536,537,538,539,540,541],"老年女性","褶皱衣领","手部细节","古典风格","写实技法","人物肖像","复古服饰","手部刻画","暗调背景","静态坐姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff91232fa7789b4a925654270b1fe89cf.jpg",[32],12,{"id":546,"slug":547,"title":548,"dynasty":18,"author":19,"museum":20,"description":21,"tags":549,"thumbUrl":555,"material":30,"size":31,"collection":32,"collections":556,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":35},225659,"rembrandt-harmensz-van-rijn-069-lun-bo-lang-225659","Rembrandt Harmensz.van Rijn - 069",[23,7,24,550,26,551,552,553,554,41],"明暗对照","毛皮衣物","褶皱领饰","纸张","红色台面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F329a223e72cb035a53104c54d1527032.jpg",[32],{"id":558,"slug":559,"title":560,"dynasty":18,"author":19,"museum":20,"description":21,"tags":561,"thumbUrl":564,"material":30,"size":31,"collection":32,"collections":565,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":35},225645,"rembrandt-harmensz-van-rijn-055-lun-bo-lang-225645","Rembrandt Harmensz.van Rijn - 055",[23,26,7,88,41,62,562,50,25,563],"红袍","古典绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cba2773a6ae4bb73cb4f4eb28de8fbd.jpg",[32],{"id":567,"slug":568,"title":569,"dynasty":103,"author":570,"museum":20,"description":571,"tags":572,"thumbUrl":575,"material":110,"size":94,"collection":94,"collections":576,"showCount":544,"zanCount":11,"manualWeight":11,"mainColor":577},217256,"li-dai-di-wang-zhen-xiang-3-yao-wen-han-217256","历代帝王真像-3","姚文瀚","姚文瀚的《历代帝王真像图》是一部巨著，包含了从秦始皇到清朝乾隆帝的220位帝王的真像。这幅画卷以宫廷内务府的资料为基础，经过姚文瀚的精心研究和描绘，每一位帝王的真像都非常逼真，与当时的实际相差无几。\n\n姚文瀚在制作《历代帝王真像图》时，花了超过20年的时间，并且聘请了许多著名的艺术家协助他的工作。最终，他完成了这部传世的巨著，使得我们能够通过这幅画卷了解到中国历史上许多伟大的帝王的长相。",[85,88,87,26,573,44,7,574],"帝王","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2a8e94d6534e386e4636b2f1b54d27e.jpg",[],"FF9800",{"id":579,"slug":580,"title":581,"dynasty":80,"author":81,"museum":20,"description":582,"tags":583,"thumbUrl":585,"material":30,"size":31,"collection":94,"collections":586,"showCount":587,"zanCount":11,"manualWeight":11,"mainColor":56},287406,"di-wang-xiao-xiang-li-zhou-yi-ming-287406","帝王肖像立轴","这幅肖像画工致写实，老者面容清癯苍劲，鬓发染霜，神色端凝持重，尽显宦海沉潜出的沉稳威严。\n\n朱红朝服庄重沉穆，胸前方补缂丝精妙，瑞兽身姿矫健灵动，云纹缠缀其间，晕色细腻匀称，尽显织造匠心。乌纱翼善冠制式严整，玉带銙雕琢精巧，腰间垂饰摇曳有度，细节处恪守明代官服典制。\n\n画面背景素净简雅，将视觉焦点全然交付于人物，以细腻笔触精准勾勒出官员的身份气度，恪守仪轨又传神写照，让观者得见明代士大夫的端方风骨。",[107,85,245,26,7,87,88,28,584],"兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F781a7ea58be4997776a6331947cec0ff.jpg",[],11,{"id":589,"slug":590,"title":591,"dynasty":18,"author":172,"museum":20,"description":173,"tags":592,"thumbUrl":594,"material":30,"size":31,"collection":32,"collections":595,"showCount":587,"zanCount":11,"manualWeight":11,"mainColor":56},225815,"self-portrait-with-pipe-september-november-fan-gao-225815","Self-portrait with pipe (September - November )",[23,26,593,88,7],"烟斗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce01e8c2b624715c4fbad7f01fc82aa3.jpg",[32],{"id":597,"slug":598,"title":599,"dynasty":18,"author":172,"museum":20,"description":173,"tags":600,"thumbUrl":605,"material":30,"size":31,"collection":32,"collections":606,"showCount":587,"zanCount":11,"manualWeight":11,"mainColor":56},225792,"portrait-of-camille-roulin-november-december-fan-gao-225792","Portrait