[{"data":1,"prerenderedAt":219},["ShallowReactive",2],{"subject-xin-zha":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3853,"xin-zha","信札","信札画高清赏析","精选中国历代信札题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc582b2e89dd052f54067bdc45446f467.jpg",0,18,[14,35,52,66,77,88,104,115,127,140,152,160,171,181,191,198,205,212],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},227593,"zhi-jing-dao-shi-qi-shi-jun-chi-du-huang-ting-jian-227593","致景道十七使君尺牍","宋","黄庭坚","台北故宫博物院","黄庭坚《致景道十七使君尺牍》宋人袁立儒、范成大题跋 台北故宫博物院藏\n\n释文：谿翁續得山谷題前定錄等八詩。小黠大癡螳捕蟬二篇居其中。遺趙景道者小字。送李伯牖者大字。予兼而有之。於好古博雅。不曰徒費光陰矣。寶祐甲寅（1254）中秋日書。\n\n光風轉蕙。汎崇蘭些。此山谷先生小楷氣象。石湖居士題。",[23,24,25,26,27,28,29,7],"书画","书法","行书","墨书","印章","宋代","墨迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F465efcfbc458110c943d303f10caf8c3.jpg","",[],19,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":39,"author":40,"museum":41,"description":42,"tags":43,"thumbUrl":47,"material":31,"size":48,"collection":49,"collections":50,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":51},224146,"yu-qu-yuan-zhi-zheng-wen-chao-xin-zha-yu-yue-224146","俞曲园致郑文焯信札","清","俞樾","美国华盛顿国立美术馆","俞樾（1821年12月25日—1907年2月5日），字荫甫，自号曲园居士，浙江省德清县城关乡南埭村人。清末著名学者、文学家、经学家、古文字学家、书法家。现代诗人俞平伯的曾祖父，章太炎、吴昌硕、日本井上陈政皆出其门下。清道光三十年（1850年）进士，曾任翰林院编修。\n俞樾后受咸丰皇帝赏识，放任河南学政，被御史曹登庸劾奏“试题割裂经义”，因而罢官。遂移居苏州，潜心学术达40余载。治学以经学为主，旁及诸子学、史学、训诂学，乃至戏曲、诗词、小说、书法等，可谓博大精深。海内及日本、朝鲜等国向他求学者甚众，尊之为朴学大师。所著凡五百余卷，称《春在堂全书》。除《群经平议》五十卷、《诸子平议》五十卷、《茶香室经说》十六卷、《古书疑义举例》七卷外，其《第一楼丛书》三十卷、《曲园俞楼杂纂》共百卷。《清史稿》有传。\n俞樾是晚清有影响的学者。他长于经学和诗词、小说、戏曲的研究，所作笔记搜罗甚广，包含有中国学术史和文学史的珍贵资料。善诗词，工隶书，学识渊博，对群经诸子、语文训诂、小说笔记，撰著颇丰，一生著述不倦，主要著述有《小浮梅闲话》《右台仙馆笔记》《茶香室杂钞》等，辑为《春在堂全书》，凡500卷。\n在通俗小说方面的重要贡献是修改《三侠五义》，使这部小说得以广泛流传。赵景深在1956年1月所作的《三侠五义》前言中说：《三侠五义》原名《忠烈侠义传》，出现于光绪五年（1879）。1889年俞樾初见此书，认为第一回狸猫换太子“殊涉不经”，便参考《宋史》和《默记》等加以删改；他还认为书中所叙不只三侠，“南侠、北侠、丁氏双侠、小侠艾虎，则已得五侠矣。而黑妖狐智化者，小侠之师也；小诸葛沈仲元者，第一百回中盛称其从游戏中生出侠义来。然则此两人非侠而何？即将柳青、陆彬、鲁英等人概置不数，而已得七侠矣。”就改名为《七侠五义》，与《三侠五义》并行流传。这里反映了俞樾关于小说的学术观，可供历史小说创作的参考。\n他对小说的艺术研究也很精湛，赵景深又说，俞樾对于这书的评话特性也有极 好的比喻：“事迹新奇，笔意酣恣，描写既细入毫芒，点染又曲中筋节。正如柳麻子说《武松打店》，初到店内无人，蓦地一吼，店中空缸空甏皆瓮瓮有声；闲中着色，精神百倍。如此笔墨，方许作评话小说；如此评话小说，方算得天地间另一种笔墨。”如果有人写一部《中国俗小说史》，不可不能提到俞樾。",[44,24,25,7,27,45,46],"高清","纸本","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fefc4e7907f81b8c51ce121fce1b550ae.jpg","30x135","碑帖精选",[49],"795548",{"id":53,"slug":54,"title":55,"dynasty":56,"author":57,"museum":58,"description":59,"tags":60,"thumbUrl":10,"material":61,"size":31,"collection":62,"collections":63,"showCount":64,"zanCount":65,"manualWeight":11,"mainColor":51},222536,"zhi-mei-gong-li-nian-xin-zha-wang-duo-222536","致梅公李年信札","明","王铎","北京故宫博物院","此为米芾《行书三札卷》卷后王铎书法手迹，言其对米海岳书法欣喜欢爱，以至于喜爱的睡不着觉了。