[{"data":1,"prerenderedAt":71},["ShallowReactive",2],{"subject-xiao-yi-zhuan-lan-ting":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7942,"xiao-yi-zhuan-lan-ting","萧翼赚兰亭","萧翼赚兰亭画高清赏析","精选中国历代萧翼赚兰亭题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00d5e4507f97cac7a1fafa57455dce2a.jpg",0,2,[14,44],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":42,"manualWeight":11,"mainColor":43},239478,"ming-ren-xiao-yi-zhuan-lan-ting-tu-zhou-yi-ming-239478","明人萧翼赚兰亭图轴","明","佚名","北京故宫博物院","在宋时即多摹本。据史所载，唐代著名画家阎立本绘有此图，此外，据《宣和画谱》，唐吴侁亦作此图一幅。其后，前蜀支仲元、南唐顾德谦、南宋僧梵隆、元赵子俊等画家均以此题材绘图，此卷为明代绘本。图绘六位人物，画左坐着的僧人即辩才，左手执《兰亭序》，右手举于胸前侃侃而谈，画面右侧的萧翼双手笼于袖间，沉着冷静，两人中间有一盆假山石。画面右下方为萧翼的两名随从，衣冠整洁，左下幅辩才的童子正在备茶。该图右上侧有树石为背景，山石呈方块状叠加，造型独特，全画工笔重彩设色，人物及树石等造型具有明代绘画的特点。",[23,24,25,26,27,28,29,30,31,32,33,34,7,35],"名画","国画","立轴","工笔","设色","人物画","僧人","童子","随从","树石","孤石","备茶","《兰亭序》","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4d7369ef6326f5b81cab49e4cb54bbf.jpg","绢本，设色","纵124厘米，横78厘米","人物画精选",[39],42,1,"795548",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":50,"description":51,"tags":52,"thumbUrl":10,"material":65,"size":66,"collection":67,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},287443,"mo-yan-li-ben-xiao-yi-zhuan-lan-ting-tu-ding-guan-peng-287443","摹阎立本萧翼赚兰亭图","清","丁观鹏","藏地不详","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[53,24,54,55,56,27,28,57,7,58,59,60,61,62,63,64],"高清","长卷","书画","白描","临摹","历史故事","文人","侍从","茶具","坐具","印章","书法","未知","Xcm*Xcm","",[],24,"BDBDBD",1777535785126]