of Camille Roulin (November - December )",[23,26,175,601,7,50,602,603,353,604],"色彩浓烈","上衣","黄色背景","设色鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54ad3301656f3b6cf635f88423816cae.jpg",[32],{"id":608,"slug":609,"title":610,"dynasty":18,"author":19,"museum":20,"description":21,"tags":611,"thumbUrl":613,"material":30,"size":31,"collection":32,"collections":614,"showCount":587,"zanCount":11,"manualWeight":11,"mainColor":35},225676,"rembrandt-harmensz-van-rijn-086-lun-bo-lang-225676","Rembrandt Harmensz.van Rijn - 086",[23,612,25,88,26,7,45,28],"巴洛克","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd82cc2038d94ad1f0b10e1273b58af88.jpg",[32],{"id":616,"slug":617,"title":618,"dynasty":103,"author":81,"museum":20,"description":619,"tags":620,"thumbUrl":622,"material":30,"size":31,"collection":94,"collections":623,"showCount":624,"zanCount":11,"manualWeight":11,"mainColor":158},288440,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-fu-cha-jing-shou-gu-ming-da-chen-yi-ming-288440","历代帝王贵妃大臣朝服像(富察景寿顾命大臣)","此作以写实工笔描摹重臣仪范，画中人物面容清癯沉静，目光持重平和，尽显朝堂肱骨的端方气度。石青朝服上缂丝团龙鲜活灵动，平金绣纹细密齐整，海水江崖纹婉转舒展，严循礼制规制又暗藏织造匠心。朝珠莹润垂襟，顶戴朱缨明丽，细节分毫毕现。\n\n整幅设色沉稳雅致，线条凝练精准，舍弃冗余修饰，以细腻笔触复刻出晚清重臣的肃穆仪范，既是写实传神的肖像佳作，亦承载着清代官式肖像画的典型特质，兼具文史考据价值与工笔美学意趣。",[107,85,26,87,88,28,621,7],"大臣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07457a95826dfa44f3874f536f4681e3.jpg",[],10,{"id":626,"slug":627,"title":628,"dynasty":18,"author":629,"museum":20,"description":630,"tags":631,"thumbUrl":632,"material":30,"size":31,"collection":94,"collections":633,"showCount":624,"zanCount":11,"manualWeight":11,"mainColor":276},232506,"he-er-bai-yin-165-he-er-bai-yin-232506","荷尔拜因165","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[351,186,7,26,24,62,50,68,445,223,270],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd8b49b984de339ba47e78696103feeb.jpg",[],{"id":635,"slug":636,"title":637,"dynasty":18,"author":172,"museum":20,"description":173,"tags":638,"thumbUrl":641,"material":30,"size":31,"collection":32,"collections":642,"showCount":624,"zanCount":11,"manualWeight":11,"mainColor":35},225791,"portrait-of-armand-roulin-1888-fan-gao-225791","Portrait of Armand Roulin 1888",[23,26,62,50,234,639,175,88,7,358,640,410],"领结","绿色背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63107deb13d4ce109aa041ca2997bea5.jpg",[32],{"id":644,"slug":645,"title":646,"dynasty":18,"author":19,"museum":20,"description":21,"tags":647,"thumbUrl":653,"material":30,"size":31,"collection":32,"collections":654,"showCount":624,"zanCount":11,"manualWeight":11,"mainColor":35},225694,"the-preacher-eleazar-swalmius-lun-bo-lang-225694","The preacher Eleazar 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065",[23,26,28,90,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F165399e79b4e19540aac062816b31e53.jpg",[32],{"id":672,"slug":673,"title":674,"dynasty":18,"author":172,"museum":20,"description":173,"tags":675,"thumbUrl":677,"material":30,"size":31,"collection":32,"collections":678,"showCount":679,"zanCount":11,"manualWeight":11,"mainColor":35},225759,"head-of-a-man-november-february-fan-gao-225759","Head of a man (November - February )",[23,26,62,593,676,175,661,7],"烟雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F950fcfaa3898e61c4eec34af00f180fd.jpg",[32],9,{"id":681,"slug":682,"title":683,"dynasty":103,"author":684,"museum":20,"description":685,"tags":686,"thumbUrl":688,"material":30,"size":31,"collection":94,"collections":689,"showCount":690,"zanCount":115,"manualWeight":11,"mainColor":56},290201,"rong-lu-xiao-xiang-li-zhou-rong-lu-290201","荣禄肖像立轴","荣禄","荣禄（1836年4月6日－1903年4月11日），字仲华，号略園，满族，乌喇瓜尔佳氏。