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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[130,131,132,133,134,7,135,74,136,137,138],"印象派","光影捕捉","色彩晕染","笔触松散","干草堆","远山","影子","晨光","田野","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4539166ce37bcb465cc86f5f40d77df7.jpg","未知","Xcm*Xcm","油画精选",[142],47,{"id":146,"slug":147,"title":148,"dynasty":108,"author":149,"museum":150,"description":151,"tags":152,"thumbUrl":154,"material":35,"size":155,"collection":156,"collections":157,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":42},218742,"xue-ting-you-qin-tu-luo-zhi-chuan-218742","雪汀游禽图","罗稚川","日本东京国立博物馆","罗稚川，元代前期的文人画家。临川新喻（江西省清江）人。在中国的画史等文献中并无其相关记录，其详细经历不明，但因与同乡元代范德机（－1330）等人交友，故人们将其活跃期推定在至正年以前至后至元（1335－1340）年间。\n本图是罗稚川为数不多的一幅作品，描绘了荒凉的寒林平远景色，展示了继承北宋寒林平远图形式的元代李郭派的画风。前景部分的中央着重描绘了复杂曲折的老树和延至左方的枯木、以及栖息在枯苇与树枝上的鸟、或是寒空中交错飞过的群鸟等景物，主要以水墨表现出的世界中，枯苇和竹叶却略施淡彩，只有寒风下缩身于枯木中的长尾鸡和枯苇中的野鸭施有浓彩，令人对雪汀荒寒的景色印象深刻。图中有“罗氏稚川” 之印（白文方印）。",[23,51,24,72,53,28,27,76,31,7,153,135],"汀岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79112c7b3314cbaa0d7594df0ebd6017.jpg","52x77cm","花鸟画精选",[156],{"id":159,"slug":160,"title":161,"dynasty":126,"author":127,"museum":69,"description":128,"tags":162,"thumbUrl":170,"material":140,"size":141,"collection":142,"collections":171,"showCount":172,"zanCount":11,"manualWeight":11,"mainColor":63},225911,"cart-on-the-snow-covered-road-with-saint-simeon-farm-1865-mo-nai-225911","Cart on the Snow Covered Road with Saint-Simeon Farm, 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的独特风格。时与王时敏、王鉴、王原祁、吴历、恽格齐名，被称为“四王吴恽”，又称“清六家”。\n康熙三十年（1691年），60岁的王翚由其画学弟子、时任兵部左侍郞的宋骏业推荐，以布衣应诏供奉内廷，绘制《康熙南巡图》，三年完成，得到康熙帝的褒奖，被视为画之正宗。其追随者甚众，因他为常熟人，常熟有虞山，故后人将其称为“虞山派”，且与王原祁二人有“画圣”之称。60岁以后，由于求画者甚多，王翚的作品多为应酬之作，难免粗制滥造，还出现了不少代笔画。又由于其技法纯熟，形成了一定的格式，下笔往往带有习气， 不及以前的作品生动清新。",[24,72,25,53,28,27,227,31,76,33,7,135,228,114],"茅屋","近树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ff3172206d083c2c3a1a837744abfa4.jpg",[37,61],29,{"id":233,"slug":234,"title":235,"dynasty":47,"author":19,"museum":224,"description":236,"tags":237,"thumbUrl":240,"material":241,"size":242,"collection":156,"collections":243,"showCount":244,"zanCount":121,"manualWeight":11,"mainColor":42},223447,"han-ting-luo-yan-tu-zhou-yi-ming-223447","寒汀落雁图轴","图为寒冬枯树滩、野鸭、黑乌鸦、野雁。 老树枯干，几只黑乌鸦没能栖息； 野鸭在浅滩上成群结队，踱步，或觅食； 接吻雁扇动着翅膀飞了起来，以“一”字形飞向天涯。 这幅画以水墨构想了一个冰冷、寂静、空旷的场景。",[23,24,25,53,26,31,238,239,73,185,27,7,76],"鸿雁","浅滩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6b41179185b48a7ca59003ff3966b6b.jpg","绢本，水墨","125.9＊92.6cm",[156,61],27,{"id":246,"slug":247,"title":248,"dynasty":85,"author":249,"museum":250,"description":251,"tags":252,"thumbUrl":260,"material":261,"size":262,"collection":78,"collections":263,"showCount":264,"zanCount":11,"manualWeight":11,"mainColor":63},222961,"hong-lou-meng-86-sun-wen-222961","红楼梦86","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,89,26,90,27,93,253,92,254,29,96,255,256,74,257,56,31,258,33,94,7,259],"小桥","美人","亭子","伞","桃花","古装","细描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Face67c130a7ac403f4b975c7af2da2cf.jpg","绢本","纵43.3厘米、横76.5厘米",[],20,{"id":266,"slug":267,"title":268,"dynasty":269,"author":270,"museum":69,"description":271,"tags":272,"thumbUrl":274,"material":78,"size":78,"collection":78,"collections":275,"showCount":276,"zanCount":11,"manualWeight":11,"mainColor":42},226705,"su-li-bie-yi-juan-2-zhou-wen-ju-226705","苏李别意卷-2","五代十国","周文矩","该幅是描绘苏武与李陵于荒寒北地殷殷话别的情景。",[24,72,52,26,89,92,7,273],"山丘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa229b26e47f4093cc5aab6eddd554b77.jpg",[],18,{"id":278,"slug":279,"title":280,"dynasty":126,"author":19,"museum":69,"description":281,"tags":282,"thumbUrl":295,"material":78,"size":78,"collection":78,"collections":296,"showCount":297,"zanCount":11,"manualWeight":11,"mainColor":63},225328,"fu-shi-hui-78-yi-ming-225328","浮世绘78","寒波之上，浮桥蜿蜒铺陈，驮马随旅人踏桥缓行，蓑笠行人点缀其上，将冬日常态揉入冷寂雪景里。