\n释文：弟昨为米韩马墨迹夜怀不能寐，天明即繇泥泞访年兄，欲一快也。不意年兄今遣苍头持来，谓恐为燕石。弟展观方二行，辄欣喜欢爱，若对海岳，亲见其运腕走毫也。五百年物，兵火不相之而寿如是。迨毕二启，其笔神淡宕，鸟王金羽戏海以簸扬，飞龙变化生云喷风雨。忽入缕针小家箝法,恶足以拟议也。且留弟斋，饫观数日，以慰輖饥。令较书多方爱护，断不敢油腻亵此宝。乃题为燕石云乎哉。虽然弟不欣喜欢爱则已，既欣喜欢爱，能不嫉妬年兄乎！今夜弟怀如何，又恐不能寐。念一笑。弟王铎顿首顿首 梅公李年兄阁下。",[44,24,25,7,27],"绫本","书法精选",[62],14,1,{"id":67,"slug":68,"title":69,"dynasty":18,"author":19,"museum":70,"description":71,"tags":72,"thumbUrl":74,"material":31,"size":31,"collection":31,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":34},227589,"zhi-tian-min-zhi-ming-da-zhu-bao-shu-huang-ting-jian-227589","致天民知命大主薄书","藏地不详","《致天民知命大主薄书》亦称《与天民知命书》，作于1095年。《致天民知命大主薄书》是一则信礼，是黄庭坚的著名行书作品之一。黄庭坚的书法作品都比较奇特，他的很多书法作品都有别名，如《御刻三希堂石渠宝笈法帖释文》称《家书》，《大观录》称《家书帖》，《墨缘汇观》称《天民知命帖》，《珊瑚网》称《手简一通》等。他的书法特点是字体结构严谨，中宫稳重。",[23,24,25,7,27,73],"字帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bfddde26e8363b2f92566accb871ab7.jpg",[],12,{"id":78,"slug":79,"title":80,"dynasty":39,"author":81,"museum":70,"description":82,"tags":83,"thumbUrl":85,"material":45,"size":31,"collection":62,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":34},241054,"zhi-zi-ji-zha-heng-zhao-zhi-qian-241054","致子继札横","赵之谦","赵之谦（1829年8月8日 －1884年11月18日 ），汉族，浙江会稽（今绍兴）人。 初字益甫，号冷君；后改字撝（huī）叔，号悲庵、梅庵、无闷等。清代著名书画家、篆刻家，与吴昌硕、厉良玉并称“新浙派”的三位代表人物，与任伯年、吴昌硕并称“清末三大画家”。李志敏评价：“赵之谦学北碑自成一体。”\n赵之谦从青年时代起，就刻苦致力于经学、文字训诂和金石考据之学，取得了相当的成就。尤精书画、篆刻。赵之谦善于向前人和同时代各派名家学习，又不囿前人，勇于创新。 在绘画上，他是“海上画派”的先驱人物，其以书、印入画所开创的“金石画风”，对近代写意花卉的发展产生了巨大影响；在书法上，他是清代碑学理论的最有力实践者，其魏碑体书风的形成，使得碑派技法体系进一步趋向完善，从而成为有清一代第一位在正、行、篆、隶诸体上真正全面学碑的典范；在篆刻上，他在前人的基础上广为取法，融会贯通，以“印外求印”的手段创造性地继承了邓石如以来“印从书出”的创作模式，开辟了一个前所未有的新境界。\n赵之谦的篆刻成就巨大，对后世影响深远。近代的吴昌硕、齐白石等画家都从他处受惠良多。著有《六朝别字记》《悲庵居士文存》等，又有篆刻《二金蝶堂印存》。",[23,24,25,84,7],"长卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F780d500e113fe99af594781fc50f9f4a.jpg",[62],10,{"id":89,"slug":90,"title":91,"dynasty":92,"author":93,"museum":70,"description":94,"tags":95,"thumbUrl":99,"material":100,"size":101,"collection":31,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":34},289919,"zhi-ji-zong-yuan-xin-zha-juan-zhao-meng-fu-289919","致季宗元信札卷","元","赵孟頫","赵孟頫[fǔ]（1254年10月20日－1322年7月30日），字子昂，汉族，号松雪道人，又号水晶宫道人（一说水精宫道人）、鸥波，中年曾署孟俯。