满洲正白旗人。晚清军事家、政治家。末代皇帝溥仪的外祖父，慈禧太后的亲信。",[107,85,245,26,88,7,28,687],"书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3da9c71591e1e05ae79590b82b121f4.jpg",[],8,{"id":692,"slug":693,"title":694,"dynasty":18,"author":629,"museum":20,"description":630,"tags":695,"thumbUrl":699,"material":30,"size":31,"collection":94,"collections":700,"showCount":690,"zanCount":11,"manualWeight":11,"mainColor":158},232390,"he-er-bai-yin-49-he-er-bai-yin-232390","荷尔拜因49",[26,7,186,696,24,223,28,697,698],"白描","羽毛","衣领","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd9812e97ced11b5252ce7686fb9b1c4.jpg",[],{"id":702,"slug":703,"title":704,"dynasty":103,"author":81,"museum":20,"description":705,"tags":706,"thumbUrl":708,"material":30,"size":31,"collection":94,"collections":709,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":56},288437,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ting-chen-yi-ming-288437","历代帝王贵妃大臣朝服像(廷臣)-","此作为工笔重彩肖像，写实传神，将清代高阶朝臣的威仪尽显无余。\n画家以细腻笔触晕染官员面容，皮肉质感饱满柔和，神态端凝肃穆，自带不怒自威的沉静气场。石青色朝服沉穆厚重，补子、织金暗纹细节一丝不苟，朝珠珠串光泽莹润，腰间绶带绣饰精巧，处处彰显服饰规制的华贵精巧。\n兽足座椅与祥云座褥勾勒细致，烘托出人物尊崇地位。整作色调古雅沉稳，既有纪实画像的严谨规制，又暗含写意传神的精妙，将清代官僚的肃穆仪容刻画入微，是清代肖像画中极具代表性的写实佳品。",[107,85,86,245,88,87,26,707,462,7,28],"廷臣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0ed5d6eb26cac6684824e01e1a06a5f.jpg",[],7,{"id":712,"slug":713,"title":714,"dynasty":80,"author":715,"museum":20,"description":716,"tags":717,"thumbUrl":720,"material":30,"size":31,"collection":94,"collections":721,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":158},287944,"huan-yu-xian-sheng-xiao-xiang-zhang-hong-287944","环宇先生肖像","张宏","张宏（1577年－1652年后），字君度，号鹤涧，江苏苏州长洲县人，明代画家、篆刻家。善画山水、人物、翎毛。擅长山水，颇有意趣，亦能画兰，笔墨有元人古意，是明末吴门画坛的中坚人物。吴中学者尊崇之。另外近代学者指出他擅长“地图式绘画”，描绘旅游所见景色，是与其他吴派画家不同之处。",[107,85,26,88,7,718,719],"松树","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71d26a61fbf2f228ed89e12c60d5bcb6.jpg",[],{"id":723,"slug":724,"title":725,"dynasty":103,"author":81,"museum":20,"description":726,"tags":727,"thumbUrl":731,"material":30,"size":31,"collection":94,"collections":732,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":35},234409,"xiao-he-rui-huang-hou-ban-shen-xiang-chi-ping-yi-ming-234409","孝和睿皇后半身像持屏","这幅肖像以中西合璧的技法绘就，以西洋写实晕染勾勒出皇后柔润的肌肤与沉静端凝的神态，弯眉含秀，唇色妍丽，耳坠轻摇间尽显后宫主位的温婉威仪。\n\n吉服纹饰绘制精工细密，明黄龙张爪展翼，辅以祥云江崖，色彩华贵饱满，将后服的典制华贵尽数铺陈，青蓝背景衬出人物端雅雍容，既得西洋肖像的写实逼真，又不失东方宫廷肖像的庄重规整，尽显清宫肖像融贯中西的独特意韵。",[351,574,87,88,26,728,28,89,729,7,730],"皇后","屏","彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F713ccc991e35ec949a18cac7f6e3e86b.jpg",[],{"id":734,"slug":735,"title":736,"dynasty":288,"author":81,"museum":20,"description":737,"tags":738,"thumbUrl":740,"material":94,"size":94,"collection":94,"collections":741,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":158},233035,"hou-fei-xiang-yi-ming-233035","后妃像","全册七开，设色画后