[{"data":1,"prerenderedAt":154},["ShallowReactive",2],{"subject-xiu-qi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5788,"xiu-qi","休憩","休憩画高清赏析","精选中国历代休憩题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24620bc6c89ce952d0373ed3f8835188.jpg",0,8,[14,47,61,81,102,116,128,141],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":45,"manualWeight":11,"mainColor":46},288520,"han-xi-zai-ye-yan-tu-song-mo-ben-song-gong-ting-hua-jia-288520","韩熙载夜宴图(宋摹本)","宋","宋宫廷画家","藏地不详","原作为南唐画家顾闳中的绘画作品。此卷据各方面考证，当属南宋孝宗至宁宗朝（1163—1224年）摹本，其风格基本反映出原作面貌，且达到相当高水平，堪称流传有绪的古代绘画珍品。\n作品如实地再现了南唐大臣韩熙载夜宴宾客的历史情景，细致地描绘了宴会上弹丝吹竹、清歌艳舞、主客揉杂、调笑欢乐的热闹场面，又深入地刻划了主人公超脱不羁、沉郁寡欢的复杂性格。全图共分为五个段落，首段“听乐”，韩熙载与状元郎粲坐床榻上，正倾听教坊副使李家明之妹弹琵琶，旁坐其兄，在场听乐宾客还有紫微朱铣、太常博士陈致雍、门生舒雅、家伎王屋山诸人；二段“观舞”，众人正在观看王屋山跳“六幺舞”，韩熙载亲擂“羯鼓”助兴，好友德明和尚不期而遇此景，尴尬地拱手背立；三段“暂歇”，韩熙载与家伎们坐床上休息，韩正在净手；四段“清吹”，韩熙载解衣盘坐椅上，欣赏着五个歌女合奏；五段“散宴”，韩氏手持鼓槌送别，尚有客人在与女伎调笑。全卷以连环画的形式表现各个情节，每段以屏风隔扇加以分隔，又巧妙地相互联结，场景显得统一完整。布局有起有伏，情节有张有弛，尤其人物神态刻画栩栩如生，如“听乐”段状元郎粲的倾身细听动姿、李家明关注其妹的亲切目光、他人不由自主的合手和拍；“观舞”段王屋山娇小玲珑的身姿、德明和尚背身合掌低首而立的尴尬状等等，传尽心曲，入木三分。最出色的还是主人公韩熙载的刻画，长髯、高帽的外形与文献记载均相吻合，举止、表情更显露出他复杂的内心。一方面，他在宴会上与宾客觥筹交错，不拘小节，如亲自击鼓为王屋山伴奏，敞胸露怀听女乐合奏，送别时任客人与家伎厮混，充分反映了他狂放不羁、纵情声色的处世态度和生活追求；另一方面又心不在焉、满怀忧郁，如擂鼓时双目凝视、面不露笑，听清吹时漫不经心，与对面侍女闲谈，这些情绪都揭示了他晚年失意、以酒色自汙的心态。画家塑造的韩熙载，不仅形象逼肖，具肖像画性质，而且对其内心挖掘深刻，性格立体化，可以说真实再现了这位历史人物的原貌。\n作品的艺术水平也相当高超。造型准确精微，线条工细流畅，色彩绚丽清雅。不同物象的笔墨运用又富有变化，尤其敷色更见丰富、和谐，仕女的素妆艳服与男宾的青黑色衣衫形成鲜明对照。几案坐榻等深黑色家具沉厚古雅，仕女裙衫、帘幕、帐幔、枕席上的图案又绚烂多采。不同色彩对比参差，交相辉映，使整体色调艳而不俗，绚中出素，呈现出高雅、素馨的格调。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7,37,38],"高清","国画","名画","书画","长卷","人物画","工笔","设色","夜宴","人物","饮酒","乐舞","听乐","观舞","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde43b93040d57e342c67c97ee8336009.jpg","未知","Xcm*Xcm","",[],214,2,"795548",{"id":48,"slug":49,"title":50,"dynasty":18,"author":51,"museum":20,"description":52,"tags":53,"thumbUrl":10,"material":42,"size":42,"collection":42,"collections":59,"showCount":60,"zanCount":11,"manualWeight":11,"mainColor":46},227615,"liu-yin-xiu-qi-tu-ye-yang-ri-yan-227615","柳荫休憩图页","杨日严","杨日严，字垂训，宋朝河南人。进士及第，曾任安丘知县，通判亳、陈二州。杨日严任益州转运使时，颇为蜀人所信爱，却在任内因贪污被欧阳修弹劾，从此与欧阳修结怨，并且设法攻击。后为开封府代理知府，有囚犯自杀因被罢官。后判太常、司农寺，同知审官院，卒于官。",[23,25,24,26,54,30,29,32,55,56,57,58,7],"册","柳树","飞鸟","山水","孤石",[],18,{"id":62,"slug":63,"title":64,"dynasty":65,"author":66,"museum":20,"description":67,"tags":68,"thumbUrl":78,"material":40,"size":41,"collection":42,"collections":79,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":46},288634,"jean-baptiste-deshays-shepherds-dreaming-of-the-flight-into-egypt-yi-ming-288634","Jean-Baptiste Deshays--Shepherds Dreaming of the Flight into Egypt","不详","佚名","前景里牧羊人正沉酣入梦，姿态松弛倦怠，羊群依偎身侧，晕开乡野深夜的宁和慵懒。岩洞深处，圣母子与约瑟暂作休憩，圣母垂首凝望着怀中圣婴，神色温柔缱绻。云霭之上天使悄然浮现，柔光漫过岩壁，将神性的静谧揉进山野的粗粝肌理里。\n\n画作笔触奔放写意，暖棕底色晕开沉沉暮色，明暗对比朦胧柔和，将凡间日常的松弛安然与神迹的圣洁温柔相融，让逃亡的奔波在此刻暂缓，梦境与神性交织晕染，为这段旅途晕开一抹治愈的乡野暖意。",[69,70,71,72,73,74,75,76,77,7],"油画","宗教画","圣母","圣婴","天使","牧羊人","羊群","洞穴","梦境","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf7c5bcb3d4bf9ae830f17a4759e34f8.jpg",[],4,{"id":82,"slug":83,"title":84,"dynasty":65,"author":66,"museum":20,"description":85,"tags":86,"thumbUrl":98,"material":40,"size":41,"collection":42,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},288708,"william-blake-the-rest-on-the-flight-into-egypt-yi-ming-288708","William Blake--The Rest on the Flight into Egypt","柔和水彩晕开晨昏朦胧暖意，逃亡的圣家依偎椰影暂作休憩。