吴兴（今浙江省湖州市）人，原籍婺州兰溪。南宋晚期至元朝初期官员、书法家、画家、诗人，宋太祖赵匡胤十一世孙、秦王赵德芳嫡派子孙。\n赵孟頫于南宋末年曾任真州司户参军。宋亡后隐居不仕。至元二十三年（1286年），赵孟頫经行台侍御史程钜夫举荐，赶赴大都，受元世祖赏识，授兵部郎中。此后历任集贤直学士、济南路总管府事、江浙等处儒学提举、翰林侍读学士等职，累官翰林学士承旨、荣禄大夫。自世祖至武宗、仁宗、英宗四朝皆加礼敬。晚年逐渐隐退，延祐六年（1319年）借病乞归。至治二年（1322年），赵孟頫逝世，年六十九。获赠江浙中书省平章政事、魏国公，谥号“文敏”，故称“赵文敏”。著有《松雪斋文集》等。\n赵孟頫博学多才，能诗善文，通经济之学，工书法，精绘艺，擅金石，通律吕，解鉴赏。在绘画上，他开创元代新画风，被称为“元人冠冕”。其绘画取材广泛，技法全面，山水、人物、花鸟无不擅长。其书取法钟繇、“二王”、李邕、赵构等，于篆、隶、真、行、草诸体皆擅，尤以楷书、行书著称；其书风遒媚、秀逸，结体严整、笔法圆熟，创“赵体”书，与欧阳询、颜真卿、柳公权并称“楷书四大家”。此外，赵孟頫倡导师法古人，强调“书画同源“。其绘画、书法和画学思想对后代影响深远。",[44,96,24,23,84,25,7,27,97,98],"名画","墨笔","手卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59ecb9127a45d081ca8d6431c4726ee0.jpg","未知","Xcm*Xcm",[],6,{"id":105,"slug":106,"title":107,"dynasty":56,"author":108,"museum":70,"description":109,"tags":110,"thumbUrl":112,"material":100,"size":101,"collection":31,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":34},241439,"zhi-qing-shi-ri-lai-zha-heng-wen-jia-241439","致磬室日来札横","文嘉","文嘉（1501年～1583），字休承，号文水，南直隶 苏州府长洲（今江苏苏州）人。大书画家文徵明次子。\n吴门派代表画家。初为乌程训导，后为和州学正。\n能诗，工书，小楷清劲，亦善行书。精于鉴别古书画，工石刻，为明一代之冠。画得徵明一体，善画山水，笔法清脆，颇近倪瓒，着色山水具幽澹之致，间仿王蒙皴染，亦颇秀润，兼作花卉。明人王世贞评：“其书不能如兄，而画得待诏（文徵明）一体。”詹景凤亦云：“嘉小楷轻清劲爽，宛如瘦鹤，稍大便疏散不结束，径寸行书亦然，皆不逮父。”",[111,24,25,45,7,97],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F268b2daf85aa2364c08c9eaca87a0d4d.jpg",[],5,{"id":116,"slug":117,"title":118,"dynasty":56,"author":119,"museum":70,"description":120,"tags":121,"thumbUrl":124,"material":100,"size":101,"collection":31,"collections":125,"showCount":126,"zanCount":11,"manualWeight":11,"mainColor":34},241453,"di-zan-wang-jiu-si-yang-shen-deng-liu-jia-zha-juan-lv-nan-241453","翟瓉王九思杨慎等六家札卷","吕柟","吕柟（1479年－1542年），字大棟，又字仲木，别号泾野，学者称泾野先生，陕西高陵县人，明代官員、學者。",[24,84,25,122,29,123,7,27],"草书","手札","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb580093547ef401bf06a4b939d6a400e.jpg",[],4,{"id":128,"slug":129,"title":130,"dynasty":39,"author":131,"museum":70,"description":132,"tags":133,"thumbUrl":137,"material":100,"size":101,"collection":31,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":34},241621,"zhi-yuan-tang-zha-lin-ze-xu-241621","致远堂札","林则徐","林则徐（1785年8月30日－1850年11月22日），字元抚，又字少穆、石麟，晚号俟村老人、俟村退叟、七十二峰退叟、瓶泉居士、栎社散人等，福建侯官县人，中国清代后期政治家、文学家、思想家，民族英雄。\n林则徐是嘉庆十六年（1811年）进士，历官翰林编修、江苏按察使、东河总督、江苏巡抚、湖广总督等职。道光十九年（1839年），以钦差大臣赴广东禁烟时，派人明察暗访，强迫外国鸦片商人交出鸦片，并将没收鸦片于虎门销毁。该事件被认为是第一次鸦片战争的导火线。战争爆发不久，林则徐被构陷革职，发往新疆戍边。