妃、太子头像共十三人，每开有题签记名。",[85,86,88,87,26,44,90,739,7],"元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7daf0e62456819fb339dc385c2b15640.jpg",[],{"id":743,"slug":744,"title":745,"dynasty":18,"author":629,"museum":20,"description":630,"tags":746,"thumbUrl":748,"material":30,"size":31,"collection":94,"collections":749,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":158},232352,"he-er-bai-yin-11-he-er-bai-yin-232352","荷尔拜因11",[351,26,7,186,24,62,68,50,44,187,747],"细腻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87fa266e3a5299ec2eb6e4654737f9d1.jpg",[],{"id":751,"slug":752,"title":753,"dynasty":18,"author":19,"museum":20,"description":21,"tags":754,"thumbUrl":757,"material":30,"size":31,"collection":32,"collections":758,"showCount":710,"zanCount":11,"manualWeight":11,"mainColor":35},225689,"rembrandt-harmensz-van-rijn-099-lun-bo-lang-225689","Rembrandt Harmensz.van Rijn - 099",[23,24,25,7,26,532,755,756],"白色皱领","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd579fcd46005f0c8637403fe520ca4e.jpg",[32],{"id":760,"slug":761,"title":762,"dynasty":18,"author":763,"museum":20,"description":764,"tags":765,"thumbUrl":769,"material":30,"size":31,"collection":94,"collections":770,"showCount":771,"zanCount":11,"manualWeight":11,"mainColor":35},232579,"wei-lian-a-dao-fu-bu-ge-luo-194-wei-lian-a-dao-fu-bu-ge-luo-232579","威廉·阿道夫·布格罗194","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,24,88,26,766,660,767,768,535,7],"儿童","白色衣物","细腻笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff22c8c697c7fe5dd1f30eb54600bca8.jpg",[],6,{"id":773,"slug":774,"title":775,"dynasty":18,"author":629,"museum":20,"description":630,"tags":776,"thumbUrl":779,"material":30,"size":31,"collection":94,"collections":780,"showCount":771,"zanCount":11,"manualWeight":11,"mainColor":158},232422,"he-er-bai-yin-81-he-er-bai-yin-232422","荷尔拜因81",[24,186,777,26,63,28,778,7],"淡彩","衣领装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d583ca613b990abadd8825b7a4ae34a.jpg",[],{"id":782,"slug":783,"title":784,"dynasty":18,"author":503,"museum":20,"description":504,"tags":785,"thumbUrl":786,"material":30,"size":31,"collection":94,"collections":787,"showCount":771,"zanCount":11,"manualWeight":11,"mainColor":35},231310,"su-miao-564-xi-fang-231310","素描564",[186,88,26,108,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf99b3706803008248c7c8c1fe61e6fd.jpg",[],{"id":789,"slug":790,"title":791,"dynasty":18,"author":172,"museum":20,"description":173,"tags":792,"thumbUrl":794,"material":30,"size":31,"collection":32,"collections":795,"showCount":771,"zanCount":11,"manualWeight":11,"mainColor":35},225763,"head-of-a-woman-march-fan-gao-225763","Head of a woman (March - )-",[23,26,63,7,175,367,302,698,410,793],"笔触厚重","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18450abfde030d4c3bcfd12151e00aba.jpg",[32],{"id":797,"slug":798,"title":799,"dynasty":18,"author":19,"museum":20,"description":21,"tags":800,"thumbUrl":801,"material":30,"size":31,"collection":32,"collections":802,"showCount":771,"zanCount":11,"manualWeight":11,"mainColor":35},225672,"rembrandt-harmensz-van-rijn-082-lun-bo-lang-225672","Rembrandt Harmensz.van Rijn - 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