[{"data":1,"prerenderedAt":313},["ShallowReactive",2],{"subject-xie-shi-ji-fa":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3008,"xie-shi-ji-fa","写实技法","写实技法画高清赏析","精选中国历代写实技法题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F370ab5df30d34c686775d70ba842eb2d.jpg",0,16,[14,47,72,97,117,142,164,178,191,204,217,228,245,264,285,300],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":40,"material":41,"size":42,"collection":43,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},226148,"da-shi-men-xiao-han-si-huo-er-bai-yin-226148","大使们","不详","小汉斯·霍尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7,38,39],"油画","写实","设色","人物","衣帽","地球仪","书籍","乐器","科学仪器","桌子","地毯","布料","金属器","木质","典籍","室内场景","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe2fbcb4770ff51108175120146d4681.jpg","未知","Xcm*Xcm","油画精选",[43],48,"37474F",{"id":48,"slug":49,"title":50,"dynasty":51,"author":52,"museum":53,"description":54,"tags":55,"thumbUrl":10,"material":65,"size":66,"collection":67,"collections":68,"showCount":69,"zanCount":70,"manualWeight":11,"mainColor":71},219424,"shi-jun-tu-zhi-pi-li-xiang-zhou-lang-shi-ning-219424","十骏图之霹雳骧轴","清","郎世宁","台北故宫博物院","画面中白马低首伫立，鬃毛如流云般蓬松柔软，细腻笔触勾勒出毛发的层次与光泽，肌肉线条流畅而富有张力——既藏着写实技法的精准，又含东方笔墨的温润韵味。马蹄的金属质感刻画入微，似能触到那份冷硬厚重。淡雅绢本为底，衬得白马愈发纯净灵动，仿佛下一秒便要抬蹄轻踏。四周题字墨色清劲，朱印错落点缀，红与墨相映成趣，添了文人意趣与雅致。整幅作品将异域写实与东方传统相融，骏马不仅形态鲜活如生，更承载着跨越文化的创作巧思，静静流淌着独特的艺术交融之美。",[56,57,58,59,25,60,61,62,63,64,7],"名画","国画","立轴","工笔","马","印章","书法","绢本","中西融合","绢本,设色","239.3x270.1","设色画精选",[67],35,2,"BDBDBD",{"id":73,"slug":74,"title":75,"dynasty":18,"author":76,"museum":20,"description":77,"tags":78,"thumbUrl":94,"material":41,"size":42,"collection":43,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":46},225677,"rembrandt-harmensz-van-rijn-087-lun-bo-lang-225677","Rembrandt 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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,79,80,26,81,82,83,84,85,86,87,88,7,89,90,91,92,93],"肖像","明暗对比","老年女性","服饰","褶皱衣领","手部细节","暗背景","坐姿","光影表现","古典风格","人物肖像","复古服饰","手部刻画","暗调背景","静态坐姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff91232fa7789b4a925654270b1fe89cf.jpg",[43],12,{"id":98,"slug":99,"title":100,"dynasty":18,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":113,"material":41,"size":42,"collection":114,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":46},232350,"he-er-bai-yin-9-he-er-bai-yin-232350","荷尔拜因9","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,26,104,82,27,105,106,33,107,108,109,110,111,112,7],"男性","兵器","剑","窗帘","室内","金属饰品","毛皮装饰","织物纹理","宝石装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1398b5b5d94b5d7f5ab1e45a21e7b24.jpg","",[],6,{"id":118,"slug":119,"title":120,"dynasty":51,"author":52,"museum":20,"description":121,"tags":122,"thumbUrl":139,"material":140,"size":114,"collection":114,"collections":141,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":71},216781,"zhan-zheng-tong-ban-hua-64-lang-shi-ning-216781","战争铜版画-64","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[123,124,125,126,127,128,129,130,131,26,132,133,134,135,7,136,137,138],"清代","铜版画","中西合璧风格","战争题材","山水","树木","河流","山峦","植被","马匹","军队","士兵","战斗场景","历史场景","人物群像","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6fe0cfecd110f3a024825bafa4e1cfb.jpg","水墨",[],{"id":143,"slug":144,"title":145,"dynasty":18,"author":101,"museum":20,"description":102,"tags":146,"thumbUrl":160,"material":41,"size":42,"collection":114,"collections":161,"showCount":162,"zanCount":11,"manualWeight":11,"mainColor":163},232363,"he-er-bai-yin-22-he-er-bai-yin-232363","荷尔拜因22",[24,79,26,147,148,149,150,25,151,152,153,89,154,155,156,7,157,158,159],"女性","头饰","衣物","素描","面部刻画","衣物褶皱","写实风格","头饰细节","衣物纹理","面部表情刻画","人物形象塑造","服饰细节","面部轮廓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11ea074229486352ae40100469e60432.jpg",[],5,"795548",{"id":165,"slug":166,"title":167,"dynasty":18,"author":168,"museum":20,"description":169,"tags":170,"thumbUrl":175,"material":41,"size":42,"collection":114,"collections":176,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":163},232049,"portrait-of-a-lady-in-grey-circa-metropolitan-museum-of-art-usa-de-jia-232049","Portrait of a Lady in Grey - circa - Metropolitan Museum of Art (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,171,26,147,38,172,173,174,7],"印象派风格","灰色调","黑色配饰","花卉纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2fa5562f5b1cd0c4174e442637cc685.jpg",[],3,{"id":179,"slug":180,"title":181,"dynasty":18,"author":182,"museum":20,"description":183,"tags":184,"thumbUrl":188,"material":41,"size":42,"collection":114,"collections":189,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":71},289087,"jean-jacques-de-boissieu-self-portrait-yi-ming-289087","Jean Jacques de 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Coiffure","这幅素描以凌厉刚劲的笔触，铺陈出极具张力的殉刑场景。