道光二十五年（1845年）重获起用，历任陕甘总督、陕西巡抚、云贵总督等职，加太子太保。道光三十年（1850年），林则徐在奉命镇压拜上帝会起事途中，病逝于潮州普宁。获赠太子太傅，谥号“文忠”。有《林文忠公政书》等作品传世。\n林则徐一生遍历地方，治绩卓著。虽在两广抗击西方入侵，但对于西方的文化、科技和贸易则持开放态度，主张学其优而用之。由他主持编译的《四洲志》及魏源编撰的《海国图志》，对晚清的洋务运动乃至日本的明治维新都具有启发作用。",[46,23,24,25,134,135,136,7],"水墨","毛笔","纸质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc07b5e0f2275edb5f34465a48d04494.jpg",[],3,{"id":141,"slug":142,"title":143,"dynasty":39,"author":144,"museum":70,"description":145,"tags":146,"thumbUrl":149,"material":100,"size":101,"collection":31,"collections":150,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":34},290194,"zhi-ceng-pu-xin-zha-ce-ye-33-zhen-yi-ming-290194","致曾樸信札册页33帧","佚名","朱丝界栏衬底，墨笔小楷工稳端秀，笔墨间浸透旧时尺牍的雅致意趣。行笔舒展利落，点画周到妥帖，既有馆阁体的规整端凝，又暗蕴文人书写的舒展灵韵。\n\n纸面带着岁月晕染的浅淡痕迹，为手札更添古旧质感，将旧时士人尺素传情的日常情态静静铺展。朱红界格排布齐整，与乌墨书迹相映，红黑交织出沉静古朴的视觉层次。每一处笔锋起落都藏着书写者的从容心绪，尽显传统手札兼具实用与审美双重意蕴，将往昔文人间鸿雁传书的雅致情怀，封存在这一方纸页之上。",[44,147,24,148,7],"册页","楷书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf769cdb5a59463e03dcc504ab9da026.jpg",[],2,{"id":153,"slug":154,"title":7,"dynasty":39,"author":155,"museum":70,"description":156,"tags":157,"thumbUrl":158,"material":100,"size":101,"collection":31,"collections":159,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":34},288306,"xin-zha-wang-wen-zhi-288306","王文治","王文治（1730—1802），字禹卿，号梦楼，江苏丹徒人。工书法，以风韵胜。有《梦楼诗集》《快雨堂题跋》，清代书法家、诗人。\n曾随翰林侍读全魁至琉球。乾隆二十五年进士，授编修，擢侍读，官至云南临安知府。罢归，自此无意仕进。不到五十岁，即究心佛学。有《梦楼诗集》《快雨堂题跋》。",[24,25,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9a95f7eceaf08c2b686293c5901d4d6.jpg",[],{"id":161,"slug":162,"title":163,"dynasty":164,"author":165,"museum":70,"description":166,"tags":167,"thumbUrl":169,"material":100,"size":101,"collection":31,"collections":170,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":51},231801,"zi-bi-shu-jian-zi-bi-shu-jian-26x176cm-da-gui-xuan-ze-231801","自笔书简-自笔书简 26x176cm","不详","大槻玄沢","大槻文彦（）本名清复，通称复三郎，号复轩，日本明治时期的史地学家、国语学者。1847年12月22日生于日本江户（今东京）一学者世家。祖父大槻玄持是兰学家，父大槻磐是儒学家，兄大槻如电是汉学家。早年接受兰学教育，后创办过一所学校仙台藩校养贤堂，讲授英语、数学和兰学。曾任宫城县师范学校校长、宫城县寻常中学（今宫城县仙台第一高等学校）校长、国语调查委员会主任委员、帝国学士院会员。1872年入文部省任职。",[44,24,25,122,84,7,168],"手书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc26a67950f56e2a8143f07bbf3fbb36f.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":56,"author":175,"museum":70,"description":176,"tags":177,"thumbUrl":179,"material":100,"size":101,"collection":31,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},288071,"shu-qi-tie-ma-yu-288071","暑气帖","马愈","《暑气帖》是马愈邀请朋友医相先生来访叙旧的书信。