[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"subject-xu-shi-chang-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7370,"xu-shi-chang-jing","叙事场景","叙事场景画高清赏析","精选中国历代叙事场景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7017dbdd894684d36b92db28b0f55266.jpg",0,2,[14,49],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":44,"collection":45,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":48},232359,"he-er-bai-yin-18-he-er-bai-yin-232359","荷尔拜因18","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,7],"名画","白描","素描","线条勾勒","淡彩","人物","士兵","铠甲","马匹","火焰","建筑柱式","树木","河流","冲突场景","历史题材","战争场景","武器","群像","动态刻画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a2f69ce983061f1fd4e24622108c0bc.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":50,"slug":51,"title":52,"dynasty":18,"author":53,"museum":20,"description":54,"tags":55,"thumbUrl":10,"material":43,"size":44,"collection":45,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":48},289502,"benedetto-luti-pius-v-and-the-ambassador-of-the-king-of-poland-yi-ming-289502","Benedetto Luti--Pius V and the Ambassador of the King of Poland","佚名","这幅素描以明暗铺陈戏剧张力，高台之上的掌权者踞坐睥睨，躬身的使者正上前呈递，尊卑反差立现。旁侧侍从神色各别，或垂首肃穆，或私语窥察，暗涌着朝堂里的微妙心绪。前景横陈阶前的濒死躯体，将权谋交锋下的残酷直白铺展。\n\n淡墨晕染帷幔虚化背景，把焦点收拢在人物群像的情绪拉扯间，粗粝又精准的线条，勾勒出每个角色的神态动态，带着速写独有的鲜活质感，将这场朝堂会面的冷峻悲情揉入笔触，让权力博弈下的众生相跃然纸面，尽显古典叙事里的沉郁张力。",[25,56,57,58,59,60,7],"人物画","宗教题材","历史画","群体人物","古典风格",[],1,1777535793834]