[{"data":1,"prerenderedAt":197},["ShallowReactive",2],{"subject-xie-zi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3212,"xie-zi","鞋子","鞋子画高清赏析","精选中国历代鞋子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe280b9e8679faa8bca1bc74cca87b817.jpg",0,11,[14,40,66,82,99,114,125,141,153,171,181],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},225851,"the-siesta-after-millet-fan-gao-225851","The siesta (after Millet)","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,7,31,32],"油画","临摹","厚涂","人物","稻草堆","牛","田野","天空","盘子","干草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba74f2b89d691346100f74501c68eff7.jpg","未知","Xcm*Xcm","油画精选",[36],15,"795548",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":59,"material":60,"size":61,"collection":62,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":65},218457,"shi-liu-luo-han-xiang-di-shi-san-ba-na-ta-ga-zun-zhe-ding-guan-peng-218457","十六罗汉像-第十三巴纳塔嘎尊者","清","丁观鹏","台北故宫博物院","眉眼弯作新月，嘴角噙着三分俏皮七分慈悲，圆融面庞上的纹路似时光揉过的经卷，每一道都藏着禅意的褶皱。蓝褐袈裟经纬细腻，松风涧水般的质感漫过布帛，衬裙团花簇簇，如古锦中绽出的清梦。他双手轻捧卷轴，指节温润，仿佛正与千年佛法私语，卷轴边缘的褶皱里，梵音似要悄然溢出。脚下素布鞋沾着人间烟火，让云端智慧多了尘世温度。画面庄重中见灵动，华丽里藏平实，将罗汉的通达与亲和，凝作一纸可触的温暖。",[49,50,51,52,26,53,54,55,7,56,57,58],"国画","书画","工笔","设色","宗教","印章","衣物","清代","工笔人物","设色人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F714ae035f18a63c4f5ed5dc9dd610ae2.jpg","纸本,设色","127.5x57.5","",[],12,"BDBDBD",{"id":67,"slug":68,"title":69,"dynasty":18,"author":19,"museum":20,"description":21,"tags":70,"thumbUrl":79,"material":34,"size":35,"collection":36,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":39},225818,"shoes-fan-gao-225818","Shoes",[23,71,25,72,73,7,74,75,76,77,78],"后印象派","静物","日常用品","笔触粗犷","暖色调","表现主义","光影","质感","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F902309acd60f38b7f6033e2f62eccf8c.jpg",[36],10,{"id":83,"slug":84,"title":85,"dynasty":18,"author":86,"museum":20,"description":87,"tags":88,"thumbUrl":96,"material":34,"size":35,"collection":62,"collections":97,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":65},231085,"su-miao-339-xi-fang-231085","素描339","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[89,90,91,92,93,26,94,95,55,7],"素描","写实","明暗","线条","阴影","拐杖","帽子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ed17730799ac9eca36a0368c442c5ae.jpg",[],3,{"id":100,"slug":101,"title":102,"dynasty":44,"author":45,"museum":20,"description":103,"tags":104,"thumbUrl":110,"material":34,"size":35,"collection":62,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":113},236032,"di-shi-wu-guo-ba-ga-zun-zhe-ding-guan-peng-236032","第十五锅巴嘎尊者","丁观鹏，生卒年不详（生于康熙晚期，约卒于乾隆三十五年[1770年]以后），清代画家，艺术活动于康熙末期至乾隆中期，顺天（今北京）人。丁观鹏雍正四年（1726）进入宫廷成为供奉画家，他擅长画人物、道释、山水，亦能作肖像，画风工整细致，受到欧洲绘画的影响，其弟丁观鹤同时供奉内廷。\n丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有：《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。",[105,49,50,106,53,51,52,26,107,108,109,7,54],"名画","立轴","孤石","衣袍","坐垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F812ef70a8bc1f8e633dc4ddf0adb9e60.jpg",[],2,"F48FB1",{"id":115,"slug":116,"title":117,"dynasty":44,"author":45,"museum":20,"description":103,"tags":118,"thumbUrl":123,"material":34,"size":35,"collection":62,"collections":124,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":65},236028,"di-shi-yi-wei-cha-ba-na-ta-ga-zun-zhe-ding-guan-peng-236028","第十一囗查巴纳塔嘎尊者",[49,51,52,53,26,119,120,7,54,121,122],"服饰","坐具","工笔重彩","人物画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71487871dfb029d53e32c43219e3595c.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":18,"author":129,"museum":20,"description":130,"tags":131,"thumbUrl":139,"material":34,"size":35,"collection":62,"collections":140,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":65},232369,"he-er-bai-yin-28-he-er-bai-yin-232369","荷尔拜因28","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[90,89,132,52,26,133,119,134,135,136,137,7,138],"水彩","女性","头巾","长裙","腰带","流苏","地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd9322b1bc85d9718a1881ba74d93084.jpg",[],{"id":142,"slug":143,"title":144,"dynasty":44,"author":145,"museum":20,"description":146,"tags":147,"thumbUrl":10,"material":34,"size":35,"collection":62,"collections":152,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":39},224141,"ajita-tang-ka-224141","Ajita","唐卡","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，仍是色泽艳丽明亮。因此被誉为中国民族绘画艺术的珍品，被称为藏族的”百科全书”也是中华民族民间艺术中弥足珍贵的非物质文化遗产。\n传统唐卡的绘制要求严苛、程序极为复杂，必须按照经书中的仪轨及上师的要求进行，包括绘前仪式、制作画布、构图起稿、着色染色、勾线定型、铺金描银、开眼、缝裱开光等一整套工艺程序。制作一幅唐卡用时较长，短则半年完成，长则需要十余年。",[56,145,53,52,51,26,148,149,150,119,151,7],"树木","石头","光环","经书",[],{"id":154,"slug":155,"title":156,"dynasty":18,"author":157,"museum":20,"description":158,"tags":159,"thumbUrl":168,"material":34,"size":35,"collection":62,"collections":169,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":39},232175,"diego-martelli-national-galleries-of-scotland-scotland-de-jia-232175","Diego Martelli - - National Galleries of Scotland (Scotland)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,160,26,161,162,163,164,165,166,7,167,55],"印象派","男性","沙发","桌子","纸张","书籍","椅子","室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88b785dbc7c26f6de1e2ce601c5daeb3.jpg",[],1,{"id":172,"slug":173,"title":174,"dynasty":18,"author":86,"museum":20,"description":87,"tags":175,"thumbUrl":179,"material":34,"size":35,"collection":62,"collections":180,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":65},231116,"su-miao-370-xi-fang-231116","素描370",[89,90,26,161,176,7,177,178],"人体","笔","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77dadd85ffaf09ffeccbbb882b38e446.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":44,"author":185,"museum":20,"description":186,"tags":187,"thumbUrl":195,"material":34,"size":35,"collection":62,"collections":196,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":65},266767,"hu-se-duan-mi-zhu-feng-wen-tou-zao-xie-yi-ming-266767","湖色缎米珠凤纹头皂鞋","佚名","皂鞋民国初年盛行于平、津、鲁各地，鞋帮为两片，平底或布制，脸极浅，口作尖形，鞋帮窄浅，常制用青色制造，所以故名为皂鞋",[7,188,189,190,191,192,193,194],"衣帽","刺绣","凤纹","缎面","布料","日用具","米珠装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76c6e23e5d17af351751bd5062197cf2.jpg",[],1777535732494]