受刑者仰天长啸，肌肉紧绷满是悲愤不屈，施暴者面目狞恶、动作粗野狂乱，将群体的盲目暴戾拉扯到极致。马上士兵冷眼旁观，更添悲剧的肃穆压抑，空中天使翻飞舞动，似在发出无声悲鸣，与人间暴行形成尖锐对照。\n\n作品以排线堆叠体积，明暗对比强化戏剧冲突，将宗教殉难的悲壮与人性幽暗撕扯开来，笔触间满是撼人的情绪冲击力，仿佛能让观者听见刑场的嘈杂嘶吼，窥见受难者的悲愤呼号。",[150,186,197,60,198,199,200,201,7],"宗教题材","群像","受难场景","天使","人体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11fb52c4004a0841da38d97e379861ad.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":208,"museum":20,"description":209,"tags":210,"thumbUrl":215,"material":41,"size":42,"collection":114,"collections":216,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":46},232546,"mi-lai-si-90-yue-han-ai-fu-li-te-mi-lai-si-232546","米莱斯90","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,24,25,26,211,212,213,107,38,214,82,7],"鸟笼","猫头鹰","座椅","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F266eccfc6db489ca62a2dfd5174d46db.jpg",[],{"id":218,"slug":219,"title":220,"dynasty":18,"author":101,"museum":20,"description":102,"tags":221,"thumbUrl":226,"material":41,"size":42,"collection":114,"collections":227,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":163},232457,"he-er-bai-yin-116-he-er-bai-yin-232457","荷尔拜因116",[23,25,26,79,24,222,151,158,88,7,89,223,224,225],"半身像","半身构图","服饰描绘","面部细节","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ac5d643963b1e9eb7d260f64707661.jpg",[],{"id":229,"slug":230,"title":231,"dynasty":18,"author":101,"museum":20,"description":102,"tags":232,"thumbUrl":243,"material":41,"size":42,"collection":114,"collections":244,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":46},232388,"he-er-bai-yin-47-he-er-bai-yin-232388","荷尔拜因47",[23,24,26,25,79,27,233,111,234,110,235,236,237,238,239,240,7,241,242],"珠宝饰品","金属装饰","面部细腻刻画","华丽服饰","宝石镶嵌","金饰","毛皮帽饰","人物肖像画","色彩丰富","细节刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c27e131a00052268232ef0417439d9c.jpg",[],{"id":246,"slug":247,"title":248,"dynasty":18,"author":249,"museum":20,"description":250,"tags":251,"thumbUrl":262,"material":41,"size":42,"collection":114,"collections":263,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":46},232339,"a-er-ma-66-lao-lun-si-a-er-ma-ta-de-ma-232339","阿尔玛66","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence 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Leys）的画室学习。",[23,153,252,25,137,253,38,254,255,256,257,258,259,87,7,260,261],"古典题材","古埃及元素","烛火","织物服饰","木质家具","坐姿人物","卧姿人物","器物陈设","地面装饰","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d04dccf5d574e7c874dfd00b59e4363.jpg",[],{"id":265,"slug":266,"title":267,"dynasty":18,"author":249,"museum":20,"description":250,"tags":268,"thumbUrl":283,"material":41,"size":42,"collection":114,"collections":284,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":163},232322,"a-er-ma-49-lao-lun-si-a-er-ma-ta-de-ma-232322","阿尔玛49",[269,23,24,25,26,270,271,272,273,274,111,275,276,277,38,89,7,278,279,280,281,282],"新古典主义","古典服饰","手杖","木料堆","柱子","台阶","几何纹样","暖色调","建筑元素","服饰图案","木质材料","古典建筑构件","地面陈设","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4611ad0d5f81d0c032838a2cfee65f.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":18,"author":249,"museum":20,"description":250,"tags":289,"thumbUrl":298,"material":41,"size":42,"collection":114,"collections":299,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":46},232296,"a-er-ma-23-lao-lun-si-a-er-ma-ta-de-ma-232296","阿尔玛23",[23,24,25,252,26,30,290,34,35,291,292,293,214,294,295,296,38,7,297],"静物","花卉","水果","卧榻","雕塑","饮酒器","植物","人物场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18351da96fe54544990753c4fb0b325a.jpg",[],{"id":301,"slug":302,"title":303,"dynasty":18,"author":168,"museum":20,"description":169,"tags":304,"thumbUrl":311,"material":41,"size":42,"collection":114,"collections":312,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":46},232051,"portrait-of-rene-hillaire-de-gas-musee-d-orsay-france-de-jia-232051","Portrait of Rene-Hillaire De Gas - - Musee d'Orsay (France)",[23,305,89,306,307,308,309,271,310,86,25,186,7],"写实主义","老年男性","西装","领结","白色马甲","条纹沙发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6914a283709fcd33c1776419599cd65d.jpg",[],1777535724033]