因系友人间来往信札，书写时随意性很大，行笔纵横不羁，体势开张而不求工致。其书体瘦劲奔放，气息朗畅，骨力矫健，纵逸洒脱，结体开张。。陈其锟跋中称：“此书骨力排奡，纵宕不羁。”\n此帖曾经明末朱之赤、清代安岐等人收藏。，现为北京故宫博物院收藏。",[24,25,27,178,7],"暑气","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa530bc6fac0d4f287ae03203819596c5.jpg",[],{"id":182,"slug":183,"title":184,"dynasty":56,"author":185,"museum":70,"description":186,"tags":187,"thumbUrl":189,"material":100,"size":101,"collection":31,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},241647,"zhi-yang-hu-shu-zha-wen-zheng-ming-241647","致阳湖书札","文徴明","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[24,25,134,111,7,188],"手写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F292ec851f26ba019ace37779c1151773.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":56,"author":185,"museum":70,"description":186,"tags":195,"thumbUrl":196,"material":100,"size":101,"collection":31,"collections":197,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},241645,"zhi-fan-zhi-shu-zha-wen-zheng-ming-241645","致繁祉书札",[24,25,134,23,56,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88a21a135294467a5460e0104f20f2fa.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":39,"author":131,"museum":70,"description":132,"tags":202,"thumbUrl":203,"material":100,"size":101,"collection":31,"collections":204,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},241640,"zhi-lao-fu-zi-da-ren-zha-lin-ze-xu-241640","致老夫子大人札",[24,25,45,134,46,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06b94865b4555a493bf3b5024e4bdbd8.jpg",[],{"id":206,"slug":207,"title":201,"dynasty":39,"author":131,"museum":70,"description":132,"tags":208,"thumbUrl":209,"material":100,"size":101,"collection":31,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":211},241639,"zhi-lao-fu-zi-da-ren-zha-lin-ze-xu-241639",[24,25,134,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe42baf4103c50cbd163345f9df723fcc.jpg",[],"F48FB1",{"id":213,"slug":214,"title":130,"dynasty":39,"author":131,"museum":70,"description":132,"tags":215,"thumbUrl":217,"material":100,"size":101,"collection":31,"collections":218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},241636,"zhi-yuan-tang-zha-lin-ze-xu-241636",[24,25,134,27,216,7],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae3d1ebee0d84c3a55dd51699c7dc0a6.jpg",[],1777535722192]