右侧茅庐覆雪，孤松孑立，枝桠凝雪愈显清瘦。浅绛远山留白晕出积雪，靛蓝水面细浪轻翻，冷色调里暖棕柔化了冬日萧寒。\n\n线条勾勒出积雪蓬松质感，平涂设色带着雅致装饰意趣，虚实相生间铺展郊野冬旅的幽闲况味，静穆清寂中藏着行路的烟火暖意，把冬日清冽与日常行旅绘成一卷诗意冬景。",[283,284,285,26,286,287,92,183,30,288,32,289,7,113,97,290,291,292,74,293,29,294],"浮世绘","木刻","版画","桥","马","水","松树","行人","骑马","积雪","小屋","河面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82d61bddb52bce801bd97e3d6de86d0c.jpg",[],15,{"id":299,"slug":300,"title":301,"dynasty":85,"author":19,"museum":69,"description":302,"tags":303,"thumbUrl":305,"material":78,"size":78,"collection":78,"collections":306,"showCount":307,"zanCount":11,"manualWeight":11,"mainColor":42},235301,"gao-feng-han-xue-jing-shan-shui-tu-zhou-yi-ming-235301","高凤翰雪景山水图轴","此作用浅绛设色铺就雪冬胜景，以平远视角层层铺陈。近岸枯松虬劲、茅舍隐于坡坳，寒溪曲折穿绕山涧，将视线引向遥岑。山峦皆以淡墨晕染，留白托出覆雪，赭石轻敷坡麓，晕开雪后初霁的温润暖意。枯笔勾勒寒木，萧疏间尽显冬意萧寒。\n\n画面题诗与绘境相融，文气浸润山水，把冬日山野的辽远空寂，幽居的静穆淡远尽数铺展。简淡笔法写尽冷逸雅致，将文人幽栖林下的安然意趣，藏进这片素裹山河之中，尽显清旷出尘的冬日诗意。",[24,72,25,26,27,29,30,288,289,182,32,92,113,7,31,212,304,28],"冰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbc86f7786a0e780b5ff66b2cd24fe16.jpg",[],9,{"id":309,"slug":310,"title":311,"dynasty":85,"author":312,"museum":69,"description":313,"tags":314,"thumbUrl":316,"material":78,"size":78,"collection":78,"collections":317,"showCount":307,"zanCount":11,"manualWeight":11,"mainColor":63},230962,"jie-jiao-tu-dong-bang-da-230962","解角图","董邦达","此作以长卷铺展平远寒林之境，左处危崖飞泉，枯木虬曲苍劲，麋鹿或俯饮或闲游，野意悠然。中段洲渚错落，寒林与苍松交错排布，留白晕染烟波浩渺，空濛清寂。\n\n全作用色浅淡秀润，山石皴法简净雅致，林木勾勒细致入微，既得元人山水萧散简远之致，又暗含庙堂文雅气韵。将冬日郊野的清旷萧寒，与鹿群自在恬和之态相融，静穆淡远的林下雅趣跃然绢素，是兼具院体工稳与文人意韵的佳构。",[23,24,72,52,26,28,89,27,31,289,75,33,113,7,315],"印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d17b32f4f9101d80e94726c757afe45.jpg",[],{"id":319,"slug":320,"title":321,"dynasty":47,"author":19,"museum":69,"description":322,"tags":323,"thumbUrl":328,"material":78,"size":78,"collection":78,"collections":329,"showCount":330,"zanCount":11,"manualWeight":11,"mainColor":42},227932,"xue-ting-shui-qin-tu-yi-ming-227932","雪汀水禽图","此作以淡墨晕染萧寒冬境，水岸枯木虬曲苍劲，瘦削枝桠凌冽舒展，数只禽鸟缩羽栖息枝头，将冬日瑟缩畏寒之态尽显。右上一双水禽振翅掠空，破静谧成动静相生之趣。\n画家以留白晕染暗喻薄雪覆汀，设色简淡清润，笔触凝练细腻，枯枝的苍古、水禽灵动神态皆跃然绢上。尺幅之间铺陈出荒寒清远的意趣，尽显冬日郊野空寂冷逸，将冬汀荒萧寒疏之美藏于方寸，余韵悠悠。",[23,24,51,324,89,53,26,31,76,325,7,326,153,327,29],"扇面","水禽","孤石","枯枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F878f36345b633ba5b5cac846f19743b3.jpg",[],8,{"id":332,"slug":333,"title":334,"dynasty":126,"author":127,"museum":69,"description":128,"tags":335,"thumbUrl":338,"material":140,"size":141,"collection":142,"collections":339,"showCount":330,"zanCount":11,"manualWeight":11,"mainColor":63},226110,"the-road-to-the-farm-saint-simeon-in-winter-1867-mo-nai-226110","The Road to the Farm Saint-Simeon in Winter, 1867",[163,130,7,164,74,76,290,97,29,327,169,336,337],"光影","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72b8829824dbfa4e3c96b6d7c9a370dd.jpg",[142],{"id":341,"slug":342,"title":343,"dynasty":126,"author":127,"museum":69,"description":128,"tags":344,"thumbUrl":348,"material":140,"size":141,"collection":142,"collections":349,"showCount":330,"zanCount":11,"manualWeight":11,"mainColor":42},226059,"the-church-at-ve-theuil-snow-1878-1879-mo-nai-226059","The Church at Vétheuil, Snow, 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