伫立的父亲垂首祈祷，虔诚轮廓在浅衣下静静舒展，坐石的母亲怀拥圣婴，眉目舒展卸下奔波惶然。一旁的驴垂首饮着清浅河水，衬得此刻宁和愈发温柔。\n\n远景红日沉在墨色丘峦旁，粼粼水光晕开暖调余晖，椰叶轻曳，石边小花悄然绽露生机。画作以淡彩铺就松弛柔缓的氛围，将逃亡中的片刻安宁揉进细腻笔触，把宗教题材的肃穆，晕染为带着烟火暖意的浮生一隅，让神性叙事藏在俗世的温柔日常之中。",[70,87,28,88,89,90,7,91,92,93,94,95,96,97],"水彩画","基督教题材","圣家族","逃亡埃及","夕阳","河流","棕榈树","驴","婴孩","宁静","野外","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F952001a5d0ed0838f5446435396f139c.jpg",[],3,"BDBDBD",{"id":103,"slug":104,"title":105,"dynasty":65,"author":106,"museum":20,"description":107,"tags":108,"thumbUrl":114,"material":40,"size":41,"collection":42,"collections":115,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":101},232290,"a-er-ma-17-lao-lun-si-a-er-ma-ta-de-ma-232290","阿尔玛17","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[69,109,110,111,112,32,113,7],"写实风格","田园风光","田野","干草堆","阅读","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4a6ed10bab49e8275b1b12eb7c4a5bd6.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":65,"author":66,"museum":20,"description":120,"tags":121,"thumbUrl":125,"material":40,"size":41,"collection":42,"collections":126,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":101},289219,"giuseppe-bernardino-bison-the-rest-on-the-flight-into-egypt-yi-ming-289219","Giuseppe Bernardino Bison--The Rest on the Flight into Egypt","迅疾随性的炭笔线条晕开淡墨，寥寥数笔便定格下休憩的瞬间。老约瑟夫佝偻的神态被简练笔触精准捕捉，垂首的圣母沉静温柔，眉眼间满是松弛的安然，孩童与小天使的互动鲜活灵动，勾勒出亲昵的暖意。\n\n淡墨铺陈出明暗层次，模糊的背景潦草写意，将视觉焦点牢牢锁在人物身上。即兴挥洒的笔意未有精细刻画，却凭借灵动的笔触传递出静谧温暖的氛围，随性线条间藏着细腻情绪，让这片刻休憩满是柔和安宁的气息，带着速写独有的鲜活张力。",[70,122,123,124,32,73,90,7],"速写","素描","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54ee9c632b0f3294e00f9a0a0cfb7118.jpg",[],1,{"id":129,"slug":130,"title":131,"dynasty":65,"author":66,"museum":20,"description":132,"tags":133,"thumbUrl":139,"material":40,"size":41,"collection":42,"collections":140,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":101},288849,"giovanni-battista-tiepolo-two-seated-satyrs-and-a-child-satyr-yi-ming-288849","Giovanni Battista Tiepolo--Two Seated Satyrs and a Child Satyr","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[123,122,134,28,135,136,137,7,138],"淡彩","神话题材","半人半兽","兽类","线描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8211d017571dbbe64bf4320aa9f0467.jpg",[],{"id":142,"slug":143,"title":144,"dynasty":65,"author":66,"museum":20,"description":145,"tags":146,"thumbUrl":152,"material":40,"size":41,"collection":42,"collections":153,"showCount":127,"zanCount":11,"manualWeight":11,"mainColor":101},288607,"jonas-umbach-august-one-of-a-series-representing-the-labors-yi-ming-288607","Jonas Umbach--August (one of a series representing the labors","红粉笔晕出暖调乡野，林畔空地是农人们的休憩角落。少女们环坐分饮陶罐里的饮品，笑意仿佛随水汽漫开，一旁农人枕臂瘫坐，将劳作的疲惫尽数卸下。远景田垄间仍有人俯身采收，更远处村舍轻融在柔云之下。\n\n线条松弛柔和，将衣物褶皱与林木枝叶的肌理细细铺陈，疏密构图让画面张弛有度。农忙间隙的松弛日常被定格，乡野烟火气裹着午后暖意漫开，把八月郊野的慵懒惬意揉进笔底，晕染出质朴舒展的田园诗意。",[123,147,32,148,149,150,7,151],"风俗画","树木","牛","田园","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97ef30cf42f9c16db124cf9d540186f.jpg",[],1777535738383]