[{"data":1,"prerenderedAt":152},["ShallowReactive",2],{"subject-xiao-yan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3020,"xiao-yan","硝烟","硝烟画高清赏析","精选中国历代硝烟题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe680b2da0d00cf8038c73e6c7e7955a1.jpg",0,8,[14,41,58,80,102,117,134,144],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},233044,"ping-ding-tai-wan-zhan-tu-ce-yi-ming-233044","平定台湾战图册","清","佚名","北京故宫博物院","乾隆五十一年（1786），台湾天地会北路首领林爽文起事，并得到南路首领庄大田的响应，旋即占领全岛，林爽文自称盟主大元帅，建元顺天；庄大田自称洪号，辅国大元帅。《战图》所绘即清大学士福康安和侍卫大臣海兰等于乾隆五十三年率军剿灭林爽文起事的战况。图十二幅，图目为：福康安奏报诸罗解围图、福康安奏报攻克斗六门图、福康安奏报攻克大里杙图、福康安奏报进攻小半天图、集集埔之战图、大埔林之战、大武垄之战图、枋寮之战图、生擒林爽文图、生擒庄大田图、福康安奏报抵厦门图、赐宴凯旋诸将图。\n据清内务府造办处乾隆五十三年档案记载：先是福康安进呈《台湾战图》御览，乾隆帝看过后并不满意，下旨：“图内人物绘画尚未合式，将原图十六幅寄京交如意馆，着伊兰泰将从前画过战图尺寸查清再画一份。五十三年九月二十日：姚文瀚将起得渡海凯旋图稿呈览，奉旨准画，着杨大章、贾全、谢遂、庄豫德、黎明分画。”十月初五太监鄂勒里传旨：“姚文瀚等现画台湾战图着以册十二幅，如画得一两幅，陆续交如意馆照西域战图画法一样画十二幅，俟画得时交造办处刻铜板。”[《活计档》。第3554册，中国第一历史档案馆藏。]即这是第一部完全由中国人绘稿和雕刻铜版的《战图》。但这套战图刻印完成后，也许乾隆帝并不十分满意，或者是对《平定准部回部战图》的西洋画法更感兴趣，又于乾隆五十四八月十七太监鄂鲁里传旨：“台湾战图册页画稿俟刻铜板完成时，将原稿掣回，着西洋人贺清泰、潘廷璋照铜板画法一样成画一份。”据《清内府造办处舆房目录》记载：《平定台湾战图》六份，其中绘本一份，内有原签注：“贾全起稿，黎明画稿”等字样。据故宫博物院藏清宫档案记载：“台湾战图铜板一份计十二块，压过二百份，各处陈设一百十九份，赏用八十一份。”",[23,24,25,26,27,28,29,30,7,31,32,33],"名画","国画","册","设色","历史画","战争","人物","山地","兵器","战图","平定台湾战事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8e3aed85c66410bf5618437925544e5.jpg","纸本，设色","长55.6厘米，宽91.1厘米","",[],6,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":54,"material":55,"size":37,"collection":37,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":40},216805,"zhan-zheng-tong-ban-hua-37-lang-shi-ning-216805","战争铜版画-37","郎世宁","藏地不详","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[49,28,27,50,51,52,53,7],"铜版画","山水","马","士兵","书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70c24b5586aa674f189b6302c424f6a5.jpg","水墨",[],5,{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":75,"material":76,"size":77,"collection":37,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":40},233090,"ping-ding-miao-jiang-zhan-tu-ce-yi-ming-233090","平定苗疆战图册","《平定苗疆得胜图》亦称《湖南战役图》，十六幅图依次为：兴师图、剿捕秀山苗匪、攻克木山、攻解松桃之围、大剿土空寨苗匪解永绥城围、攻克兰草坪滚牛坡、攻克黄瓜寨剿贼、攻克苏麻寨、攻得茶它柳夯等处贼巢、攻克高多寨生擒逆首吴半生、攻克廖家冲生擒首逆石三保、收复乾州、攻克强虎哨、攻克平陇贼巢、捷来图、攻克石隆苗寨。\n清乾隆五十九年（1794年），湖南、贵州的苗民在石三堡、石柳邓、吴半生等人的率领下起义。清政府先后派云贵总督福康安、四川总督和琳等出兵镇压。《平定苗疆得胜图》是以这一历史事件中的几次重大战役为题材创作而成。\n作者采用了中国传统绘画中的皴法刻画山石麻皮状的纹理和峭立的山势，并以细腻的刻画手法及娴熟的线条运用较好地勾勒出物象的质感。战争场面气势恢宏，人物造型受中国传统木版画的影响，呈头大身小的特点，古朴稚拙。",[24,64,27,65,66,26,67,50,68,69,70,52,71,72,73,7,74],"册页","战争题材","皴法","工笔","山石","林木","民居","将领","骑兵","战旗","平定苗疆战役","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25b351eee676a3fc28ea7abe7e5fa57e.jpg","纸本","纵55.4cm，横90.8cm",[],4,{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":20,"description":84,"tags":85,"thumbUrl":98,"material":76,"size":99,"collection":37,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":40},233056,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233056","平定回疆剿擒逆裔战图册","本幅设色共十页，引首道光书“纉武绥边”，每开题记，又书平定回疆记事。尾纸曹振镰，文字王鼎等跋。",[24,86,25,67,26,87,29,51,88,89,90,91,31,92,93,7,68,94,72,95,96,97],"书画","清代","骆驼","山峦","树木","烟雾","岩石","战斗场景","植被","步兵","旗帜","尘土","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe64df6dfd321f04704fdaee3f6d80a08.jpg","纵55.3cm，横90.3cm",[],3,{"id":103,"slug":104,"title":83,"dynasty":18,"author":19,"museum":20,"description":84,"tags":105,"thumbUrl":114,"material":76,"size":99,"collection":37,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":40},233059,"ping-ding-hui-jiang-jiao-qin-ni-yi-zhan-tu-ce-yi-ming-233059",[24,26,67,25,106,29,107,89,90,7,108,109,110,111,112,113],"长卷","战马","战争场景","清代风格","工笔重彩","山水背景","人物动态","战场描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4707f8ecdf3147f248c020c9568a9594.jpg",[],2,{"id":118,"slug":119,"title":120,"dynasty":121,"author":19,"museum":46,"description":122,"tags":123,"thumbUrl":128,"material":129,"size":130,"collection":37,"collections":131,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":133},289316,"francesco-casanova-cavalry-skirmish-with-a-fallen-drummer-at-left-yi-ming-289316","Francesco 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