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老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[23,24,42,28,43,7],"绸料","兰花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe403a5155fe0b199ebbefba3244a5678.jpg",[],"FDD835",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":58,"material":30,"size":31,"collection":32,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":61},264314,"xing-huang-se-ke-si-qian-cai-zhi-teng-tao-hua-wen-chang-yi-liao-yi-ming-264314","杏黄色缂丝浅彩枝藤桃花纹氅衣料","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[53,54,7,55,56,23,24,57],"缂丝","设色","桃花","枝藤","衣料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf606d1eaede2fd4e2d9dcd8882d9c68.jpg",[],8,"795548",{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":71,"material":30,"size":31,"collection":32,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":61},264151,"xing-huang-se-di-xiao-ba-jiao-shan-wen-hui-hui-zhi-jin-jin-yi-ming-264151","杏黄色地小芭蕉扇纹回回织金锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[68,24,69,7,70],"织金锦","芭蕉扇纹","织物纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f1db7ceb3ecde31036035f23d58cd6c.jpg",[],6,{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":83,"showCount":84,"zanCount":11,"manualWeight":11,"mainColor":85},263593,"xing-huang-se-chan-zhi-mu-dan-wen-zhang-rong-yi-ming-263593","杏黄色缠枝牡丹纹漳绒","整体色调明丽温暖，缠枝牡丹婉转舒展，枝蔓勾连往复，将饱满富丽的牡丹串连其中，暗合着延绵不绝的吉祥意涵。\n凭借漳绒工艺的精妙加持，纹样于面料之上若隐若现，绒面泛着柔和含蓄的光泽，将提花的层次感晕染开来。织物带着独有的华贵雅致，将宫廷审美中的富丽与温婉相融，尽显古典织物的东方意韵。",[24,80,81,82,7],"漳绒","缠枝纹","牡丹",[],4,"FF9800",{"id":87,"slug":88,"title":89,"dynasty":18,"author":19,"museum":20,"description":90,"tags":91,"thumbUrl":97,"material":30,"size":31,"collection":32,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":85},263864,"xing-huang-se-ba-ji-xiang-wen-an-hua-duan-yi-ming-263864","杏黄色八吉祥纹暗花缎","整体明丽暖雅，缎面莹润匀净。八吉祥纹以大小团窠错落排布，上部大团纹规整铺陈，下部小团纹轻盈点缀。暗花工艺让纹样隐于底色之中，唯有光影流转时，才能窥见纹样的精巧细节，将祈福意蕴藏于含蓄之间。织造细密平整，带着古旧织物独有的温润质感，纹样构图疏密得宜，静穆又不失灵动，把宗教吉庆意涵融于织锦之中，尽显传统织造美学的雅致内敛。",[7,24,92,93,94,95,96],"暗花缎","八吉祥纹","宗教","织物","吉祥纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0aaec1af9639af71e4a866466431f3c.jpg",[],3,{"id":101,"slug":102,"title":103,"dynasty":18,"author":19,"museum":20,"description":104,"tags":105,"thumbUrl":111,"material":30,"size":31,"collection":32,"collections":112,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":61},266868,"xing-huang-se-duan-da-zi-xiu-jian-di-xie-yi-ming-266868","杏黄色缎打籽绣尖底鞋","鞋面打籽绣缠枝宝相花纹，杏黄绒粒饱满挺括，藏青缎地衬得纹样明丽华贵，盘金绣勾边让花叶更具立体风骨。明黄、石绿绦边镶饰鞋缘，冷暖撞色层次鲜亮，烘托出富丽气度。\n\n尖底配麻编厚底，既保留修长秀雅身姿，又以粗粝麻底中和绣面柔靡，于精工雅致中带着质朴烟火气。绣工匀整紧实，配色浓艳谐和，是华实兼备的精巧之作，暗合旧时女子对雅致穿戴与日常行走平衡的追求。",[106,23,107,108,28,109,24,110,7],"鞋","服饰","打籽绣","缎面","尖底鞋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa14e2651892757d4b58e57cec586bb35.jpg",[],2,{"id":115,"slug":116,"title":117,"dynasty":18,"author":19,"museum":20,"description":118,"tags":119,"thumbUrl":121,"material":30,"size":31,"collection":32,"collections":122,"showCount":113,"zanCount":11,"manualWeight":11,"mainColor":85},263862,"xing-huang-se-luo-wen-duan-yi-ming-263862","杏黄色罗纹缎","这匹织物如熔金倾泻，暖调杏黄匀净鲜亮，罗缎肌理暗藏隐纹，光影里漾着细腻柔润的光泽。触之平滑莹润，经纬交织出规整罗纹，带着手工织造的温润质感，褶皱舒展间晕开柔和柔光，尽显旧时织造技艺的精妙。舍去繁缛纹饰，以纯粹底色传递内敛华贵，将中式极简风雅藏进丝丝缕缕里，静静沉淀着岁月里的织造温度，尽显素色丝织品的含蓄雅致。",[24,7,120],"罗纹缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3572e85bc618fd09ec55028f1fa5d21e.jpg",[],{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":127,"tags":128,"thumbUrl":131,"material":30,"size":31,"collection":32,"collections":132,"showCount":133,"zanCount":11,"manualWeight":11,"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