[{"data":1,"prerenderedAt":111},["ShallowReactive",2],{"subject-xiao-zhuo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3142,"xiao-zhuo","小桌","小桌画高清赏析","精选中国历代小桌题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55d46e68eee2b60d13d2b2bbfac02a71.jpg",0,5,[14,42,61,75,94],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},228015,"ting-qin-tu-ye-qian-xuan-228015","听琴图页","元","钱选","藏地不详","钱选（1239—1299），宋末元初著名画家，与赵孟頫等合称为“吴兴八俊”。字舜举，号玉潭，又号巽峰，霅川翁，别号清癯老人、川翁、习懒翁等，湖州（今浙江吴兴）人。\n南宋景定三年乡贡进士，入元不仕。工诗，善书画。画学极杂：山水师从赵令穰；人物师从李公麟；花鸟师赵昌；青绿山水师赵伯驹。人品及画品皆称誉当时。继承苏轼等人的文人画理论，提倡士气说，倡导戾家画。他提倡绘画中的“士气”，在画上题写诗文或跋语，萌芽了诗、书、画紧密结合的文人画的鲜明特色。",[23,24,25,26,27,28,29,30,31,32,7,33],"高清","国画","书画","册","工笔","设色","人物","乐器","树木","椅子","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41e714910dac008049fcf377a1fc2387.jpg","未知","Xcm*Xcm","",[],33,1,"795548",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":56,"material":57,"size":58,"collection":37,"collections":59,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":60},223524,"huai-yin-xiao-xia-tu-yi-ming-223524","槐荫消夏图","宋","佚名","北京故宫博物院","图绘炎炎夏日里，一处槐荫下，一高士平卧榻上，上衣半解，袒胸露乳，闭目酣睡；榻边一条案上摆着香炉、蜡台、书卷等物品，可能高士睡醒后在此读书赏画。",[23,51,24,27,28,29,52,31,7,53,54,55],"名画","卧榻","器物","竹子","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8d0ea42b1fa58b518f644456b170622.jpg","绢本，设色","25*28.4cm",[],"BDBDBD",{"id":62,"slug":63,"title":64,"dynasty":46,"author":47,"museum":48,"description":65,"tags":66,"thumbUrl":71,"material":57,"size":72,"collection":37,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":60},234018,"huai-yin-xiao-xia-tu-ye-yi-ming-234018","槐荫消夏图页","图绘炎炎夏日里，一处槐荫下，一高士平卧榻上，上衣半解，袒胸露乳，闭目酣睡；榻边一条案上摆着香炉、蜡台、书卷等物品，可能高士睡醒后在此读书赏画。本幅无款，标签题王齐翰作，原载《历代名笔集胜册》第一册。\n此图人物、床榻、条案、文房清玩刻画人微，极富艺术表现力。在笔墨上，行笔飘逸柔美、气韵清新优雅，人物和背景勾勒细致，烘染细腻，体现了画家细致的观察力和深厚的绘画功底。",[24,28,27,26,67,68,29,69,52,7,53,70],"书法","印章","槐树","树荫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6d4e735e515eae8c0b9f36217672fe.jpg","25×28.4cm",[],16,{"id":76,"slug":77,"title":78,"dynasty":79,"author":47,"museum":20,"description":80,"tags":81,"thumbUrl":92,"material":35,"size":36,"collection":37,"collections":93,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":60},225475,"fu-shi-hui-233-yi-ming-225475","浮世绘233","不详","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[82,83,28,29,84,85,86,87,88,89,7,90,91],"浮世绘","木刻","美人","竹","器","室内场景","服饰","垫子","瓶罐","屏风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df95966597f1edd0f21f060475f25ca.jpg",[],{"id":95,"slug":96,"title":97,"dynasty":98,"author":47,"museum":20,"description":99,"tags":100,"thumbUrl":10,"material":107,"size":37,"collection":37,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":110},218124,"fu-hua-luo-han-jiu-zhang-lao-xiang-2-yi-ming-218124","佛画·罗汉九长老像-2","清","佚名的佛画 罗汉九长老像 是一幅清朝时期的佛教画作，描绘了九位罗汉，这些罗汉是佛教中的超凡脱俗的人物，他们拥有超凡的智慧和慈悲之心，并且被视为佛教中的榜样。\n\n在这幅画中，佚名以精细的笔触描绘了九位罗汉的形象，每一位罗汉都面带慈祥的微笑，身着精致的法衣，体现出他们超凡的品德和修行的成果。画面中还有许多佛教的装饰元素，如佛像、佛经、菩提树等，为整幅画作增添了浓厚的佛教气息。\n\n总的来说，佚名的 罗汉九长老像 是一幅非常精美的佛教画作，其中所传达出的超凡慈悲和修行成果，对于追求佛道的人来说是一种极大的启发和鼓励。",[23,101,102,28,27,29,103,104,105,106,7,33],"清代","宗教","虎","兽","树","山石","绢本,设色",[],3,"37474F",1777535752885]